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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 243 216 it is the complementary color RGB 173 12 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 243 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 243 216 shade: RGB 87 243 211, RGB 104 255 230, RGB 121 255 249, RGB 138 255 255 and RGB 155 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 243 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 243 216 shade: RGB 82 243 216, RGB 65 225 197, RGB 48 207 178, RGB 31 189 159 and RGB 14 171 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 243 216 shade: RGB 83 243 216, RGB 83 243 173, RGB 83 243 130, RGB 83 243 87 and RGB 122 243 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 243 216 shade: RGB 83 243 216, RGB 83 226 243, RGB 83 183 243, RGB 83 140 243 and RGB 83 97 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 243 216 shade matches the following richer shades: RGB 83 243 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 243 216 shade: RGB 83 243 216, RGB 98 228 206, RGB 113 213 196, RGB 127 198 186 and RGB 142 183 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 243 216 shade: RGB 83 243 128, RGB 83 243 171, RGB 83 243 213, RGB 83 229 243 and RGB 83 187 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 243 216 shade: RGB 15 228 192, RGB 44 240 207, RGB 83 243 216, RGB 121 245 224 and RGB 160 248 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 243 216 shade: RGB 82 243 216, RGB 85 83 243 and RGB 243 149 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 243 216 shade: RGB 82 243 216, RGB 213 83 243 and RGB 243 213 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 243 216 shade: RGB 82 243 216, RGB 85 83 243, RGB 243 83 112 and RGB 240 243 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 243 216 shade: RGB 82 243 216, RGB 133 83 243, RGB 243 83 112 and RGB 192 243 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 11 / 5

HEX #52F3D8

RGB 82 243 216

HSL 169.94, 0.87%, 0.64%

LAB 87.41, -47.78, 0.8

 

Complementary color

CMYK 0 / 93 / 77 / 32

HEX #AD0C27

RGB 173 12 39

HSL 349.94, 0.87%, 0.36%

LAB 36.54, 59.21, 31.71

 

CMYK 64 / 0 / 13 / 5

HEX #57F3D3

RGB 87 243 211

HSL 167.69, 0.87%, 0.65%

LAB 87.4, -48.25, 3.41

 

CMYK 59 / 0 / 10 / 0

HEX #68FFE6

RGB 104 255 230

HSL 170.07, 1%, 0.7%

LAB 91.76, -45.95, -0.07

 

CMYK 53 / 0 / 2 / 0

HEX #79FFF9

RGB 121 255 249

HSL 177.31, 1%, 0.74%

LAB 92.76, -38.12, -8.38

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 39 / 0 / 0 / 0

HEX #9BFFFF

RGB 155 255 255

HSL 180, 1%, 0.8%

LAB 94.19, -29.23, -9.23

 

CMYK 66 / 0 / 11 / 5

HEX #52F3D8

RGB 82 243 216

HSL 169.94, 0.87%, 0.64%

LAB 87.41, -47.78, 0.8

 

CMYK 71 / 0 / 12 / 12

HEX #41E1C5

RGB 65 225 197

HSL 169.5, 0.73%, 0.57%

LAB 81.29, -47.25, 1.85

 

CMYK 77 / 0 / 14 / 19

HEX #30CFB2

RGB 48 207 178

HSL 169.06, 0.62%, 0.5%

LAB 75.12, -46.49, 3

 

CMYK 84 / 0 / 16 / 26

HEX #1FBD9F

RGB 31 189 159

HSL 168.61, 0.72%, 0.43%

LAB 68.89, -45.45, 4.27

 

CMYK 92 / 0 / 18 / 33

HEX #0EAB8C

RGB 14 171 140

HSL 168.15, 0.85%, 0.36%

LAB 62.6, -44.02, 5.68

 

CMYK 66 / 0 / 11 / 5

HEX #53F3D8

RGB 83 243 216

HSL 169.88, 0.87%, 0.64%

LAB 87.44, -47.64, 0.83

 

CMYK 66 / 0 / 29 / 5

HEX #53F3AD

RGB 83 243 173

HSL 153.75, 0.87%, 0.64%

LAB 86.48, -57.42, 21.81

 

CMYK 66 / 0 / 47 / 5

HEX #53F382

RGB 83 243 130

HSL 137.63, 0.87%, 0.64%

LAB 85.78, -65.13, 42.42

 

CMYK 66 / 0 / 64 / 5

HEX #53F357

RGB 83 243 87

HSL 121.5, 0.87%, 0.64%

LAB 85.32, -70.51, 61.17

 

CMYK 50 / 0 / 66 / 5

HEX #7AF353

RGB 122 243 83

HSL 105.38, 0.87%, 0.64%

LAB 86.44, -61.8, 64.3

 

CMYK 66 / 0 / 11 / 5

HEX #53F3D8

RGB 83 243 216

HSL 169.88, 0.87%, 0.64%

LAB 87.44, -47.64, 0.83

 

CMYK 66 / 7 / 0 / 5

HEX #53E2F3

RGB 83 226 243

HSL 186.38, 0.87%, 0.64%

LAB 83.29, -32.73, -19.54

 

CMYK 66 / 25 / 0 / 5

HEX #53B7F3

RGB 83 183 243

HSL 202.5, 0.87%, 0.64%

LAB 70.99, -10.95, -38.4

 

CMYK 66 / 42 / 0 / 5

HEX #538CF3

RGB 83 140 243

HSL 218.63, 0.87%, 0.64%

LAB 59.04, 13.65, -57.27

 

CMYK 66 / 60 / 0 / 5

HEX #5361F3

RGB 83 97 243

HSL 234.75, 0.87%, 0.64%

LAB 48.08, 39.9, -74.95

 

CMYK 66 / 0 / 11 / 5

HEX #53F3D8

RGB 83 243 216

HSL 169.88, 0.87%, 0.64%

LAB 87.44, -47.64, 0.83

 

CMYK 66 / 0 / 11 / 5

HEX #53F3D8

RGB 83 243 216

HSL 169.88, 0.87%, 0.64%

LAB 87.44, -47.64, 0.83

 

CMYK 57 / 0 / 10 / 11

HEX #62E4CE

RGB 98 228 206

HSL 169.85, 0.71%, 0.64%

LAB 83.2, -41.03, -0.05

 

CMYK 47 / 0 / 8 / 16

HEX #71D5C4

RGB 113 213 196

HSL 169.8, 0.54%, 0.64%

LAB 79.09, -33.41, -0.67

 

CMYK 36 / 0 / 6 / 22

HEX #7FC6BA

RGB 127 198 186

HSL 169.86, 0.38%, 0.64%

LAB 75.1, -24.97, -1.05

 

CMYK 22 / 0 / 4 / 28

HEX #8EB7B0

RGB 142 183 176

HSL 169.76, 0.22%, 0.64%

LAB 71.39, -15.15, -0.95

 

CMYK 66 / 0 / 47 / 5

HEX #53F380

RGB 83 243 128

HSL 136.88, 0.87%, 0.64%

LAB 85.76, -65.43, 43.35

 

CMYK 66 / 0 / 30 / 5

HEX #53F3AB

RGB 83 243 171

HSL 153, 0.87%, 0.64%

LAB 86.44, -57.83, 22.78

 

CMYK 66 / 0 / 12 / 5

HEX #53F3D5

RGB 83 243 213

HSL 168.75, 0.87%, 0.64%

LAB 87.36, -48.38, 2.29

 

CMYK 66 / 6 / 0 / 5

HEX #53E5F3

RGB 83 229 243

HSL 185.25, 0.87%, 0.64%

LAB 84.15, -34.15, -18.24

 

CMYK 66 / 23 / 0 / 5

HEX #53BBF3

RGB 83 187 243

HSL 201, 0.87%, 0.64%

LAB 72.13, -13.1, -36.64

 

CMYK 93 / 0 / 16 / 11

HEX #0FE4C0

RGB 15 228 192

HSL 169.86, 0.88%, 0.48%

LAB 81.51, -53.72, 4.73

 

CMYK 82 / 0 / 14 / 6

HEX #2CF0CF

RGB 44 240 207

HSL 169.9, 0.87%, 0.56%

LAB 85.69, -53.1, 2.92

 

CMYK 66 / 0 / 11 / 5

HEX #53F3D8

RGB 83 243 216

HSL 169.88, 0.87%, 0.64%

LAB 87.44, -47.64, 0.83

 

CMYK 51 / 0 / 9 / 4

HEX #79F5E0

RGB 121 245 224

HSL 169.84, 0.86%, 0.72%

LAB 89.28, -39.68, -0.53

 

CMYK 35 / 0 / 6 / 3

HEX #A0F8E9

RGB 160 248 233

HSL 169.77, 0.86%, 0.8%

LAB 91.9, -29.68, -1.18

 

CMYK 66 / 0 / 11 / 5

HEX #52F3D8

RGB 82 243 216

HSL 169.94, 0.87%, 0.64%

LAB 87.41, -47.78, 0.8

 

CMYK 65 / 66 / 0 / 5

HEX #5553F3

RGB 85 83 243

HSL 240.75, 0.87%, 0.64%

LAB 45.07, 48.44, -79.87

 

CMYK 0 / 39 / 66 / 5

HEX #F39553

RGB 243 149 83

HSL 24.75, 0.87%, 0.64%

LAB 70.3, 29.68, 48.98

 

CMYK 66 / 0 / 11 / 5

HEX #52F3D8

RGB 82 243 216

HSL 169.94, 0.87%, 0.64%

LAB 87.41, -47.78, 0.8

 

CMYK 12 / 66 / 0 / 5

HEX #D553F3

RGB 213 83 243

HSL 288.75, 0.87%, 0.64%

LAB 58.79, 72.2, -56.99

 

CMYK 0 / 12 / 66 / 5

HEX #F3D553

RGB 243 213 83

HSL 48.75, 0.87%, 0.64%

LAB 85.64, -3.73, 65.71

 

CMYK 66 / 0 / 11 / 5

HEX #52F3D8

RGB 82 243 216

HSL 169.94, 0.87%, 0.64%

LAB 87.41, -47.78, 0.8

 

CMYK 65 / 66 / 0 / 5

HEX #5553F3

RGB 85 83 243

HSL 240.75, 0.87%, 0.64%

LAB 45.07, 48.44, -79.87

 

CMYK 0 / 66 / 54 / 5

HEX #F35370

RGB 243 83 112

HSL 349.13, 0.87%, 0.64%

LAB 58.43, 62.98, 18.23

 

CMYK 1 / 0 / 66 / 5

HEX #F0F353

RGB 240 243 83

HSL 61.13, 0.87%, 0.64%

LAB 93.12, -19.81, 73.35

 

CMYK 66 / 0 / 11 / 5

HEX #52F3D8

RGB 82 243 216

HSL 169.94, 0.87%, 0.64%

LAB 87.41, -47.78, 0.8

 

CMYK 45 / 66 / 0 / 5

HEX #8553F3

RGB 133 83 243

HSL 258.75, 0.87%, 0.64%

LAB 49.06, 55.95, -73.18

 

CMYK 0 / 66 / 54 / 5

HEX #F35370

RGB 243 83 112

HSL 349.13, 0.87%, 0.64%

LAB 58.43, 62.98, 18.23

 

CMYK 21 / 0 / 66 / 5

HEX #C0F353

RGB 192 243 83

HSL 79.13, 0.87%, 0.64%

LAB 89.83, -38.62, 68.92

 

Description

Color code: RGB 82 243 216 | qconv.com Color code: RGB 82 243 216 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 243 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 243 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 11 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 11% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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