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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 142 144 it is the complementary color RGB 173 113 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 142 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 142 144 shade: RGB 87 142 139, RGB 104 160 158, RGB 121 178 177, RGB 138 196 196 and RGB 155 214 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 142 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 142 144 shade: RGB 82 142 144, RGB 65 124 125, RGB 48 106 106, RGB 31 88 87 and RGB 14 70 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 142 144 shade: RGB 81 140 142, RGB 81 124 142, RGB 81 107 142, RGB 81 91 142 and RGB 88 81 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 142 144 shade: RGB 81 140 142, RGB 81 124 142, RGB 81 107 142, RGB 81 91 142 and RGB 81 81 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 142 144 shade matches the following richer shades: RGB 81 140 142, RGB 63 157 160, RGB 45 174 178, RGB 27 191 196 and RGB 9 208 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 142 144 shade: RGB 81 140 142, RGB 100 123 124, RGB 118 106 106, RGB 136 89 88 and RGB 154 72 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 142 144 shade: RGB 81 142 111, RGB 81 142 127, RGB 81 141 142, RGB 81 125 142 and RGB 81 109 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 142 144 shade: RGB 51 88 90, RGB 66 114 116, RGB 81 140 142, RGB 99 163 165 and RGB 126 179 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 142 144 shade: RGB 82 142 144, RGB 95 81 142 and RGB 142 119 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 142 144 shade: RGB 82 142 144, RGB 142 81 141 and RGB 141 142 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 142 144 shade: RGB 82 142 144, RGB 95 81 142, RGB 142 82 81 and RGB 129 142 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 142 144 shade: RGB 82 142 144, RGB 113 81 142, RGB 142 82 81 and RGB 111 142 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 1 / 0 / 44

HEX #528E90

RGB 82 142 144

HSL 181.94, 0.27%, 0.44%

LAB 55.23, -18.9, -7.18

 

Complementary color

CMYK 0 / 35 / 36 / 32

HEX #AD716F

RGB 173 113 111

HSL 1.94, 0.27%, 0.56%

LAB 53.86, 23.49, 10.92

 

CMYK 39 / 0 / 2 / 44

HEX #578E8B

RGB 87 142 139

HSL 176.73, 0.24%, 0.45%

LAB 55.31, -18.86, -4.15

 

CMYK 35 / 0 / 1 / 37

HEX #68A09E

RGB 104 160 158

HSL 177.86, 0.23%, 0.52%

LAB 62.13, -18.76, -4.81

 

CMYK 32 / 0 / 1 / 30

HEX #79B2B1

RGB 121 178 177

HSL 178.95, 0.27%, 0.59%

LAB 68.81, -18.66, -5.42

 

CMYK 30 / 0 / 0 / 23

HEX #8AC4C4

RGB 138 196 196

HSL 180, 0.33%, 0.65%

LAB 75.37, -18.56, -6.01

 

CMYK 28 / 0 / 0 / 16

HEX #9BD6D7

RGB 155 214 215

HSL 181, 0.43%, 0.73%

LAB 81.82, -18.47, -6.58

 

CMYK 43 / 1 / 0 / 44

HEX #528E90

RGB 82 142 144

HSL 181.94, 0.27%, 0.44%

LAB 55.23, -18.9, -7.18

 

CMYK 48 / 1 / 0 / 51

HEX #417C7D

RGB 65 124 125

HSL 181, 0.32%, 0.37%

LAB 48.28, -18.89, -6.52

 

CMYK 55 / 0 / 0 / 58

HEX #306A6A

RGB 48 106 106

HSL 180, 0.38%, 0.3%

LAB 41.18, -18.78, -5.79

 

CMYK 65 / 0 / 1 / 65

HEX #1F5857

RGB 31 88 87

HSL 178.95, 0.48%, 0.23%

LAB 33.9, -18.51, -4.95

 

CMYK 80 / 0 / 3 / 73

HEX #0E4644

RGB 14 70 68

HSL 177.86, 0.67%, 0.16%

LAB 26.42, -17.87, -3.94

 

CMYK 43 / 1 / 0 / 44

HEX #518C8E

RGB 81 140 142

HSL 181.97, 0.27%, 0.44%

LAB 54.51, -18.64, -7.1

 

CMYK 43 / 13 / 0 / 44

HEX #517C8E

RGB 81 124 142

HSL 197.7, 0.27%, 0.44%

LAB 49.64, -9.85, -14.42

 

CMYK 43 / 25 / 0 / 44

HEX #516B8E

RGB 81 107 142

HSL 214.43, 0.27%, 0.44%

LAB 44.54, 0.13, -22.22

 

CMYK 43 / 36 / 0 / 44

HEX #515B8E

RGB 81 91 142

HSL 230.16, 0.27%, 0.44%

LAB 39.89, 10.05, -29.47

 

CMYK 38 / 43 / 0 / 44

HEX #58518E

RGB 88 81 142

HSL 246.89, 0.27%, 0.44%

LAB 37.69, 18.38, -32.9

 

CMYK 43 / 1 / 0 / 44

HEX #518C8E

RGB 81 140 142

HSL 181.97, 0.27%, 0.44%

LAB 54.51, -18.64, -7.1

 

CMYK 43 / 13 / 0 / 44

HEX #517C8E

RGB 81 124 142

HSL 197.7, 0.27%, 0.44%

LAB 49.64, -9.85, -14.42

 

CMYK 43 / 25 / 0 / 44

HEX #516B8E

RGB 81 107 142

HSL 214.43, 0.27%, 0.44%

LAB 44.54, 0.13, -22.22

 

CMYK 43 / 36 / 0 / 44

HEX #515B8E

RGB 81 91 142

HSL 230.16, 0.27%, 0.44%

LAB 39.89, 10.05, -29.47

 

CMYK 43 / 43 / 0 / 44

HEX #51518E

RGB 81 81 142

HSL 240, 0.27%, 0.44%

LAB 37.09, 16.42, -33.88

 

CMYK 43 / 1 / 0 / 44

HEX #518C8E

RGB 81 140 142

HSL 181.97, 0.27%, 0.44%

LAB 54.51, -18.64, -7.1

 

CMYK 61 / 2 / 0 / 37

HEX #3F9DA0

RGB 63 157 160

HSL 181.86, 0.43%, 0.44%

LAB 59.62, -26.35, -9.84

 

CMYK 75 / 2 / 0 / 30

HEX #2DAEB2

RGB 45 174 178

HSL 181.8, 0.6%, 0.44%

LAB 65, -31.99, -11.94

 

CMYK 86 / 3 / 0 / 23

HEX #1BBFC4

RGB 27 191 196

HSL 181.78, 0.76%, 0.44%

LAB 70.51, -36.11, -13.62

 

CMYK 96 / 3 / 0 / 16

HEX #09D0D7

RGB 9 208 215

HSL 182.04, 0.92%, 0.44%

LAB 76.12, -38.89, -15.51

 

CMYK 43 / 1 / 0 / 44

HEX #518C8E

RGB 81 140 142

HSL 181.97, 0.27%, 0.44%

LAB 54.51, -18.64, -7.1

 

CMYK 19 / 1 / 0 / 51

HEX #647B7C

RGB 100 123 124

HSL 182.5, 0.11%, 0.44%

LAB 49.89, -8.09, -3.33

 

CMYK 0 / 10 / 10 / 54

HEX #766A6A

RGB 118 106 106

HSL 0, 0.05%, 0.44%

LAB 45.91, 4.71, 1.71

 

CMYK 0 / 35 / 35 / 47

HEX #885958

RGB 136 89 88

HSL 1.25, 0.21%, 0.44%

LAB 42.89, 19.26, 8.55

 

CMYK 0 / 53 / 55 / 40

HEX #9A4845

RGB 154 72 69

HSL 2.12, 0.38%, 0.44%

LAB 41.11, 33.98, 18.15

 

CMYK 43 / 0 / 22 / 44

HEX #518E6F

RGB 81 142 111

HSL 149.51, 0.27%, 0.44%

LAB 54.28, -27.24, 10.42

 

CMYK 43 / 0 / 11 / 44

HEX #518E7F

RGB 81 142 127

HSL 165.25, 0.27%, 0.44%

LAB 54.69, -23.54, 1.81

 

CMYK 43 / 1 / 0 / 44

HEX #518D8E

RGB 81 141 142

HSL 180.98, 0.27%, 0.44%

LAB 54.82, -19.17, -6.65

 

CMYK 43 / 12 / 0 / 44

HEX #517D8E

RGB 81 125 142

HSL 196.72, 0.27%, 0.44%

LAB 49.94, -10.42, -13.97

 

CMYK 43 / 23 / 0 / 44

HEX #516D8E

RGB 81 109 142

HSL 212.46, 0.27%, 0.44%

LAB 45.14, -1.08, -21.31

 

CMYK 43 / 2 / 0 / 65

HEX #33585A

RGB 51 88 90

HSL 183.08, 0.28%, 0.28%

LAB 34.85, -12.61, -5.33

 

CMYK 43 / 2 / 0 / 55

HEX #427274

RGB 66 114 116

HSL 182.4, 0.27%, 0.36%

LAB 44.88, -15.7, -6.23

 

CMYK 43 / 1 / 0 / 44

HEX #518C8E

RGB 81 140 142

HSL 181.97, 0.27%, 0.44%

LAB 54.51, -18.64, -7.1

 

CMYK 40 / 1 / 0 / 35

HEX #63A3A5

RGB 99 163 165

HSL 181.82, 0.27%, 0.52%

LAB 62.98, -19.93, -7.51

 

CMYK 30 / 1 / 0 / 29

HEX #7EB3B4

RGB 126 179 180

HSL 181.11, 0.26%, 0.6%

LAB 69.45, -17.03, -6.1

 

CMYK 43 / 1 / 0 / 44

HEX #528E90

RGB 82 142 144

HSL 181.94, 0.27%, 0.44%

LAB 55.23, -18.9, -7.18

 

CMYK 33 / 43 / 0 / 44

HEX #5F518E

RGB 95 81 142

HSL 253.77, 0.27%, 0.44%

LAB 38.32, 20.41, -31.85

 

CMYK 0 / 16 / 43 / 44

HEX #8E7751

RGB 142 119 81

HSL 37.38, 0.27%, 0.44%

LAB 51.31, 3.43, 24.22

 

CMYK 43 / 1 / 0 / 44

HEX #528E90

RGB 82 142 144

HSL 181.94, 0.27%, 0.44%

LAB 55.23, -18.9, -7.18

 

CMYK 0 / 43 / 1 / 44

HEX #8E518D

RGB 142 81 141

HSL 300.98, 0.27%, 0.44%

LAB 43.59, 35, -22.62

 

CMYK 1 / 0 / 43 / 44

HEX #8D8E51

RGB 141 142 81

HSL 60.98, 0.27%, 0.44%

LAB 57.66, -9.83, 32.3

 

CMYK 43 / 1 / 0 / 44

HEX #528E90

RGB 82 142 144

HSL 181.94, 0.27%, 0.44%

LAB 55.23, -18.9, -7.18

 

CMYK 33 / 43 / 0 / 44

HEX #5F518E

RGB 95 81 142

HSL 253.77, 0.27%, 0.44%

LAB 38.32, 20.41, -31.85

 

CMYK 0 / 42 / 43 / 44

HEX #8E5251

RGB 142 82 81

HSL 0.98, 0.27%, 0.44%

LAB 41.81, 24.9, 11.45

 

CMYK 9 / 0 / 43 / 44

HEX #818E51

RGB 129 142 81

HSL 72.79, 0.27%, 0.44%

LAB 56.69, -14.88, 30.88

 

CMYK 43 / 1 / 0 / 44

HEX #528E90

RGB 82 142 144

HSL 181.94, 0.27%, 0.44%

LAB 55.23, -18.9, -7.18

 

CMYK 20 / 43 / 0 / 44

HEX #71518E

RGB 113 81 142

HSL 271.48, 0.27%, 0.44%

LAB 40.16, 25.92, -28.84

 

CMYK 0 / 42 / 43 / 44

HEX #8E5251

RGB 142 82 81

HSL 0.98, 0.27%, 0.44%

LAB 41.81, 24.9, 11.45

 

CMYK 22 / 0 / 43 / 44

HEX #6F8E51

RGB 111 142 81

HSL 90.49, 0.27%, 0.44%

LAB 55.4, -22.16, 28.97

 

Description

Color code: RGB 82 142 144 | qconv.com Color code: RGB 82 142 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 142 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 142 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 1 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 1% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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