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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 124 59 it is the complementary color RGB 168 131 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 124 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 124 59 shade: RGB 92 124 54, RGB 109 142 73, RGB 126 160 92, RGB 143 178 111 and RGB 160 196 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 124 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 124 59 shade: RGB 87 124 59, RGB 70 106 40, RGB 53 88 21, RGB 36 70 2 and RGB 19 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 124 59 shade: RGB 87 124 58, RGB 105 124 58, RGB 122 124 58, RGB 124 108 58 and RGB 124 91 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 124 59 shade: RGB 87 124 58, RGB 69 124 58, RGB 58 124 65, RGB 58 124 83 and RGB 58 124 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 124 59 shade matches the following richer shades: RGB 87 124 58, RGB 85 139 43, RGB 83 154 29 and RGB 81 169 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 124 59 shade: RGB 87 124 58, RGB 89 109 73, RGB 91 95 88, RGB 93 80 103 and RGB 95 65 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 124 59 shade: RGB 122 124 58, RGB 105 124 58, RGB 87 124 58, RGB 69 124 58 and RGB 58 124 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 124 59 shade: RGB 48 68 32, RGB 67 96 45, RGB 87 124 58, RGB 106 152 71 and RGB 126 176 89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 124 59 shade: RGB 87 124 59, RGB 58 124 109 and RGB 124 58 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 124 59 shade: RGB 87 124 59, RGB 58 87 124 and RGB 124 58 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 124 59 shade: RGB 87 124 59, RGB 58 124 109, RGB 96 58 124 and RGB 124 58 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 124 59 shade: RGB 87 124 59, RGB 58 120 124, RGB 96 58 124 and RGB 124 63 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 52 / 51

HEX #577C3B

RGB 87 124 59

HSL 94.15, 0.36%, 0.36%

LAB 47.95, -25.33, 31.13

 

Complementary color

CMYK 14 / 33 / 0 / 23

HEX #A883C4

RGB 168 131 196

HSL 274.15, 0.36%, 0.64%

LAB 60.38, 26.52, -28.49

 

CMYK 26 / 0 / 56 / 51

HEX #5C7C36

RGB 92 124 54

HSL 87.43, 0.39%, 0.35%

LAB 48.21, -23.93, 34.11

 

CMYK 23 / 0 / 49 / 44

HEX #6D8E49

RGB 109 142 73

HSL 88.7, 0.32%, 0.42%

LAB 55.15, -23.98, 32.89

 

CMYK 21 / 0 / 43 / 37

HEX #7EA05C

RGB 126 160 92

HSL 90, 0.27%, 0.49%

LAB 61.95, -23.95, 31.65

 

CMYK 20 / 0 / 38 / 30

HEX #8FB26F

RGB 143 178 111

HSL 91.34, 0.3%, 0.57%

LAB 68.63, -23.89, 30.45

 

CMYK 18 / 0 / 34 / 23

HEX #A0C482

RGB 160 196 130

HSL 92.73, 0.36%, 0.64%

LAB 75.18, -23.82, 29.31

 

CMYK 30 / 0 / 52 / 51

HEX #577C3B

RGB 87 124 59

HSL 94.15, 0.36%, 0.36%

LAB 47.95, -25.33, 31.13

 

CMYK 34 / 0 / 62 / 58

HEX #466A28

RGB 70 106 40

HSL 92.73, 0.45%, 0.29%

LAB 40.84, -25.29, 32.33

 

CMYK 40 / 0 / 76 / 65

HEX #355815

RGB 53 88 21

HSL 91.34, 0.61%, 0.21%

LAB 33.54, -25.04, 33.14

 

CMYK 49 / 0 / 97 / 73

HEX #244602

RGB 36 70 2

HSL 90, 0.94%, 0.14%

LAB 26.04, -24.45, 33.14

 

CMYK 63 / 0 / 100 / 80

HEX #133400

RGB 19 52 0

HSL 98.08, 1%, 0.1%

LAB 18.34, -22.7, 25.59

 

CMYK 30 / 0 / 53 / 51

HEX #577C3A

RGB 87 124 58

HSL 93.64, 0.36%, 0.36%

LAB 47.94, -25.46, 31.64

 

CMYK 15 / 0 / 53 / 51

HEX #697C3A

RGB 105 124 58

HSL 77.27, 0.36%, 0.36%

LAB 49.16, -18.08, 33.4

 

CMYK 2 / 0 / 53 / 51

HEX #7A7C3A

RGB 122 124 58

HSL 61.82, 0.36%, 0.36%

LAB 50.52, -10.67, 35.34

 

CMYK 0 / 13 / 53 / 51

HEX #7C6C3A

RGB 124 108 58

HSL 45.45, 0.36%, 0.36%

LAB 46.06, -0.73, 30.07

 

CMYK 0 / 27 / 53 / 51

HEX #7C5B3A

RGB 124 91 58

HSL 30, 0.36%, 0.36%

LAB 41.33, 9.28, 24.22

 

CMYK 30 / 0 / 53 / 51

HEX #577C3A

RGB 87 124 58

HSL 93.64, 0.36%, 0.36%

LAB 47.94, -25.46, 31.64

 

CMYK 44 / 0 / 53 / 51

HEX #457C3A

RGB 69 124 58

HSL 110, 0.36%, 0.36%

LAB 46.96, -32.02, 30.22

 

CMYK 53 / 0 / 48 / 51

HEX #3A7C41

RGB 58 124 65

HSL 126.36, 0.36%, 0.36%

LAB 46.57, -34.41, 25.87

 

CMYK 53 / 0 / 33 / 51

HEX #3A7C53

RGB 58 124 83

HSL 142.73, 0.36%, 0.36%

LAB 46.89, -31.08, 16.13

 

CMYK 53 / 0 / 19 / 51

HEX #3A7C65

RGB 58 124 101

HSL 159.09, 0.36%, 0.36%

LAB 47.31, -27, 6.19

 

CMYK 30 / 0 / 53 / 51

HEX #577C3A

RGB 87 124 58

HSL 93.64, 0.36%, 0.36%

LAB 47.94, -25.46, 31.64

 

CMYK 39 / 0 / 69 / 45

HEX #558B2B

RGB 85 139 43

HSL 93.75, 0.53%, 0.36%

LAB 52.48, -34.83, 43.91

 

CMYK 46 / 0 / 81 / 40

HEX #539A1D

RGB 83 154 29

HSL 94.08, 0.68%, 0.36%

LAB 57.11, -42.89, 53.56

 

CMYK 52 / 0 / 92 / 34

HEX #51A90E

RGB 81 169 14

HSL 94.06, 0.85%, 0.36%

LAB 61.79, -49.98, 61.07

 

CMYK 30 / 0 / 53 / 51

HEX #577C3A

RGB 87 124 58

HSL 93.64, 0.36%, 0.36%

LAB 47.94, -25.46, 31.64

 

CMYK 18 / 0 / 33 / 57

HEX #596D49

RGB 89 109 73

HSL 93.33, 0.2%, 0.36%

LAB 43.57, -14.65, 17.74

 

CMYK 4 / 0 / 7 / 63

HEX #5B5F58

RGB 91 95 88

HSL 94.29, 0.04%, 0.36%

LAB 39.77, -3.03, 3.46

 

CMYK 10 / 22 / 0 / 60

HEX #5D5067

RGB 93 80 103

HSL 273.91, 0.13%, 0.36%

LAB 36.07, 10.27, -11.31

 

CMYK 19 / 45 / 0 / 54

HEX #5F4176

RGB 95 65 118

HSL 273.96, 0.29%, 0.36%

LAB 32.97, 24.03, -25.49

 

CMYK 2 / 0 / 53 / 51

HEX #7A7C3A

RGB 122 124 58

HSL 61.82, 0.36%, 0.36%

LAB 50.52, -10.67, 35.34

 

CMYK 15 / 0 / 53 / 51

HEX #697C3A

RGB 105 124 58

HSL 77.27, 0.36%, 0.36%

LAB 49.16, -18.08, 33.4

 

CMYK 30 / 0 / 53 / 51

HEX #577C3A

RGB 87 124 58

HSL 93.64, 0.36%, 0.36%

LAB 47.94, -25.46, 31.64

 

CMYK 44 / 0 / 53 / 51

HEX #457C3A

RGB 69 124 58

HSL 110, 0.36%, 0.36%

LAB 46.96, -32.02, 30.22

 

CMYK 53 / 0 / 48 / 51

HEX #3A7C41

RGB 58 124 65

HSL 126.36, 0.36%, 0.36%

LAB 46.57, -34.41, 25.87

 

CMYK 29 / 0 / 53 / 73

HEX #304420

RGB 48 68 32

HSL 93.33, 0.36%, 0.2%

LAB 26.35, -15.47, 19.22

 

CMYK 30 / 0 / 53 / 62

HEX #43602D

RGB 67 96 45

HSL 94.12, 0.36%, 0.28%

LAB 37.39, -20.82, 25.58

 

CMYK 30 / 0 / 53 / 51

HEX #577C3A

RGB 87 124 58

HSL 93.64, 0.36%, 0.36%

LAB 47.94, -25.46, 31.64

 

CMYK 30 / 0 / 53 / 40

HEX #6A9847

RGB 106 152 71

HSL 94.07, 0.36%, 0.44%

LAB 58.01, -30.26, 37.34

 

CMYK 28 / 0 / 49 / 31

HEX #7EB059

RGB 126 176 89

HSL 94.48, 0.36%, 0.52%

LAB 66.68, -32.08, 39.09

 

CMYK 30 / 0 / 52 / 51

HEX #577C3B

RGB 87 124 59

HSL 94.15, 0.36%, 0.36%

LAB 47.95, -25.33, 31.13

 

CMYK 53 / 0 / 12 / 51

HEX #3A7C6D

RGB 58 124 109

HSL 166.36, 0.36%, 0.36%

LAB 47.52, -24.97, 1.78

 

CMYK 0 / 53 / 9 / 51

HEX #7C3A71

RGB 124 58 113

HSL 310, 0.36%, 0.36%

LAB 35.01, 36.46, -18.87

 

CMYK 30 / 0 / 52 / 51

HEX #577C3B

RGB 87 124 59

HSL 94.15, 0.36%, 0.36%

LAB 47.95, -25.33, 31.13

 

CMYK 53 / 30 / 0 / 51

HEX #3A577C

RGB 58 87 124

HSL 213.64, 0.36%, 0.36%

LAB 36.31, 0.64, -24.2

 

CMYK 0 / 53 / 30 / 51

HEX #7C3A57

RGB 124 58 87

HSL 333.64, 0.36%, 0.36%

LAB 33.98, 32.19, -3.92

 

CMYK 30 / 0 / 52 / 51

HEX #577C3B

RGB 87 124 59

HSL 94.15, 0.36%, 0.36%

LAB 47.95, -25.33, 31.13

 

CMYK 53 / 0 / 12 / 51

HEX #3A7C6D

RGB 58 124 109

HSL 166.36, 0.36%, 0.36%

LAB 47.52, -24.97, 1.78

 

CMYK 23 / 53 / 0 / 51

HEX #603A7C

RGB 96 58 124

HSL 274.55, 0.36%, 0.36%

LAB 31.73, 30.09, -31.18

 

CMYK 0 / 53 / 40 / 51

HEX #7C3A4A

RGB 124 58 74

HSL 345.45, 0.36%, 0.36%

LAB 33.57, 30.43, 3.85

 

CMYK 30 / 0 / 52 / 51

HEX #577C3B

RGB 87 124 59

HSL 94.15, 0.36%, 0.36%

LAB 47.95, -25.33, 31.13

 

CMYK 53 / 3 / 0 / 51

HEX #3A787C

RGB 58 120 124

HSL 183.64, 0.36%, 0.36%

LAB 46.69, -18.71, -8.33

 

CMYK 23 / 53 / 0 / 51

HEX #603A7C

RGB 96 58 124

HSL 274.55, 0.36%, 0.36%

LAB 31.73, 30.09, -31.18

 

CMYK 0 / 49 / 53 / 51

HEX #7C3F3A

RGB 124 63 58

HSL 4.55, 0.36%, 0.36%

LAB 34.28, 25.83, 15.06

 

Description

Color code: RGB 87 124 59 | qconv.com Color code: RGB 87 124 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 124 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 124 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 52 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 52% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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