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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 83 85 it is the complementary color RGB 168 172 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 83 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 83 85 shade: RGB 92 83 80, RGB 109 101 99, RGB 126 119 118, RGB 143 137 137 and RGB 160 155 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 83 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 83 85 shade: RGB 87 83 85, RGB 70 65 66, RGB 53 47 47, RGB 36 29 28 and RGB 19 11 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 83 85 shade: RGB 85 82 84, RGB 85 82 83 and RGB 85 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 83 85 shade: RGB 85 82 84, RGB 85 82 85, RGB 85 82 85, RGB 84 82 85 and RGB 83 82 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 83 85 shade matches the following richer shades: RGB 85 82 84, RGB 99 68 84, RGB 113 55 84, RGB 126 41 84 and RGB 140 28 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 83 85 shade: RGB 85 82 84, RGB 72 96 84, RGB 58 109 84, RGB 44 123 84 and RGB 31 136 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 83 85 shade: RGB 85 82 85, RGB 85 82 85, RGB 85 82 84, RGB 85 82 83 and RGB 85 82 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 83 85 shade: RGB 43 42 42, RGB 64 62 63, RGB 85 82 84, RGB 106 102 104 and RGB 127 122 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 83 85 shade: RGB 87 83 85, RGB 85 84 82 and RGB 82 85 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 83 85 shade: RGB 87 83 85, RGB 84 85 82 and RGB 82 84 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 83 85 shade: RGB 87 83 85, RGB 85 84 82, RGB 82 85 84 and RGB 82 83 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 83 85 shade: RGB 87 83 85, RGB 85 85 82, RGB 82 85 84 and RGB 82 82 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 2 / 66

HEX #575355

RGB 87 83 85

HSL 330, 0.02%, 0.33%

LAB 35.73, 2.05, -0.59

 

Complementary color

CMYK 2 / 0 / 1 / 33

HEX #A8ACAA

RGB 168 172 170

HSL 150, 0.02%, 0.67%

LAB 69.99, -1.79, 0.52

 

CMYK 0 / 10 / 13 / 64

HEX #5C5350

RGB 92 83 80

HSL 15, 0.07%, 0.34%

LAB 36.06, 3.1, 3.09

 

CMYK 0 / 7 / 9 / 57

HEX #6D6563

RGB 109 101 99

HSL 12, 0.05%, 0.41%

LAB 43.45, 2.77, 2.26

 

CMYK 0 / 6 / 6 / 51

HEX #7E7776

RGB 126 119 118

HSL 7.5, 0.03%, 0.48%

LAB 50.61, 2.49, 1.5

 

CMYK 0 / 4 / 4 / 44

HEX #8F8989

RGB 143 137 137

HSL 0, 0.03%, 0.55%

LAB 57.6, 2.23, 0.79

 

CMYK 0 / 3 / 2 / 37

HEX #A09B9C

RGB 160 155 156

HSL 348, 0.03%, 0.62%

LAB 64.42, 2.01, 0.12

 

CMYK 0 / 5 / 2 / 66

HEX #575355

RGB 87 83 85

HSL 330, 0.02%, 0.33%

LAB 35.73, 2.05, -0.59

 

CMYK 0 / 7 / 6 / 73

HEX #464142

RGB 70 65 66

HSL 348, 0.04%, 0.26%

LAB 28.05, 2.34, 0.15

 

CMYK 0 / 11 / 11 / 79

HEX #352F2F

RGB 53 47 47

HSL 0, 0.06%, 0.2%

LAB 20.02, 2.7, 0.98

 

CMYK 0 / 19 / 22 / 86

HEX #241D1C

RGB 36 29 28

HSL 7.5, 0.13%, 0.13%

LAB 11.54, 3.19, 1.95

 

CMYK 0 / 42 / 53 / 93

HEX #130B09

RGB 19 11 9

HSL 12, 0.36%, 0.05%

LAB 3.59, 2.45, 1.73

 

CMYK 0 / 4 / 1 / 67

HEX #555254

RGB 85 82 84

HSL 320, 0.02%, 0.33%

LAB 35.21, 1.64, -0.74

 

CMYK 0 / 4 / 2 / 67

HEX #555253

RGB 85 82 83

HSL 340, 0.02%, 0.33%

LAB 35.18, 1.43, -0.16

 

CMYK 0 / 4 / 4 / 67

HEX #555252

RGB 85 82 82

HSL 0, 0.02%, 0.33%

LAB 35.15, 1.22, 0.43

 

CMYK 0 / 4 / 1 / 67

HEX #555254

RGB 85 82 84

HSL 320, 0.02%, 0.33%

LAB 35.21, 1.64, -0.74

 

CMYK 0 / 4 / 0 / 67

HEX #555255

RGB 85 82 85

HSL 300, 0.02%, 0.33%

LAB 35.25, 1.86, -1.32

 

CMYK 0 / 4 / 0 / 67

HEX #555255

RGB 85 82 85

HSL 300, 0.02%, 0.33%

LAB 35.25, 1.86, -1.32

 

CMYK 1 / 4 / 0 / 67

HEX #545255

RGB 84 82 85

HSL 280, 0.02%, 0.33%

LAB 35.15, 1.46, -1.47

 

CMYK 2 / 4 / 0 / 67

HEX #535255

RGB 83 82 85

HSL 260, 0.02%, 0.33%

LAB 35.06, 1.06, -1.61

 

CMYK 0 / 4 / 1 / 67

HEX #555254

RGB 85 82 84

HSL 320, 0.02%, 0.33%

LAB 35.21, 1.64, -0.74

 

CMYK 0 / 31 / 15 / 61

HEX #634454

RGB 99 68 84

HSL 329.03, 0.19%, 0.33%

LAB 32.76, 16.14, -4.19

 

CMYK 0 / 51 / 26 / 56

HEX #713754

RGB 113 55 84

HSL 330, 0.35%, 0.33%

LAB 31.54, 29.36, -5.8

 

CMYK 0 / 67 / 33 / 51

HEX #7E2954

RGB 126 41 84

HSL 329.65, 0.51%, 0.33%

LAB 31.02, 40.95, -6.35

 

CMYK 0 / 80 / 40 / 45

HEX #8C1C54

RGB 140 28 84

HSL 330, 0.67%, 0.33%

LAB 31.91, 49.98, -4.74

 

CMYK 0 / 4 / 1 / 67

HEX #555254

RGB 85 82 84

HSL 320, 0.02%, 0.33%

LAB 35.21, 1.64, -0.74

 

CMYK 25 / 0 / 13 / 62

HEX #486054

RGB 72 96 84

HSL 150, 0.14%, 0.33%

LAB 38.52, -11.8, 3.93

 

CMYK 47 / 0 / 23 / 57

HEX #3A6D54

RGB 58 109 84

HSL 150.59, 0.31%, 0.33%

LAB 41.96, -23.53, 8.72

 

CMYK 64 / 0 / 32 / 52

HEX #2C7B54

RGB 44 123 84

HSL 150.38, 0.47%, 0.33%

LAB 46.1, -33.83, 14.38

 

CMYK 77 / 0 / 38 / 47

HEX #1F8854

RGB 31 136 84

HSL 150.29, 0.63%, 0.33%

LAB 50.14, -41.67, 19.81

 

CMYK 0 / 4 / 0 / 67

HEX #555255

RGB 85 82 85

HSL 300, 0.02%, 0.33%

LAB 35.25, 1.86, -1.32

 

CMYK 0 / 4 / 0 / 67

HEX #555255

RGB 85 82 85

HSL 300, 0.02%, 0.33%

LAB 35.25, 1.86, -1.32

 

CMYK 0 / 4 / 1 / 67

HEX #555254

RGB 85 82 84

HSL 320, 0.02%, 0.33%

LAB 35.21, 1.64, -0.74

 

CMYK 0 / 4 / 2 / 67

HEX #555253

RGB 85 82 83

HSL 340, 0.02%, 0.33%

LAB 35.18, 1.43, -0.16

 

CMYK 0 / 4 / 4 / 67

HEX #555252

RGB 85 82 82

HSL 0, 0.02%, 0.33%

LAB 35.15, 1.22, 0.43

 

CMYK 0 / 2 / 2 / 83

HEX #2B2A2A

RGB 43 42 42

HSL 0, 0.01%, 0.17%

LAB 17.16, 0.45, 0.16

 

CMYK 0 / 3 / 2 / 75

HEX #403E3F

RGB 64 62 63

HSL 330, 0.02%, 0.25%

LAB 26.43, 1.07, -0.31

 

CMYK 0 / 4 / 1 / 67

HEX #555254

RGB 85 82 84

HSL 320, 0.02%, 0.33%

LAB 35.21, 1.64, -0.74

 

CMYK 0 / 4 / 2 / 58

HEX #6A6668

RGB 106 102 104

HSL 330, 0.02%, 0.41%

LAB 43.6, 1.97, -0.57

 

CMYK 0 / 4 / 2 / 50

HEX #7F7A7D

RGB 127 122 125

HSL 324, 0.02%, 0.49%

LAB 51.74, 2.49, -0.96

 

CMYK 0 / 5 / 2 / 66

HEX #575355

RGB 87 83 85

HSL 330, 0.02%, 0.33%

LAB 35.73, 2.05, -0.59

 

CMYK 0 / 1 / 4 / 67

HEX #555452

RGB 85 84 82

HSL 40, 0.02%, 0.33%

LAB 35.75, -0.01, 1.3

 

CMYK 4 / 0 / 0 / 67

HEX #525555

RGB 82 85 85

HSL 180, 0.02%, 0.33%

LAB 35.88, -1.2, -0.42

 

CMYK 0 / 5 / 2 / 66

HEX #575355

RGB 87 83 85

HSL 330, 0.02%, 0.33%

LAB 35.73, 2.05, -0.59

 

CMYK 1 / 0 / 4 / 67

HEX #545552

RGB 84 85 82

HSL 80, 0.02%, 0.33%

LAB 35.97, -1.04, 1.6

 

CMYK 4 / 1 / 0 / 67

HEX #525455

RGB 82 84 85

HSL 200, 0.02%, 0.33%

LAB 35.58, -0.58, -0.87

 

CMYK 0 / 5 / 2 / 66

HEX #575355

RGB 87 83 85

HSL 330, 0.02%, 0.33%

LAB 35.73, 2.05, -0.59

 

CMYK 0 / 1 / 4 / 67

HEX #555452

RGB 85 84 82

HSL 40, 0.02%, 0.33%

LAB 35.75, -0.01, 1.3

 

CMYK 4 / 0 / 1 / 67

HEX #525554

RGB 82 85 84

HSL 160, 0.02%, 0.33%

LAB 35.85, -1.41, 0.16

 

CMYK 4 / 2 / 0 / 67

HEX #525355

RGB 82 83 85

HSL 220, 0.02%, 0.33%

LAB 35.27, 0.04, -1.31

 

CMYK 0 / 5 / 2 / 66

HEX #575355

RGB 87 83 85

HSL 330, 0.02%, 0.33%

LAB 35.73, 2.05, -0.59

 

CMYK 0 / 0 / 4 / 67

HEX #555552

RGB 85 85 82

HSL 60, 0.02%, 0.33%

LAB 36.06, -0.63, 1.74

 

CMYK 4 / 0 / 1 / 67

HEX #525554

RGB 82 85 84

HSL 160, 0.02%, 0.33%

LAB 35.85, -1.41, 0.16

 

CMYK 4 / 4 / 0 / 67

HEX #525255

RGB 82 82 85

HSL 240, 0.02%, 0.33%

LAB 34.97, 0.66, -1.76

 

Description

Color code: RGB 87 83 85 | qconv.com Color code: RGB 87 83 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 83 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 83 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 2 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 2% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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