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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 45 128 it is the complementary color RGB 173 210 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 45 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 45 128 shade: RGB 87 45 123, RGB 104 63 142, RGB 121 81 161, RGB 138 99 180 and RGB 155 117 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 45 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 45 128 shade: RGB 82 45 128, RGB 65 27 109, RGB 48 9 90, RGB 31 0 71 and RGB 14 0 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 45 128 shade: RGB 82 45 128, RGB 104 45 128, RGB 127 45 128, RGB 128 45 107 and RGB 128 45 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 45 128 shade: RGB 82 45 128, RGB 59 45 128 and RGB 45 45 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 45 128 shade matches the following richer shades: RGB 82 45 128, RGB 80 31 142, RGB 79 17 156 and RGB 77 2 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 45 128 shade: RGB 82 45 128, RGB 83 59 114, RGB 85 73 100, RGB 86 87 86 and RGB 88 101 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 45 128 shade: RGB 45 53 128, RGB 58 45 128, RGB 81 45 128, RGB 103 45 128 and RGB 125 45 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 45 128 shade: RGB 43 23 67, RGB 62 34 97, RGB 82 45 128, RGB 101 55 158 and RGB 121 66 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 45 128 shade: RGB 82 45 128, RGB 128 45 75 and RGB 45 128 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 45 128 shade: RGB 82 45 128, RGB 128 81 45 and RGB 45 128 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 45 128 shade: RGB 82 45 128, RGB 128 45 75, RGB 92 128 45 and RGB 45 128 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 45 128 shade: RGB 82 45 128, RGB 128 45 50, RGB 92 128 45 and RGB 45 128 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 65 / 0 / 50

HEX #522D80

RGB 82 45 128

HSL 266.75, 0.48%, 0.34%

LAB 27.38, 34.98, -40.75

 

Complementary color

CMYK 18 / 0 / 40 / 18

HEX #ADD27F

RGB 173 210 127

HSL 86.75, 0.48%, 0.66%

LAB 79.9, -26.26, 37.17

 

CMYK 29 / 63 / 0 / 52

HEX #572D7B

RGB 87 45 123

HSL 272.31, 0.46%, 0.33%

LAB 27.66, 34.9, -37.11

 

CMYK 27 / 56 / 0 / 44

HEX #683F8E

RGB 104 63 142

HSL 271.14, 0.39%, 0.4%

LAB 34.91, 33.96, -37.21

 

CMYK 25 / 50 / 0 / 37

HEX #7951A1

RGB 121 81 161

HSL 270, 0.33%, 0.47%

LAB 42.04, 32.99, -37.24

 

CMYK 23 / 45 / 0 / 29

HEX #8A63B4

RGB 138 99 180

HSL 268.89, 0.35%, 0.55%

LAB 49.03, 32.07, -37.24

 

CMYK 22 / 41 / 0 / 22

HEX #9B75C7

RGB 155 117 199

HSL 267.8, 0.42%, 0.62%

LAB 55.9, 31.22, -37.26

 

CMYK 36 / 65 / 0 / 50

HEX #522D80

RGB 82 45 128

HSL 266.75, 0.48%, 0.34%

LAB 27.38, 34.98, -40.75

 

CMYK 40 / 75 / 0 / 57

HEX #411B6D

RGB 65 27 109

HSL 267.8, 0.6%, 0.27%

LAB 20.09, 35.84, -40.53

 

CMYK 47 / 90 / 0 / 65

HEX #30095A

RGB 48 9 90

HSL 268.89, 0.82%, 0.19%

LAB 13, 35.83, -39.66

 

CMYK 56 / 100 / 0 / 72

HEX #1F0047

RGB 31 0 71

HSL 266.2, 1%, 0.14%

LAB 6.74, 32.8, -36.96

 

CMYK 73 / 100 / 0 / 80

HEX #0E0034

RGB 14 0 52

HSL 256.15, 1%, 0.1%

LAB 3.08, 19.52, -29.28

 

CMYK 36 / 65 / 0 / 50

HEX #522D80

RGB 82 45 128

HSL 266.75, 0.48%, 0.34%

LAB 27.38, 34.98, -40.75

 

CMYK 19 / 65 / 0 / 50

HEX #682D80

RGB 104 45 128

HSL 282.65, 0.48%, 0.34%

LAB 30.35, 40.47, -35.82

 

CMYK 1 / 65 / 0 / 50

HEX #7F2D80

RGB 127 45 128

HSL 299.28, 0.48%, 0.34%

LAB 33.87, 46.47, -30

 

CMYK 0 / 65 / 16 / 50

HEX #802D6B

RGB 128 45 107

HSL 315.18, 0.48%, 0.34%

LAB 32.98, 43.12, -18.16

 

CMYK 0 / 65 / 34 / 50

HEX #802D54

RGB 128 45 84

HSL 331.81, 0.48%, 0.34%

LAB 32.05, 39.77, -4.78

 

CMYK 36 / 65 / 0 / 50

HEX #522D80

RGB 82 45 128

HSL 266.75, 0.48%, 0.34%

LAB 27.38, 34.98, -40.75

 

CMYK 54 / 65 / 0 / 50

HEX #3B2D80

RGB 59 45 128

HSL 250.12, 0.48%, 0.34%

LAB 24.84, 29.86, -44.98

 

CMYK 65 / 65 / 0 / 50

HEX #2D2D80

RGB 45 45 128

HSL 240, 0.48%, 0.34%

LAB 23.65, 27.26, -46.97

 

CMYK 36 / 65 / 0 / 50

HEX #522D80

RGB 82 45 128

HSL 266.75, 0.48%, 0.34%

LAB 27.38, 34.98, -40.75

 

CMYK 44 / 78 / 0 / 44

HEX #501F8E

RGB 80 31 142

HSL 266.49, 0.64%, 0.34%

LAB 25.68, 45.52, -52.27

 

CMYK 49 / 89 / 0 / 39

HEX #4F119C

RGB 79 17 156

HSL 266.76, 0.8%, 0.34%

LAB 25.15, 54.07, -61.77

 

CMYK 55 / 99 / 0 / 33

HEX #4D02AA

RGB 77 2 170

HSL 266.79, 0.98%, 0.34%

LAB 25.33, 60.52, -69.99

 

CMYK 36 / 65 / 0 / 50

HEX #522D80

RGB 82 45 128

HSL 266.75, 0.48%, 0.34%

LAB 27.38, 34.98, -40.75

 

CMYK 27 / 48 / 0 / 55

HEX #533B72

RGB 83 59 114

HSL 266.18, 0.32%, 0.34%

LAB 29.87, 22.95, -27.94

 

CMYK 15 / 27 / 0 / 61

HEX #554964

RGB 85 73 100

HSL 266.67, 0.16%, 0.34%

LAB 33.17, 11.03, -13.91

 

CMYK 1 / 0 / 1 / 66

HEX #565756

RGB 86 87 86

HSL 120, 0.01%, 0.34%

LAB 36.87, -0.61, 0.43

 

CMYK 13 / 0 / 29 / 60

HEX #586548

RGB 88 101 72

HSL 86.9, 0.17%, 0.34%

LAB 40.98, -10.75, 14.82

 

CMYK 65 / 59 / 0 / 50

HEX #2D3580

RGB 45 53 128

HSL 234.22, 0.48%, 0.34%

LAB 25.75, 21.87, -43.56

 

CMYK 55 / 65 / 0 / 50

HEX #3A2D80

RGB 58 45 128

HSL 249.4, 0.48%, 0.34%

LAB 24.75, 29.66, -45.14

 

CMYK 37 / 65 / 0 / 50

HEX #512D80

RGB 81 45 128

HSL 266.02, 0.48%, 0.34%

LAB 27.25, 34.74, -40.96

 

CMYK 20 / 65 / 0 / 50

HEX #672D80

RGB 103 45 128

HSL 281.93, 0.48%, 0.34%

LAB 30.2, 40.21, -36.06

 

CMYK 2 / 65 / 0 / 50

HEX #7D2D80

RGB 125 45 128

HSL 297.83, 0.48%, 0.34%

LAB 33.55, 45.94, -30.53

 

CMYK 36 / 66 / 0 / 74

HEX #2B1743

RGB 43 23 67

HSL 267.27, 0.49%, 0.18%

LAB 12.81, 20.78, -24.19

 

CMYK 36 / 65 / 0 / 62

HEX #3E2261

RGB 62 34 97

HSL 266.67, 0.48%, 0.26%

LAB 20.17, 27.84, -32.58

 

CMYK 36 / 65 / 0 / 50

HEX #522D80

RGB 82 45 128

HSL 266.75, 0.48%, 0.34%

LAB 27.38, 34.98, -40.75

 

CMYK 36 / 65 / 0 / 38

HEX #65379E

RGB 101 55 158

HSL 266.8, 0.48%, 0.42%

LAB 33.92, 41.83, -48.56

 

CMYK 36 / 65 / 0 / 26

HEX #7942BC

RGB 121 66 188

HSL 267.05, 0.48%, 0.5%

LAB 40.56, 48.1, -55.56

 

CMYK 36 / 65 / 0 / 50

HEX #522D80

RGB 82 45 128

HSL 266.75, 0.48%, 0.34%

LAB 27.38, 34.98, -40.75

 

CMYK 0 / 65 / 41 / 50

HEX #802D4B

RGB 128 45 75

HSL 338.31, 0.48%, 0.34%

LAB 31.75, 38.67, 0.64

 

CMYK 65 / 0 / 63 / 50

HEX #2D802F

RGB 45 128 47

HSL 121.45, 0.48%, 0.34%

LAB 47.24, -42.06, 35.89

 

CMYK 36 / 65 / 0 / 50

HEX #522D80

RGB 82 45 128

HSL 266.75, 0.48%, 0.34%

LAB 27.38, 34.98, -40.75

 

CMYK 0 / 37 / 65 / 50

HEX #80512D

RGB 128 81 45

HSL 26.02, 0.48%, 0.34%

LAB 39.01, 15.93, 28.96

 

CMYK 65 / 0 / 37 / 50

HEX #2D8051

RGB 45 128 81

HSL 146.02, 0.48%, 0.34%

LAB 47.74, -36.46, 18.34

 

CMYK 36 / 65 / 0 / 50

HEX #522D80

RGB 82 45 128

HSL 266.75, 0.48%, 0.34%

LAB 27.38, 34.98, -40.75

 

CMYK 0 / 65 / 41 / 50

HEX #802D4B

RGB 128 45 75

HSL 338.31, 0.48%, 0.34%

LAB 31.75, 38.67, 0.64

 

CMYK 28 / 0 / 65 / 50

HEX #5C802D

RGB 92 128 45

HSL 86.02, 0.48%, 0.34%

LAB 49.38, -26.81, 39.82

 

CMYK 65 / 0 / 24 / 50

HEX #2D8061

RGB 45 128 97

HSL 157.59, 0.48%, 0.34%

LAB 48.08, -32.86, 9.58

 

CMYK 36 / 65 / 0 / 50

HEX #522D80

RGB 82 45 128

HSL 266.75, 0.48%, 0.34%

LAB 27.38, 34.98, -40.75

 

CMYK 0 / 65 / 61 / 50

HEX #802D32

RGB 128 45 50

HSL 356.39, 0.48%, 0.34%

LAB 31.11, 36.23, 16.08

 

CMYK 28 / 0 / 65 / 50

HEX #5C802D

RGB 92 128 45

HSL 86.02, 0.48%, 0.34%

LAB 49.38, -26.81, 39.82

 

CMYK 65 / 0 / 5 / 50

HEX #2D807A

RGB 45 128 122

HSL 175.66, 0.48%, 0.34%

LAB 48.76, -26.14, -4.12

 

Description

Color code: RGB 82 45 128 | qconv.com Color code: RGB 82 45 128 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 45 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 45 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 65 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 65% 0% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

50% - Clemson University, ...
Link: http://www.clemson.edu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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