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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 42 54 it is the complementary color RGB 168 213 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 42 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 42 54 shade: RGB 92 42 49, RGB 109 60 68, RGB 126 78 87, RGB 143 96 106 and RGB 160 114 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 42 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 42 54 shade: RGB 87 42 54, RGB 70 24 35, RGB 53 6 16, RGB 36 0 0 and RGB 19 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 42 54 shade: RGB 86 41 53 and RGB 86 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 42 54 shade: RGB 86 41 53, RGB 86 41 65, RGB 86 41 77, RGB 82 41 86 and RGB 70 41 86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 42 54 shade matches the following richer shades: RGB 86 41 53, RGB 96 31 48, RGB 106 20 43, RGB 117 10 38 and RGB 127 0 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 42 54 shade: RGB 86 41 53, RGB 75 51 58, RGB 65 62 62, RGB 55 72 67 and RGB 44 82 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 42 54 shade: RGB 86 41 77, RGB 86 41 65, RGB 86 41 53, RGB 86 41 41 and RGB 86 53 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 42 54 shade: RGB 30 14 18, RGB 58 28 36, RGB 86 41 53, RGB 113 54 70 and RGB 141 68 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 42 54 shade: RGB 87 42 54, RGB 86 83 41 and RGB 41 71 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 42 54 shade: RGB 87 42 54, RGB 53 86 41 and RGB 41 53 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 42 54 shade: RGB 87 42 54, RGB 86 83 41, RGB 41 86 74 and RGB 41 44 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 42 54 shade: RGB 87 42 54, RGB 75 86 41, RGB 41 86 74 and RGB 51 41 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 38 / 66

HEX #572A36

RGB 87 42 54

HSL 344, 0.35%, 0.25%

LAB 23.5, 22.24, 1.81

 

Complementary color

CMYK 21 / 0 / 6 / 16

HEX #A8D5C9

RGB 168 213 201

HSL 164, 0.35%, 0.75%

LAB 81.91, -17.09, 1.1

 

CMYK 0 / 54 / 47 / 64

HEX #5C2A31

RGB 92 42 49

HSL 351.6, 0.37%, 0.26%

LAB 24.17, 23.65, 6.27

 

CMYK 0 / 45 / 38 / 57

HEX #6D3C44

RGB 109 60 68

HSL 350.2, 0.29%, 0.33%

LAB 31.58, 22.53, 4.56

 

CMYK 0 / 38 / 31 / 51

HEX #7E4E57

RGB 126 78 87

HSL 348.75, 0.24%, 0.4%

LAB 38.85, 21.51, 3.24

 

CMYK 0 / 33 / 26 / 44

HEX #8F606A

RGB 143 96 106

HSL 347.23, 0.2%, 0.47%

LAB 45.97, 20.62, 2.14

 

CMYK 0 / 29 / 22 / 37

HEX #A0727D

RGB 160 114 125

HSL 345.65, 0.19%, 0.54%

LAB 52.94, 19.83, 1.18

 

CMYK 0 / 52 / 38 / 66

HEX #572A36

RGB 87 42 54

HSL 344, 0.35%, 0.25%

LAB 23.5, 22.24, 1.81

 

CMYK 0 / 66 / 50 / 73

HEX #461823

RGB 70 24 35

HSL 345.65, 0.49%, 0.18%

LAB 15.88, 23.27, 3.79

 

CMYK 0 / 89 / 70 / 79

HEX #350610

RGB 53 6 16

HSL 347.23, 0.8%, 0.12%

LAB 8.35, 23.92, 6.05

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 100 / 100 / 93

HEX #130000

RGB 19 0 0

HSL 0, 1%, 0.04%

LAB 1.25, 5.61, 1.98

 

CMYK 0 / 52 / 38 / 66

HEX #562935

RGB 86 41 53

HSL 344, 0.35%, 0.25%

LAB 23.07, 22.29, 1.85

 

CMYK 0 / 52 / 52 / 66

HEX #562929

RGB 86 41 41

HSL 0, 0.35%, 0.25%

LAB 22.74, 20.76, 9.56

 

CMYK 0 / 52 / 38 / 66

HEX #562935

RGB 86 41 53

HSL 344, 0.35%, 0.25%

LAB 23.07, 22.29, 1.85

 

CMYK 0 / 52 / 24 / 66

HEX #562941

RGB 86 41 65

HSL 328, 0.35%, 0.25%

LAB 23.49, 24.16, -5.7

 

CMYK 0 / 52 / 10 / 66

HEX #56294D

RGB 86 41 77

HSL 312, 0.35%, 0.25%

LAB 24, 26.34, -13.01

 

CMYK 5 / 52 / 0 / 66

HEX #522956

RGB 82 41 86

HSL 294.67, 0.35%, 0.25%

LAB 23.84, 26.83, -19.3

 

CMYK 19 / 52 / 0 / 66

HEX #462956

RGB 70 41 86

HSL 278.67, 0.35%, 0.25%

LAB 22.16, 22.85, -22.06

 

CMYK 0 / 52 / 38 / 66

HEX #562935

RGB 86 41 53

HSL 344, 0.35%, 0.25%

LAB 23.07, 22.29, 1.85

 

CMYK 0 / 68 / 50 / 62

HEX #601F30

RGB 96 31 48

HSL 344.31, 0.51%, 0.25%

LAB 22.58, 31.07, 4.81

 

CMYK 0 / 81 / 59 / 58

HEX #6A142B

RGB 106 20 43

HSL 343.95, 0.68%, 0.25%

LAB 22.79, 38.63, 8.86

 

CMYK 0 / 91 / 68 / 54

HEX #750A26

RGB 117 10 38

HSL 344.3, 0.84%, 0.25%

LAB 24.13, 44.28, 14.53

 

CMYK 0 / 100 / 73 / 50

HEX #7F0022

RGB 127 0 34

HSL 343.94, 1%, 0.25%

LAB 25.65, 48.73, 19.66

 

CMYK 0 / 52 / 38 / 66

HEX #562935

RGB 86 41 53

HSL 344, 0.35%, 0.25%

LAB 23.07, 22.29, 1.85

 

CMYK 0 / 32 / 23 / 71

HEX #4B333A

RGB 75 51 58

HSL 342.5, 0.19%, 0.25%

LAB 24.22, 12.07, -0.06

 

CMYK 0 / 5 / 5 / 75

HEX #413E3E

RGB 65 62 62

HSL 0, 0.02%, 0.25%

LAB 26.5, 1.28, 0.45

 

CMYK 24 / 0 / 7 / 72

HEX #374843

RGB 55 72 67

HSL 162.35, 0.13%, 0.25%

LAB 29.04, -7.96, 0.78

 

CMYK 46 / 0 / 12 / 68

HEX #2C5248

RGB 44 82 72

HSL 164.21, 0.3%, 0.25%

LAB 31.89, -16.31, 1.65

 

CMYK 0 / 52 / 10 / 66

HEX #56294D

RGB 86 41 77

HSL 312, 0.35%, 0.25%

LAB 24, 26.34, -13.01

 

CMYK 0 / 52 / 24 / 66

HEX #562941

RGB 86 41 65

HSL 328, 0.35%, 0.25%

LAB 23.49, 24.16, -5.7

 

CMYK 0 / 52 / 38 / 66

HEX #562935

RGB 86 41 53

HSL 344, 0.35%, 0.25%

LAB 23.07, 22.29, 1.85

 

CMYK 0 / 52 / 52 / 66

HEX #562929

RGB 86 41 41

HSL 0, 0.35%, 0.25%

LAB 22.74, 20.76, 9.56

 

CMYK 0 / 38 / 52 / 66

HEX #563529

RGB 86 53 41

HSL 16, 0.35%, 0.25%

LAB 25.82, 13.28, 13.69

 

CMYK 0 / 53 / 40 / 88

HEX #1E0E12

RGB 30 14 18

HSL 345, 0.36%, 0.09%

LAB 5.72, 8.16, 0.54

 

CMYK 0 / 52 / 38 / 77

HEX #3A1C24

RGB 58 28 36

HSL 344, 0.35%, 0.17%

LAB 14.72, 15.86, 1.12

 

CMYK 0 / 52 / 38 / 66

HEX #562935

RGB 86 41 53

HSL 344, 0.35%, 0.25%

LAB 23.07, 22.29, 1.85

 

CMYK 0 / 52 / 38 / 56

HEX #713646

RGB 113 54 70

HSL 343.73, 0.35%, 0.33%

LAB 30.86, 27.89, 2.3

 

CMYK 0 / 52 / 38 / 45

HEX #8D4457

RGB 141 68 87

HSL 344.38, 0.35%, 0.41%

LAB 38.7, 33.05, 3.29

 

CMYK 0 / 52 / 38 / 66

HEX #572A36

RGB 87 42 54

HSL 344, 0.35%, 0.25%

LAB 23.5, 22.24, 1.81

 

CMYK 0 / 3 / 52 / 66

HEX #565329

RGB 86 83 41

HSL 56, 0.35%, 0.25%

LAB 34.65, -5.48, 24.86

 

CMYK 52 / 17 / 0 / 66

HEX #294756

RGB 41 71 86

HSL 200, 0.35%, 0.25%

LAB 28.51, -6.44, -12.39

 

CMYK 0 / 52 / 38 / 66

HEX #572A36

RGB 87 42 54

HSL 344, 0.35%, 0.25%

LAB 23.5, 22.24, 1.81

 

CMYK 38 / 0 / 52 / 66

HEX #355629

RGB 53 86 41

HSL 104, 0.35%, 0.25%

LAB 33.08, -21.77, 22.35

 

CMYK 52 / 38 / 0 / 66

HEX #293556

RGB 41 53 86

HSL 224, 0.35%, 0.25%

LAB 22.62, 5.52, -21.54

 

CMYK 0 / 52 / 38 / 66

HEX #572A36

RGB 87 42 54

HSL 344, 0.35%, 0.25%

LAB 23.5, 22.24, 1.81

 

CMYK 0 / 3 / 52 / 66

HEX #565329

RGB 86 83 41

HSL 56, 0.35%, 0.25%

LAB 34.65, -5.48, 24.86

 

CMYK 52 / 0 / 14 / 66

HEX #29564A

RGB 41 86 74

HSL 164, 0.35%, 0.25%

LAB 33.18, -18.85, 2.23

 

CMYK 52 / 49 / 0 / 66

HEX #292C56

RGB 41 44 86

HSL 236, 0.35%, 0.25%

LAB 19.82, 11.86, -25.96

 

CMYK 0 / 52 / 38 / 66

HEX #572A36

RGB 87 42 54

HSL 344, 0.35%, 0.25%

LAB 23.5, 22.24, 1.81

 

CMYK 13 / 0 / 52 / 66

HEX #4B5629

RGB 75 86 41

HSL 74.67, 0.35%, 0.25%

LAB 34.62, -12.38, 24.6

 

CMYK 52 / 0 / 14 / 66

HEX #29564A

RGB 41 86 74

HSL 164, 0.35%, 0.25%

LAB 33.18, -18.85, 2.23

 

CMYK 41 / 52 / 0 / 66

HEX #332956

RGB 51 41 86

HSL 253.33, 0.35%, 0.25%

LAB 19.89, 16.84, -25.8

 

Description

Color code: RGB 87 42 54 | qconv.com Color code: RGB 87 42 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 42 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 42 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 38 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 38% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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