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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 43 180 it is the complementary color RGB 173 212 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 43 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 43 180 shade: RGB 87 43 175, RGB 104 61 194, RGB 121 79 213, RGB 138 97 232 and RGB 155 115 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 43 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 43 180 shade: RGB 82 43 180, RGB 65 25 161, RGB 48 7 142, RGB 31 0 123 and RGB 14 0 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 43 180 shade: RGB 82 43 180, RGB 119 43 180, RGB 156 43 180, RGB 180 43 167 and RGB 180 43 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 43 180 shade: RGB 82 43 180, RGB 45 43 180 and RGB 43 43 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 43 180 shade matches the following richer shades: RGB 82 43 180, RGB 74 25 198 and RGB 67 7 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 43 180 shade: RGB 82 43 180, RGB 90 61 162, RGB 98 80 144, RGB 106 98 126 and RGB 113 116 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 43 180 shade: RGB 43 77 180, RGB 46 43 180, RGB 82 43 180, RGB 119 43 180 and RGB 155 43 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 43 180 shade: RGB 52 27 114, RGB 67 35 147, RGB 82 43 180, RGB 100 58 207 and RGB 126 91 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 43 180 shade: RGB 82 43 180, RGB 180 43 114 and RGB 59 180 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 43 180 shade: RGB 82 43 180, RGB 180 82 43 and RGB 43 180 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 43 180 shade: RGB 82 43 180, RGB 180 43 114, RGB 141 180 43 and RGB 43 180 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 43 180 shade: RGB 82 43 180, RGB 180 43 73, RGB 141 180 43 and RGB 43 180 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 76 / 0 / 29

HEX #522BB4

RGB 82 43 180

HSL 257.08, 0.61%, 0.44%

LAB 31.39, 50.57, -65.98

 

Complementary color

CMYK 18 / 0 / 65 / 17

HEX #ADD44B

RGB 173 212 75

HSL 77.08, 0.61%, 0.56%

LAB 79.89, -32.32, 61.25

 

CMYK 50 / 75 / 0 / 31

HEX #572BAF

RGB 87 43 175

HSL 260, 0.61%, 0.43%

LAB 31.46, 49.91, -62.85

 

CMYK 46 / 69 / 0 / 24

HEX #683DC2

RGB 104 61 194

HSL 259.4, 0.52%, 0.5%

LAB 38.16, 48.92, -63.06

 

CMYK 43 / 63 / 0 / 16

HEX #794FD5

RGB 121 79 213

HSL 258.81, 0.61%, 0.57%

LAB 44.89, 47.73, -63.03

 

CMYK 41 / 58 / 0 / 9

HEX #8A61E8

RGB 138 97 232

HSL 258.22, 0.75%, 0.65%

LAB 51.59, 46.53, -62.9

 

CMYK 38 / 54 / 0 / 2

HEX #9B73FB

RGB 155 115 251

HSL 257.65, 0.94%, 0.72%

LAB 58.22, 45.36, -62.72

 

CMYK 54 / 76 / 0 / 29

HEX #522BB4

RGB 82 43 180

HSL 257.08, 0.61%, 0.44%

LAB 31.39, 50.57, -65.98

 

CMYK 60 / 84 / 0 / 37

HEX #4119A1

RGB 65 25 161

HSL 257.65, 0.73%, 0.36%

LAB 24.93, 51.15, -65.25

 

CMYK 66 / 95 / 0 / 44

HEX #30078E

RGB 48 7 142

HSL 258.22, 0.91%, 0.29%

LAB 18.94, 50.41, -63.5

 

CMYK 75 / 100 / 0 / 52

HEX #1F007B

RGB 31 0 123

HSL 255.12, 1%, 0.24%

LAB 13.95, 46.83, -59.83

 

CMYK 87 / 100 / 0 / 59

HEX #0E0068

RGB 14 0 104

HSL 248.08, 1%, 0.2%

LAB 9.74, 41.22, -54.52

 

CMYK 54 / 76 / 0 / 29

HEX #522BB4

RGB 82 43 180

HSL 257.08, 0.61%, 0.44%

LAB 31.39, 50.57, -65.98

 

CMYK 34 / 76 / 0 / 29

HEX #772BB4

RGB 119 43 180

HSL 273.28, 0.61%, 0.44%

LAB 35.88, 56.49, -58.45

 

CMYK 13 / 76 / 0 / 29

HEX #9C2BB4

RGB 156 43 180

HSL 289.49, 0.61%, 0.44%

LAB 41.36, 63.49, -49.31

 

CMYK 0 / 76 / 7 / 29

HEX #B42BA7

RGB 180 43 167

HSL 305.69, 0.61%, 0.44%

LAB 44.55, 66.32, -36.29

 

CMYK 0 / 76 / 28 / 29

HEX #B42B82

RGB 180 43 130

HSL 321.9, 0.61%, 0.44%

LAB 42.83, 61.21, -16.62

 

CMYK 54 / 76 / 0 / 29

HEX #522BB4

RGB 82 43 180

HSL 257.08, 0.61%, 0.44%

LAB 31.39, 50.57, -65.98

 

CMYK 75 / 76 / 0 / 29

HEX #2D2BB4

RGB 45 43 180

HSL 240.88, 0.61%, 0.44%

LAB 28.33, 46.41, -71.12

 

CMYK 76 / 76 / 0 / 29

HEX #2B2BB4

RGB 43 43 180

HSL 240, 0.61%, 0.44%

LAB 28.21, 46.25, -71.32

 

CMYK 54 / 76 / 0 / 29

HEX #522BB4

RGB 82 43 180

HSL 257.08, 0.61%, 0.44%

LAB 31.39, 50.57, -65.98

 

CMYK 63 / 87 / 0 / 22

HEX #4A19C6

RGB 74 25 198

HSL 256.99, 0.78%, 0.44%

LAB 29.98, 61.81, -78.96

 

CMYK 69 / 97 / 0 / 15

HEX #4307D8

RGB 67 7 216

HSL 257.22, 0.94%, 0.44%

LAB 30.16, 69.92, -89.16

 

CMYK 54 / 76 / 0 / 29

HEX #522BB4

RGB 82 43 180

HSL 257.08, 0.61%, 0.44%

LAB 31.39, 50.57, -65.98

 

CMYK 44 / 62 / 0 / 36

HEX #5A3DA2

RGB 90 61 162

HSL 257.23, 0.45%, 0.44%

LAB 34.23, 37.12, -50.52

 

CMYK 32 / 44 / 0 / 44

HEX #625090

RGB 98 80 144

HSL 256.88, 0.29%, 0.44%

LAB 38.46, 22.48, -32.83

 

CMYK 16 / 22 / 0 / 51

HEX #6A627E

RGB 106 98 126

HSL 257.14, 0.13%, 0.44%

LAB 43.22, 9.28, -14.48

 

CMYK 3 / 0 / 7 / 55

HEX #71746C

RGB 113 116 108

HSL 82.5, 0.04%, 0.44%

LAB 48.37, -2.74, 4.02

 

CMYK 76 / 57 / 0 / 29

HEX #2B4DB4

RGB 43 77 180

HSL 225.11, 0.61%, 0.44%

LAB 36.21, 25.02, -58.2

 

CMYK 74 / 76 / 0 / 29

HEX #2E2BB4

RGB 46 43 180

HSL 241.31, 0.61%, 0.44%

LAB 28.39, 46.49, -71.02

 

CMYK 54 / 76 / 0 / 29

HEX #522BB4

RGB 82 43 180

HSL 257.08, 0.61%, 0.44%

LAB 31.39, 50.57, -65.98

 

CMYK 34 / 76 / 0 / 29

HEX #772BB4

RGB 119 43 180

HSL 273.28, 0.61%, 0.44%

LAB 35.88, 56.49, -58.45

 

CMYK 14 / 76 / 0 / 29

HEX #9B2BB4

RGB 155 43 180

HSL 289.05, 0.61%, 0.44%

LAB 41.2, 63.29, -49.58

 

CMYK 54 / 76 / 0 / 55

HEX #341B72

RGB 52 27 114

HSL 257.24, 0.62%, 0.28%

LAB 18.92, 34.86, -45.75

 

CMYK 54 / 76 / 0 / 42

HEX #432393

RGB 67 35 147

HSL 257.14, 0.62%, 0.36%

LAB 25.27, 42.9, -56.1

 

CMYK 54 / 76 / 0 / 29

HEX #522BB4

RGB 82 43 180

HSL 257.08, 0.61%, 0.44%

LAB 31.39, 50.57, -65.98

 

CMYK 52 / 72 / 0 / 19

HEX #643ACF

RGB 100 58 207

HSL 256.91, 0.61%, 0.52%

LAB 38.27, 53.37, -70.45

 

CMYK 41 / 58 / 0 / 16

HEX #7E5BD7

RGB 126 91 215

HSL 256.94, 0.61%, 0.6%

LAB 48.04, 42.66, -59.06

 

CMYK 54 / 76 / 0 / 29

HEX #522BB4

RGB 82 43 180

HSL 257.08, 0.61%, 0.44%

LAB 31.39, 50.57, -65.98

 

CMYK 0 / 76 / 37 / 29

HEX #B42B72

RGB 180 43 114

HSL 328.91, 0.61%, 0.44%

LAB 42.22, 59.36, -7.65

 

CMYK 67 / 0 / 76 / 29

HEX #3BB42B

RGB 59 180 43

HSL 112.99, 0.61%, 0.44%

LAB 64.76, -58.02, 56.11

 

CMYK 54 / 76 / 0 / 29

HEX #522BB4

RGB 82 43 180

HSL 257.08, 0.61%, 0.44%

LAB 31.39, 50.57, -65.98

 

CMYK 0 / 54 / 76 / 29

HEX #B4522B

RGB 180 82 43

HSL 17.08, 0.61%, 0.44%

LAB 46.86, 37.33, 40.89

 

CMYK 76 / 0 / 54 / 29

HEX #2BB452

RGB 43 180 82

HSL 137.08, 0.61%, 0.44%

LAB 64.78, -56.64, 39.52

 

CMYK 54 / 76 / 0 / 29

HEX #522BB4

RGB 82 43 180

HSL 257.08, 0.61%, 0.44%

LAB 31.39, 50.57, -65.98

 

CMYK 0 / 76 / 37 / 29

HEX #B42B72

RGB 180 43 114

HSL 328.91, 0.61%, 0.44%

LAB 42.22, 59.36, -7.65

 

CMYK 22 / 0 / 76 / 29

HEX #8DB42B

RGB 141 180 43

HSL 77.08, 0.61%, 0.44%

LAB 68.37, -32.01, 60.84

 

CMYK 76 / 0 / 39 / 29

HEX #2BB46D

RGB 43 180 109

HSL 148.91, 0.61%, 0.44%

LAB 65.17, -52.08, 26.21

 

CMYK 54 / 76 / 0 / 29

HEX #522BB4

RGB 82 43 180

HSL 257.08, 0.61%, 0.44%

LAB 31.39, 50.57, -65.98

 

CMYK 0 / 76 / 59 / 29

HEX #B42B49

RGB 180 43 73

HSL 346.86, 0.61%, 0.44%

LAB 41.08, 55.72, 16.42

 

CMYK 22 / 0 / 76 / 29

HEX #8DB42B

RGB 141 180 43

HSL 77.08, 0.61%, 0.44%

LAB 68.37, -32.01, 60.84

 

CMYK 76 / 0 / 17 / 29

HEX #2BB496

RGB 43 180 150

HSL 166.86, 0.61%, 0.44%

LAB 66.03, -42.79, 5.11

 

Description

Color code: RGB 82 43 180 | qconv.com Color code: RGB 82 43 180 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 43 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 43 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 76 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 76% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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