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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 214 88 it is the complementary color RGB 174 41 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 214 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 214 88 shade: RGB 86 214 83, RGB 103 232 102, RGB 120 250 121, RGB 137 255 140 and RGB 154 255 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 214 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 214 88 shade: RGB 81 214 88, RGB 64 196 69, RGB 47 178 50, RGB 30 160 31 and RGB 13 142 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 214 88 shade: RGB 81 214 88, RGB 110 214 81, RGB 146 214 81, RGB 181 214 81 and RGB 214 210 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 214 88 shade: RGB 81 214 88, RGB 81 214 124, RGB 81 214 160, RGB 81 214 195 and RGB 81 196 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 214 88 shade matches the following richer shades: RGB 81 214 88, RGB 64 231 72 and RGB 46 248 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 214 88 shade: RGB 81 214 88, RGB 98 196 103, RGB 116 179 119, RGB 133 162 135 and RGB 150 144 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 214 88 shade: RGB 145 214 81, RGB 110 214 81, RGB 81 214 88, RGB 81 214 123 and RGB 81 214 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 214 88 shade: RGB 40 172 47, RGB 48 206 56, RGB 81 214 88, RGB 114 222 120 and RGB 148 229 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 214 88 shade: RGB 81 214 88, RGB 81 181 214 and RGB 214 81 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 214 88 shade: RGB 81 214 88, RGB 88 81 214 and RGB 214 88 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 214 88 shade: RGB 81 214 88, RGB 81 181 214, RGB 214 81 207 and RGB 214 114 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 214 88 shade: RGB 81 214 88, RGB 81 141 214, RGB 214 81 207 and RGB 214 154 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 59 / 16

HEX #51D658

RGB 81 214 88

HSL 123.16, 0.62%, 0.58%

LAB 76.4, -60.91, 50.68

 

Complementary color

CMYK 0 / 76 / 4 / 32

HEX #AE29A7

RGB 174 41 167

HSL 303.16, 0.62%, 0.42%

LAB 43.32, 65.61, -38.3

 

CMYK 60 / 0 / 61 / 16

HEX #56D653

RGB 86 214 83

HSL 118.63, 0.62%, 0.58%

LAB 76.49, -60.36, 53.02

 

CMYK 56 / 0 / 56 / 9

HEX #67E866

RGB 103 232 102

HSL 119.54, 0.74%, 0.65%

LAB 82.68, -60.75, 51.87

 

CMYK 52 / 0 / 52 / 2

HEX #78FA79

RGB 120 250 121

HSL 120.46, 0.93%, 0.73%

LAB 88.8, -60.93, 50.65

 

CMYK 46 / 0 / 45 / 0

HEX #89FF8C

RGB 137 255 140

HSL 121.53, 1%, 0.77%

LAB 91.11, -55.9, 44.7

 

CMYK 40 / 0 / 38 / 0

HEX #9AFF9F

RGB 154 255 159

HSL 122.97, 1%, 0.8%

LAB 92.08, -48.36, 36.83

 

CMYK 62 / 0 / 59 / 16

HEX #51D658

RGB 81 214 88

HSL 123.16, 0.62%, 0.58%

LAB 76.4, -60.91, 50.68

 

CMYK 67 / 0 / 65 / 23

HEX #40C445

RGB 64 196 69

HSL 122.27, 0.53%, 0.51%

LAB 70.18, -60.19, 51.8

 

CMYK 74 / 0 / 72 / 30

HEX #2FB232

RGB 47 178 50

HSL 121.37, 0.58%, 0.44%

LAB 63.9, -59.03, 52.64

 

CMYK 81 / 0 / 81 / 37

HEX #1EA01F

RGB 30 160 31

HSL 120.46, 0.68%, 0.37%

LAB 57.58, -57.21, 52.84

 

CMYK 91 / 0 / 92 / 44

HEX #0D8E0C

RGB 13 142 12

HSL 119.54, 0.84%, 0.3%

LAB 51.22, -54.44, 51.81

 

CMYK 62 / 0 / 59 / 16

HEX #51D658

RGB 81 214 88

HSL 123.16, 0.62%, 0.58%

LAB 76.4, -60.91, 50.68

 

CMYK 49 / 0 / 62 / 16

HEX #6ED651

RGB 110 214 81

HSL 106.92, 0.62%, 0.58%

LAB 77.28, -54.38, 54.99

 

CMYK 32 / 0 / 62 / 16

HEX #92D651

RGB 146 214 81

HSL 90.68, 0.62%, 0.58%

LAB 78.92, -42.81, 57.27

 

CMYK 15 / 0 / 62 / 16

HEX #B5D651

RGB 181 214 81

HSL 74.89, 0.62%, 0.58%

LAB 81.02, -29.69, 60.16

 

CMYK 0 / 2 / 62 / 16

HEX #D6D251

RGB 214 210 81

HSL 58.2, 0.62%, 0.58%

LAB 82.37, -14.38, 62.33

 

CMYK 62 / 0 / 59 / 16

HEX #51D658

RGB 81 214 88

HSL 123.16, 0.62%, 0.58%

LAB 76.4, -60.91, 50.68

 

CMYK 62 / 0 / 42 / 16

HEX #51D67C

RGB 81 214 124

HSL 139.4, 0.62%, 0.58%

LAB 76.86, -55.79, 33.94

 

CMYK 62 / 0 / 25 / 16

HEX #51D6A0

RGB 81 214 160

HSL 155.64, 0.62%, 0.58%

LAB 77.51, -48.86, 16.11

 

CMYK 62 / 0 / 9 / 16

HEX #51D6C3

RGB 81 214 195

HSL 171.43, 0.62%, 0.58%

LAB 78.33, -40.58, -1.36

 

CMYK 62 / 8 / 0 / 16

HEX #51C4D6

RGB 81 196 214

HSL 188.12, 0.62%, 0.58%

LAB 73.6, -26.9, -18.67

 

CMYK 62 / 0 / 59 / 16

HEX #51D658

RGB 81 214 88

HSL 123.16, 0.62%, 0.58%

LAB 76.4, -60.91, 50.68

 

CMYK 72 / 0 / 69 / 9

HEX #40E748

RGB 64 231 72

HSL 122.87, 0.78%, 0.58%

LAB 81.13, -71.34, 62.41

 

CMYK 81 / 0 / 77 / 3

HEX #2EF839

RGB 46 248 57

HSL 123.27, 0.94%, 0.58%

LAB 86.01, -79.85, 72.29

 

CMYK 62 / 0 / 59 / 16

HEX #51D658

RGB 81 214 88

HSL 123.16, 0.62%, 0.58%

LAB 76.4, -60.91, 50.68

 

CMYK 50 / 0 / 47 / 23

HEX #62C467

RGB 98 196 103

HSL 123.06, 0.45%, 0.58%

LAB 71.59, -47.96, 37.89

 

CMYK 35 / 0 / 34 / 30

HEX #74B377

RGB 116 179 119

HSL 122.86, 0.29%, 0.58%

LAB 67.49, -32.61, 24.42

 

CMYK 18 / 0 / 17 / 36

HEX #85A287

RGB 133 162 135

HSL 124.14, 0.13%, 0.58%

LAB 63.82, -15.49, 10.75

 

CMYK 0 / 4 / 0 / 41

HEX #969096

RGB 150 144 150

HSL 300, 0.03%, 0.58%

LAB 60.46, 3.36, -2.39

 

CMYK 32 / 0 / 62 / 16

HEX #91D651

RGB 145 214 81

HSL 91.13, 0.62%, 0.58%

LAB 78.87, -43.16, 57.2

 

CMYK 49 / 0 / 62 / 16

HEX #6ED651

RGB 110 214 81

HSL 106.92, 0.62%, 0.58%

LAB 77.28, -54.38, 54.99

 

CMYK 62 / 0 / 59 / 16

HEX #51D658

RGB 81 214 88

HSL 123.16, 0.62%, 0.58%

LAB 76.4, -60.91, 50.68

 

CMYK 62 / 0 / 43 / 16

HEX #51D67B

RGB 81 214 123

HSL 138.95, 0.62%, 0.58%

LAB 76.84, -55.96, 34.42

 

CMYK 62 / 0 / 26 / 16

HEX #51D69E

RGB 81 214 158

HSL 154.74, 0.62%, 0.58%

LAB 77.47, -49.29, 17.11

 

CMYK 77 / 0 / 73 / 33

HEX #28AC2F

RGB 40 172 47

HSL 123.18, 0.62%, 0.42%

LAB 61.79, -58.43, 51.56

 

CMYK 77 / 0 / 73 / 19

HEX #30CE38

RGB 48 206 56

HSL 123.04, 0.62%, 0.5%

LAB 72.93, -67.27, 59.69

 

CMYK 62 / 0 / 59 / 16

HEX #51D658

RGB 81 214 88

HSL 123.16, 0.62%, 0.58%

LAB 76.4, -60.91, 50.68

 

CMYK 49 / 0 / 46 / 13

HEX #72DE78

RGB 114 222 120

HSL 123.33, 0.62%, 0.66%

LAB 80.28, -51.73, 40.53

 

CMYK 35 / 0 / 34 / 10

HEX #94E598

RGB 148 229 152

HSL 122.96, 0.61%, 0.74%

LAB 84.28, -39.96, 29.95

 

CMYK 62 / 0 / 59 / 16

HEX #51D658

RGB 81 214 88

HSL 123.16, 0.62%, 0.58%

LAB 76.4, -60.91, 50.68

 

CMYK 62 / 15 / 0 / 16

HEX #51B5D6

RGB 81 181 214

HSL 194.89, 0.62%, 0.58%

LAB 69.22, -19.3, -25.34

 

CMYK 0 / 62 / 41 / 16

HEX #D6517F

RGB 214 81 127

HSL 339.25, 0.62%, 0.58%

LAB 53.72, 56.16, 2.05

 

CMYK 62 / 0 / 59 / 16

HEX #51D658

RGB 81 214 88

HSL 123.16, 0.62%, 0.58%

LAB 76.4, -60.91, 50.68

 

CMYK 59 / 62 / 0 / 16

HEX #5851D6

RGB 88 81 214

HSL 243.16, 0.62%, 0.58%

LAB 42.48, 40.81, -67.64

 

CMYK 0 / 59 / 62 / 16

HEX #D65851

RGB 214 88 81

HSL 3.16, 0.62%, 0.58%

LAB 53.89, 49.13, 29.42

 

CMYK 62 / 0 / 59 / 16

HEX #51D658

RGB 81 214 88

HSL 123.16, 0.62%, 0.58%

LAB 76.4, -60.91, 50.68

 

CMYK 62 / 15 / 0 / 16

HEX #51B5D6

RGB 81 181 214

HSL 194.89, 0.62%, 0.58%

LAB 69.22, -19.3, -25.34

 

CMYK 0 / 62 / 3 / 16

HEX #D651CF

RGB 214 81 207

HSL 303.16, 0.62%, 0.58%

LAB 56.77, 66.99, -39.94

 

CMYK 0 / 47 / 62 / 16

HEX #D67251

RGB 214 114 81

HSL 14.89, 0.62%, 0.58%

LAB 58.9, 36.31, 35.65

 

CMYK 62 / 0 / 59 / 16

HEX #51D658

RGB 81 214 88

HSL 123.16, 0.62%, 0.58%

LAB 76.4, -60.91, 50.68

 

CMYK 62 / 34 / 0 / 16

HEX #518DD6

RGB 81 141 214

HSL 212.93, 0.62%, 0.58%

LAB 57.71, 2.89, -43.24

 

CMYK 0 / 62 / 3 / 16

HEX #D651CF

RGB 214 81 207

HSL 303.16, 0.62%, 0.58%

LAB 56.77, 66.99, -39.94

 

CMYK 0 / 28 / 62 / 16

HEX #D69A51

RGB 214 154 81

HSL 32.93, 0.62%, 0.58%

LAB 68.02, 14.93, 46.46

 

Description

Color code: RGB 81 214 88 | qconv.com Color code: RGB 81 214 88 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 214 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 214 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 59 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 59% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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