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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 213 72 it is the complementary color RGB 168 42 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 213 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 213 72 shade: RGB 92 213 67, RGB 109 231 86, RGB 126 249 105, RGB 143 255 124 and RGB 160 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 213 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 213 72 shade: RGB 87 213 72, RGB 70 195 53, RGB 53 177 34, RGB 36 159 15 and RGB 19 141 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 213 72 shade: RGB 87 213 72, RGB 125 213 72, RGB 163 213 72, RGB 201 213 72 and RGB 213 187 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 213 72 shade: RGB 87 213 72, RGB 72 213 95, RGB 72 213 133, RGB 72 213 171 and RGB 72 213 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 213 72 shade matches the following richer shades: RGB 87 213 72, RGB 72 231 53 and RGB 58 249 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 213 72 shade: RGB 87 213 72, RGB 101 195 90, RGB 115 177 108, RGB 130 159 126 and RGB 144 140 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 213 72 shade: RGB 164 213 72, RGB 126 213 72, RGB 88 213 72, RGB 72 213 93 and RGB 72 213 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 213 72 shade: RGB 51 165 37, RGB 61 199 45, RGB 87 213 72, RGB 118 221 105 and RGB 148 228 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 213 72 shade: RGB 87 213 72, RGB 72 201 213 and RGB 213 72 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 213 72 shade: RGB 87 213 72, RGB 72 88 213 and RGB 213 72 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 213 72 shade: RGB 87 213 72, RGB 72 201 213, RGB 196 72 213 and RGB 213 83 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 213 72 shade: RGB 87 213 72, RGB 72 159 213, RGB 196 72 213 and RGB 213 126 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 66 / 16

HEX #57D548

RGB 87 213 72

HSL 113.62, 0.63%, 0.56%

LAB 76.12, -60.87, 57.23

 

Complementary color

CMYK 8 / 77 / 0 / 28

HEX #A82AB7

RGB 168 42 183

HSL 293.62, 0.63%, 0.44%

LAB 43.36, 66.72, -47.77

 

CMYK 57 / 0 / 69 / 16

HEX #5CD543

RGB 92 213 67

HSL 109.73, 0.63%, 0.55%

LAB 76.23, -60.1, 59.36

 

CMYK 53 / 0 / 63 / 9

HEX #6DE756

RGB 109 231 86

HSL 110.48, 0.75%, 0.62%

LAB 82.42, -60.58, 58.59

 

CMYK 49 / 0 / 58 / 2

HEX #7EF969

RGB 126 249 105

HSL 111.25, 0.92%, 0.69%

LAB 88.55, -60.85, 57.59

 

CMYK 44 / 0 / 51 / 0

HEX #8FFF7C

RGB 143 255 124

HSL 111.3, 1%, 0.74%

LAB 91.15, -56.28, 52.32

 

CMYK 37 / 0 / 44 / 0

HEX #A0FF8F

RGB 160 255 143

HSL 110.89, 1%, 0.78%

LAB 92.12, -48.84, 44.74

 

CMYK 59 / 0 / 66 / 16

HEX #57D548

RGB 87 213 72

HSL 113.62, 0.63%, 0.56%

LAB 76.12, -60.87, 57.23

 

CMYK 64 / 0 / 73 / 24

HEX #46C335

RGB 70 195 53

HSL 112.82, 0.57%, 0.49%

LAB 69.89, -60.06, 57.82

 

CMYK 70 / 0 / 81 / 31

HEX #35B122

RGB 53 177 34

HSL 112.03, 0.68%, 0.41%

LAB 63.6, -58.78, 57.78

 

CMYK 77 / 0 / 91 / 38

HEX #249F0F

RGB 36 159 15

HSL 111.25, 0.83%, 0.34%

LAB 57.28, -56.83, 56.58

 

CMYK 87 / 0 / 100 / 45

HEX #138D00

RGB 19 141 0

HSL 111.91, 1%, 0.28%

LAB 50.91, -53.98, 53.72

 

CMYK 59 / 0 / 66 / 16

HEX #57D548

RGB 87 213 72

HSL 113.62, 0.63%, 0.56%

LAB 76.12, -60.87, 57.23

 

CMYK 41 / 0 / 66 / 16

HEX #7DD548

RGB 125 213 72

HSL 97.45, 0.63%, 0.56%

LAB 77.53, -50.23, 59.16

 

CMYK 23 / 0 / 66 / 16

HEX #A3D548

RGB 163 213 72

HSL 81.28, 0.63%, 0.56%

LAB 79.52, -36.84, 61.87

 

CMYK 6 / 0 / 66 / 16

HEX #C9D548

RGB 201 213 72

HSL 65.11, 0.63%, 0.56%

LAB 82.1, -21.77, 65.34

 

CMYK 0 / 12 / 66 / 16

HEX #D5BB48

RGB 213 187 72

HSL 48.94, 0.63%, 0.56%

LAB 76.16, -3.62, 59.5

 

CMYK 59 / 0 / 66 / 16

HEX #57D548

RGB 87 213 72

HSL 113.62, 0.63%, 0.56%

LAB 76.12, -60.87, 57.23

 

CMYK 66 / 0 / 55 / 16

HEX #48D55F

RGB 72 213 95

HSL 129.79, 0.63%, 0.56%

LAB 75.94, -61.51, 46.89

 

CMYK 66 / 0 / 38 / 16

HEX #48D585

RGB 72 213 133

HSL 145.96, 0.63%, 0.56%

LAB 76.47, -55.53, 28.79

 

CMYK 66 / 0 / 20 / 16

HEX #48D5AB

RGB 72 213 171

HSL 162.13, 0.63%, 0.56%

LAB 77.22, -47.53, 9.83

 

CMYK 66 / 0 / 2 / 16

HEX #48D5D1

RGB 72 213 209

HSL 178.3, 0.63%, 0.56%

LAB 78.21, -37.82, -9.07

 

CMYK 59 / 0 / 66 / 16

HEX #57D548

RGB 87 213 72

HSL 113.62, 0.63%, 0.56%

LAB 76.12, -60.87, 57.23

 

CMYK 69 / 0 / 77 / 9

HEX #48E735

RGB 72 231 53

HSL 113.6, 0.79%, 0.56%

LAB 81.17, -71.41, 68.97

 

CMYK 77 / 0 / 86 / 2

HEX #3AF923

RGB 58 249 35

HSL 113.55, 0.95%, 0.56%

LAB 86.39, -79.83, 78.13

 

CMYK 59 / 0 / 66 / 16

HEX #57D548

RGB 87 213 72

HSL 113.62, 0.63%, 0.56%

LAB 76.12, -60.87, 57.23

 

CMYK 48 / 0 / 54 / 24

HEX #65C35A

RGB 101 195 90

HSL 113.71, 0.47%, 0.56%

LAB 71.24, -48.45, 43.84

 

CMYK 35 / 0 / 39 / 31

HEX #73B16C

RGB 115 177 108

HSL 113.91, 0.31%, 0.56%

LAB 66.65, -33.78, 29.14

 

CMYK 18 / 0 / 21 / 38

HEX #829F7E

RGB 130 159 126

HSL 112.73, 0.15%, 0.56%

LAB 62.55, -16.64, 13.96

 

CMYK 0 / 3 / 0 / 44

HEX #908C90

RGB 144 140 144

HSL 300, 0.02%, 0.56%

LAB 58.69, 2.26, -1.61

 

CMYK 23 / 0 / 66 / 16

HEX #A4D548

RGB 164 213 72

HSL 80.85, 0.63%, 0.56%

LAB 79.58, -36.46, 61.95

 

CMYK 41 / 0 / 66 / 16

HEX #7ED548

RGB 126 213 72

HSL 97.02, 0.63%, 0.56%

LAB 77.57, -49.91, 59.22

 

CMYK 59 / 0 / 66 / 16

HEX #58D548

RGB 88 213 72

HSL 113.19, 0.63%, 0.56%

LAB 76.15, -60.63, 57.27

 

CMYK 66 / 0 / 56 / 16

HEX #48D55D

RGB 72 213 93

HSL 128.94, 0.63%, 0.56%

LAB 75.92, -61.77, 47.79

 

CMYK 66 / 0 / 38 / 16

HEX #48D583

RGB 72 213 131

HSL 145.11, 0.63%, 0.56%

LAB 76.44, -55.89, 29.77

 

CMYK 69 / 0 / 78 / 35

HEX #33A525

RGB 51 165 37

HSL 113.44, 0.63%, 0.4%

LAB 59.66, -55, 53.06

 

CMYK 69 / 0 / 77 / 22

HEX #3DC72D

RGB 61 199 45

HSL 113.77, 0.63%, 0.48%

LAB 70.89, -63.76, 61.44

 

CMYK 59 / 0 / 66 / 16

HEX #57D548

RGB 87 213 72

HSL 113.62, 0.63%, 0.56%

LAB 76.12, -60.87, 57.23

 

CMYK 47 / 0 / 52 / 13

HEX #76DD69

RGB 118 221 105

HSL 113.28, 0.63%, 0.64%

LAB 79.95, -52.2, 47.36

 

CMYK 35 / 0 / 39 / 11

HEX #94E48B

RGB 148 228 139

HSL 113.93, 0.62%, 0.72%

LAB 83.78, -41.51, 35.87

 

CMYK 59 / 0 / 66 / 16

HEX #57D548

RGB 87 213 72

HSL 113.62, 0.63%, 0.56%

LAB 76.12, -60.87, 57.23

 

CMYK 66 / 6 / 0 / 16

HEX #48C9D5

RGB 72 201 213

HSL 185.11, 0.63%, 0.56%

LAB 74.8, -31.05, -16.34

 

CMYK 0 / 66 / 32 / 16

HEX #D54891

RGB 213 72 145

HSL 328.94, 0.63%, 0.56%

LAB 52.76, 61.56, -10.09

 

CMYK 59 / 0 / 66 / 16

HEX #57D548

RGB 87 213 72

HSL 113.62, 0.63%, 0.56%

LAB 76.12, -60.87, 57.23

 

CMYK 66 / 59 / 0 / 16

HEX #4858D5

RGB 72 88 213

HSL 233.19, 0.63%, 0.56%

LAB 43.01, 33.71, -66.27

 

CMYK 0 / 66 / 59 / 16

HEX #D54858

RGB 213 72 88

HSL 353.19, 0.63%, 0.56%

LAB 51.25, 56.21, 21.87

 

CMYK 59 / 0 / 66 / 16

HEX #57D548

RGB 87 213 72

HSL 113.62, 0.63%, 0.56%

LAB 76.12, -60.87, 57.23

 

CMYK 66 / 6 / 0 / 16

HEX #48C9D5

RGB 72 201 213

HSL 185.11, 0.63%, 0.56%

LAB 74.8, -31.05, -16.34

 

CMYK 8 / 66 / 0 / 16

HEX #C448D5

RGB 196 72 213

HSL 292.77, 0.63%, 0.56%

LAB 53.14, 67.37, -49.27

 

CMYK 0 / 61 / 66 / 16

HEX #D55348

RGB 213 83 72

HSL 4.68, 0.63%, 0.56%

LAB 52.73, 50.51, 33.11

 

CMYK 59 / 0 / 66 / 16

HEX #57D548

RGB 87 213 72

HSL 113.62, 0.63%, 0.56%

LAB 76.12, -60.87, 57.23

 

CMYK 66 / 25 / 0 / 16

HEX #489FD5

RGB 72 159 213

HSL 202.98, 0.63%, 0.56%

LAB 62.49, -9.3, -35.21

 

CMYK 8 / 66 / 0 / 16

HEX #C448D5

RGB 196 72 213

HSL 292.77, 0.63%, 0.56%

LAB 53.14, 67.37, -49.27

 

CMYK 0 / 41 / 66 / 16

HEX #D57E48

RGB 213 126 72

HSL 22.98, 0.63%, 0.56%

LAB 61.25, 29.02, 43.17

 

Description

Color code: RGB 87 213 72 | qconv.com Color code: RGB 87 213 72 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 213 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 213 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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