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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 167 86 it is the complementary color RGB 168 88 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 167 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 167 86 shade: RGB 92 167 81, RGB 109 185 100, RGB 126 203 119, RGB 143 221 138 and RGB 160 239 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 167 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 167 86 shade: RGB 87 167 86, RGB 70 149 67, RGB 53 131 48, RGB 36 113 29 and RGB 19 95 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 167 86 shade: RGB 87 168 86, RGB 109 168 86, RGB 131 168 86, RGB 153 168 86 and RGB 168 160 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 167 86 shade: RGB 87 168 86, RGB 86 168 107, RGB 86 168 129, RGB 86 168 151 and RGB 86 162 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 167 86 shade matches the following richer shades: RGB 87 168 86, RGB 67 188 66, RGB 47 209 45, RGB 27 230 24 and RGB 7 250 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 167 86 shade: RGB 87 168 86, RGB 107 147 107, RGB 127 127 127, RGB 148 106 148 and RGB 168 85 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 167 86 shade: RGB 131 168 86, RGB 109 168 86, RGB 88 168 86, RGB 86 168 107 and RGB 86 168 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 167 86 shade: RGB 59 113 58, RGB 73 141 72, RGB 87 168 86, RGB 114 182 113 and RGB 141 196 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 167 86 shade: RGB 87 167 86, RGB 86 153 168 and RGB 168 86 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 167 86 shade: RGB 87 167 86, RGB 86 88 168 and RGB 168 86 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 167 86 shade: RGB 87 167 86, RGB 86 153 168, RGB 166 86 168 and RGB 168 101 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 167 86 shade: RGB 87 167 86, RGB 86 128 168, RGB 166 86 168 and RGB 168 126 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 49 / 35

HEX #57A756

RGB 87 167 86

HSL 119.26, 0.32%, 0.5%

LAB 61.94, -41.42, 34.32

 

Complementary color

CMYK 1 / 48 / 0 / 34

HEX #A858A9

RGB 168 88 169

HSL 299.26, 0.32%, 0.5%

LAB 49.7, 44.68, -29.52

 

CMYK 45 / 0 / 51 / 35

HEX #5CA751

RGB 92 167 81

HSL 112.33, 0.35%, 0.49%

LAB 62.09, -40.6, 37.09

 

CMYK 41 / 0 / 46 / 27

HEX #6DB964

RGB 109 185 100

HSL 113.65, 0.38%, 0.56%

LAB 68.66, -40.51, 35.81

 

CMYK 38 / 0 / 41 / 20

HEX #7ECB77

RGB 126 203 119

HSL 115, 0.45%, 0.63%

LAB 75.13, -40.34, 34.56

 

CMYK 35 / 0 / 38 / 13

HEX #8FDD8A

RGB 143 221 138

HSL 116.39, 0.55%, 0.7%

LAB 81.5, -40.13, 33.35

 

CMYK 33 / 0 / 34 / 6

HEX #A0EF9D

RGB 160 239 157

HSL 117.8, 0.72%, 0.78%

LAB 87.8, -39.9, 32.21

 

CMYK 48 / 0 / 49 / 35

HEX #57A756

RGB 87 167 86

HSL 119.26, 0.32%, 0.5%

LAB 61.94, -41.42, 34.32

 

CMYK 53 / 0 / 55 / 42

HEX #469543

RGB 70 149 67

HSL 117.8, 0.38%, 0.42%

LAB 55.28, -41.4, 35.66

 

CMYK 60 / 0 / 63 / 49

HEX #358330

RGB 53 131 48

HSL 116.39, 0.46%, 0.35%

LAB 48.51, -41.11, 36.93

 

CMYK 68 / 0 / 74 / 56

HEX #24711D

RGB 36 113 29

HSL 115, 0.59%, 0.28%

LAB 41.65, -40.36, 37.87

 

CMYK 80 / 0 / 89 / 63

HEX #135F0A

RGB 19 95 10

HSL 113.65, 0.81%, 0.21%

LAB 34.69, -38.75, 37.75

 

CMYK 48 / 0 / 49 / 34

HEX #57A856

RGB 87 168 86

HSL 119.27, 0.32%, 0.5%

LAB 62.26, -41.85, 34.71

 

CMYK 35 / 0 / 49 / 34

HEX #6DA856

RGB 109 168 86

HSL 103.17, 0.32%, 0.5%

LAB 63.28, -34.8, 36.21

 

CMYK 22 / 0 / 49 / 34

HEX #83A856

RGB 131 168 86

HSL 87.07, 0.32%, 0.5%

LAB 64.57, -26.73, 38.08

 

CMYK 9 / 0 / 49 / 34

HEX #99A856

RGB 153 168 86

HSL 70.98, 0.32%, 0.5%

LAB 66.1, -17.96, 40.3

 

CMYK 0 / 5 / 49 / 34

HEX #A8A056

RGB 168 160 86

HSL 54.15, 0.32%, 0.5%

LAB 65.07, -7.51, 39.34

 

CMYK 48 / 0 / 49 / 34

HEX #57A856

RGB 87 168 86

HSL 119.27, 0.32%, 0.5%

LAB 62.26, -41.85, 34.71

 

CMYK 49 / 0 / 36 / 34

HEX #56A86B

RGB 86 168 107

HSL 135.37, 0.32%, 0.5%

LAB 62.55, -38.73, 24.01

 

CMYK 49 / 0 / 23 / 34

HEX #56A881

RGB 86 168 129

HSL 151.46, 0.32%, 0.5%

LAB 62.98, -34.38, 12.56

 

CMYK 49 / 0 / 10 / 34

HEX #56A897

RGB 86 168 151

HSL 167.56, 0.32%, 0.5%

LAB 63.52, -29.28, 1.07

 

CMYK 49 / 4 / 0 / 34

HEX #56A2A8

RGB 86 162 168

HSL 184.39, 0.32%, 0.5%

LAB 62.21, -21.84, -10.41

 

CMYK 48 / 0 / 49 / 34

HEX #57A856

RGB 87 168 86

HSL 119.27, 0.32%, 0.5%

LAB 62.26, -41.85, 34.71

 

CMYK 64 / 0 / 65 / 26

HEX #43BC42

RGB 67 188 66

HSL 119.51, 0.48%, 0.5%

LAB 67.69, -57.12, 50.36

 

CMYK 78 / 0 / 78 / 18

HEX #2FD12D

RGB 47 209 45

HSL 119.27, 0.65%, 0.5%

LAB 73.8, -69.1, 64.15

 

CMYK 88 / 0 / 90 / 10

HEX #1BE618

RGB 27 230 24

HSL 119.13, 0.81%, 0.5%

LAB 80.12, -78.03, 74.53

 

CMYK 97 / 0 / 98 / 2

HEX #07FA04

RGB 7 250 4

HSL 119.27, 0.97%, 0.5%

LAB 86.22, -84.64, 81.66

 

CMYK 48 / 0 / 49 / 34

HEX #57A856

RGB 87 168 86

HSL 119.27, 0.32%, 0.5%

LAB 62.26, -41.85, 34.71

 

CMYK 27 / 0 / 27 / 42

HEX #6B936B

RGB 107 147 107

HSL 120, 0.16%, 0.5%

LAB 57.13, -22.08, 16.86

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 0 / 28 / 0 / 42

HEX #946A94

RGB 148 106 148

HSL 300, 0.17%, 0.5%

LAB 50.38, 24.13, -16.32

 

CMYK 1 / 50 / 0 / 34

HEX #A855A9

RGB 168 85 169

HSL 299.29, 0.33%, 0.5%

LAB 49.11, 46.22, -30.44

 

CMYK 22 / 0 / 49 / 34

HEX #83A856

RGB 131 168 86

HSL 87.07, 0.32%, 0.5%

LAB 64.57, -26.73, 38.08

 

CMYK 35 / 0 / 49 / 34

HEX #6DA856

RGB 109 168 86

HSL 103.17, 0.32%, 0.5%

LAB 63.28, -34.8, 36.21

 

CMYK 48 / 0 / 49 / 34

HEX #58A856

RGB 88 168 86

HSL 118.54, 0.32%, 0.5%

LAB 62.3, -41.55, 34.77

 

CMYK 49 / 0 / 36 / 34

HEX #56A86B

RGB 86 168 107

HSL 135.37, 0.32%, 0.5%

LAB 62.55, -38.73, 24.01

 

CMYK 49 / 0 / 24 / 34

HEX #56A880

RGB 86 168 128

HSL 150.73, 0.32%, 0.5%

LAB 62.96, -34.59, 13.08

 

CMYK 48 / 0 / 49 / 56

HEX #3B713A

RGB 59 113 58

HSL 118.91, 0.32%, 0.34%

LAB 42.83, -30.23, 25.01

 

CMYK 48 / 0 / 49 / 45

HEX #498D48

RGB 73 141 72

HSL 119.13, 0.32%, 0.42%

LAB 52.88, -36.38, 30.16

 

CMYK 48 / 0 / 49 / 34

HEX #57A856

RGB 87 168 86

HSL 119.27, 0.32%, 0.5%

LAB 62.26, -41.85, 34.71

 

CMYK 37 / 0 / 38 / 29

HEX #72B671

RGB 114 182 113

HSL 119.13, 0.32%, 0.58%

LAB 68.19, -35.62, 28.51

 

CMYK 28 / 0 / 28 / 23

HEX #8DC48D

RGB 141 196 141

HSL 120, 0.32%, 0.66%

LAB 74.23, -28.74, 22.03

 

CMYK 48 / 0 / 49 / 35

HEX #57A756

RGB 87 167 86

HSL 119.26, 0.32%, 0.5%

LAB 61.94, -41.42, 34.32

 

CMYK 49 / 9 / 0 / 34

HEX #5699A8

RGB 86 153 168

HSL 190.98, 0.32%, 0.5%

LAB 59.51, -17.12, -14.46

 

CMYK 0 / 49 / 29 / 34

HEX #A85678

RGB 168 86 120

HSL 335.12, 0.32%, 0.5%

LAB 47.41, 37.64, -3.82

 

CMYK 48 / 0 / 49 / 35

HEX #57A756

RGB 87 167 86

HSL 119.26, 0.32%, 0.5%

LAB 61.94, -41.42, 34.32

 

CMYK 49 / 48 / 0 / 34

HEX #5658A8

RGB 86 88 168

HSL 238.54, 0.32%, 0.5%

LAB 40.87, 21.38, -43.45

 

CMYK 0 / 49 / 48 / 34

HEX #A85658

RGB 168 86 88

HSL 358.54, 0.32%, 0.5%

LAB 46.56, 33.76, 14.32

 

CMYK 48 / 0 / 49 / 35

HEX #57A756

RGB 87 167 86

HSL 119.26, 0.32%, 0.5%

LAB 61.94, -41.42, 34.32

 

CMYK 49 / 9 / 0 / 34

HEX #5699A8

RGB 86 153 168

HSL 190.98, 0.32%, 0.5%

LAB 59.51, -17.12, -14.46

 

CMYK 1 / 49 / 0 / 34

HEX #A656A8

RGB 166 86 168

HSL 298.54, 0.32%, 0.5%

LAB 48.99, 44.93, -30.05

 

CMYK 0 / 40 / 49 / 34

HEX #A86556

RGB 168 101 86

HSL 10.98, 0.32%, 0.5%

LAB 49.86, 25.33, 19.98

 

CMYK 48 / 0 / 49 / 35

HEX #57A756

RGB 87 167 86

HSL 119.26, 0.32%, 0.5%

LAB 61.94, -41.42, 34.32

 

CMYK 49 / 24 / 0 / 34

HEX #5680A8

RGB 86 128 168

HSL 209.27, 0.32%, 0.5%

LAB 52.11, -3.17, -25.77

 

CMYK 1 / 49 / 0 / 34

HEX #A656A8

RGB 166 86 168

HSL 298.54, 0.32%, 0.5%

LAB 48.99, 44.93, -30.05

 

CMYK 0 / 25 / 49 / 34

HEX #A87E56

RGB 168 126 86

HSL 29.27, 0.32%, 0.5%

LAB 56.01, 11.22, 28.03

 

Description

Color code: RGB 87 167 86 | qconv.com Color code: RGB 87 167 86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 167 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 167 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 49 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 49% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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