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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 93 192 it is the complementary color RGB 173 162 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 93 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 93 192 shade: RGB 87 93 187, RGB 104 111 206, RGB 121 129 225, RGB 138 147 244 and RGB 155 165 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 93 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 93 192 shade: RGB 82 93 192, RGB 65 75 173, RGB 48 57 154, RGB 31 39 135 and RGB 14 21 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 93 192 shade: RGB 82 93 192, RGB 101 82 192, RGB 131 82 192, RGB 160 82 192 and RGB 190 82 192

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 93 192 shade: RGB 82 93 192 and RGB 82 82 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 93 192 shade matches the following richer shades: RGB 82 93 192, RGB 63 78 211, RGB 44 63 230 and RGB 25 48 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 93 192 shade: RGB 82 93 192, RGB 101 108 173, RGB 120 123 154, RGB 139 139 135 and RGB 158 154 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 93 192 shade: RGB 82 152 192, RGB 82 122 192, RGB 82 93 192, RGB 100 82 192 and RGB 130 82 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 93 192 shade: RGB 51 60 141, RGB 62 73 172, RGB 82 93 192, RGB 112 121 203 and RGB 143 150 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 93 192 shade: RGB 82 93 192, RGB 192 82 181 and RGB 137 192 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 93 192 shade: RGB 82 93 192, RGB 192 82 93 and RGB 93 192 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 93 192 shade: RGB 82 93 192, RGB 192 82 181, RGB 192 181 82 and RGB 82 192 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 93 192 shade: RGB 82 93 192, RGB 192 82 148, RGB 192 181 82 and RGB 82 192 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 52 / 0 / 25

HEX #525DC0

RGB 82 93 192

HSL 234, 0.47%, 0.54%

LAB 43.4, 25.16, -53.48

 

Complementary color

CMYK 0 / 6 / 64 / 32

HEX #ADA23F

RGB 173 162 63

HSL 54, 0.47%, 0.46%

LAB 65.81, -8.28, 51.31

 

CMYK 53 / 50 / 0 / 27

HEX #575DBB

RGB 87 93 187

HSL 236.4, 0.42%, 0.54%

LAB 43.42, 24.55, -50.52

 

CMYK 50 / 46 / 0 / 19

HEX #686FCE

RGB 104 111 206

HSL 235.88, 0.51%, 0.61%

LAB 50.41, 23.19, -50.21

 

CMYK 46 / 43 / 0 / 12

HEX #7981E1

RGB 121 129 225

HSL 235.38, 0.63%, 0.68%

LAB 57.27, 22.04, -49.95

 

CMYK 43 / 40 / 0 / 4

HEX #8A93F4

RGB 138 147 244

HSL 234.91, 0.83%, 0.75%

LAB 64, 21.05, -49.73

 

CMYK 39 / 35 / 0 / 0

HEX #9BA5FF

RGB 155 165 255

HSL 234, 1%, 0.8%

LAB 70.25, 18.02, -45.82

 

CMYK 57 / 52 / 0 / 25

HEX #525DC0

RGB 82 93 192

HSL 234, 0.47%, 0.54%

LAB 43.4, 25.16, -53.48

 

CMYK 62 / 57 / 0 / 32

HEX #414BAD

RGB 65 75 173

HSL 234.44, 0.45%, 0.47%

LAB 36.32, 26.99, -53.82

 

CMYK 69 / 63 / 0 / 40

HEX #30399A

RGB 48 57 154

HSL 234.91, 0.52%, 0.4%

LAB 29.13, 29.21, -54.13

 

CMYK 77 / 71 / 0 / 47

HEX #1F2787

RGB 31 39 135

HSL 235.38, 0.63%, 0.33%

LAB 21.91, 31.87, -54.25

 

CMYK 88 / 82 / 0 / 55

HEX #0E1574

RGB 14 21 116

HSL 235.88, 0.78%, 0.25%

LAB 14.9, 34.74, -53.77

 

CMYK 57 / 52 / 0 / 25

HEX #525DC0

RGB 82 93 192

HSL 234, 0.47%, 0.54%

LAB 43.4, 25.16, -53.48

 

CMYK 47 / 57 / 0 / 25

HEX #6552C0

RGB 101 82 192

HSL 250.36, 0.47%, 0.54%

LAB 42.17, 35.88, -55.4

 

CMYK 32 / 57 / 0 / 25

HEX #8352C0

RGB 131 82 192

HSL 266.73, 0.47%, 0.54%

LAB 45.17, 42.82, -50.4

 

CMYK 17 / 57 / 0 / 25

HEX #A052C0

RGB 160 82 192

HSL 282.55, 0.47%, 0.54%

LAB 48.65, 50.12, -44.65

 

CMYK 1 / 57 / 0 / 25

HEX #BE52C0

RGB 190 82 192

HSL 298.91, 0.47%, 0.54%

LAB 52.72, 57.93, -37.96

 

CMYK 57 / 52 / 0 / 25

HEX #525DC0

RGB 82 93 192

HSL 234, 0.47%, 0.54%

LAB 43.4, 25.16, -53.48

 

CMYK 57 / 57 / 0 / 25

HEX #5252C0

RGB 82 82 192

HSL 240, 0.47%, 0.54%

LAB 40.63, 32.05, -57.96

 

CMYK 57 / 52 / 0 / 25

HEX #525DC0

RGB 82 93 192

HSL 234, 0.47%, 0.54%

LAB 43.4, 25.16, -53.48

 

CMYK 70 / 63 / 0 / 17

HEX #3F4ED3

RGB 63 78 211

HSL 233.92, 0.63%, 0.54%

LAB 39.93, 38.03, -70.16

 

CMYK 81 / 73 / 0 / 10

HEX #2C3FE6

RGB 44 63 230

HSL 233.87, 0.79%, 0.54%

LAB 37.49, 51.71, -85.08

 

CMYK 90 / 81 / 0 / 2

HEX #1930F9

RGB 25 48 249

HSL 233.84, 0.95%, 0.54%

LAB 36.29, 64.67, -97.83

 

CMYK 57 / 52 / 0 / 25

HEX #525DC0

RGB 82 93 192

HSL 234, 0.47%, 0.54%

LAB 43.4, 25.16, -53.48

 

CMYK 42 / 38 / 0 / 32

HEX #656CAD

RGB 101 108 173

HSL 234.17, 0.31%, 0.54%

LAB 47.64, 14.28, -35.59

 

CMYK 22 / 20 / 0 / 40

HEX #787B9A

RGB 120 123 154

HSL 234.71, 0.14%, 0.54%

LAB 52.39, 5.86, -17.02

 

CMYK 0 / 0 / 3 / 45

HEX #8B8B87

RGB 139 139 135

HSL 60, 0.02%, 0.54%

LAB 57.75, -0.77, 2.13

 

CMYK 0 / 3 / 27 / 38

HEX #9E9A74

RGB 158 154 116

HSL 54.29, 0.18%, 0.54%

LAB 63.05, -4.85, 20.53

 

CMYK 57 / 21 / 0 / 25

HEX #5298C0

RGB 82 152 192

HSL 201.82, 0.47%, 0.54%

LAB 59.94, -10.32, -27.39

 

CMYK 57 / 36 / 0 / 25

HEX #527AC0

RGB 82 122 192

HSL 218.18, 0.47%, 0.54%

LAB 51.29, 7.13, -40.9

 

CMYK 57 / 52 / 0 / 25

HEX #525DC0

RGB 82 93 192

HSL 234, 0.47%, 0.54%

LAB 43.4, 25.16, -53.48

 

CMYK 48 / 57 / 0 / 25

HEX #6452C0

RGB 100 82 192

HSL 249.82, 0.47%, 0.54%

LAB 42.08, 35.67, -55.55

 

CMYK 32 / 57 / 0 / 25

HEX #8252C0

RGB 130 82 192

HSL 266.18, 0.47%, 0.54%

LAB 45.06, 42.57, -50.59

 

CMYK 64 / 57 / 0 / 45

HEX #333C8D

RGB 51 60 141

HSL 234, 0.47%, 0.38%

LAB 29.05, 22.98, -46.27

 

CMYK 64 / 58 / 0 / 33

HEX #3E49AC

RGB 62 73 172

HSL 234, 0.47%, 0.46%

LAB 35.53, 27.41, -54.51

 

CMYK 57 / 52 / 0 / 25

HEX #525DC0

RGB 82 93 192

HSL 234, 0.47%, 0.54%

LAB 43.4, 25.16, -53.48

 

CMYK 45 / 40 / 0 / 20

HEX #7079CB

RGB 112 121 203

HSL 234.07, 0.47%, 0.62%

LAB 53.42, 18.12, -43.69

 

CMYK 33 / 30 / 0 / 16

HEX #8F96D6

RGB 143 150 214

HSL 234.08, 0.46%, 0.7%

LAB 63.76, 12.43, -33.5

 

CMYK 57 / 52 / 0 / 25

HEX #525DC0

RGB 82 93 192

HSL 234, 0.47%, 0.54%

LAB 43.4, 25.16, -53.48

 

CMYK 0 / 57 / 6 / 25

HEX #C052B5

RGB 192 82 181

HSL 306, 0.47%, 0.54%

LAB 52.48, 56.57, -31.93

 

CMYK 29 / 0 / 57 / 25

HEX #89C052

RGB 137 192 82

HSL 90, 0.47%, 0.54%

LAB 71.98, -36.2, 48.89

 

CMYK 57 / 52 / 0 / 25

HEX #525DC0

RGB 82 93 192

HSL 234, 0.47%, 0.54%

LAB 43.4, 25.16, -53.48

 

CMYK 0 / 57 / 52 / 25

HEX #C0525D

RGB 192 82 93

HSL 354, 0.47%, 0.54%

LAB 49.53, 45.12, 15.98

 

CMYK 52 / 0 / 57 / 25

HEX #5DC052

RGB 93 192 82

HSL 114, 0.47%, 0.54%

LAB 69.92, -50.47, 45.97

 

CMYK 57 / 52 / 0 / 25

HEX #525DC0

RGB 82 93 192

HSL 234, 0.47%, 0.54%

LAB 43.4, 25.16, -53.48

 

CMYK 0 / 57 / 6 / 25

HEX #C052B5

RGB 192 82 181

HSL 306, 0.47%, 0.54%

LAB 52.48, 56.57, -31.93

 

CMYK 0 / 6 / 57 / 25

HEX #C0B552

RGB 192 181 82

HSL 54, 0.47%, 0.54%

LAB 72.8, -8.74, 50.87

 

CMYK 57 / 0 / 52 / 25

HEX #52C05D

RGB 82 192 93

HSL 126, 0.47%, 0.54%

LAB 69.67, -51.91, 40.33

 

CMYK 57 / 52 / 0 / 25

HEX #525DC0

RGB 82 93 192

HSL 234, 0.47%, 0.54%

LAB 43.4, 25.16, -53.48

 

CMYK 0 / 57 / 23 / 25

HEX #C05294

RGB 192 82 148

HSL 324, 0.47%, 0.54%

LAB 51.13, 51.47, -14.65

 

CMYK 0 / 6 / 57 / 25

HEX #C0B552

RGB 192 181 82

HSL 54, 0.47%, 0.54%

LAB 72.8, -8.74, 50.87

 

CMYK 57 / 0 / 34 / 25

HEX #52C07E

RGB 82 192 126

HSL 144, 0.47%, 0.54%

LAB 70.18, -46.48, 24.06

 

Description

Color code: RGB 82 93 192 | qconv.com Color code: RGB 82 93 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 93 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 93 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 52 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 52% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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