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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 215 246 it is the complementary color RGB 174 40 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 215 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 215 246 shade: RGB 86 215 241, RGB 103 233 255, RGB 120 251 255, RGB 137 255 255 and RGB 154 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 215 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 215 246 shade: RGB 81 215 246, RGB 64 197 227, RGB 47 179 208, RGB 30 161 189 and RGB 13 143 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 215 246 shade: RGB 80 214 245, RGB 80 170 245, RGB 80 125 245, RGB 80 81 245 and RGB 124 80 245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 215 246 shade: RGB 80 214 245, RGB 80 170 245, RGB 80 125 245, RGB 80 81 245 and RGB 80 80 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 215 246 shade matches the following richer shades: RGB 80 214 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 215 246 shade: RGB 80 214 245, RGB 95 205 230, RGB 110 196 216, RGB 125 186 201 and RGB 139 177 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 215 246 shade: RGB 80 245 187, RGB 80 245 232, RGB 80 215 245, RGB 80 171 245 and RGB 80 127 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 215 246 shade: RGB 12 190 231, RGB 41 205 243, RGB 80 214 245, RGB 119 223 247 and RGB 158 232 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 215 246 shade: RGB 81 215 246, RGB 143 80 245 and RGB 245 210 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 215 246 shade: RGB 81 215 246, RGB 245 80 215 and RGB 215 245 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 215 246 shade: RGB 81 215 246, RGB 143 80 245, RGB 245 110 80 and RGB 182 245 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 215 246 shade: RGB 81 215 246, RGB 193 80 245, RGB 245 110 80 and RGB 132 245 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 13 / 0 / 4

HEX #51D7F6

RGB 81 215 246

HSL 191.27, 0.9%, 0.64%

LAB 80.18, -26.83, -25.85

 

Complementary color

CMYK 0 / 77 / 95 / 32

HEX #AE2809

RGB 174 40 9

HSL 11.27, 0.9%, 0.36%

LAB 38.79, 52.37, 48.41

 

CMYK 64 / 11 / 0 / 5

HEX #56D7F1

RGB 86 215 241

HSL 190.06, 0.85%, 0.64%

LAB 80.14, -27.56, -23.24

 

CMYK 60 / 9 / 0 / 0

HEX #67E9FF

RGB 103 233 255

HSL 188.68, 1%, 0.7%

LAB 86.2, -29.52, -21.41

 

CMYK 53 / 2 / 0 / 0

HEX #78FBFF

RGB 120 251 255

HSL 181.78, 1%, 0.74%

LAB 91.78, -34.94, -12.96

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 67 / 13 / 0 / 4

HEX #51D7F6

RGB 81 215 246

HSL 191.27, 0.9%, 0.64%

LAB 80.18, -26.83, -25.85

 

CMYK 72 / 13 / 0 / 11

HEX #40C5E3

RGB 64 197 227

HSL 191.04, 0.74%, 0.57%

LAB 73.91, -25.97, -25.27

 

CMYK 77 / 14 / 0 / 18

HEX #2FB3D0

RGB 47 179 208

HSL 190.81, 0.63%, 0.5%

LAB 67.58, -24.88, -24.64

 

CMYK 84 / 15 / 0 / 26

HEX #1EA1BD

RGB 30 161 189

HSL 190.57, 0.73%, 0.43%

LAB 61.17, -23.47, -23.92

 

CMYK 92 / 16 / 0 / 33

HEX #0D8FAA

RGB 13 143 170

HSL 190.32, 0.86%, 0.36%

LAB 54.69, -21.65, -23.11

 

CMYK 67 / 13 / 0 / 4

HEX #50D6F5

RGB 80 214 245

HSL 191.27, 0.89%, 0.64%

LAB 79.84, -26.78, -25.85

 

CMYK 67 / 31 / 0 / 4

HEX #50AAF5

RGB 80 170 245

HSL 207.27, 0.89%, 0.64%

LAB 67.31, -3.6, -45.25

 

CMYK 67 / 49 / 0 / 4

HEX #507DF5

RGB 80 125 245

HSL 223.64, 0.89%, 0.64%

LAB 55.04, 22.99, -64.79

 

CMYK 67 / 67 / 0 / 4

HEX #5051F5

RGB 80 81 245

HSL 239.64, 0.89%, 0.64%

LAB 44.49, 49.61, -81.94

 

CMYK 49 / 67 / 0 / 4

HEX #7C50F5

RGB 124 80 245

HSL 256, 0.89%, 0.64%

LAB 47.77, 56.47, -76.44

 

CMYK 67 / 13 / 0 / 4

HEX #50D6F5

RGB 80 214 245

HSL 191.27, 0.89%, 0.64%

LAB 79.84, -26.78, -25.85

 

CMYK 67 / 31 / 0 / 4

HEX #50AAF5

RGB 80 170 245

HSL 207.27, 0.89%, 0.64%

LAB 67.31, -3.6, -45.25

 

CMYK 67 / 49 / 0 / 4

HEX #507DF5

RGB 80 125 245

HSL 223.64, 0.89%, 0.64%

LAB 55.04, 22.99, -64.79

 

CMYK 67 / 67 / 0 / 4

HEX #5051F5

RGB 80 81 245

HSL 239.64, 0.89%, 0.64%

LAB 44.49, 49.61, -81.94

 

CMYK 67 / 67 / 0 / 4

HEX #5050F5

RGB 80 80 245

HSL 240, 0.89%, 0.64%

LAB 44.28, 50.18, -82.29

 

CMYK 67 / 13 / 0 / 4

HEX #50D6F5

RGB 80 214 245

HSL 191.27, 0.89%, 0.64%

LAB 79.84, -26.78, -25.85

 

CMYK 67 / 13 / 0 / 4

HEX #50D6F5

RGB 80 214 245

HSL 191.27, 0.89%, 0.64%

LAB 79.84, -26.78, -25.85

 

CMYK 59 / 11 / 0 / 10

HEX #5FCDE6

RGB 95 205 230

HSL 191.11, 0.73%, 0.64%

LAB 77.17, -24.3, -21.85

 

CMYK 49 / 9 / 0 / 15

HEX #6EC4D8

RGB 110 196 216

HSL 191.32, 0.58%, 0.64%

LAB 74.67, -20.65, -18.04

 

CMYK 38 / 7 / 0 / 21

HEX #7DBAC9

RGB 125 186 201

HSL 191.84, 0.41%, 0.64%

LAB 72.02, -15.79, -13.8

 

CMYK 25 / 5 / 0 / 27

HEX #8BB1BA

RGB 139 177 186

HSL 191.49, 0.25%, 0.64%

LAB 69.81, -10.69, -8.79

 

CMYK 67 / 0 / 24 / 4

HEX #50F5BB

RGB 80 245 187

HSL 158.91, 0.89%, 0.64%

LAB 87.29, -55.72, 15.71

 

CMYK 67 / 0 / 5 / 4

HEX #50F5E8

RGB 80 245 232

HSL 175.27, 0.89%, 0.64%

LAB 88.37, -44.83, -6.16

 

CMYK 67 / 12 / 0 / 4

HEX #50D7F5

RGB 80 215 245

HSL 190.91, 0.89%, 0.64%

LAB 80.12, -27.27, -25.41

 

CMYK 67 / 30 / 0 / 4

HEX #50ABF5

RGB 80 171 245

HSL 206.91, 0.89%, 0.64%

LAB 67.59, -4.16, -44.81

 

CMYK 67 / 48 / 0 / 4

HEX #507FF5

RGB 80 127 245

HSL 222.91, 0.89%, 0.64%

LAB 55.56, 21.77, -63.95

 

CMYK 95 / 18 / 0 / 9

HEX #0CBEE7

RGB 12 190 231

HSL 191.23, 0.9%, 0.48%

LAB 71.33, -25.06, -31.46

 

CMYK 83 / 16 / 0 / 5

HEX #29CDF3

RGB 41 205 243

HSL 191.29, 0.89%, 0.56%

LAB 76.44, -27.14, -30.05

 

CMYK 67 / 13 / 0 / 4

HEX #50D6F5

RGB 80 214 245

HSL 191.27, 0.89%, 0.64%

LAB 79.84, -26.78, -25.85

 

CMYK 52 / 10 / 0 / 3

HEX #77DFF7

RGB 119 223 247

HSL 191.25, 0.89%, 0.72%

LAB 83.66, -23.84, -20.99

 

CMYK 37 / 7 / 0 / 2

HEX #9EE8F9

RGB 158 232 249

HSL 191.21, 0.88%, 0.8%

LAB 87.88, -18.72, -15.51

 

CMYK 67 / 13 / 0 / 4

HEX #51D7F6

RGB 81 215 246

HSL 191.27, 0.9%, 0.64%

LAB 80.18, -26.83, -25.85

 

CMYK 42 / 67 / 0 / 4

HEX #8F50F5

RGB 143 80 245

HSL 262.91, 0.89%, 0.64%

LAB 49.7, 59.78, -73.21

 

CMYK 0 / 14 / 67 / 4

HEX #F5D250

RGB 245 210 80

HSL 47.27, 0.89%, 0.64%

LAB 85.04, -1.53, 66.37

 

CMYK 67 / 13 / 0 / 4

HEX #51D7F6

RGB 81 215 246

HSL 191.27, 0.9%, 0.64%

LAB 80.18, -26.83, -25.85

 

CMYK 0 / 67 / 12 / 4

HEX #F550D7

RGB 245 80 215

HSL 310.91, 0.89%, 0.64%

LAB 61.7, 76.08, -36.4

 

CMYK 12 / 0 / 67 / 4

HEX #D7F550

RGB 215 245 80

HSL 70.91, 0.89%, 0.64%

LAB 91.83, -30.88, 72.57

 

CMYK 67 / 13 / 0 / 4

HEX #51D7F6

RGB 81 215 246

HSL 191.27, 0.9%, 0.64%

LAB 80.18, -26.83, -25.85

 

CMYK 42 / 67 / 0 / 4

HEX #8F50F5

RGB 143 80 245

HSL 262.91, 0.89%, 0.64%

LAB 49.7, 59.78, -73.21

 

CMYK 0 / 55 / 67 / 4

HEX #F56E50

RGB 245 110 80

HSL 10.91, 0.89%, 0.64%

LAB 62.63, 49.86, 41.73

 

CMYK 26 / 0 / 67 / 4

HEX #B6F550

RGB 182 245 80

HSL 82.91, 0.89%, 0.64%

LAB 89.78, -43.39, 69.82

 

CMYK 67 / 13 / 0 / 4

HEX #51D7F6

RGB 81 215 246

HSL 191.27, 0.9%, 0.64%

LAB 80.18, -26.83, -25.85

 

CMYK 21 / 67 / 0 / 4

HEX #C150F5

RGB 193 80 245

HSL 281.09, 0.89%, 0.64%

LAB 55.75, 69.56, -63.13

 

CMYK 0 / 55 / 67 / 4

HEX #F56E50

RGB 245 110 80

HSL 10.91, 0.89%, 0.64%

LAB 62.63, 49.86, 41.73

 

CMYK 46 / 0 / 67 / 4

HEX #84F550

RGB 132 245 80

HSL 101.09, 0.89%, 0.64%

LAB 87.38, -59.95, 66.57

 

Description

Color code: RGB 81 215 246 | qconv.com Color code: RGB 81 215 246 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 215 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 215 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 13 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 13% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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