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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 190 112 it is the complementary color RGB 173 65 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 190 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 190 112 shade: RGB 87 190 107, RGB 104 208 126, RGB 121 226 145, RGB 138 244 164 and RGB 155 255 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 190 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 190 112 shade: RGB 82 190 112, RGB 65 172 93, RGB 48 154 74, RGB 31 136 55 and RGB 14 118 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 190 112 shade: RGB 81 189 111, RGB 81 189 82, RGB 109 189 81, RGB 138 189 81 and RGB 167 189 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 190 112 shade: RGB 81 189 111, RGB 81 189 140, RGB 81 189 169, RGB 81 179 189 and RGB 81 150 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 190 112 shade matches the following richer shades: RGB 81 189 111, RGB 61 208 102, RGB 42 227 93 and RGB 23 247 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 190 112 shade: RGB 81 189 111, RGB 100 169 119, RGB 120 150 128, RGB 139 130 137 and RGB 158 111 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 190 112 shade: RGB 109 189 81, RGB 81 189 81, RGB 81 189 109, RGB 81 189 138 and RGB 81 189 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 190 112 shade: RGB 51 136 75, RGB 62 166 91, RGB 81 189 111, RGB 111 200 135 and RGB 141 211 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 190 112 shade: RGB 82 190 112, RGB 81 138 189 and RGB 189 81 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 190 112 shade: RGB 82 190 112, RGB 109 81 189 and RGB 189 109 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 190 112 shade: RGB 82 190 112, RGB 81 138 189, RGB 189 81 160 and RGB 189 131 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 190 112 shade: RGB 82 190 112, RGB 81 106 189, RGB 189 81 160 and RGB 189 163 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 41 / 25

HEX #52BE70

RGB 82 190 112

HSL 136.67, 0.45%, 0.53%

LAB 69.32, -48.18, 30.28

 

Complementary color

CMYK 0 / 62 / 17 / 32

HEX #AD418F

RGB 173 65 143

HSL 316.67, 0.45%, 0.47%

LAB 45.15, 52.82, -21.06

 

CMYK 54 / 0 / 44 / 25

HEX #57BE6B

RGB 87 190 107

HSL 131.65, 0.44%, 0.54%

LAB 69.41, -47.79, 33.01

 

CMYK 50 / 0 / 39 / 18

HEX #68D07E

RGB 104 208 126

HSL 132.69, 0.53%, 0.61%

LAB 75.8, -47.74, 31.67

 

CMYK 46 / 0 / 36 / 11

HEX #79E291

RGB 121 226 145

HSL 133.71, 0.64%, 0.68%

LAB 82.11, -47.6, 30.42

 

CMYK 43 / 0 / 33 / 4

HEX #8AF4A4

RGB 138 244 164

HSL 134.72, 0.83%, 0.75%

LAB 88.35, -47.4, 29.23

 

CMYK 39 / 0 / 28 / 0

HEX #9BFFB7

RGB 155 255 183

HSL 136.8, 1%, 0.8%

LAB 92.53, -44.15, 25.41

 

CMYK 57 / 0 / 41 / 25

HEX #52BE70

RGB 82 190 112

HSL 136.67, 0.45%, 0.53%

LAB 69.32, -48.18, 30.28

 

CMYK 62 / 0 / 46 / 33

HEX #41AC5D

RGB 65 172 93

HSL 135.7, 0.45%, 0.46%

LAB 62.86, -48.03, 31.71

 

CMYK 69 / 0 / 52 / 40

HEX #309A4A

RGB 48 154 74

HSL 134.72, 0.52%, 0.4%

LAB 56.32, -47.61, 33.22

 

CMYK 77 / 0 / 60 / 47

HEX #1F8837

RGB 31 136 55

HSL 133.71, 0.63%, 0.33%

LAB 49.71, -46.72, 34.76

 

CMYK 88 / 0 / 69 / 54

HEX #0E7624

RGB 14 118 36

HSL 132.69, 0.79%, 0.26%

LAB 43.03, -45.07, 36.16

 

CMYK 57 / 0 / 41 / 26

HEX #51BD6F

RGB 81 189 111

HSL 136.67, 0.45%, 0.53%

LAB 68.96, -48.18, 30.32

 

CMYK 57 / 0 / 57 / 26

HEX #51BD52

RGB 81 189 82

HSL 120.56, 0.45%, 0.53%

LAB 68.57, -52.45, 44.28

 

CMYK 42 / 0 / 57 / 26

HEX #6DBD51

RGB 109 189 81

HSL 104.44, 0.45%, 0.53%

LAB 69.64, -44.61, 46.28

 

CMYK 27 / 0 / 57 / 26

HEX #8ABD51

RGB 138 189 81

HSL 88.33, 0.45%, 0.53%

LAB 71.14, -34.55, 48.4

 

CMYK 12 / 0 / 57 / 26

HEX #A7BD51

RGB 167 189 81

HSL 72.22, 0.45%, 0.53%

LAB 73.03, -23.25, 51.05

 

CMYK 57 / 0 / 41 / 26

HEX #51BD6F

RGB 81 189 111

HSL 136.67, 0.45%, 0.53%

LAB 68.96, -48.18, 30.32

 

CMYK 57 / 0 / 26 / 26

HEX #51BD8C

RGB 81 189 140

HSL 152.78, 0.45%, 0.53%

LAB 69.5, -42.6, 15.62

 

CMYK 57 / 0 / 11 / 26

HEX #51BDA9

RGB 81 189 169

HSL 168.89, 0.45%, 0.53%

LAB 70.18, -35.83, 0.8

 

CMYK 57 / 5 / 0 / 26

HEX #51B3BD

RGB 81 179 189

HSL 185.56, 0.45%, 0.53%

LAB 67.77, -25.65, -13.78

 

CMYK 57 / 21 / 0 / 26

HEX #5196BD

RGB 81 150 189

HSL 201.67, 0.45%, 0.53%

LAB 59.19, -10.35, -26.85

 

CMYK 57 / 0 / 41 / 26

HEX #51BD6F

RGB 81 189 111

HSL 136.67, 0.45%, 0.53%

LAB 68.96, -48.18, 30.32

 

CMYK 71 / 0 / 51 / 18

HEX #3DD066

RGB 61 208 102

HSL 136.73, 0.61%, 0.53%

LAB 74.23, -60.73, 41.43

 

CMYK 81 / 0 / 59 / 11

HEX #2AE35D

RGB 42 227 93

HSL 136.54, 0.77%, 0.53%

LAB 79.74, -70.73, 52.13

 

CMYK 91 / 0 / 66 / 3

HEX #17F755

RGB 23 247 85

HSL 136.61, 0.93%, 0.53%

LAB 85.69, -79.05, 62.13

 

CMYK 57 / 0 / 41 / 26

HEX #51BD6F

RGB 81 189 111

HSL 136.67, 0.45%, 0.53%

LAB 68.96, -48.18, 30.32

 

CMYK 41 / 0 / 30 / 34

HEX #64A977

RGB 100 169 119

HSL 136.52, 0.29%, 0.53%

LAB 63.69, -32.92, 19.13

 

CMYK 20 / 0 / 15 / 41

HEX #789680

RGB 120 150 128

HSL 136, 0.13%, 0.53%

LAB 59.31, -15.09, 8.17

 

CMYK 0 / 6 / 1 / 45

HEX #8B8289

RGB 139 130 137

HSL 313.33, 0.04%, 0.53%

LAB 55.34, 4.74, -2.55

 

CMYK 0 / 30 / 8 / 38

HEX #9E6F91

RGB 158 111 145

HSL 316.6, 0.2%, 0.53%

LAB 52.6, 24.22, -11.09

 

CMYK 42 / 0 / 57 / 26

HEX #6DBD51

RGB 109 189 81

HSL 104.44, 0.45%, 0.53%

LAB 69.64, -44.61, 46.28

 

CMYK 57 / 0 / 57 / 26

HEX #51BD51

RGB 81 189 81

HSL 120, 0.45%, 0.53%

LAB 68.56, -52.57, 44.74

 

CMYK 57 / 0 / 42 / 26

HEX #51BD6D

RGB 81 189 109

HSL 135.56, 0.45%, 0.53%

LAB 68.93, -48.52, 31.32

 

CMYK 57 / 0 / 27 / 26

HEX #51BD8A

RGB 81 189 138

HSL 151.67, 0.45%, 0.53%

LAB 69.45, -43.02, 16.64

 

CMYK 57 / 0 / 12 / 26

HEX #51BDA7

RGB 81 189 167

HSL 167.78, 0.45%, 0.53%

LAB 70.13, -36.33, 1.82

 

CMYK 63 / 0 / 45 / 47

HEX #33884B

RGB 51 136 75

HSL 136.94, 0.45%, 0.37%

LAB 50.48, -39.67, 25.33

 

CMYK 63 / 0 / 45 / 35

HEX #3EA65B

RGB 62 166 91

HSL 136.73, 0.46%, 0.45%

LAB 60.83, -46.64, 30.14

 

CMYK 57 / 0 / 41 / 26

HEX #51BD6F

RGB 81 189 111

HSL 136.67, 0.45%, 0.53%

LAB 68.96, -48.18, 30.32

 

CMYK 45 / 0 / 33 / 22

HEX #6FC887

RGB 111 200 135

HSL 136.18, 0.45%, 0.61%

LAB 73.83, -40.87, 24.42

 

CMYK 33 / 0 / 24 / 17

HEX #8DD3A0

RGB 141 211 160

HSL 136.29, 0.44%, 0.69%

LAB 78.92, -32.5, 18.42

 

CMYK 57 / 0 / 41 / 25

HEX #52BE70

RGB 82 190 112

HSL 136.67, 0.45%, 0.53%

LAB 69.32, -48.18, 30.28

 

CMYK 57 / 27 / 0 / 26

HEX #518ABD

RGB 81 138 189

HSL 208.33, 0.45%, 0.53%

LAB 55.69, -3.55, -32.29

 

CMYK 0 / 57 / 50 / 26

HEX #BD515F

RGB 189 81 95

HSL 352.22, 0.45%, 0.53%

LAB 48.92, 44.72, 13.86

 

CMYK 57 / 0 / 41 / 25

HEX #52BE70

RGB 82 190 112

HSL 136.67, 0.45%, 0.53%

LAB 69.32, -48.18, 30.28

 

CMYK 42 / 57 / 0 / 26

HEX #6D51BD

RGB 109 81 189

HSL 255.56, 0.45%, 0.53%

LAB 42.48, 37.37, -53.11

 

CMYK 0 / 42 / 57 / 26

HEX #BD6D51

RGB 189 109 81

HSL 15.56, 0.45%, 0.53%

LAB 54.4, 29.02, 29.29

 

CMYK 57 / 0 / 41 / 25

HEX #52BE70

RGB 82 190 112

HSL 136.67, 0.45%, 0.53%

LAB 69.32, -48.18, 30.28

 

CMYK 57 / 27 / 0 / 26

HEX #518ABD

RGB 81 138 189

HSL 208.33, 0.45%, 0.53%

LAB 55.69, -3.55, -32.29

 

CMYK 0 / 57 / 15 / 26

HEX #BD51A0

RGB 189 81 160

HSL 316.11, 0.45%, 0.53%

LAB 50.97, 52.81, -22.03

 

CMYK 0 / 31 / 57 / 26

HEX #BD8351

RGB 189 131 81

HSL 27.78, 0.45%, 0.53%

LAB 59.57, 16.92, 35.73

 

CMYK 57 / 0 / 41 / 25

HEX #52BE70

RGB 82 190 112

HSL 136.67, 0.45%, 0.53%

LAB 69.32, -48.18, 30.28

 

CMYK 57 / 44 / 0 / 26

HEX #516ABD

RGB 81 106 189

HSL 226.11, 0.45%, 0.53%

LAB 46.62, 15.79, -46.59

 

CMYK 0 / 57 / 15 / 26

HEX #BD51A0

RGB 189 81 160

HSL 316.11, 0.45%, 0.53%

LAB 50.97, 52.81, -22.03

 

CMYK 0 / 14 / 57 / 26

HEX #BDA351

RGB 189 163 81

HSL 45.56, 0.45%, 0.53%

LAB 67.73, -0.59, 45.46

 

Description

Color code: RGB 82 190 112 | qconv.com Color code: RGB 82 190 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 190 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 190 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 41 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 41% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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