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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 167 134 it is the complementary color RGB 168 88 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 167 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 167 134 shade: RGB 92 167 129, RGB 109 185 148, RGB 126 203 167, RGB 143 221 186 and RGB 160 239 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 167 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 167 134 shade: RGB 87 167 134, RGB 70 149 115, RGB 53 131 96, RGB 36 113 77 and RGB 19 95 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 167 134 shade: RGB 87 167 134, RGB 87 167 113, RGB 87 167 91, RGB 105 167 87 and RGB 126 167 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 167 134 shade: RGB 87 167 134, RGB 87 167 155, RGB 87 156 167, RGB 87 135 167 and RGB 87 114 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 167 134 shade matches the following richer shades: RGB 87 167 134, RGB 67 187 138, RGB 46 208 141, RGB 26 228 145 and RGB 5 249 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 167 134 shade: RGB 87 167 134, RGB 108 146 130, RGB 129 125 127, RGB 149 105 123 and RGB 170 84 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 167 134 shade: RGB 87 167 91, RGB 87 167 113, RGB 87 167 134, RGB 87 167 155 and RGB 87 157 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 167 134 shade: RGB 59 112 90, RGB 73 140 112, RGB 87 167 134, RGB 114 181 153 and RGB 142 195 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 167 134 shade: RGB 87 167 134, RGB 87 105 167 and RGB 167 102 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 167 134 shade: RGB 87 167 134, RGB 134 87 167 and RGB 167 134 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 167 134 shade: RGB 87 167 134, RGB 87 105 167, RGB 167 87 120 and RGB 167 149 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 167 134 shade: RGB 87 167 134, RGB 94 87 167, RGB 167 87 120 and RGB 160 167 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 20 / 35

HEX #57A786

RGB 87 167 134

HSL 155.25, 0.31%, 0.5%

LAB 62.83, -32.55, 9.57

 

Complementary color

CMYK 0 / 48 / 28 / 34

HEX #A85879

RGB 168 88 121

HSL 335.25, 0.31%, 0.5%

LAB 47.86, 36.72, -3.76

 

CMYK 45 / 0 / 23 / 35

HEX #5CA781

RGB 92 167 129

HSL 149.6, 0.3%, 0.51%

LAB 62.93, -32.3, 12.51

 

CMYK 41 / 0 / 20 / 27

HEX #6DB994

RGB 109 185 148

HSL 150.79, 0.35%, 0.58%

LAB 69.53, -32.06, 11.48

 

CMYK 38 / 0 / 18 / 20

HEX #7ECBA7

RGB 126 203 167

HSL 151.95, 0.43%, 0.65%

LAB 76.03, -31.82, 10.53

 

CMYK 35 / 0 / 16 / 13

HEX #8FDDBA

RGB 143 221 186

HSL 153.08, 0.53%, 0.71%

LAB 82.43, -31.58, 9.64

 

CMYK 33 / 0 / 14 / 6

HEX #A0EFCD

RGB 160 239 205

HSL 154.18, 0.71%, 0.78%

LAB 88.74, -31.34, 8.8

 

CMYK 48 / 0 / 20 / 35

HEX #57A786

RGB 87 167 134

HSL 155.25, 0.31%, 0.5%

LAB 62.83, -32.55, 9.57

 

CMYK 53 / 0 / 23 / 42

HEX #469573

RGB 70 149 115

HSL 154.18, 0.36%, 0.43%

LAB 56.12, -32.7, 10.67

 

CMYK 60 / 0 / 27 / 49

HEX #358360

RGB 53 131 96

HSL 153.08, 0.42%, 0.36%

LAB 49.29, -32.75, 11.89

 

CMYK 68 / 0 / 32 / 56

HEX #24714D

RGB 36 113 77

HSL 151.95, 0.52%, 0.29%

LAB 42.34, -32.6, 13.28

 

CMYK 80 / 0 / 39 / 63

HEX #135F3A

RGB 19 95 58

HSL 150.79, 0.67%, 0.22%

LAB 35.26, -32.05, 14.9

 

CMYK 48 / 0 / 20 / 35

HEX #57A786

RGB 87 167 134

HSL 155.25, 0.31%, 0.5%

LAB 62.83, -32.55, 9.57

 

CMYK 48 / 0 / 32 / 35

HEX #57A771

RGB 87 167 113

HSL 139.5, 0.31%, 0.5%

LAB 62.39, -36.9, 20.55

 

CMYK 48 / 0 / 46 / 35

HEX #57A75B

RGB 87 167 91

HSL 123, 0.31%, 0.5%

LAB 62.01, -40.68, 31.83

 

CMYK 37 / 0 / 48 / 35

HEX #69A757

RGB 105 167 87

HSL 106.5, 0.31%, 0.5%

LAB 62.78, -35.58, 35.04

 

CMYK 25 / 0 / 48 / 35

HEX #7EA757

RGB 126 167 87

HSL 90.75, 0.31%, 0.5%

LAB 63.97, -28.03, 36.77

 

CMYK 48 / 0 / 20 / 35

HEX #57A786

RGB 87 167 134

HSL 155.25, 0.31%, 0.5%

LAB 62.83, -32.55, 9.57

 

CMYK 48 / 0 / 7 / 35

HEX #57A79B

RGB 87 167 155

HSL 171, 0.31%, 0.5%

LAB 63.37, -27.55, -1.39

 

CMYK 48 / 7 / 0 / 35

HEX #579CA7

RGB 87 156 167

HSL 188.25, 0.31%, 0.5%

LAB 60.42, -18.76, -12.52

 

CMYK 48 / 19 / 0 / 35

HEX #5787A7

RGB 87 135 167

HSL 204, 0.31%, 0.5%

LAB 54.18, -7.25, -22

 

CMYK 48 / 32 / 0 / 35

HEX #5772A7

RGB 87 114 167

HSL 219.75, 0.31%, 0.5%

LAB 48.07, 5.12, -31.47

 

CMYK 48 / 0 / 20 / 35

HEX #57A786

RGB 87 167 134

HSL 155.25, 0.31%, 0.5%

LAB 62.83, -32.55, 9.57

 

CMYK 64 / 0 / 26 / 27

HEX #43BB8A

RGB 67 187 138

HSL 155.5, 0.47%, 0.5%

LAB 68.44, -45, 15.17

 

CMYK 78 / 0 / 32 / 18

HEX #2ED08D

RGB 46 208 141

HSL 155.19, 0.64%, 0.5%

LAB 74.58, -55.82, 21.98

 

CMYK 89 / 0 / 36 / 11

HEX #1AE491

RGB 26 228 145

HSL 155.35, 0.8%, 0.5%

LAB 80.6, -63.97, 28.02

 

CMYK 98 / 0 / 41 / 2

HEX #05F994

RGB 5 249 148

HSL 155.16, 0.96%, 0.5%

LAB 86.96, -71.34, 34.94

 

CMYK 48 / 0 / 20 / 35

HEX #57A786

RGB 87 167 134

HSL 155.25, 0.31%, 0.5%

LAB 62.83, -32.55, 9.57

 

CMYK 26 / 0 / 11 / 43

HEX #6C9282

RGB 108 146 130

HSL 154.74, 0.15%, 0.5%

LAB 57.42, -16.66, 4.23

 

CMYK 0 / 3 / 2 / 49

HEX #817D7F

RGB 129 125 127

HSL 330, 0.02%, 0.5%

LAB 52.8, 1.9, -0.56

 

CMYK 0 / 30 / 17 / 42

HEX #95697B

RGB 149 105 123

HSL 335.45, 0.17%, 0.5%

LAB 49.4, 20.47, -2.96

 

CMYK 0 / 51 / 30 / 33

HEX #AA5477

RGB 170 84 119

HSL 335.58, 0.34%, 0.5%

LAB 47.26, 39.26, -3.41

 

CMYK 48 / 0 / 46 / 35

HEX #57A75B

RGB 87 167 91

HSL 123, 0.31%, 0.5%

LAB 62.01, -40.68, 31.83

 

CMYK 48 / 0 / 32 / 35

HEX #57A771

RGB 87 167 113

HSL 139.5, 0.31%, 0.5%

LAB 62.39, -36.9, 20.55

 

CMYK 48 / 0 / 20 / 35

HEX #57A786

RGB 87 167 134

HSL 155.25, 0.31%, 0.5%

LAB 62.83, -32.55, 9.57

 

CMYK 48 / 0 / 7 / 35

HEX #57A79B

RGB 87 167 155

HSL 171, 0.31%, 0.5%

LAB 63.37, -27.55, -1.39

 

CMYK 48 / 6 / 0 / 35

HEX #579DA7

RGB 87 157 167

HSL 187.5, 0.31%, 0.5%

LAB 60.72, -19.28, -12.07

 

CMYK 47 / 0 / 20 / 56

HEX #3B705A

RGB 59 112 90

HSL 155.09, 0.31%, 0.34%

LAB 43.15, -23.37, 6.8

 

CMYK 48 / 0 / 20 / 45

HEX #498C70

RGB 73 140 112

HSL 154.93, 0.31%, 0.42%

LAB 53.32, -28.3, 8.44

 

CMYK 48 / 0 / 20 / 35

HEX #57A786

RGB 87 167 134

HSL 155.25, 0.31%, 0.5%

LAB 62.83, -32.55, 9.57

 

CMYK 37 / 0 / 15 / 29

HEX #72B599

RGB 114 181 153

HSL 154.93, 0.31%, 0.58%

LAB 68.7, -27.64, 7.59

 

CMYK 27 / 0 / 11 / 24

HEX #8EC3AD

RGB 142 195 173

HSL 155.09, 0.31%, 0.66%

LAB 74.7, -21.91, 5.5

 

CMYK 48 / 0 / 20 / 35

HEX #57A786

RGB 87 167 134

HSL 155.25, 0.31%, 0.5%

LAB 62.83, -32.55, 9.57

 

CMYK 48 / 37 / 0 / 35

HEX #5769A7

RGB 87 105 167

HSL 226.5, 0.31%, 0.5%

LAB 45.52, 10.64, -35.47

 

CMYK 0 / 39 / 48 / 35

HEX #A76657

RGB 167 102 87

HSL 11.25, 0.31%, 0.5%

LAB 49.99, 24.46, 19.54

 

CMYK 48 / 0 / 20 / 35

HEX #57A786

RGB 87 167 134

HSL 155.25, 0.31%, 0.5%

LAB 62.83, -32.55, 9.57

 

CMYK 20 / 48 / 0 / 35

HEX #8657A7

RGB 134 87 167

HSL 275.25, 0.31%, 0.5%

LAB 45.19, 34.73, -35.72

 

CMYK 0 / 20 / 48 / 35

HEX #A78657

RGB 167 134 87

HSL 35.25, 0.31%, 0.5%

LAB 57.99, 6.39, 29.99

 

CMYK 48 / 0 / 20 / 35

HEX #57A786

RGB 87 167 134

HSL 155.25, 0.31%, 0.5%

LAB 62.83, -32.55, 9.57

 

CMYK 48 / 37 / 0 / 35

HEX #5769A7

RGB 87 105 167

HSL 226.5, 0.31%, 0.5%

LAB 45.52, 10.64, -35.47

 

CMYK 0 / 48 / 28 / 35

HEX #A75778

RGB 167 87 120

HSL 335.25, 0.31%, 0.5%

LAB 47.48, 36.76, -3.74

 

CMYK 0 / 11 / 48 / 35

HEX #A79557

RGB 167 149 87

HSL 46.5, 0.31%, 0.5%

LAB 62, -1.91, 35.03

 

CMYK 48 / 0 / 20 / 35

HEX #57A786

RGB 87 167 134

HSL 155.25, 0.31%, 0.5%

LAB 62.83, -32.55, 9.57

 

CMYK 44 / 48 / 0 / 35

HEX #5E57A7

RGB 94 87 167

HSL 245.25, 0.31%, 0.5%

LAB 41.19, 23.67, -42.3

 

CMYK 0 / 48 / 28 / 35

HEX #A75778

RGB 167 87 120

HSL 335.25, 0.31%, 0.5%

LAB 47.48, 36.76, -3.74

 

CMYK 4 / 0 / 48 / 35

HEX #A0A757

RGB 160 167 87

HSL 65.25, 0.31%, 0.5%

LAB 66.37, -14.46, 40.25

 

Description

Color code: RGB 87 167 134 | qconv.com Color code: RGB 87 167 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 167 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 167 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 20 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 20% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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