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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 30 214 it is the complementary color RGB 174 225 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 30 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 30 214 shade: RGB 86 30 209, RGB 103 48 228, RGB 120 66 247, RGB 137 84 255 and RGB 154 102 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 30 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 30 214 shade: RGB 81 30 214, RGB 64 12 195, RGB 47 0 176, RGB 30 0 157 and RGB 13 0 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 30 214 shade: RGB 81 30 214, RGB 130 30 214, RGB 180 30 214, RGB 214 30 198 and RGB 214 30 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 30 214 shade: RGB 81 30 214, RGB 31 30 214 and RGB 30 30 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 30 214 shade matches the following richer shades: RGB 81 30 214 and RGB 72 10 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 30 214 shade: RGB 81 30 214, RGB 90 50 194, RGB 99 70 174, RGB 107 90 154 and RGB 116 109 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 30 214 shade: RGB 30 79 214, RGB 30 30 214, RGB 79 30 214, RGB 128 30 214 and RGB 177 30 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 30 214 shade: RGB 54 20 141, RGB 67 25 178, RGB 81 30 214, RGB 105 59 227 and RGB 133 95 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 30 214 shade: RGB 81 30 214, RGB 214 30 128 and RGB 55 214 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 30 214 shade: RGB 81 30 214, RGB 214 79 30 and RGB 30 214 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 30 214 shade: RGB 81 30 214, RGB 214 30 128, RGB 165 214 30 and RGB 30 214 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 30 214 shade: RGB 81 30 214, RGB 214 30 73, RGB 165 214 30 and RGB 30 214 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 86 / 0 / 16

HEX #511ED6

RGB 81 30 214

HSL 256.63, 0.75%, 0.48%

LAB 32.99, 64.88, -83.27

 

Complementary color

CMYK 23 / 0 / 82 / 12

HEX #AEE129

RGB 174 225 41

HSL 76.63, 0.75%, 0.52%

LAB 83.45, -39.59, 75.84

 

CMYK 59 / 86 / 0 / 18

HEX #561ED1

RGB 86 30 209

HSL 258.77, 0.75%, 0.47%

LAB 32.94, 64.03, -80.44

 

CMYK 55 / 79 / 0 / 11

HEX #6730E4

RGB 103 48 228

HSL 258.33, 0.77%, 0.54%

LAB 38.9, 63.98, -81.47

 

CMYK 51 / 73 / 0 / 3

HEX #7842F7

RGB 120 66 247

HSL 257.9, 0.92%, 0.61%

LAB 45.09, 63.26, -81.97

 

CMYK 46 / 67 / 0 / 0

HEX #8954FF

RGB 137 84 255

HSL 258.6, 1%, 0.66%

LAB 50.55, 59.32, -77.44

 

CMYK 40 / 60 / 0 / 0

HEX #9A66FF

RGB 154 102 255

HSL 260.39, 1%, 0.7%

LAB 55.68, 53.24, -69.03

 

CMYK 62 / 86 / 0 / 16

HEX #511ED6

RGB 81 30 214

HSL 256.63, 0.75%, 0.48%

LAB 32.99, 64.88, -83.27

 

CMYK 67 / 94 / 0 / 24

HEX #400CC3

RGB 64 12 195

HSL 257.05, 0.88%, 0.41%

LAB 27.55, 63.77, -81.25

 

CMYK 73 / 100 / 0 / 31

HEX #2F00B0

RGB 47 0 176

HSL 256.02, 1%, 0.35%

LAB 22.79, 60.78, -77.92

 

CMYK 81 / 100 / 0 / 38

HEX #1E009D

RGB 30 0 157

HSL 251.46, 1%, 0.31%

LAB 18.84, 55.54, -73

 

CMYK 91 / 100 / 0 / 46

HEX #0D008A

RGB 13 0 138

HSL 245.65, 1%, 0.27%

LAB 15.06, 50.32, -67.53

 

CMYK 62 / 86 / 0 / 16

HEX #511ED6

RGB 81 30 214

HSL 256.63, 0.75%, 0.48%

LAB 32.99, 64.88, -83.27

 

CMYK 39 / 86 / 0 / 16

HEX #821ED6

RGB 130 30 214

HSL 272.61, 0.75%, 0.48%

LAB 38.78, 69.99, -73.53

 

CMYK 16 / 86 / 0 / 16

HEX #B41ED6

RGB 180 30 214

HSL 288.91, 0.75%, 0.48%

LAB 46.29, 77.23, -60.96

 

CMYK 0 / 86 / 7 / 16

HEX #D61EC6

RGB 214 30 198

HSL 305.22, 0.75%, 0.48%

LAB 51.04, 80.64, -43.82

 

CMYK 0 / 86 / 31 / 16

HEX #D61E94

RGB 214 30 148

HSL 321.52, 0.75%, 0.48%

LAB 48.71, 74.39, -17.99

 

CMYK 62 / 86 / 0 / 16

HEX #511ED6

RGB 81 30 214

HSL 256.63, 0.75%, 0.48%

LAB 32.99, 64.88, -83.27

 

CMYK 86 / 86 / 0 / 16

HEX #1F1ED6

RGB 31 30 214

HSL 240.33, 0.75%, 0.48%

LAB 29.6, 62.16, -89

 

CMYK 86 / 86 / 0 / 16

HEX #1E1ED6

RGB 30 30 214

HSL 240, 0.75%, 0.48%

LAB 29.56, 62.13, -89.06

 

CMYK 62 / 86 / 0 / 16

HEX #511ED6

RGB 81 30 214

HSL 256.63, 0.75%, 0.48%

LAB 32.99, 64.88, -83.27

 

CMYK 69 / 96 / 0 / 8

HEX #480AEA

RGB 72 10 234

HSL 256.61, 0.92%, 0.48%

LAB 33, 73.97, -94.76

 

CMYK 62 / 86 / 0 / 16

HEX #511ED6

RGB 81 30 214

HSL 256.63, 0.75%, 0.48%

LAB 32.99, 64.88, -83.27

 

CMYK 54 / 74 / 0 / 24

HEX #5A32C2

RGB 90 50 194

HSL 256.67, 0.59%, 0.48%

LAB 34.7, 52.23, -68.77

 

CMYK 43 / 60 / 0 / 32

HEX #6346AE

RGB 99 70 174

HSL 256.73, 0.43%, 0.48%

LAB 38, 37.29, -51.55

 

CMYK 31 / 42 / 0 / 40

HEX #6B5A9A

RGB 107 90 154

HSL 255.94, 0.26%, 0.48%

LAB 42.42, 21.68, -32.55

 

CMYK 13 / 19 / 0 / 47

HEX #746D86

RGB 116 109 134

HSL 256.8, 0.1%, 0.48%

LAB 47.46, 8.04, -12.76

 

CMYK 86 / 63 / 0 / 16

HEX #1E4FD6

RGB 30 79 214

HSL 224.02, 0.75%, 0.48%

LAB 39.11, 35.45, -73.28

 

CMYK 86 / 86 / 0 / 16

HEX #1E1ED6

RGB 30 30 214

HSL 240, 0.75%, 0.48%

LAB 29.56, 62.13, -89.06

 

CMYK 63 / 86 / 0 / 16

HEX #4F1ED6

RGB 79 30 214

HSL 255.98, 0.75%, 0.48%

LAB 32.8, 64.73, -83.59

 

CMYK 40 / 86 / 0 / 16

HEX #801ED6

RGB 128 30 214

HSL 271.96, 0.75%, 0.48%

LAB 38.5, 69.74, -73.99

 

CMYK 17 / 86 / 0 / 16

HEX #B11ED6

RGB 177 30 214

HSL 287.93, 0.75%, 0.48%

LAB 45.81, 76.75, -61.76

 

CMYK 62 / 86 / 0 / 45

HEX #36148D

RGB 54 20 141

HSL 256.86, 0.75%, 0.32%

LAB 20.86, 46.43, -59.69

 

CMYK 62 / 86 / 0 / 30

HEX #4319B2

RGB 67 25 178

HSL 256.47, 0.75%, 0.4%

LAB 27.03, 55.96, -72.03

 

CMYK 62 / 86 / 0 / 16

HEX #511ED6

RGB 81 30 214

HSL 256.63, 0.75%, 0.48%

LAB 32.99, 64.88, -83.27

 

CMYK 54 / 74 / 0 / 11

HEX #693BE3

RGB 105 59 227

HSL 256.43, 0.75%, 0.56%

LAB 40.7, 59.1, -77.93

 

CMYK 43 / 59 / 0 / 9

HEX #855FE8

RGB 133 95 232

HSL 256.64, 0.75%, 0.64%

LAB 50.68, 46.57, -64.38

 

CMYK 62 / 86 / 0 / 16

HEX #511ED6

RGB 81 30 214

HSL 256.63, 0.75%, 0.48%

LAB 32.99, 64.88, -83.27

 

CMYK 0 / 86 / 40 / 16

HEX #D61E80

RGB 214 30 128

HSL 328.04, 0.75%, 0.48%

LAB 47.99, 72.37, -6.99

 

CMYK 74 / 0 / 86 / 16

HEX #37D61E

RGB 55 214 30

HSL 111.85, 0.75%, 0.48%

LAB 75.45, -70.21, 69.52

 

CMYK 62 / 86 / 0 / 16

HEX #511ED6

RGB 81 30 214

HSL 256.63, 0.75%, 0.48%

LAB 32.99, 64.88, -83.27

 

CMYK 0 / 63 / 86 / 16

HEX #D64F1E

RGB 214 79 30

HSL 15.98, 0.75%, 0.48%

LAB 51.82, 50.98, 53.55

 

CMYK 86 / 0 / 63 / 16

HEX #1ED64F

RGB 30 214 79

HSL 135.98, 0.75%, 0.48%

LAB 75.41, -69.46, 53.24

 

CMYK 62 / 86 / 0 / 16

HEX #511ED6

RGB 81 30 214

HSL 256.63, 0.75%, 0.48%

LAB 32.99, 64.88, -83.27

 

CMYK 0 / 86 / 40 / 16

HEX #D61E80

RGB 214 30 128

HSL 328.04, 0.75%, 0.48%

LAB 47.99, 72.37, -6.99

 

CMYK 23 / 0 / 86 / 16

HEX #A5D61E

RGB 165 214 30

HSL 75.98, 0.75%, 0.48%

LAB 79.72, -38.52, 74.87

 

CMYK 86 / 0 / 46 / 16

HEX #1ED674

RGB 30 214 116

HSL 148.04, 0.75%, 0.48%

LAB 75.84, -64.23, 36.47

 

CMYK 62 / 86 / 0 / 16

HEX #511ED6

RGB 81 30 214

HSL 256.63, 0.75%, 0.48%

LAB 32.99, 64.88, -83.27

 

CMYK 0 / 86 / 66 / 16

HEX #D61E49

RGB 214 30 73

HSL 345.98, 0.75%, 0.48%

LAB 46.59, 68.37, 24.9

 

CMYK 23 / 0 / 86 / 16

HEX #A5D61E

RGB 165 214 30

HSL 75.98, 0.75%, 0.48%

LAB 79.72, -38.52, 74.87

 

CMYK 86 / 0 / 20 / 16

HEX #1ED6AB

RGB 30 214 171

HSL 165.98, 0.75%, 0.48%

LAB 76.87, -52.69, 9.23

 

Description

Color code: RGB 81 30 214 | qconv.com Color code: RGB 81 30 214 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 30 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 30 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 86 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 86% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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