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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 170 220 it is the complementary color RGB 168 85 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 170 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 170 220 shade: RGB 92 170 215, RGB 109 188 234, RGB 126 206 253, RGB 143 224 255 and RGB 160 242 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 170 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 170 220 shade: RGB 87 170 220, RGB 70 152 201, RGB 53 134 182, RGB 36 116 163 and RGB 19 98 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 170 220 shade: RGB 85 169 220, RGB 85 133 220, RGB 85 97 220, RGB 110 85 220 and RGB 146 85 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 170 220 shade: RGB 85 169 220, RGB 85 133 220, RGB 85 97 220 and RGB 85 85 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 170 220 shade matches the following richer shades: RGB 85 169 220, RGB 69 173 236 and RGB 52 177 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 170 220 shade: RGB 85 169 220, RGB 102 165 203, RGB 118 161 187, RGB 135 157 170 and RGB 151 153 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 170 220 shade: RGB 85 220 197, RGB 85 206 220, RGB 85 170 220, RGB 85 135 220 and RGB 85 99 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 170 220 shade: RGB 37 130 185, RGB 51 152 213, RGB 85 169 220, RGB 119 186 227 and RGB 154 204 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 170 220 shade: RGB 87 170 220, RGB 161 85 220 and RGB 220 215 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 170 220 shade: RGB 87 170 220, RGB 220 85 170 and RGB 170 220 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 170 220 shade: RGB 87 170 220, RGB 161 85 220, RGB 220 135 85 and RGB 144 220 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 170 220 shade: RGB 87 170 220, RGB 202 85 220, RGB 220 135 85 and RGB 103 220 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 23 / 0 / 14

HEX #57AADC

RGB 87 170 220

HSL 202.56, 0.66%, 0.6%

LAB 66.48, -10.5, -32.85

 

Complementary color

CMYK 0 / 49 / 79 / 34

HEX #A85523

RGB 168 85 35

HSL 22.56, 0.66%, 0.4%

LAB 45.56, 30.57, 42.93

 

CMYK 57 / 21 / 0 / 16

HEX #5CAAD7

RGB 92 170 215

HSL 201.95, 0.61%, 0.6%

LAB 66.47, -11.09, -30.09

 

CMYK 53 / 20 / 0 / 8

HEX #6DBCEA

RGB 109 188 234

HSL 202.08, 0.75%, 0.67%

LAB 73, -11.61, -30.35

 

CMYK 50 / 19 / 0 / 1

HEX #7ECEFD

RGB 126 206 253

HSL 202.2, 0.97%, 0.74%

LAB 79.43, -12.03, -30.6

 

CMYK 44 / 12 / 0 / 0

HEX #8FE0FF

RGB 143 224 255

HSL 196.61, 1%, 0.78%

LAB 85.19, -16.89, -22.8

 

CMYK 37 / 5 / 0 / 0

HEX #A0F2FF

RGB 160 242 255

HSL 188.21, 1%, 0.81%

LAB 90.87, -21.72, -14.15

 

CMYK 60 / 23 / 0 / 14

HEX #57AADC

RGB 87 170 220

HSL 202.56, 0.66%, 0.6%

LAB 66.48, -10.5, -32.85

 

CMYK 65 / 24 / 0 / 21

HEX #4698C9

RGB 70 152 201

HSL 202.44, 0.55%, 0.53%

LAB 59.87, -9.69, -32.59

 

CMYK 71 / 26 / 0 / 29

HEX #3586B6

RGB 53 134 182

HSL 202.33, 0.55%, 0.46%

LAB 53.15, -8.63, -32.32

 

CMYK 78 / 29 / 0 / 36

HEX #2474A3

RGB 36 116 163

HSL 202.2, 0.64%, 0.39%

LAB 46.33, -7.23, -32.02

 

CMYK 87 / 32 / 0 / 44

HEX #136290

RGB 19 98 144

HSL 202.08, 0.77%, 0.32%

LAB 39.39, -5.33, -31.65

 

CMYK 61 / 23 / 0 / 14

HEX #55A9DC

RGB 85 169 220

HSL 202.67, 0.66%, 0.6%

LAB 66.12, -10.32, -33.41

 

CMYK 61 / 40 / 0 / 14

HEX #5585DC

RGB 85 133 220

HSL 218.67, 0.66%, 0.6%

LAB 55.96, 10.4, -49.36

 

CMYK 61 / 56 / 0 / 14

HEX #5561DC

RGB 85 97 220

HSL 234.67, 0.66%, 0.6%

LAB 46.51, 32.54, -64.53

 

CMYK 50 / 61 / 0 / 14

HEX #6E55DC

RGB 110 85 220

HSL 251.11, 0.66%, 0.6%

LAB 45.61, 44.21, -65.91

 

CMYK 34 / 61 / 0 / 14

HEX #9255DC

RGB 146 85 220

HSL 267.11, 0.66%, 0.6%

LAB 49.22, 51.64, -59.89

 

CMYK 61 / 23 / 0 / 14

HEX #55A9DC

RGB 85 169 220

HSL 202.67, 0.66%, 0.6%

LAB 66.12, -10.32, -33.41

 

CMYK 61 / 40 / 0 / 14

HEX #5585DC

RGB 85 133 220

HSL 218.67, 0.66%, 0.6%

LAB 55.96, 10.4, -49.36

 

CMYK 61 / 56 / 0 / 14

HEX #5561DC

RGB 85 97 220

HSL 234.67, 0.66%, 0.6%

LAB 46.51, 32.54, -64.53

 

CMYK 61 / 61 / 0 / 14

HEX #5555DC

RGB 85 85 220

HSL 240, 0.66%, 0.6%

LAB 43.65, 39.86, -69.18

 

CMYK 61 / 23 / 0 / 14

HEX #55A9DC

RGB 85 169 220

HSL 202.67, 0.66%, 0.6%

LAB 66.12, -10.32, -33.41

 

CMYK 71 / 27 / 0 / 7

HEX #45ADEC

RGB 69 173 236

HSL 202.63, 0.81%, 0.6%

LAB 67.43, -9.85, -40.18

 

CMYK 79 / 30 / 0 / 1

HEX #34B1FD

RGB 52 177 253

HSL 202.69, 0.98%, 0.6%

LAB 68.94, -8.21, -47.09

 

CMYK 61 / 23 / 0 / 14

HEX #55A9DC

RGB 85 169 220

HSL 202.67, 0.66%, 0.6%

LAB 66.12, -10.32, -33.41

 

CMYK 50 / 19 / 0 / 20

HEX #66A5CB

RGB 102 165 203

HSL 202.57, 0.49%, 0.6%

LAB 65, -9.79, -25.67

 

CMYK 37 / 14 / 0 / 27

HEX #76A1BB

RGB 118 161 187

HSL 202.61, 0.34%, 0.6%

LAB 64.1, -7.95, -18.05

 

CMYK 21 / 8 / 0 / 33

HEX #879DAA

RGB 135 157 170

HSL 202.29, 0.17%, 0.6%

LAB 63.48, -4.81, -9.35

 

CMYK 2 / 1 / 0 / 40

HEX #97999A

RGB 151 153 154

HSL 200, 0.01%, 0.6%

LAB 63.09, -0.52, -0.78

 

CMYK 61 / 0 / 10 / 14

HEX #55DCC5

RGB 85 220 197

HSL 169.78, 0.66%, 0.6%

LAB 80.26, -42.06, 0.4

 

CMYK 61 / 6 / 0 / 14

HEX #55CEDC

RGB 85 206 220

HSL 186.22, 0.66%, 0.6%

LAB 76.82, -29.4, -17.02

 

CMYK 61 / 23 / 0 / 14

HEX #55AADC

RGB 85 170 220

HSL 202.22, 0.66%, 0.6%

LAB 66.4, -10.87, -32.97

 

CMYK 61 / 39 / 0 / 14

HEX #5587DC

RGB 85 135 220

HSL 217.78, 0.66%, 0.6%

LAB 56.51, 9.2, -48.48

 

CMYK 61 / 55 / 0 / 14

HEX #5563DC

RGB 85 99 220

HSL 233.78, 0.66%, 0.6%

LAB 47, 31.31, -63.73

 

CMYK 80 / 30 / 0 / 27

HEX #2582B9

RGB 37 130 185

HSL 202.3, 0.67%, 0.44%

LAB 51.68, -7.26, -36.38

 

CMYK 76 / 29 / 0 / 16

HEX #3398D5

RGB 51 152 213

HSL 202.59, 0.66%, 0.52%

LAB 59.86, -8.31, -39.37

 

CMYK 61 / 23 / 0 / 14

HEX #55A9DC

RGB 85 169 220

HSL 202.67, 0.66%, 0.6%

LAB 66.12, -10.32, -33.41

 

CMYK 48 / 18 / 0 / 11

HEX #77BAE3

RGB 119 186 227

HSL 202.78, 0.66%, 0.68%

LAB 72.62, -10.33, -27.09

 

CMYK 34 / 13 / 0 / 8

HEX #9ACCEA

RGB 154 204 234

HSL 202.5, 0.66%, 0.76%

LAB 79.61, -9.11, -20.05

 

CMYK 60 / 23 / 0 / 14

HEX #57AADC

RGB 87 170 220

HSL 202.56, 0.66%, 0.6%

LAB 66.48, -10.5, -32.85

 

CMYK 27 / 61 / 0 / 14

HEX #A155DC

RGB 161 85 220

HSL 273.78, 0.66%, 0.6%

LAB 50.97, 55.02, -56.98

 

CMYK 0 / 2 / 61 / 14

HEX #DCD755

RGB 220 215 85

HSL 57.78, 0.66%, 0.6%

LAB 84.21, -14.14, 62.78

 

CMYK 60 / 23 / 0 / 14

HEX #57AADC

RGB 87 170 220

HSL 202.56, 0.66%, 0.6%

LAB 66.48, -10.5, -32.85

 

CMYK 0 / 61 / 23 / 14

HEX #DC55AA

RGB 220 85 170

HSL 322.22, 0.66%, 0.6%

LAB 56.7, 61.4, -18.7

 

CMYK 23 / 0 / 61 / 14

HEX #AADC55

RGB 170 220 85

HSL 82.22, 0.66%, 0.6%

LAB 82.05, -36.39, 59.4

 

CMYK 60 / 23 / 0 / 14

HEX #57AADC

RGB 87 170 220

HSL 202.56, 0.66%, 0.6%

LAB 66.48, -10.5, -32.85

 

CMYK 27 / 61 / 0 / 14

HEX #A155DC

RGB 161 85 220

HSL 273.78, 0.66%, 0.6%

LAB 50.97, 55.02, -56.98

 

CMYK 0 / 39 / 61 / 14

HEX #DC8755

RGB 220 135 85

HSL 22.22, 0.66%, 0.6%

LAB 64.32, 27.91, 40.25

 

CMYK 35 / 0 / 61 / 14

HEX #90DC55

RGB 144 220 85

HSL 93.78, 0.66%, 0.6%

LAB 80.61, -45.73, 57.41

 

CMYK 60 / 23 / 0 / 14

HEX #57AADC

RGB 87 170 220

HSL 202.56, 0.66%, 0.6%

LAB 66.48, -10.5, -32.85

 

CMYK 8 / 61 / 0 / 14

HEX #CA55DC

RGB 202 85 220

HSL 292, 0.66%, 0.6%

LAB 56.31, 64.65, -48.15

 

CMYK 0 / 39 / 61 / 14

HEX #DC8755

RGB 220 135 85

HSL 22.22, 0.66%, 0.6%

LAB 64.32, 27.91, 40.25

 

CMYK 53 / 0 / 61 / 14

HEX #67DC55

RGB 103 220 85

HSL 112, 0.66%, 0.6%

LAB 78.88, -58.17, 55

 

Description

Color code: RGB 87 170 220 | qconv.com Color code: RGB 87 170 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 170 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 170 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 23 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 23% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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