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Color name
RGB 81 20 146

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 20 146 it is the complementary color RGB 174 235 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 20 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 20 146 shade: RGB 86 20 141, RGB 103 38 160, RGB 120 56 179, RGB 137 74 198 and RGB 154 92 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 20 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 20 146 shade: RGB 81 20 146, RGB 64 2 127, RGB 47 0 108, RGB 30 0 89 and RGB 13 0 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 20 146 shade: RGB 82 20 148, RGB 116 20 148, RGB 148 20 145, RGB 148 20 110 and RGB 148 20 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 20 146 shade: RGB 82 20 148, RGB 47 20 148 and RGB 20 20 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 20 146 shade matches the following richer shades: RGB 82 20 148 and RGB 81 6 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 20 146 shade: RGB 82 20 148, RGB 82 33 134, RGB 82 47 120, RGB 83 61 107 and RGB 83 74 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 20 146 shade: RGB 20 26 148, RGB 47 20 148, RGB 82 20 148, RGB 116 20 148 and RGB 148 20 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 20 146 shade: RGB 41 10 75, RGB 61 15 111, RGB 82 20 148, RGB 102 25 184 and RGB 122 30 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 20 146 shade: RGB 81 20 146, RGB 148 20 60 and RGB 20 148 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 20 146 shade: RGB 81 20 146, RGB 148 82 20 and RGB 20 148 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 20 146 shade: RGB 81 20 146, RGB 148 20 60, RGB 86 148 20 and RGB 20 148 107

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 20 146 shade: RGB 81 20 146, RGB 148 20 22, RGB 86 148 20 and RGB 20 148 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 86 / 0 / 43

HEX #511492

RGB 81 20 146

HSL 269.05, 0.76%, 0.33%

LAB 24.72, 50.96, -56.32

 

Complementary color

CMYK 26 / 0 / 54 / 8

HEX #AEEB6D

RGB 174 235 109

HSL 89.05, 0.76%, 0.67%

LAB 86.76, -39.51, 54.29

 

CMYK 39 / 86 / 0 / 45

HEX #56148D

RGB 86 20 141

HSL 272.73, 0.75%, 0.32%

LAB 24.96, 50.47, -52.79

 

CMYK 36 / 76 / 0 / 37

HEX #6726A0

RGB 103 38 160

HSL 271.97, 0.62%, 0.39%

LAB 31.37, 51, -53.9

 

CMYK 33 / 69 / 0 / 30

HEX #7838B3

RGB 120 56 179

HSL 271.22, 0.52%, 0.46%

LAB 37.98, 50.68, -54.44

 

CMYK 31 / 63 / 0 / 22

HEX #894AC6

RGB 137 74 198

HSL 270.48, 0.52%, 0.53%

LAB 44.65, 49.97, -54.69

 

CMYK 29 / 58 / 0 / 15

HEX #9A5CD9

RGB 154 92 217

HSL 269.76, 0.62%, 0.61%

LAB 51.31, 49.1, -54.78

 

CMYK 45 / 86 / 0 / 43

HEX #511492

RGB 81 20 146

HSL 269.05, 0.76%, 0.33%

LAB 24.72, 50.96, -56.32

 

CMYK 50 / 98 / 0 / 50

HEX #40027F

RGB 64 2 127

HSL 269.76, 0.97%, 0.25%

LAB 18.65, 49.36, -54.47

 

CMYK 56 / 100 / 0 / 58

HEX #2F006C

RGB 47 0 108

HSL 266.11, 1%, 0.21%

LAB 13.75, 43.91, -50.39

 

CMYK 66 / 100 / 0 / 65

HEX #1E0059

RGB 30 0 89

HSL 260.22, 1%, 0.17%

LAB 8.97, 37.8, -45.72

 

CMYK 81 / 100 / 0 / 73

HEX #0D0046

RGB 13 0 70

HSL 251.14, 1%, 0.14%

LAB 4.77, 29.18, -39.57

 

CMYK 45 / 86 / 0 / 42

HEX #521494

RGB 82 20 148

HSL 269.06, 0.76%, 0.33%

LAB 25.05, 51.58, -57

 

CMYK 22 / 86 / 0 / 42

HEX #741494

RGB 116 20 148

HSL 285, 0.76%, 0.33%

LAB 30.28, 56.78, -48.24

 

CMYK 0 / 86 / 2 / 42

HEX #941491

RGB 148 20 145

HSL 301.41, 0.76%, 0.33%

LAB 35.68, 62.11, -37.43

 

CMYK 0 / 86 / 26 / 42

HEX #94146E

RGB 148 20 110

HSL 317.81, 0.76%, 0.33%

LAB 33.82, 57.12, -18.48

 

CMYK 0 / 86 / 49 / 42

HEX #94144C

RGB 148 20 76

HSL 333.75, 0.76%, 0.33%

LAB 32.52, 53.45, 1.58

 

CMYK 45 / 86 / 0 / 42

HEX #521494

RGB 82 20 148

HSL 269.06, 0.76%, 0.33%

LAB 25.05, 51.58, -57

 

CMYK 68 / 86 / 0 / 42

HEX #2F1494

RGB 47 20 148

HSL 252.66, 0.76%, 0.33%

LAB 20.99, 47.79, -63.84

 

CMYK 86 / 86 / 0 / 42

HEX #141494

RGB 20 20 148

HSL 240, 0.76%, 0.33%

LAB 19.17, 46.2, -66.91

 

CMYK 45 / 86 / 0 / 42

HEX #521494

RGB 82 20 148

HSL 269.06, 0.76%, 0.33%

LAB 25.05, 51.58, -57

 

CMYK 50 / 96 / 0 / 37

HEX #5106A1

RGB 81 6 161

HSL 269.03, 0.93%, 0.33%

LAB 25.12, 57.97, -64.87

 

CMYK 45 / 86 / 0 / 42

HEX #521494

RGB 82 20 148

HSL 269.06, 0.76%, 0.33%

LAB 25.05, 51.58, -57

 

CMYK 39 / 75 / 0 / 47

HEX #522186

RGB 82 33 134

HSL 269.11, 0.6%, 0.33%

LAB 25.57, 42.88, -47.44

 

CMYK 32 / 61 / 0 / 53

HEX #522F78

RGB 82 47 120

HSL 268.77, 0.44%, 0.33%

LAB 27.25, 31.66, -35.91

 

CMYK 22 / 43 / 0 / 58

HEX #533D6B

RGB 83 61 107

HSL 268.7, 0.27%, 0.33%

LAB 30.01, 19.81, -23.28

 

CMYK 11 / 20 / 0 / 64

HEX #534A5D

RGB 83 74 93

HSL 268.42, 0.11%, 0.33%

LAB 32.98, 7.94, -9.79

 

CMYK 86 / 82 / 0 / 42

HEX #141A94

RGB 20 26 148

HSL 237.19, 0.76%, 0.33%

LAB 20.15, 43.32, -65.29

 

CMYK 68 / 86 / 0 / 42

HEX #2F1494

RGB 47 20 148

HSL 252.66, 0.76%, 0.33%

LAB 20.99, 47.79, -63.84

 

CMYK 45 / 86 / 0 / 42

HEX #521494

RGB 82 20 148

HSL 269.06, 0.76%, 0.33%

LAB 25.05, 51.58, -57

 

CMYK 22 / 86 / 0 / 42

HEX #741494

RGB 116 20 148

HSL 285, 0.76%, 0.33%

LAB 30.28, 56.78, -48.24

 

CMYK 0 / 86 / 2 / 42

HEX #941491

RGB 148 20 145

HSL 301.41, 0.76%, 0.33%

LAB 35.68, 62.11, -37.43

 

CMYK 45 / 87 / 0 / 71

HEX #290A4B

RGB 41 10 75

HSL 268.62, 0.76%, 0.17%

LAB 10.53, 30.11, -33.48

 

CMYK 45 / 86 / 0 / 56

HEX #3D0F6F

RGB 61 15 111

HSL 268.75, 0.76%, 0.25%

LAB 17.83, 41.06, -45.54

 

CMYK 45 / 86 / 0 / 42

HEX #521494

RGB 82 20 148

HSL 269.06, 0.76%, 0.33%

LAB 25.05, 51.58, -57

 

CMYK 45 / 86 / 0 / 28

HEX #6619B8

RGB 102 25 184

HSL 269.06, 0.76%, 0.41%

LAB 31.76, 61.16, -67.65

 

CMYK 45 / 86 / 0 / 14

HEX #7A1EDC

RGB 122 30 220

HSL 269.05, 0.76%, 0.49%

LAB 38.26, 70.35, -77.87

 

CMYK 45 / 86 / 0 / 43

HEX #511492

RGB 81 20 146

HSL 269.05, 0.76%, 0.33%

LAB 24.72, 50.96, -56.32

 

CMYK 0 / 86 / 59 / 42

HEX #94143C

RGB 148 20 60

HSL 341.25, 0.76%, 0.33%

LAB 32.08, 52.18, 11.52

 

CMYK 86 / 0 / 80 / 42

HEX #14941E

RGB 20 148 30

HSL 124.69, 0.76%, 0.33%

LAB 53.41, -54.68, 49.13

 

CMYK 45 / 86 / 0 / 43

HEX #511492

RGB 81 20 146

HSL 269.05, 0.76%, 0.33%

LAB 24.72, 50.96, -56.32

 

CMYK 0 / 45 / 86 / 42

HEX #945214

RGB 148 82 20

HSL 29.06, 0.76%, 0.33%

LAB 41.82, 23.12, 44.86

 

CMYK 86 / 0 / 45 / 42

HEX #149452

RGB 20 148 82

HSL 149.06, 0.76%, 0.33%

LAB 53.96, -47.96, 25.91

 

CMYK 45 / 86 / 0 / 43

HEX #511492

RGB 81 20 146

HSL 269.05, 0.76%, 0.33%

LAB 24.72, 50.96, -56.32

 

CMYK 0 / 86 / 59 / 42

HEX #94143C

RGB 148 20 60

HSL 341.25, 0.76%, 0.33%

LAB 32.08, 52.18, 11.52

 

CMYK 42 / 0 / 86 / 42

HEX #569414

RGB 86 148 20

HSL 89.06, 0.76%, 0.33%

LAB 55.29, -39.77, 54.41

 

CMYK 86 / 0 / 28 / 42

HEX #14946B

RGB 20 148 107

HSL 160.78, 0.76%, 0.33%

LAB 54.44, -42.53, 12.67

 

CMYK 45 / 86 / 0 / 43

HEX #511492

RGB 81 20 146

HSL 269.05, 0.76%, 0.33%

LAB 24.72, 50.96, -56.32

 

CMYK 0 / 86 / 85 / 42

HEX #941416

RGB 148 20 22

HSL 359.06, 0.76%, 0.33%

LAB 31.47, 50.37, 34.8

 

CMYK 42 / 0 / 86 / 42

HEX #569414

RGB 86 148 20

HSL 89.06, 0.76%, 0.33%

LAB 55.29, -39.77, 54.41

 

CMYK 86 / 0 / 2 / 42

HEX #149491

RGB 20 148 145

HSL 178.59, 0.76%, 0.33%

LAB 55.45, -31.98, -7.6

 

Description

Color code: RGB 81 20 146 | qconv.com Color code: RGB 81 20 146 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 20 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 20 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 86 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 86% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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