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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 177 90 it is the complementary color RGB 173 78 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 177 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 177 90 shade: RGB 87 177 85, RGB 104 195 104, RGB 121 213 123, RGB 138 231 142 and RGB 155 249 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 177 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 177 90 shade: RGB 82 177 90, RGB 65 159 71, RGB 48 141 52, RGB 31 123 33 and RGB 14 105 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 177 90 shade: RGB 82 177 90, RGB 100 177 82, RGB 125 177 82, RGB 151 177 82 and RGB 177 177 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 177 90 shade: RGB 82 177 90, RGB 82 177 116, RGB 82 177 141, RGB 82 177 167 and RGB 82 162 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 177 90 shade matches the following richer shades: RGB 82 177 90, RGB 62 197 73, RGB 42 217 56 and RGB 21 238 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 177 90 shade: RGB 82 177 90, RGB 102 157 107, RGB 123 137 124, RGB 143 116 141 and RGB 163 96 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 177 90 shade: RGB 125 177 82, RGB 99 177 82, RGB 82 177 90, RGB 82 177 115 and RGB 82 177 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 177 90 shade: RGB 55 122 60, RGB 67 151 74, RGB 82 177 90, RGB 111 190 117 and RGB 139 203 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 177 90 shade: RGB 82 177 90, RGB 82 150 177 and RGB 177 82 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 177 90 shade: RGB 82 177 90, RGB 90 82 177 and RGB 177 90 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 177 90 shade: RGB 82 177 90, RGB 82 150 177, RGB 177 82 169 and RGB 177 109 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 177 90 shade: RGB 82 177 90, RGB 82 122 177, RGB 177 82 169 and RGB 177 137 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 49 / 31

HEX #52B15A

RGB 82 177 90

HSL 125.05, 0.38%, 0.51%

LAB 64.94, -46.4, 35.99

 

Complementary color

CMYK 0 / 55 / 5 / 32

HEX #AD4EA5

RGB 173 78 165

HSL 305.05, 0.38%, 0.49%

LAB 48.32, 50.41, -29.26

 

CMYK 51 / 0 / 52 / 31

HEX #57B155

RGB 87 177 85

HSL 118.7, 0.37%, 0.51%

LAB 65.06, -45.74, 38.68

 

CMYK 47 / 0 / 47 / 24

HEX #68C368

RGB 104 195 104

HSL 120, 0.43%, 0.59%

LAB 71.54, -45.72, 37.37

 

CMYK 43 / 0 / 42 / 16

HEX #79D57B

RGB 121 213 123

HSL 121.3, 0.52%, 0.65%

LAB 77.92, -45.6, 36.09

 

CMYK 40 / 0 / 39 / 9

HEX #8AE78E

RGB 138 231 142

HSL 122.58, 0.66%, 0.72%

LAB 84.23, -45.41, 34.86

 

CMYK 38 / 0 / 35 / 2

HEX #9BF9A1

RGB 155 249 161

HSL 123.83, 0.89%, 0.79%

LAB 90.46, -45.19, 33.69

 

CMYK 54 / 0 / 49 / 31

HEX #52B15A

RGB 82 177 90

HSL 125.05, 0.38%, 0.51%

LAB 64.94, -46.4, 35.99

 

CMYK 59 / 0 / 55 / 38

HEX #419F47

RGB 65 159 71

HSL 123.83, 0.42%, 0.44%

LAB 58.39, -46.22, 37.36

 

CMYK 66 / 0 / 63 / 45

HEX #308D34

RGB 48 141 52

HSL 122.58, 0.49%, 0.37%

LAB 51.75, -45.72, 38.67

 

CMYK 75 / 0 / 73 / 52

HEX #1F7B21

RGB 31 123 33

HSL 121.3, 0.6%, 0.3%

LAB 45.04, -44.67, 39.69

 

CMYK 87 / 0 / 87 / 59

HEX #0E690E

RGB 14 105 14

HSL 120, 0.76%, 0.23%

LAB 38.25, -42.67, 39.81

 

CMYK 54 / 0 / 49 / 31

HEX #52B15A

RGB 82 177 90

HSL 125.05, 0.38%, 0.51%

LAB 64.94, -46.4, 35.99

 

CMYK 44 / 0 / 54 / 31

HEX #64B152

RGB 100 177 82

HSL 108.63, 0.38%, 0.51%

LAB 65.56, -42.26, 40.88

 

CMYK 29 / 0 / 54 / 31

HEX #7DB152

RGB 125 177 82

HSL 92.84, 0.38%, 0.51%

LAB 66.83, -33.71, 42.71

 

CMYK 15 / 0 / 54 / 31

HEX #97B152

RGB 151 177 82

HSL 76.42, 0.38%, 0.51%

LAB 68.48, -23.7, 45.06

 

CMYK 0 / 0 / 54 / 31

HEX #B1B152

RGB 177 177 82

HSL 60, 0.38%, 0.51%

LAB 70.46, -12.99, 47.85

 

CMYK 54 / 0 / 49 / 31

HEX #52B15A

RGB 82 177 90

HSL 125.05, 0.38%, 0.51%

LAB 64.94, -46.4, 35.99

 

CMYK 54 / 0 / 34 / 31

HEX #52B174

RGB 82 177 116

HSL 141.47, 0.38%, 0.51%

LAB 65.36, -42.04, 22.9

 

CMYK 54 / 0 / 20 / 31

HEX #52B18D

RGB 82 177 141

HSL 157.26, 0.38%, 0.51%

LAB 65.87, -36.83, 9.99

 

CMYK 54 / 0 / 6 / 31

HEX #52B1A7

RGB 82 177 167

HSL 173.68, 0.38%, 0.51%

LAB 66.54, -30.47, -3.43

 

CMYK 54 / 8 / 0 / 31

HEX #52A2B1

RGB 82 162 177

HSL 189.47, 0.38%, 0.51%

LAB 62.35, -20.2, -15.27

 

CMYK 54 / 0 / 49 / 31

HEX #52B15A

RGB 82 177 90

HSL 125.05, 0.38%, 0.51%

LAB 64.94, -46.4, 35.99

 

CMYK 69 / 0 / 63 / 23

HEX #3EC549

RGB 62 197 73

HSL 124.89, 0.54%, 0.51%

LAB 70.48, -60.49, 50.42

 

CMYK 81 / 0 / 74 / 15

HEX #2AD938

RGB 42 217 56

HSL 124.8, 0.7%, 0.51%

LAB 76.32, -71.35, 63.08

 

CMYK 91 / 0 / 83 / 7

HEX #15EE28

RGB 21 238 40

HSL 125.25, 0.86%, 0.51%

LAB 82.63, -79.96, 73.57

 

CMYK 54 / 0 / 49 / 31

HEX #52B15A

RGB 82 177 90

HSL 125.05, 0.38%, 0.51%

LAB 64.94, -46.4, 35.99

 

CMYK 35 / 0 / 32 / 38

HEX #669D6B

RGB 102 157 107

HSL 125.45, 0.22%, 0.51%

LAB 59.89, -28.77, 20.57

 

CMYK 10 / 0 / 9 / 46

HEX #7B897C

RGB 123 137 124

HSL 124.29, 0.06%, 0.51%

LAB 55.64, -7.72, 5.24

 

CMYK 0 / 19 / 1 / 44

HEX #8F748D

RGB 143 116 141

HSL 304.44, 0.11%, 0.51%

LAB 52.12, 15.12, -9.62

 

CMYK 0 / 41 / 4 / 36

HEX #A3609D

RGB 163 96 157

HSL 305.37, 0.27%, 0.51%

LAB 50.2, 36.6, -21.75

 

CMYK 29 / 0 / 54 / 31

HEX #7DB152

RGB 125 177 82

HSL 92.84, 0.38%, 0.51%

LAB 66.83, -33.71, 42.71

 

CMYK 44 / 0 / 54 / 31

HEX #63B152

RGB 99 177 82

HSL 109.26, 0.38%, 0.51%

LAB 65.52, -42.57, 40.82

 

CMYK 54 / 0 / 49 / 31

HEX #52B15A

RGB 82 177 90

HSL 125.05, 0.38%, 0.51%

LAB 64.94, -46.4, 35.99

 

CMYK 54 / 0 / 35 / 31

HEX #52B173

RGB 82 177 115

HSL 140.84, 0.38%, 0.51%

LAB 65.34, -42.23, 23.42

 

CMYK 54 / 0 / 20 / 31

HEX #52B18D

RGB 82 177 141

HSL 157.26, 0.38%, 0.51%

LAB 65.87, -36.83, 9.99

 

CMYK 55 / 0 / 51 / 52

HEX #377A3C

RGB 55 122 60

HSL 124.48, 0.38%, 0.35%

LAB 45.71, -35.18, 27.49

 

CMYK 56 / 0 / 51 / 41

HEX #43974A

RGB 67 151 74

HSL 125, 0.39%, 0.43%

LAB 55.91, -42.06, 32.83

 

CMYK 54 / 0 / 49 / 31

HEX #52B15A

RGB 82 177 90

HSL 125.05, 0.38%, 0.51%

LAB 64.94, -46.4, 35.99

 

CMYK 42 / 0 / 38 / 25

HEX #6FBE75

RGB 111 190 117

HSL 124.56, 0.38%, 0.59%

LAB 70.52, -39.52, 29.45

 

CMYK 32 / 0 / 29 / 20

HEX #8BCB90

RGB 139 203 144

HSL 124.69, 0.38%, 0.67%

LAB 76.2, -32.21, 23.11

 

CMYK 54 / 0 / 49 / 31

HEX #52B15A

RGB 82 177 90

HSL 125.05, 0.38%, 0.51%

LAB 64.94, -46.4, 35.99

 

CMYK 54 / 15 / 0 / 31

HEX #5296B1

RGB 82 150 177

HSL 197.05, 0.38%, 0.51%

LAB 58.77, -13.8, -20.71

 

CMYK 0 / 54 / 37 / 31

HEX #B15270

RGB 177 82 112

HSL 341.05, 0.38%, 0.51%

LAB 47.69, 41.83, 1.58

 

CMYK 54 / 0 / 49 / 31

HEX #52B15A

RGB 82 177 90

HSL 125.05, 0.38%, 0.51%

LAB 64.94, -46.4, 35.99

 

CMYK 49 / 54 / 0 / 31

HEX #5A52B1

RGB 90 82 177

HSL 245.05, 0.38%, 0.51%

LAB 40.22, 28.9, -49.8

 

CMYK 0 / 49 / 54 / 31

HEX #B15A52

RGB 177 90 82

HSL 5.05, 0.38%, 0.51%

LAB 48.6, 34.54, 20.88

 

CMYK 54 / 0 / 49 / 31

HEX #52B15A

RGB 82 177 90

HSL 125.05, 0.38%, 0.51%

LAB 64.94, -46.4, 35.99

 

CMYK 54 / 15 / 0 / 31

HEX #5296B1

RGB 82 150 177

HSL 197.05, 0.38%, 0.51%

LAB 58.77, -13.8, -20.71

 

CMYK 0 / 54 / 5 / 31

HEX #B152A9

RGB 177 82 169

HSL 305.05, 0.38%, 0.51%

LAB 49.79, 50.32, -29.28

 

CMYK 0 / 38 / 54 / 31

HEX #B16D52

RGB 177 109 82

HSL 17.05, 0.38%, 0.51%

LAB 52.83, 24.19, 26.41

 

CMYK 54 / 0 / 49 / 31

HEX #52B15A

RGB 82 177 90

HSL 125.05, 0.38%, 0.51%

LAB 64.94, -46.4, 35.99

 

CMYK 54 / 31 / 0 / 31

HEX #527AB1

RGB 82 122 177

HSL 214.74, 0.38%, 0.51%

LAB 50.56, 2.24, -33.42

 

CMYK 0 / 54 / 5 / 31

HEX #B152A9

RGB 177 82 169

HSL 305.05, 0.38%, 0.51%

LAB 49.79, 50.32, -29.28

 

CMYK 0 / 23 / 54 / 31

HEX #B18952

RGB 177 137 82

HSL 34.74, 0.38%, 0.51%

LAB 59.75, 8.54, 35.12

 

Description

Color code: RGB 82 177 90 | qconv.com Color code: RGB 82 177 90 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 177 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 177 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 49 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 49% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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