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Color name
RGB 82 51 180

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 51 180 it is the complementary color RGB 173 204 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 51 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 51 180 shade: RGB 87 51 175, RGB 104 69 194, RGB 121 87 213, RGB 138 105 232 and RGB 155 123 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 51 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 51 180 shade: RGB 82 51 180, RGB 65 33 161, RGB 48 15 142, RGB 31 0 123 and RGB 14 0 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 51 180 shade: RGB 81 50 179, RGB 116 50 179, RGB 150 50 179, RGB 179 50 172 and RGB 179 50 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 51 180 shade: RGB 81 50 179 and RGB 50 50 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 51 180 shade matches the following richer shades: RGB 81 50 179, RGB 71 31 197 and RGB 62 13 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 51 180 shade: RGB 81 50 179, RGB 91 69 160, RGB 100 87 141, RGB 110 106 123 and RGB 119 124 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 51 180 shade: RGB 50 89 179, RGB 50 54 179, RGB 80 50 179, RGB 114 50 179 and RGB 149 50 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 51 180 shade: RGB 52 32 114, RGB 66 41 146, RGB 81 50 179, RGB 100 68 202 and RGB 127 100 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 51 180 shade: RGB 82 51 180, RGB 179 50 123 and RGB 71 179 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 51 180 shade: RGB 82 51 180, RGB 179 80 50 and RGB 50 179 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 51 180 shade: RGB 82 51 180, RGB 179 50 123, RGB 149 179 50 and RGB 50 179 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 51 180 shade: RGB 82 51 180, RGB 179 50 84, RGB 149 179 50 and RGB 50 179 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 72 / 0 / 29

HEX #5233B4

RGB 82 51 180

HSL 254.42, 0.56%, 0.45%

LAB 32.82, 46.51, -63.61

 

Complementary color

CMYK 15 / 0 / 63 / 20

HEX #ADCC4B

RGB 173 204 75

HSL 74.42, 0.56%, 0.55%

LAB 77.63, -28.56, 58.84

 

CMYK 50 / 71 / 0 / 31

HEX #5733AF

RGB 87 51 175

HSL 257.42, 0.55%, 0.44%

LAB 32.9, 45.88, -60.5

 

CMYK 46 / 64 / 0 / 24

HEX #6845C2

RGB 104 69 194

HSL 256.8, 0.51%, 0.52%

LAB 39.74, 44.6, -60.48

 

CMYK 43 / 59 / 0 / 16

HEX #7957D5

RGB 121 87 213

HSL 256.19, 0.6%, 0.59%

LAB 46.56, 43.29, -60.33

 

CMYK 41 / 55 / 0 / 9

HEX #8A69E8

RGB 138 105 232

HSL 255.59, 0.73%, 0.66%

LAB 53.31, 42.05, -60.12

 

CMYK 38 / 51 / 0 / 2

HEX #9B7BFB

RGB 155 123 251

HSL 255, 0.94%, 0.73%

LAB 59.98, 40.89, -59.9

 

CMYK 54 / 72 / 0 / 29

HEX #5233B4

RGB 82 51 180

HSL 254.42, 0.56%, 0.45%

LAB 32.82, 46.51, -63.61

 

CMYK 60 / 80 / 0 / 37

HEX #4121A1

RGB 65 33 161

HSL 255, 0.66%, 0.38%

LAB 26.11, 47.69, -63.29

 

CMYK 66 / 89 / 0 / 44

HEX #300F8E

RGB 48 15 142

HSL 255.59, 0.81%, 0.31%

LAB 19.73, 48.03, -62.19

 

CMYK 75 / 100 / 0 / 52

HEX #1F007B

RGB 31 0 123

HSL 255.12, 1%, 0.24%

LAB 13.95, 46.83, -59.83

 

CMYK 87 / 100 / 0 / 59

HEX #0E0068

RGB 14 0 104

HSL 248.08, 1%, 0.2%

LAB 9.74, 41.22, -54.52

 

CMYK 55 / 72 / 0 / 30

HEX #5132B3

RGB 81 50 179

HSL 254.42, 0.56%, 0.45%

LAB 32.45, 46.6, -63.64

 

CMYK 35 / 72 / 0 / 30

HEX #7432B3

RGB 116 50 179

HSL 270.7, 0.56%, 0.45%

LAB 36.46, 52.69, -56.93

 

CMYK 16 / 72 / 0 / 30

HEX #9632B3

RGB 150 50 179

HSL 286.51, 0.56%, 0.45%

LAB 41.25, 59.56, -48.95

 

CMYK 0 / 72 / 4 / 30

HEX #B332AC

RGB 179 50 172

HSL 303.26, 0.56%, 0.45%

LAB 45.42, 64.66, -37.89

 

CMYK 0 / 72 / 23 / 30

HEX #B3328A

RGB 179 50 138

HSL 319.07, 0.56%, 0.45%

LAB 43.8, 59.67, -20.03

 

CMYK 55 / 72 / 0 / 30

HEX #5132B3

RGB 81 50 179

HSL 254.42, 0.56%, 0.45%

LAB 32.45, 46.6, -63.64

 

CMYK 72 / 72 / 0 / 30

HEX #3232B3

RGB 50 50 179

HSL 240, 0.56%, 0.45%

LAB 29.95, 42.57, -67.85

 

CMYK 55 / 72 / 0 / 30

HEX #5132B3

RGB 81 50 179

HSL 254.42, 0.56%, 0.45%

LAB 32.45, 46.6, -63.64

 

CMYK 64 / 84 / 0 / 23

HEX #471FC5

RGB 71 31 197

HSL 254.46, 0.73%, 0.45%

LAB 30.28, 59.22, -77.88

 

CMYK 71 / 94 / 0 / 15

HEX #3E0DD8

RGB 62 13 216

HSL 254.48, 0.89%, 0.45%

LAB 30.08, 68.68, -89.3

 

CMYK 55 / 72 / 0 / 30

HEX #5132B3

RGB 81 50 179

HSL 254.42, 0.56%, 0.45%

LAB 32.45, 46.6, -63.64

 

CMYK 43 / 57 / 0 / 37

HEX #5B45A0

RGB 91 69 160

HSL 254.51, 0.4%, 0.45%

LAB 36.02, 31.98, -46.43

 

CMYK 29 / 38 / 0 / 45

HEX #64578D

RGB 100 87 141

HSL 254.44, 0.24%, 0.45%

LAB 40.33, 17.91, -28.07

 

CMYK 11 / 14 / 0 / 52

HEX #6E6A7B

RGB 110 106 123

HSL 254.12, 0.07%, 0.45%

LAB 45.71, 5.18, -8.88

 

CMYK 4 / 0 / 16 / 51

HEX #777C68

RGB 119 124 104

HSL 75, 0.09%, 0.45%

LAB 51.08, -5.7, 10.3

 

CMYK 72 / 50 / 0 / 30

HEX #3259B3

RGB 50 89 179

HSL 221.86, 0.56%, 0.45%

LAB 39.71, 17.64, -51.92

 

CMYK 72 / 70 / 0 / 30

HEX #3236B3

RGB 50 54 179

HSL 238.14, 0.56%, 0.45%

LAB 30.81, 40.19, -66.42

 

CMYK 55 / 72 / 0 / 30

HEX #5032B3

RGB 80 50 179

HSL 253.95, 0.56%, 0.45%

LAB 32.35, 46.44, -63.81

 

CMYK 36 / 72 / 0 / 30

HEX #7232B3

RGB 114 50 179

HSL 269.77, 0.56%, 0.45%

LAB 36.2, 52.31, -57.36

 

CMYK 17 / 72 / 0 / 30

HEX #9532B3

RGB 149 50 179

HSL 286.05, 0.56%, 0.45%

LAB 41.1, 59.35, -49.2

 

CMYK 54 / 72 / 0 / 55

HEX #342072

RGB 52 32 114

HSL 254.63, 0.56%, 0.29%

LAB 19.96, 31.99, -44.06

 

CMYK 55 / 72 / 0 / 43

HEX #422992

RGB 66 41 146

HSL 254.29, 0.56%, 0.37%

LAB 26.21, 39.23, -53.93

 

CMYK 55 / 72 / 0 / 30

HEX #5132B3

RGB 81 50 179

HSL 254.42, 0.56%, 0.45%

LAB 32.45, 46.6, -63.64

 

CMYK 50 / 66 / 0 / 21

HEX #6444CA

RGB 100 68 202

HSL 254.33, 0.56%, 0.53%

LAB 39.76, 46.69, -65.12

 

CMYK 40 / 53 / 0 / 17

HEX #7F64D3

RGB 127 100 211

HSL 254.59, 0.56%, 0.61%

LAB 49.89, 36.62, -53.79

 

CMYK 54 / 72 / 0 / 29

HEX #5233B4

RGB 82 51 180

HSL 254.42, 0.56%, 0.45%

LAB 32.82, 46.51, -63.61

 

CMYK 0 / 72 / 31 / 30

HEX #B3327B

RGB 179 50 123

HSL 326.05, 0.56%, 0.45%

LAB 43.2, 57.76, -11.76

 

CMYK 60 / 0 / 72 / 30

HEX #47B332

RGB 71 179 50

HSL 110.23, 0.56%, 0.45%

LAB 64.81, -54.47, 53.76

 

CMYK 54 / 72 / 0 / 29

HEX #5233B4

RGB 82 51 180

HSL 254.42, 0.56%, 0.45%

LAB 32.82, 46.51, -63.61

 

CMYK 0 / 55 / 72 / 30

HEX #B35032

RGB 179 80 50

HSL 13.95, 0.56%, 0.45%

LAB 46.38, 38.28, 36.62

 

CMYK 72 / 0 / 55 / 30

HEX #32B350

RGB 50 179 80

HSL 133.95, 0.56%, 0.45%

LAB 64.56, -55.49, 40.27

 

CMYK 54 / 72 / 0 / 29

HEX #5233B4

RGB 82 51 180

HSL 254.42, 0.56%, 0.45%

LAB 32.82, 46.51, -63.61

 

CMYK 0 / 72 / 31 / 30

HEX #B3327B

RGB 179 50 123

HSL 326.05, 0.56%, 0.45%

LAB 43.2, 57.76, -11.76

 

CMYK 17 / 0 / 72 / 30

HEX #95B332

RGB 149 179 50

HSL 73.95, 0.56%, 0.45%

LAB 68.65, -27.91, 58.87

 

CMYK 72 / 0 / 41 / 30

HEX #32B36A

RGB 50 179 106

HSL 146.05, 0.56%, 0.45%

LAB 64.93, -51.26, 27.51

 

CMYK 54 / 72 / 0 / 29

HEX #5233B4

RGB 82 51 180

HSL 254.42, 0.56%, 0.45%

LAB 32.82, 46.51, -63.61

 

CMYK 0 / 72 / 53 / 30

HEX #B33254

RGB 179 50 84

HSL 344.19, 0.56%, 0.45%

LAB 42.01, 53.82, 10.76

 

CMYK 17 / 0 / 72 / 30

HEX #95B332

RGB 149 179 50

HSL 73.95, 0.56%, 0.45%

LAB 68.65, -27.91, 58.87

 

CMYK 72 / 0 / 20 / 30

HEX #32B390

RGB 50 179 144

HSL 163.72, 0.56%, 0.45%

LAB 65.7, -42.97, 7.96

 

Description

Color code: RGB 82 51 180 | qconv.com Color code: RGB 82 51 180 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 51 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 51 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 72 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 72% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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