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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 145 73 it is the complementary color RGB 173 110 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 145 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 145 73 shade: RGB 87 145 68, RGB 104 163 87, RGB 121 181 106, RGB 138 199 125 and RGB 155 217 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 145 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 145 73 shade: RGB 82 145 73, RGB 65 127 54, RGB 48 109 35, RGB 31 91 16 and RGB 14 73 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 145 73 shade: RGB 82 145 73, RGB 102 145 73, RGB 121 145 73, RGB 141 145 73 and RGB 145 131 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 145 73 shade: RGB 82 145 73, RGB 73 145 83, RGB 73 145 103, RGB 73 145 122 and RGB 73 145 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 145 73 shade matches the following richer shades: RGB 82 145 73, RGB 69 163 55, RGB 55 181 37, RGB 42 199 20 and RGB 29 216 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 145 73 shade: RGB 82 145 73, RGB 95 128 91, RGB 109 110 108, RGB 122 92 126 and RGB 135 74 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 145 73 shade: RGB 121 145 73, RGB 102 145 73, RGB 83 145 73, RGB 73 145 83 and RGB 73 145 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 145 73 shade: RGB 51 90 45, RGB 66 118 59, RGB 82 145 73, RGB 99 171 89 and RGB 125 185 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 145 73 shade: RGB 82 145 73, RGB 73 141 145 and RGB 145 73 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 145 73 shade: RGB 82 145 73, RGB 73 83 145 and RGB 145 73 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 145 73 shade: RGB 82 145 73, RGB 73 141 145, RGB 136 73 145 and RGB 145 78 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 145 73 shade: RGB 82 145 73, RGB 73 119 145, RGB 136 73 145 and RGB 145 100 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 50 / 43

HEX #529149

RGB 82 145 73

HSL 112.5, 0.33%, 0.43%

LAB 54.58, -35.18, 31.85

 

Complementary color

CMYK 5 / 40 / 0 / 29

HEX #AD6EB6

RGB 173 110 182

HSL 292.5, 0.33%, 0.57%

LAB 55.5, 36.94, -28.02

 

CMYK 40 / 0 / 53 / 43

HEX #579144

RGB 87 145 68

HSL 105.19, 0.36%, 0.42%

LAB 54.76, -34.19, 34.7

 

CMYK 36 / 0 / 47 / 36

HEX #68A357

RGB 104 163 87

HSL 106.58, 0.3%, 0.49%

LAB 61.5, -34.08, 33.43

 

CMYK 33 / 0 / 41 / 29

HEX #79B56A

RGB 121 181 106

HSL 108, 0.34%, 0.56%

LAB 68.13, -33.92, 32.18

 

CMYK 31 / 0 / 37 / 22

HEX #8AC77D

RGB 138 199 125

HSL 109.46, 0.4%, 0.64%

LAB 74.65, -33.72, 30.98

 

CMYK 29 / 0 / 34 / 15

HEX #9BD990

RGB 155 217 144

HSL 110.96, 0.49%, 0.71%

LAB 81.08, -33.51, 29.83

 

CMYK 43 / 0 / 50 / 43

HEX #529149

RGB 82 145 73

HSL 112.5, 0.33%, 0.43%

LAB 54.58, -35.18, 31.85

 

CMYK 49 / 0 / 57 / 50

HEX #417F36

RGB 65 127 54

HSL 110.96, 0.4%, 0.35%

LAB 47.71, -35.2, 33.16

 

CMYK 56 / 0 / 68 / 57

HEX #306D23

RGB 48 109 35

HSL 109.46, 0.51%, 0.28%

LAB 40.71, -34.97, 34.33

 

CMYK 66 / 0 / 82 / 64

HEX #1F5B10

RGB 31 91 16

HSL 108, 0.7%, 0.21%

LAB 33.59, -34.2, 34.87

 

CMYK 81 / 0 / 100 / 71

HEX #0E4900

RGB 14 73 0

HSL 108.49, 1%, 0.14%

LAB 26.33, -32.5, 33.91

 

CMYK 43 / 0 / 50 / 43

HEX #529149

RGB 82 145 73

HSL 112.5, 0.33%, 0.43%

LAB 54.58, -35.18, 31.85

 

CMYK 30 / 0 / 50 / 43

HEX #669149

RGB 102 145 73

HSL 95.83, 0.33%, 0.43%

LAB 55.64, -28.15, 33.39

 

CMYK 17 / 0 / 50 / 43

HEX #799149

RGB 121 145 73

HSL 80, 0.33%, 0.43%

LAB 56.88, -20.68, 35.18

 

CMYK 3 / 0 / 50 / 43

HEX #8D9149

RGB 141 145 73

HSL 63.33, 0.33%, 0.43%

LAB 58.41, -12.29, 37.39

 

CMYK 0 / 10 / 50 / 43

HEX #918349

RGB 145 131 73

HSL 48.33, 0.33%, 0.43%

LAB 54.8, -2.91, 33.09

 

CMYK 43 / 0 / 50 / 43

HEX #529149

RGB 82 145 73

HSL 112.5, 0.33%, 0.43%

LAB 54.58, -35.18, 31.85

 

CMYK 50 / 0 / 43 / 43

HEX #499153

RGB 73 145 83

HSL 128.33, 0.33%, 0.43%

LAB 54.34, -36.41, 26.11

 

CMYK 50 / 0 / 29 / 43

HEX #499167

RGB 73 145 103

HSL 145, 0.33%, 0.43%

LAB 54.71, -32.65, 15.5

 

CMYK 50 / 0 / 16 / 43

HEX #49917A

RGB 73 145 122

HSL 160.83, 0.33%, 0.43%

LAB 55.15, -28.39, 5.3

 

CMYK 50 / 0 / 2 / 43

HEX #49918E

RGB 73 145 142

HSL 177.5, 0.33%, 0.43%

LAB 55.71, -23.25, -5.37

 

CMYK 43 / 0 / 50 / 43

HEX #529149

RGB 82 145 73

HSL 112.5, 0.33%, 0.43%

LAB 54.58, -35.18, 31.85

 

CMYK 58 / 0 / 66 / 36

HEX #45A337

RGB 69 163 55

HSL 112.22, 0.5%, 0.43%

LAB 59.65, -48.62, 46.27

 

CMYK 70 / 0 / 80 / 29

HEX #37B525

RGB 55 181 37

HSL 112.5, 0.66%, 0.43%

LAB 64.96, -59.54, 58.18

 

CMYK 79 / 0 / 90 / 22

HEX #2AC714

RGB 42 199 20

HSL 112.63, 0.82%, 0.43%

LAB 70.45, -67.95, 67

 

CMYK 87 / 0 / 99 / 15

HEX #1DD802

RGB 29 216 2

HSL 112.43, 0.98%, 0.43%

LAB 75.69, -74.52, 73.39

 

CMYK 43 / 0 / 50 / 43

HEX #529149

RGB 82 145 73

HSL 112.5, 0.33%, 0.43%

LAB 54.58, -35.18, 31.85

 

CMYK 26 / 0 / 29 / 50

HEX #5F805B

RGB 95 128 91

HSL 113.51, 0.17%, 0.43%

LAB 50.25, -19.45, 16.4

 

CMYK 1 / 0 / 2 / 57

HEX #6D6E6C

RGB 109 110 108

HSL 90, 0.01%, 0.43%

LAB 46.29, -0.79, 0.97

 

CMYK 3 / 27 / 0 / 51

HEX #7A5C7E

RGB 122 92 126

HSL 292.94, 0.16%, 0.43%

LAB 43.21, 18.66, -14.35

 

CMYK 6 / 49 / 0 / 44

HEX #874A90

RGB 135 74 144

HSL 292.29, 0.32%, 0.43%

LAB 41.31, 37.26, -28.05

 

CMYK 17 / 0 / 50 / 43

HEX #799149

RGB 121 145 73

HSL 80, 0.33%, 0.43%

LAB 56.88, -20.68, 35.18

 

CMYK 30 / 0 / 50 / 43

HEX #669149

RGB 102 145 73

HSL 95.83, 0.33%, 0.43%

LAB 55.64, -28.15, 33.39

 

CMYK 43 / 0 / 50 / 43

HEX #539149

RGB 83 145 73

HSL 111.67, 0.33%, 0.43%

LAB 54.63, -34.86, 31.91

 

CMYK 50 / 0 / 43 / 43

HEX #499153

RGB 73 145 83

HSL 128.33, 0.33%, 0.43%

LAB 54.34, -36.41, 26.11

 

CMYK 50 / 0 / 30 / 43

HEX #499166

RGB 73 145 102

HSL 144.17, 0.33%, 0.43%

LAB 54.69, -32.86, 16.04

 

CMYK 43 / 0 / 50 / 65

HEX #335A2D

RGB 51 90 45

HSL 112, 0.33%, 0.26%

LAB 34.41, -23.94, 21.68

 

CMYK 44 / 0 / 50 / 54

HEX #42763B

RGB 66 118 59

HSL 112.88, 0.33%, 0.35%

LAB 44.84, -30.1, 27.05

 

CMYK 43 / 0 / 50 / 43

HEX #529149

RGB 82 145 73

HSL 112.5, 0.33%, 0.43%

LAB 54.58, -35.18, 31.85

 

CMYK 42 / 0 / 48 / 33

HEX #63AB59

RGB 99 171 89

HSL 112.68, 0.33%, 0.51%

LAB 63.75, -39.06, 35.16

 

CMYK 32 / 0 / 37 / 27

HEX #7DB974

RGB 125 185 116

HSL 112.17, 0.33%, 0.59%

LAB 69.7, -32.93, 29.02

 

CMYK 43 / 0 / 50 / 43

HEX #529149

RGB 82 145 73

HSL 112.5, 0.33%, 0.43%

LAB 54.58, -35.18, 31.85

 

CMYK 50 / 3 / 0 / 43

HEX #498D91

RGB 73 141 145

HSL 183.33, 0.33%, 0.43%

LAB 54.56, -20.34, -8.79

 

CMYK 0 / 50 / 23 / 43

HEX #914970

RGB 145 73 112

HSL 327.5, 0.33%, 0.43%

LAB 41.14, 35.32, -8.62

 

CMYK 43 / 0 / 50 / 43

HEX #529149

RGB 82 145 73

HSL 112.5, 0.33%, 0.43%

LAB 54.58, -35.18, 31.85

 

CMYK 50 / 43 / 0 / 43

HEX #495391

RGB 73 83 145

HSL 231.67, 0.33%, 0.43%

LAB 37.2, 13.99, -35.57

 

CMYK 0 / 50 / 43 / 43

HEX #914953

RGB 145 73 83

HSL 351.67, 0.33%, 0.43%

LAB 40.26, 31.37, 8.1

 

CMYK 43 / 0 / 50 / 43

HEX #529149

RGB 82 145 73

HSL 112.5, 0.33%, 0.43%

LAB 54.58, -35.18, 31.85

 

CMYK 50 / 3 / 0 / 43

HEX #498D91

RGB 73 141 145

HSL 183.33, 0.33%, 0.43%

LAB 54.56, -20.34, -8.79

 

CMYK 6 / 50 / 0 / 43

HEX #884991

RGB 136 73 145

HSL 292.5, 0.33%, 0.43%

LAB 41.29, 38.32, -28.69

 

CMYK 0 / 46 / 50 / 43

HEX #914E49

RGB 145 78 73

HSL 4.17, 0.33%, 0.43%

LAB 41.14, 27.51, 15.49

 

CMYK 43 / 0 / 50 / 43

HEX #529149

RGB 82 145 73

HSL 112.5, 0.33%, 0.43%

LAB 54.58, -35.18, 31.85

 

CMYK 50 / 18 / 0 / 43

HEX #497791

RGB 73 119 145

HSL 201.67, 0.33%, 0.43%

LAB 47.82, -8.2, -19

 

CMYK 6 / 50 / 0 / 43

HEX #884991

RGB 136 73 145

HSL 292.5, 0.33%, 0.43%

LAB 41.29, 38.32, -28.69

 

CMYK 0 / 31 / 50 / 43

HEX #916449

RGB 145 100 73

HSL 22.5, 0.33%, 0.43%

LAB 46.47, 14.86, 22.56

 

Description

Color code: RGB 82 145 73 | qconv.com Color code: RGB 82 145 73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 145 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 145 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 50 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 50% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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