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Color name
RGB 82 143 19

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 143 19 it is the complementary color RGB 173 112 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 143 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 143 19 shade: RGB 87 143 14, RGB 104 161 33, RGB 121 179 52, RGB 138 197 71 and RGB 155 215 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 143 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 143 19 shade: RGB 82 143 19, RGB 65 125 0, RGB 48 107 0, RGB 31 89 0 and RGB 14 71 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 143 19 shade: RGB 82 144 18, RGB 116 144 18, RGB 144 138 18, RGB 144 104 18 and RGB 144 70 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 143 19 shade: RGB 82 144 18, RGB 48 144 18, RGB 18 144 22, RGB 18 144 56 and RGB 18 144 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 143 19 shade matches the following richer shades: RGB 82 144 18 and RGB 82 157 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 143 19 shade: RGB 82 144 18, RGB 82 131 31, RGB 82 118 45, RGB 81 104 58 and RGB 81 91 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 143 19 shade: RGB 144 138 18, RGB 117 144 18, RGB 83 144 18, RGB 50 144 18 and RGB 18 144 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 143 19 shade: RGB 40 71 9, RGB 61 107 14, RGB 82 144 18, RGB 103 180 23 and RGB 124 217 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 143 19 shade: RGB 82 143 19, RGB 18 144 104 and RGB 144 18 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 143 19 shade: RGB 82 143 19, RGB 18 83 144 and RGB 144 18 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 143 19 shade: RGB 82 143 19, RGB 18 144 104, RGB 79 18 144 and RGB 144 18 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 143 19 shade: RGB 82 143 19, RGB 18 144 142, RGB 79 18 144 and RGB 144 18 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 87 / 44

HEX #528F13

RGB 82 143 19

HSL 89.52, 0.77%, 0.32%

LAB 53.48, -39.11, 52.99

 

Complementary color

CMYK 27 / 53 / 0 / 7

HEX #AD70EC

RGB 173 112 236

HSL 269.52, 0.77%, 0.68%

LAB 58.54, 47.61, -53.8

 

CMYK 39 / 0 / 90 / 44

HEX #578F0E

RGB 87 143 14

HSL 86.05, 0.82%, 0.31%

LAB 53.71, -37.48, 54.4

 

CMYK 35 / 0 / 80 / 37

HEX #68A121

RGB 104 161 33

HSL 86.72, 0.66%, 0.38%

LAB 60.38, -38.25, 55.74

 

CMYK 32 / 0 / 71 / 30

HEX #79B334

RGB 121 179 52

HSL 87.4, 0.55%, 0.45%

LAB 66.94, -38.75, 55.86

 

CMYK 30 / 0 / 64 / 23

HEX #8AC547

RGB 138 197 71

HSL 88.1, 0.52%, 0.53%

LAB 73.41, -39.06, 55.33

 

CMYK 28 / 0 / 58 / 16

HEX #9BD75A

RGB 155 215 90

HSL 88.8, 0.61%, 0.6%

LAB 79.79, -39.24, 54.48

 

CMYK 43 / 0 / 87 / 44

HEX #528F13

RGB 82 143 19

HSL 89.52, 0.77%, 0.32%

LAB 53.48, -39.11, 52.99

 

CMYK 48 / 0 / 100 / 51

HEX #417D00

RGB 65 125 0

HSL 88.8, 1%, 0.25%

LAB 46.7, -38.1, 50.91

 

CMYK 55 / 0 / 100 / 58

HEX #306B00

RGB 48 107 0

HSL 93.08, 1%, 0.21%

LAB 39.82, -36.39, 45.2

 

CMYK 65 / 0 / 100 / 65

HEX #1F5900

RGB 31 89 0

HSL 99.1, 1%, 0.17%

LAB 32.78, -34.37, 39.38

 

CMYK 80 / 0 / 100 / 72

HEX #0E4700

RGB 14 71 0

HSL 108.17, 1%, 0.14%

LAB 25.56, -31.77, 33.21

 

CMYK 43 / 0 / 88 / 44

HEX #529012

RGB 82 144 18

HSL 89.52, 0.78%, 0.32%

LAB 53.8, -39.57, 53.51

 

CMYK 19 / 0 / 88 / 44

HEX #749012

RGB 116 144 18

HSL 73.33, 0.78%, 0.32%

LAB 55.79, -26.16, 56

 

CMYK 0 / 4 / 88 / 44

HEX #908A12

RGB 144 138 18

HSL 57.14, 0.78%, 0.32%

LAB 56.24, -10.55, 57.28

 

CMYK 0 / 28 / 88 / 44

HEX #906812

RGB 144 104 18

HSL 40.95, 0.78%, 0.32%

LAB 46.81, 8.54, 49.52

 

CMYK 0 / 51 / 88 / 44

HEX #904612

RGB 144 70 18

HSL 24.76, 0.78%, 0.32%

LAB 38.47, 28.02, 42.56

 

CMYK 43 / 0 / 88 / 44

HEX #529012

RGB 82 144 18

HSL 89.52, 0.78%, 0.32%

LAB 53.8, -39.57, 53.51

 

CMYK 67 / 0 / 88 / 44

HEX #309012

RGB 48 144 18

HSL 105.71, 0.78%, 0.32%

LAB 52.53, -49.52, 51.91

 

CMYK 88 / 0 / 85 / 44

HEX #129016

RGB 18 144 22

HSL 121.9, 0.78%, 0.32%

LAB 51.99, -54.15, 50.19

 

CMYK 88 / 0 / 61 / 44

HEX #129038

RGB 18 144 56

HSL 138.1, 0.78%, 0.32%

LAB 52.24, -50.96, 37.18

 

CMYK 88 / 0 / 38 / 44

HEX #12905A

RGB 18 144 90

HSL 154.29, 0.78%, 0.32%

LAB 52.74, -45.01, 19.91

 

CMYK 43 / 0 / 88 / 44

HEX #529012

RGB 82 144 18

HSL 89.52, 0.78%, 0.32%

LAB 53.8, -39.57, 53.51

 

CMYK 48 / 0 / 97 / 38

HEX #529D05

RGB 82 157 5

HSL 89.61, 0.94%, 0.32%

LAB 57.96, -45.25, 59.27

 

CMYK 43 / 0 / 88 / 44

HEX #529012

RGB 82 144 18

HSL 89.52, 0.78%, 0.32%

LAB 53.8, -39.57, 53.51

 

CMYK 37 / 0 / 76 / 49

HEX #52831F

RGB 82 131 31

HSL 89.4, 0.62%, 0.32%

LAB 49.65, -33.23, 45.77

 

CMYK 31 / 0 / 62 / 54

HEX #52762D

RGB 82 118 45

HSL 89.59, 0.45%, 0.32%

LAB 45.55, -25.92, 35.39

 

CMYK 22 / 0 / 44 / 59

HEX #51683A

RGB 81 104 58

HSL 90, 0.28%, 0.32%

LAB 41.15, -17.52, 23.14

 

CMYK 11 / 0 / 22 / 64

HEX #515B47

RGB 81 91 71

HSL 90, 0.12%, 0.32%

LAB 37.27, -8.05, 10.25

 

CMYK 0 / 4 / 88 / 44

HEX #908A12

RGB 144 138 18

HSL 57.14, 0.78%, 0.32%

LAB 56.24, -10.55, 57.28

 

CMYK 19 / 0 / 88 / 44

HEX #759012

RGB 117 144 18

HSL 72.86, 0.78%, 0.32%

LAB 55.86, -25.73, 56.09

 

CMYK 42 / 0 / 88 / 44

HEX #539012

RGB 83 144 18

HSL 89.05, 0.78%, 0.32%

LAB 53.85, -39.22, 53.57

 

CMYK 65 / 0 / 88 / 44

HEX #329012

RGB 50 144 18

HSL 104.76, 0.78%, 0.32%

LAB 52.58, -49.06, 51.98

 

CMYK 88 / 0 / 86 / 44

HEX #129014

RGB 18 144 20

HSL 120.95, 0.78%, 0.32%

LAB 51.98, -54.26, 50.71

 

CMYK 44 / 0 / 87 / 72

HEX #284709

RGB 40 71 9

HSL 90, 0.78%, 0.16%

LAB 26.67, -22.85, 30.98

 

CMYK 43 / 0 / 87 / 58

HEX #3D6B0E

RGB 61 107 14

HSL 89.68, 0.77%, 0.24%

LAB 40.47, -31.26, 42.4

 

CMYK 43 / 0 / 88 / 44

HEX #529012

RGB 82 144 18

HSL 89.52, 0.78%, 0.32%

LAB 53.8, -39.57, 53.51

 

CMYK 43 / 0 / 87 / 29

HEX #67B417

RGB 103 180 23

HSL 89.43, 0.77%, 0.4%

LAB 66.2, -47.01, 63.5

 

CMYK 43 / 0 / 87 / 15

HEX #7CD91C

RGB 124 217 28

HSL 89.52, 0.77%, 0.48%

LAB 78.46, -54.54, 73.34

 

CMYK 43 / 0 / 87 / 44

HEX #528F13

RGB 82 143 19

HSL 89.52, 0.77%, 0.32%

LAB 53.48, -39.11, 52.99

 

CMYK 88 / 0 / 28 / 44

HEX #129068

RGB 18 144 104

HSL 160.95, 0.78%, 0.32%

LAB 53.03, -41.79, 12.4

 

CMYK 0 / 88 / 8 / 44

HEX #901285

RGB 144 18 133

HSL 305.24, 0.78%, 0.32%

LAB 34.1, 59.86, -32.57

 

CMYK 43 / 0 / 87 / 44

HEX #528F13

RGB 82 143 19

HSL 89.52, 0.77%, 0.32%

LAB 53.48, -39.11, 52.99

 

CMYK 88 / 42 / 0 / 44

HEX #125390

RGB 18 83 144

HSL 209.05, 0.78%, 0.32%

LAB 34.66, 4.15, -39.16

 

CMYK 0 / 88 / 42 / 44

HEX #901253

RGB 144 18 83

HSL 329.05, 0.78%, 0.32%

LAB 31.78, 53.52, -4.2

 

CMYK 43 / 0 / 87 / 44

HEX #528F13

RGB 82 143 19

HSL 89.52, 0.77%, 0.32%

LAB 53.48, -39.11, 52.99

 

CMYK 88 / 0 / 28 / 44

HEX #129068

RGB 18 144 104

HSL 160.95, 0.78%, 0.32%

LAB 53.03, -41.79, 12.4

 

CMYK 45 / 88 / 0 / 44

HEX #4F1290

RGB 79 18 144

HSL 269.05, 0.78%, 0.32%

LAB 24.03, 50.84, -56.22

 

CMYK 0 / 88 / 60 / 44

HEX #90123A

RGB 144 18 58

HSL 340.95, 0.78%, 0.32%

LAB 31.04, 51.4, 11.28

 

CMYK 43 / 0 / 87 / 44

HEX #528F13

RGB 82 143 19

HSL 89.52, 0.77%, 0.32%

LAB 53.48, -39.11, 52.99

 

CMYK 88 / 0 / 1 / 44

HEX #12908E

RGB 18 144 142

HSL 179.05, 0.78%, 0.32%

LAB 54.06, -31.14, -7.96

 

CMYK 45 / 88 / 0 / 44

HEX #4F1290

RGB 79 18 144

HSL 269.05, 0.78%, 0.32%

LAB 24.03, 50.84, -56.22

 

CMYK 0 / 88 / 86 / 44

HEX #901214

RGB 144 18 20

HSL 359.05, 0.78%, 0.32%

LAB 30.43, 49.61, 34.63

 

Description

Color code: RGB 82 143 19 | qconv.com Color code: RGB 82 143 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 143 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 143 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 87 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 87% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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