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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 29 21 it is the complementary color RGB 174 226 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 29 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 29 21 shade: RGB 86 29 16, RGB 103 47 35, RGB 120 65 54, RGB 137 83 73 and RGB 154 101 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 29 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 29 21 shade: RGB 81 29 21, RGB 64 11 2, RGB 47 0 0, RGB 30 0 0 and RGB 13 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 29 21 shade: RGB 81 28 20 and RGB 81 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 29 21 shade: RGB 81 28 20, RGB 81 45 20, RGB 81 61 20, RGB 81 77 20 and RGB 68 81 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 29 21 shade matches the following richer shades: RGB 81 28 20, RGB 89 22 12 and RGB 97 16 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 29 21 shade: RGB 81 28 20, RGB 72 34 29, RGB 64 41 37, RGB 56 47 45 and RGB 48 53 53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 29 21 shade: RGB 81 20 44, RGB 81 20 28, RGB 81 28 20, RGB 81 44 20 and RGB 81 61 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 29 21 shade: RGB 15 5 3, RGB 48 17 12, RGB 81 28 20, RGB 113 40 29 and RGB 146 52 37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 29 21 shade: RGB 81 29 21, RGB 61 81 20 and RGB 20 36 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 29 21 shade: RGB 81 29 21, RGB 20 81 28 and RGB 28 20 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 29 21 shade: RGB 81 29 21, RGB 61 81 20, RGB 20 73 81 and RGB 40 20 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 29 21 shade: RGB 81 29 21, RGB 42 81 20, RGB 20 73 81 and RGB 59 20 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 74 / 68

HEX #511D15

RGB 81 29 21

HSL 8, 0.59%, 0.2%

LAB 18.72, 23.78, 17.73

 

Complementary color

CMYK 26 / 3 / 0 / 8

HEX #AEE2EA

RGB 174 226 234

HSL 188, 0.59%, 0.8%

LAB 86.67, -14.8, -9.34

 

CMYK 0 / 66 / 81 / 66

HEX #561D10

RGB 86 29 16

HSL 11.14, 0.69%, 0.2%

LAB 19.62, 25.61, 22.11

 

CMYK 0 / 54 / 66 / 60

HEX #672F23

RGB 103 47 35

HSL 10.59, 0.49%, 0.27%

LAB 26.84, 24.05, 19.41

 

CMYK 0 / 46 / 55 / 53

HEX #784136

RGB 120 65 54

HSL 10, 0.38%, 0.34%

LAB 34.07, 22.59, 17.18

 

CMYK 0 / 39 / 47 / 46

HEX #895349

RGB 137 83 73

HSL 9.38, 0.3%, 0.41%

LAB 41.19, 21.33, 15.38

 

CMYK 0 / 34 / 40 / 40

HEX #9A655C

RGB 154 101 92

HSL 8.71, 0.25%, 0.48%

LAB 48.2, 20.25, 13.88

 

CMYK 0 / 64 / 74 / 68

HEX #511D15

RGB 81 29 21

HSL 8, 0.59%, 0.2%

LAB 18.72, 23.78, 17.73

 

CMYK 0 / 83 / 97 / 75

HEX #400B02

RGB 64 11 2

HSL 8.71, 0.94%, 0.13%

LAB 11.51, 24.88, 17.03

 

CMYK 0 / 100 / 100 / 82

HEX #2F0000

RGB 47 0 0

HSL 0, 1%, 0.09%

LAB 5.46, 23.03, 8.63

 

CMYK 0 / 100 / 100 / 88

HEX #1E0000

RGB 30 0 0

HSL 0, 1%, 0.06%

LAB 2.49, 11.19, 3.94

 

CMYK 0 / 100 / 100 / 95

HEX #0D0000

RGB 13 0 0

HSL 0, 1%, 0.03%

LAB 0.77, 3.47, 1.22

 

CMYK 0 / 65 / 75 / 68

HEX #511C14

RGB 81 28 20

HSL 7.87, 0.6%, 0.2%

LAB 18.5, 24.27, 18.13

 

CMYK 0 / 75 / 75 / 68

HEX #511414

RGB 81 20 20

HSL 0, 0.6%, 0.2%

LAB 16.99, 28.32, 16.32

 

CMYK 0 / 65 / 75 / 68

HEX #511C14

RGB 81 28 20

HSL 7.87, 0.6%, 0.2%

LAB 18.5, 24.27, 18.13

 

CMYK 0 / 44 / 75 / 68

HEX #512D14

RGB 81 45 20

HSL 24.59, 0.6%, 0.2%

LAB 22.57, 14.06, 22.79

 

CMYK 0 / 25 / 75 / 68

HEX #513D14

RGB 81 61 20

HSL 40.33, 0.6%, 0.2%

LAB 27.12, 3.8, 27.72

 

CMYK 0 / 5 / 75 / 68

HEX #514D14

RGB 81 77 20

HSL 56.07, 0.6%, 0.2%

LAB 32.05, -6.13, 32.78

 

CMYK 16 / 0 / 75 / 68

HEX #445114

RGB 68 81 20

HSL 72.79, 0.6%, 0.2%

LAB 32.18, -14.83, 32.52

 

CMYK 0 / 65 / 75 / 68

HEX #511C14

RGB 81 28 20

HSL 7.87, 0.6%, 0.2%

LAB 18.5, 24.27, 18.13

 

CMYK 0 / 75 / 87 / 65

HEX #59160C

RGB 89 22 12

HSL 7.79, 0.76%, 0.2%

LAB 18.9, 30.07, 23.47

 

CMYK 0 / 84 / 96 / 62

HEX #611004

RGB 97 16 4

HSL 7.74, 0.92%, 0.2%

LAB 19.72, 35.06, 28.17

 

CMYK 0 / 65 / 75 / 68

HEX #511C14

RGB 81 28 20

HSL 7.87, 0.6%, 0.2%

LAB 18.5, 24.27, 18.13

 

CMYK 0 / 53 / 60 / 72

HEX #48221D

RGB 72 34 29

HSL 6.98, 0.43%, 0.2%

LAB 18.41, 17.49, 11.56

 

CMYK 0 / 36 / 42 / 75

HEX #402925

RGB 64 41 37

HSL 8.89, 0.27%, 0.2%

LAB 19.26, 10.14, 6.98

 

CMYK 0 / 16 / 20 / 78

HEX #382F2D

RGB 56 47 45

HSL 10.91, 0.11%, 0.2%

LAB 20.3, 3.67, 2.79

RGB 56 47 45

CMYK 9 / 0 / 0 / 79

HEX #303535

RGB 48 53 53

HSL 180, 0.05%, 0.2%

LAB 21.7, -2.14, -0.74

RGB 48 53 53

CMYK 0 / 75 / 46 / 68

HEX #51142C

RGB 81 20 44

HSL 336.39, 0.6%, 0.2%

LAB 17.61, 30.48, 0.08

 

CMYK 0 / 75 / 65 / 68

HEX #51141C

RGB 81 20 28

HSL 352.13, 0.6%, 0.2%

LAB 17.15, 28.88, 10.91

 

CMYK 0 / 65 / 75 / 68

HEX #511C14

RGB 81 28 20

HSL 7.87, 0.6%, 0.2%

LAB 18.5, 24.27, 18.13

 

CMYK 0 / 46 / 75 / 68

HEX #512C14

RGB 81 44 20

HSL 23.61, 0.6%, 0.2%

LAB 22.31, 14.69, 22.5

 

CMYK 0 / 25 / 75 / 68

HEX #513D14

RGB 81 61 20

HSL 40.33, 0.6%, 0.2%

LAB 27.12, 3.8, 27.72

 

CMYK 0 / 67 / 80 / 94

HEX #0F0503

RGB 15 5 3

HSL 10, 0.67%, 0.04%

LAB 1.96, 2.53, 1.75

 

CMYK 0 / 65 / 75 / 81

HEX #30110C

RGB 48 17 12

HSL 8.33, 0.6%, 0.12%

LAB 9.45, 15.33, 9.52

 

CMYK 0 / 65 / 75 / 68

HEX #511C14

RGB 81 28 20

HSL 7.87, 0.6%, 0.2%

LAB 18.5, 24.27, 18.13

 

CMYK 0 / 65 / 74 / 56

HEX #71281D

RGB 113 40 29

HSL 7.86, 0.59%, 0.28%

LAB 27.07, 31.57, 23.88

 

CMYK 0 / 64 / 75 / 43

HEX #923425

RGB 146 52 37

HSL 8.26, 0.6%, 0.36%

LAB 35.4, 38.78, 30.14

 

CMYK 0 / 64 / 74 / 68

HEX #511D15

RGB 81 29 21

HSL 8, 0.59%, 0.2%

LAB 18.72, 23.78, 17.73

 

CMYK 25 / 0 / 75 / 68

HEX #3D5114

RGB 61 81 20

HSL 79.67, 0.6%, 0.2%

LAB 31.64, -18.09, 31.8

 

CMYK 75 / 56 / 0 / 68

HEX #142451

RGB 20 36 81

HSL 224.26, 0.6%, 0.2%

LAB 15.51, 10.96, -29.59

 

CMYK 0 / 64 / 74 / 68

HEX #511D15

RGB 81 29 21

HSL 8, 0.59%, 0.2%

LAB 18.72, 23.78, 17.73

 

CMYK 75 / 0 / 65 / 68

HEX #14511C

RGB 20 81 28

HSL 127.87, 0.6%, 0.2%

LAB 29.71, -31.61, 25.19

 

CMYK 65 / 75 / 0 / 68

HEX #1C1451

RGB 28 20 81

HSL 247.87, 0.6%, 0.2%

LAB 11.56, 24, -35.99

 

CMYK 0 / 64 / 74 / 68

HEX #511D15

RGB 81 29 21

HSL 8, 0.59%, 0.2%

LAB 18.72, 23.78, 17.73

 

CMYK 25 / 0 / 75 / 68

HEX #3D5114

RGB 61 81 20

HSL 79.67, 0.6%, 0.2%

LAB 31.64, -18.09, 31.8

 

CMYK 75 / 10 / 0 / 68

HEX #144951

RGB 20 73 81

HSL 187.87, 0.6%, 0.2%

LAB 28.14, -14.09, -9.81

 

CMYK 51 / 75 / 0 / 68

HEX #281451

RGB 40 20 81

HSL 259.67, 0.6%, 0.2%

LAB 12.89, 26.31, -33.76

 

CMYK 0 / 64 / 74 / 68

HEX #511D15

RGB 81 29 21

HSL 8, 0.59%, 0.2%

LAB 18.72, 23.78, 17.73

 

CMYK 48 / 0 / 75 / 68

HEX #2A5114

RGB 42 81 20

HSL 98.36, 0.6%, 0.2%

LAB 30.47, -26.03, 30.22

 

CMYK 75 / 10 / 0 / 68

HEX #144951

RGB 20 73 81

HSL 187.87, 0.6%, 0.2%

LAB 28.14, -14.09, -9.81

 

CMYK 27 / 75 / 0 / 68

HEX #3B1451

RGB 59 20 81

HSL 278.36, 0.6%, 0.2%

LAB 15.61, 30.7, -29.22

 

Description

Color code: RGB 81 29 21 | qconv.com Color code: RGB 81 29 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 29 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 29 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 74 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 74% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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