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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 91 25 it is the complementary color RGB 173 164 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 91 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 91 25 shade: RGB 87 91 20, RGB 104 109 39, RGB 121 127 58, RGB 138 145 77 and RGB 155 163 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 91 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 91 25 shade: RGB 82 91 25, RGB 65 73 6, RGB 48 55 0, RGB 31 37 0 and RGB 14 19 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 91 25 shade: RGB 82 92 25, RGB 92 83 25, RGB 92 65 25, RGB 92 47 25 and RGB 92 29 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 91 25 shade: RGB 82 92 25, RGB 64 92 25, RGB 46 92 25, RGB 28 92 25 and RGB 25 92 39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 91 25 shade matches the following richer shades: RGB 82 92 25, RGB 89 101 15 and RGB 96 111 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 91 25 shade: RGB 82 92 25, RGB 76 82 34, RGB 69 73 44, RGB 62 63 53 and RGB 55 54 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 91 25 shade: RGB 92 65 25, RGB 92 83 25, RGB 83 92 25, RGB 65 92 25 and RGB 47 92 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 91 25 shade: RGB 24 27 7, RGB 53 59 16, RGB 82 92 25, RGB 112 124 34 and RGB 141 156 42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 91 25 shade: RGB 82 91 25, RGB 25 92 47 and RGB 74 25 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 91 25 shade: RGB 82 91 25, RGB 25 83 92 and RGB 92 25 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 91 25 shade: RGB 82 91 25, RGB 25 92 47, RGB 34 25 92 and RGB 92 25 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 91 25 shade: RGB 82 91 25, RGB 25 92 67, RGB 34 25 92 and RGB 92 25 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 73 / 64

HEX #525B19

RGB 82 91 25

HSL 68.18, 0.57%, 0.23%

LAB 36.64, -13.44, 35.21

 

Complementary color

CMYK 25 / 29 / 0 / 10

HEX #ADA4E6

RGB 173 164 230

HSL 248.18, 0.57%, 0.77%

LAB 70.28, 17.2, -32.05

 

CMYK 4 / 0 / 78 / 64

HEX #575B14

RGB 87 91 20

HSL 63.38, 0.64%, 0.22%

LAB 37.04, -11.35, 37.85

 

CMYK 5 / 0 / 64 / 57

HEX #686D27

RGB 104 109 39

HSL 64.29, 0.47%, 0.29%

LAB 44.27, -12.18, 37.33

 

CMYK 5 / 0 / 54 / 50

HEX #797F3A

RGB 121 127 58

HSL 65.22, 0.37%, 0.36%

LAB 51.32, -12.75, 36.26

 

CMYK 5 / 0 / 47 / 43

HEX #8A914D

RGB 138 145 77

HSL 66.18, 0.31%, 0.44%

LAB 58.22, -13.16, 35.04

 

CMYK 5 / 0 / 41 / 36

HEX #9BA360

RGB 155 163 96

HSL 67.16, 0.27%, 0.51%

LAB 64.97, -13.46, 33.81

 

CMYK 10 / 0 / 73 / 64

HEX #525B19

RGB 82 91 25

HSL 68.18, 0.57%, 0.23%

LAB 36.64, -13.44, 35.21

 

CMYK 11 / 0 / 92 / 71

HEX #414906

RGB 65 73 6

HSL 67.16, 0.85%, 0.15%

LAB 29.16, -12.52, 35.04

 

CMYK 13 / 0 / 100 / 78

HEX #303700

RGB 48 55 0

HSL 67.64, 1%, 0.11%

LAB 21.43, -10.99, 29.63

 

CMYK 16 / 0 / 100 / 85

HEX #1F2500

RGB 31 37 0

HSL 69.73, 1%, 0.07%

LAB 13.32, -9.09, 19.43

 

CMYK 26 / 0 / 100 / 93

HEX #0E1300

RGB 14 19 0

HSL 75.79, 1%, 0.04%

LAB 5.05, -4.81, 7.48

 

CMYK 11 / 0 / 73 / 64

HEX #525C19

RGB 82 92 25

HSL 68.96, 0.57%, 0.23%

LAB 36.96, -14, 35.53

 

CMYK 0 / 10 / 73 / 64

HEX #5C5319

RGB 92 83 25

HSL 51.94, 0.57%, 0.23%

LAB 35.07, -3.93, 33.89

 

CMYK 0 / 29 / 73 / 64

HEX #5C4119

RGB 92 65 25

HSL 35.82, 0.57%, 0.23%

LAB 29.73, 7.15, 28.27

 

CMYK 0 / 49 / 73 / 64

HEX #5C2F19

RGB 92 47 25

HSL 19.7, 0.57%, 0.23%

LAB 24.89, 18.4, 22.88

 

CMYK 0 / 68 / 73 / 64

HEX #5C1D19

RGB 92 29 25

HSL 3.58, 0.57%, 0.23%

LAB 20.92, 28.56, 18.22

 

CMYK 11 / 0 / 73 / 64

HEX #525C19

RGB 82 92 25

HSL 68.96, 0.57%, 0.23%

LAB 36.96, -14, 35.53

 

CMYK 30 / 0 / 73 / 64

HEX #405C19

RGB 64 92 25

HSL 85.07, 0.57%, 0.23%

LAB 35.62, -22.15, 33.73

 

CMYK 50 / 0 / 73 / 64

HEX #2E5C19

RGB 46 92 25

HSL 101.19, 0.57%, 0.23%

LAB 34.61, -29.2, 32.36

 

CMYK 70 / 0 / 73 / 64

HEX #1C5C19

RGB 28 92 25

HSL 117.31, 0.57%, 0.23%

LAB 33.92, -34.55, 31.42

 

CMYK 73 / 0 / 58 / 64

HEX #195C27

RGB 25 92 39

HSL 132.54, 0.57%, 0.23%

LAB 34, -33.37, 24.34

 

CMYK 11 / 0 / 73 / 64

HEX #525C19

RGB 82 92 25

HSL 68.96, 0.57%, 0.23%

LAB 36.96, -14, 35.53

 

CMYK 12 / 0 / 85 / 60

HEX #59650F

RGB 89 101 15

HSL 68.37, 0.74%, 0.23%

LAB 40.35, -16.2, 42.7

 

CMYK 14 / 0 / 95 / 56

HEX #606F06

RGB 96 111 6

HSL 68.57, 0.9%, 0.23%

LAB 44.04, -18.59, 48.29

 

CMYK 11 / 0 / 73 / 64

HEX #525C19

RGB 82 92 25

HSL 68.96, 0.57%, 0.23%

LAB 36.96, -14, 35.53

 

CMYK 7 / 0 / 59 / 68

HEX #4C5222

RGB 76 82 34

HSL 67.5, 0.41%, 0.23%

LAB 33.32, -10.39, 26.96

 

CMYK 5 / 0 / 40 / 71

HEX #45492C

RGB 69 73 44

HSL 68.28, 0.25%, 0.23%

LAB 29.94, -7.11, 16.83

 

CMYK 2 / 0 / 16 / 75

HEX #3E3F35

RGB 62 63 53

HSL 66, 0.09%, 0.23%

LAB 26.26, -2.54, 6

 

CMYK 13 / 14 / 0 / 75

HEX #37363F

RGB 55 54 63

HSL 246.67, 0.08%, 0.23%

LAB 23.03, 2.61, -5.44

 

CMYK 0 / 29 / 73 / 64

HEX #5C4119

RGB 92 65 25

HSL 35.82, 0.57%, 0.23%

LAB 29.73, 7.15, 28.27

 

CMYK 0 / 10 / 73 / 64

HEX #5C5319

RGB 92 83 25

HSL 51.94, 0.57%, 0.23%

LAB 35.07, -3.93, 33.89

 

CMYK 10 / 0 / 73 / 64

HEX #535C19

RGB 83 92 25

HSL 68.06, 0.57%, 0.23%

LAB 37.05, -13.53, 35.65

 

CMYK 29 / 0 / 73 / 64

HEX #415C19

RGB 65 92 25

HSL 84.18, 0.57%, 0.23%

LAB 35.69, -21.72, 33.82

 

CMYK 49 / 0 / 73 / 64

HEX #2F5C19

RGB 47 92 25

HSL 100.3, 0.57%, 0.23%

LAB 34.66, -28.85, 32.42

 

CMYK 11 / 0 / 74 / 89

HEX #181B07

RGB 24 27 7

HSL 69, 0.59%, 0.07%

LAB 8.94, -5.46, 10.4

 

CMYK 10 / 0 / 73 / 77

HEX #353B10

RGB 53 59 16

HSL 68.37, 0.57%, 0.15%

LAB 23.41, -9.69, 24.95

 

CMYK 11 / 0 / 73 / 64

HEX #525C19

RGB 82 92 25

HSL 68.96, 0.57%, 0.23%

LAB 36.96, -14, 35.53

 

CMYK 10 / 0 / 73 / 51

HEX #707C22

RGB 112 124 34

HSL 68, 0.57%, 0.31%

LAB 49.47, -17.01, 45.11

 

CMYK 10 / 0 / 73 / 39

HEX #8D9C2A

RGB 141 156 42

HSL 67.89, 0.58%, 0.39%

LAB 61.31, -20.36, 54.43

 

CMYK 10 / 0 / 73 / 64

HEX #525B19

RGB 82 91 25

HSL 68.18, 0.57%, 0.23%

LAB 36.64, -13.44, 35.21

 

CMYK 73 / 0 / 49 / 64

HEX #195C2F

RGB 25 92 47

HSL 139.7, 0.57%, 0.23%

LAB 34.12, -31.98, 19.95

 

CMYK 20 / 73 / 0 / 64

HEX #4A195C

RGB 74 25 92

HSL 283.88, 0.57%, 0.23%

LAB 19.74, 34.6, -29.87

 

CMYK 10 / 0 / 73 / 64

HEX #525B19

RGB 82 91 25

HSL 68.18, 0.57%, 0.23%

LAB 36.64, -13.44, 35.21

 

CMYK 73 / 10 / 0 / 64

HEX #19535C

RGB 25 83 92

HSL 188.06, 0.57%, 0.23%

LAB 32.18, -15.16, -10.7

 

CMYK 0 / 73 / 10 / 64

HEX #5C1953

RGB 92 25 83

HSL 308.06, 0.57%, 0.23%

LAB 22.28, 37.57, -19.62

 

CMYK 10 / 0 / 73 / 64

HEX #525B19

RGB 82 91 25

HSL 68.18, 0.57%, 0.23%

LAB 36.64, -13.44, 35.21

 

CMYK 73 / 0 / 49 / 64

HEX #195C2F

RGB 25 92 47

HSL 139.7, 0.57%, 0.23%

LAB 34.12, -31.98, 19.95

 

CMYK 63 / 73 / 0 / 64

HEX #22195C

RGB 34 25 92

HSL 248.06, 0.57%, 0.23%

LAB 14.45, 25.71, -38.69

 

CMYK 0 / 73 / 25 / 64

HEX #5C1945

RGB 92 25 69

HSL 320.6, 0.57%, 0.23%

LAB 21.58, 35.26, -11.22

 

CMYK 10 / 0 / 73 / 64

HEX #525B19

RGB 82 91 25

HSL 68.18, 0.57%, 0.23%

LAB 36.64, -13.44, 35.21

 

CMYK 73 / 0 / 27 / 64

HEX #195C43

RGB 25 92 67

HSL 157.61, 0.57%, 0.23%

LAB 34.53, -27.5, 8.44

 

CMYK 63 / 73 / 0 / 64

HEX #22195C

RGB 34 25 92

HSL 248.06, 0.57%, 0.23%

LAB 14.45, 25.71, -38.69

 

CMYK 0 / 73 / 47 / 64

HEX #5C1931

RGB 92 25 49

HSL 338.51, 0.57%, 0.23%

LAB 20.8, 32.6, 1.46

 

Description

Color code: RGB 82 91 25 | qconv.com Color code: RGB 82 91 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 91 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 91 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 73 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 73% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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