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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 62 137 it is the complementary color RGB 173 193 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 62 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 62 137 shade: RGB 87 62 132, RGB 104 80 151, RGB 121 98 170, RGB 138 116 189 and RGB 155 134 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 62 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 62 137 shade: RGB 82 62 137, RGB 65 44 118, RGB 48 26 99, RGB 31 8 80 and RGB 14 0 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 62 137 shade: RGB 81 61 137, RGB 102 61 137, RGB 122 61 137, RGB 137 61 131 and RGB 137 61 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 62 137 shade: RGB 81 61 137 and RGB 61 61 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 62 137 shade matches the following richer shades: RGB 81 61 137, RGB 74 45 153, RGB 66 29 169 and RGB 59 13 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 62 137 shade: RGB 81 61 137, RGB 89 77 121, RGB 96 93 105, RGB 104 109 88 and RGB 111 126 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 62 137 shade: RGB 61 81 137, RGB 61 61 137, RGB 81 61 137, RGB 101 61 137 and RGB 122 61 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 62 137 shade: RGB 47 36 80, RGB 64 48 108, RGB 81 61 137, RGB 98 74 165 and RGB 120 97 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 62 137 shade: RGB 82 62 137, RGB 137 61 101 and RGB 71 137 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 62 137 shade: RGB 82 62 137, RGB 137 81 61 and RGB 61 137 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 62 137 shade: RGB 82 62 137, RGB 137 61 101, RGB 117 137 61 and RGB 61 137 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 62 137 shade: RGB 82 62 137, RGB 137 61 79, RGB 117 137 61 and RGB 61 137 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 55 / 0 / 46

HEX #523E89

RGB 82 62 137

HSL 256, 0.38%, 0.39%

LAB 31.91, 27.29, -39.07

 

Complementary color

CMYK 10 / 0 / 39 / 24

HEX #ADC176

RGB 173 193 118

HSL 76, 0.38%, 0.61%

LAB 75.03, -19.03, 35.5

 

CMYK 34 / 53 / 0 / 48

HEX #573E84

RGB 87 62 132

HSL 261.43, 0.36%, 0.38%

LAB 32.12, 27.2, -35.61

 

CMYK 31 / 47 / 0 / 41

HEX #685097

RGB 104 80 151

HSL 260.28, 0.31%, 0.45%

LAB 39.44, 26.13, -35.48

 

CMYK 29 / 42 / 0 / 33

HEX #7962AA

RGB 121 98 170

HSL 259.17, 0.3%, 0.53%

LAB 46.58, 25.19, -35.38

 

CMYK 27 / 39 / 0 / 26

HEX #8A74BD

RGB 138 116 189

HSL 258.08, 0.36%, 0.6%

LAB 53.57, 24.36, -35.32

 

CMYK 25 / 36 / 0 / 18

HEX #9B86D0

RGB 155 134 208

HSL 257.03, 0.44%, 0.67%

LAB 60.4, 23.61, -35.3

 

CMYK 40 / 55 / 0 / 46

HEX #523E89

RGB 82 62 137

HSL 256, 0.38%, 0.39%

LAB 31.91, 27.29, -39.07

 

CMYK 45 / 63 / 0 / 54

HEX #412C76

RGB 65 44 118

HSL 257.03, 0.46%, 0.32%

LAB 24.43, 28.63, -39.29

 

CMYK 52 / 74 / 0 / 61

HEX #301A63

RGB 48 26 99

HSL 258.08, 0.58%, 0.25%

LAB 16.84, 30.04, -39.38

 

CMYK 61 / 90 / 0 / 69

HEX #1F0850

RGB 31 8 80

HSL 259.17, 0.82%, 0.17%

LAB 9.35, 31.01, -38.92

 

CMYK 77 / 100 / 0 / 76

HEX #0E003D

RGB 14 0 61

HSL 253.77, 1%, 0.12%

LAB 3.89, 24.69, -34.57

 

CMYK 41 / 55 / 0 / 46

HEX #513D89

RGB 81 61 137

HSL 255.79, 0.38%, 0.39%

LAB 31.56, 27.66, -39.63

 

CMYK 26 / 55 / 0 / 46

HEX #663D89

RGB 102 61 137

HSL 272.37, 0.38%, 0.39%

LAB 33.92, 33.31, -35.73

 

CMYK 11 / 55 / 0 / 46

HEX #7A3D89

RGB 122 61 137

HSL 288.16, 0.38%, 0.39%

LAB 36.52, 38.99, -31.44

 

CMYK 0 / 55 / 4 / 46

HEX #893D83

RGB 137 61 131

HSL 304.74, 0.38%, 0.39%

LAB 38.37, 42.21, -24.7

 

CMYK 0 / 55 / 19 / 46

HEX #893D6F

RGB 137 61 111

HSL 320.53, 0.38%, 0.39%

LAB 37.49, 38.78, -13.65

 

CMYK 41 / 55 / 0 / 46

HEX #513D89

RGB 81 61 137

HSL 255.79, 0.38%, 0.39%

LAB 31.56, 27.66, -39.63

 

CMYK 55 / 55 / 0 / 46

HEX #3D3D89

RGB 61 61 137

HSL 240, 0.38%, 0.39%

LAB 29.75, 22.9, -42.64

 

CMYK 41 / 55 / 0 / 46

HEX #513D89

RGB 81 61 137

HSL 255.79, 0.38%, 0.39%

LAB 31.56, 27.66, -39.63

 

CMYK 52 / 71 / 0 / 40

HEX #4A2D99

RGB 74 45 153

HSL 256.11, 0.55%, 0.39%

LAB 28.47, 40.48, -54.51

 

CMYK 61 / 83 / 0 / 34

HEX #421DA9

RGB 66 29 169

HSL 255.86, 0.71%, 0.39%

LAB 26.45, 51.85, -67.57

 

CMYK 68 / 93 / 0 / 27

HEX #3B0DB9

RGB 59 13 185

HSL 256.05, 0.87%, 0.39%

LAB 25.92, 60.76, -78.06

 

CMYK 41 / 55 / 0 / 46

HEX #513D89

RGB 81 61 137

HSL 255.79, 0.38%, 0.39%

LAB 31.56, 27.66, -39.63

 

CMYK 26 / 36 / 0 / 53

HEX #594D79

RGB 89 77 121

HSL 256.36, 0.22%, 0.39%

LAB 35.62, 15.3, -23.25

 

CMYK 9 / 11 / 0 / 59

HEX #605D69

RGB 96 93 105

HSL 255, 0.06%, 0.39%

LAB 40.14, 3.79, -6.4

 

CMYK 5 / 0 / 19 / 57

HEX #686D58

RGB 104 109 88

HSL 74.29, 0.11%, 0.39%

LAB 45.06, -5.98, 11.11

 

CMYK 12 / 0 / 43 / 51

HEX #6F7E48

RGB 111 126 72

HSL 76.67, 0.27%, 0.39%

LAB 50.42, -14.96, 27.54

 

CMYK 55 / 41 / 0 / 46

HEX #3D5189

RGB 61 81 137

HSL 224.21, 0.38%, 0.39%

LAB 35.37, 9.67, -33.66

 

CMYK 55 / 55 / 0 / 46

HEX #3D3D89

RGB 61 61 137

HSL 240, 0.38%, 0.39%

LAB 29.75, 22.9, -42.64

 

CMYK 41 / 55 / 0 / 46

HEX #513D89

RGB 81 61 137

HSL 255.79, 0.38%, 0.39%

LAB 31.56, 27.66, -39.63

 

CMYK 26 / 55 / 0 / 46

HEX #653D89

RGB 101 61 137

HSL 271.58, 0.38%, 0.39%

LAB 33.8, 33.03, -35.93

 

CMYK 11 / 55 / 0 / 46

HEX #7A3D89

RGB 122 61 137

HSL 288.16, 0.38%, 0.39%

LAB 36.52, 38.99, -31.44

 

CMYK 41 / 55 / 0 / 69

HEX #2F2450

RGB 47 36 80

HSL 255, 0.38%, 0.23%

LAB 17.67, 17.18, -25.33

 

CMYK 41 / 56 / 0 / 58

HEX #40306C

RGB 64 48 108

HSL 256, 0.38%, 0.31%

LAB 24.6, 22.74, -32.62

 

CMYK 41 / 55 / 0 / 46

HEX #513D89

RGB 81 61 137

HSL 255.79, 0.38%, 0.39%

LAB 31.56, 27.66, -39.63

 

CMYK 41 / 55 / 0 / 35

HEX #624AA5

RGB 98 74 165

HSL 255.82, 0.38%, 0.47%

LAB 38.22, 32.09, -45.85

 

CMYK 35 / 47 / 0 / 28

HEX #7861B8

RGB 120 97 184

HSL 255.86, 0.38%, 0.55%

LAB 46.98, 29.23, -42.94

 

CMYK 40 / 55 / 0 / 46

HEX #523E89

RGB 82 62 137

HSL 256, 0.38%, 0.39%

LAB 31.91, 27.29, -39.07

 

CMYK 0 / 55 / 26 / 46

HEX #893D65

RGB 137 61 101

HSL 328.42, 0.38%, 0.39%

LAB 37.11, 37.24, -7.94

 

CMYK 48 / 0 / 55 / 46

HEX #47893D

RGB 71 137 61

HSL 112.11, 0.38%, 0.39%

LAB 51.35, -36.78, 33.99

 

CMYK 40 / 55 / 0 / 46

HEX #523E89

RGB 82 62 137

HSL 256, 0.38%, 0.39%

LAB 31.91, 27.29, -39.07

 

CMYK 0 / 41 / 55 / 46

HEX #89513D

RGB 137 81 61

HSL 15.79, 0.38%, 0.39%

LAB 40.48, 21.26, 21.69

 

CMYK 55 / 0 / 41 / 46

HEX #3D8951

RGB 61 137 81

HSL 135.79, 0.38%, 0.39%

LAB 51.24, -36.55, 23.09

 

CMYK 40 / 55 / 0 / 46

HEX #523E89

RGB 82 62 137

HSL 256, 0.38%, 0.39%

LAB 31.91, 27.29, -39.07

 

CMYK 0 / 55 / 26 / 46

HEX #893D65

RGB 137 61 101

HSL 328.42, 0.38%, 0.39%

LAB 37.11, 37.24, -7.94

 

CMYK 15 / 0 / 55 / 46

HEX #75893D

RGB 117 137 61

HSL 75.79, 0.38%, 0.39%

LAB 54.04, -19.49, 37.83

 

CMYK 55 / 0 / 30 / 46

HEX #3D8960

RGB 61 137 96

HSL 147.63, 0.38%, 0.39%

LAB 51.53, -33.58, 15.03

 

CMYK 40 / 55 / 0 / 46

HEX #523E89

RGB 82 62 137

HSL 256, 0.38%, 0.39%

LAB 31.91, 27.29, -39.07

 

CMYK 0 / 55 / 42 / 46

HEX #893D4F

RGB 137 61 79

HSL 345.79, 0.38%, 0.39%

LAB 36.41, 34.32, 4.97

 

CMYK 15 / 0 / 55 / 46

HEX #75893D

RGB 117 137 61

HSL 75.79, 0.38%, 0.39%

LAB 54.04, -19.49, 37.83

 

CMYK 55 / 0 / 13 / 46

HEX #3D8977

RGB 61 137 119

HSL 165.79, 0.38%, 0.39%

LAB 52.08, -28.14, 2.55

 

Description

Color code: RGB 82 62 137 | qconv.com Color code: RGB 82 62 137 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 62 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 62 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 55 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 55% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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