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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 192 250 it is the complementary color RGB 174 63 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 192 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 192 250 shade: RGB 86 192 245, RGB 103 210 255, RGB 120 228 255, RGB 137 246 255 and RGB 154 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 192 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 192 250 shade: RGB 81 192 250, RGB 64 174 231, RGB 47 156 212, RGB 30 138 193 and RGB 13 120 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 192 250 shade: RGB 81 192 249, RGB 81 146 249, RGB 81 101 249, RGB 107 81 249 and RGB 152 81 249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 192 250 shade: RGB 81 192 249, RGB 81 146 249, RGB 81 101 249 and RGB 81 81 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 192 250 shade matches the following richer shades: RGB 81 192 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 192 250 shade: RGB 81 192 249, RGB 96 187 235, RGB 110 183 220, RGB 125 178 206 and RGB 139 173 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 192 250 shade: RGB 81 249 216, RGB 81 238 249, RGB 81 193 249, RGB 81 148 249 and RGB 81 104 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 192 250 shade: RGB 7 161 241, RGB 41 177 248, RGB 81 192 249, RGB 121 206 250 and RGB 161 221 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 192 250 shade: RGB 81 192 250, RGB 171 81 249 and RGB 249 238 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 192 250 shade: RGB 81 192 250, RGB 249 81 193 and RGB 193 249 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 192 250 shade: RGB 81 192 250, RGB 171 81 249, RGB 249 137 81 and RGB 160 249 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 192 250 shade: RGB 81 192 250, RGB 221 81 249, RGB 249 137 81 and RGB 109 249 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 23 / 0 / 2

HEX #51C0FA

RGB 81 192 250

HSL 200.59, 0.94%, 0.65%

LAB 73.77, -13.83, -37.87

 

Complementary color

CMYK 0 / 64 / 97 / 32

HEX #AE3F05

RGB 174 63 5

HSL 20.59, 0.94%, 0.35%

LAB 42.1, 43.25, 51.66

 

CMYK 65 / 22 / 0 / 4

HEX #56C0F5

RGB 86 192 245

HSL 200, 0.89%, 0.65%

LAB 73.72, -14.65, -35.24

 

CMYK 60 / 18 / 0 / 0

HEX #67D2FF

RGB 103 210 255

HSL 197.76, 1%, 0.7%

LAB 79.73, -18.09, -31.28

 

CMYK 53 / 11 / 0 / 0

HEX #78E4FF

RGB 120 228 255

HSL 192, 1%, 0.74%

LAB 85.35, -23.93, -22.64

 

CMYK 46 / 4 / 0 / 0

HEX #89F6FF

RGB 137 246 255

HSL 184.58, 1%, 0.77%

LAB 90.98, -29.1, -14.08

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 68 / 23 / 0 / 2

HEX #51C0FA

RGB 81 192 250

HSL 200.59, 0.94%, 0.65%

LAB 73.77, -13.83, -37.87

 

CMYK 72 / 25 / 0 / 9

HEX #40AEE7

RGB 64 174 231

HSL 200.48, 0.78%, 0.58%

LAB 67.38, -12.73, -37.54

 

CMYK 78 / 26 / 0 / 17

HEX #2F9CD4

RGB 47 156 212

HSL 200.36, 0.66%, 0.51%

LAB 60.9, -11.35, -37.18

 

CMYK 84 / 28 / 0 / 24

HEX #1E8AC1

RGB 30 138 193

HSL 200.25, 0.73%, 0.44%

LAB 54.35, -9.59, -36.77

 

CMYK 93 / 31 / 0 / 32

HEX #0D78AE

RGB 13 120 174

HSL 200.12, 0.86%, 0.37%

LAB 47.72, -7.35, -36.28

 

CMYK 67 / 23 / 0 / 2

HEX #51C0F9

RGB 81 192 249

HSL 200.36, 0.93%, 0.65%

LAB 73.73, -14.15, -37.39

 

CMYK 67 / 41 / 0 / 2

HEX #5192F9

RGB 81 146 249

HSL 216.79, 0.93%, 0.65%

LAB 60.91, 11.81, -57.58

 

CMYK 67 / 59 / 0 / 2

HEX #5165F9

RGB 81 101 249

HSL 232.86, 0.93%, 0.65%

LAB 49.37, 39.21, -76.2

 

CMYK 57 / 67 / 0 / 2

HEX #6B51F9

RGB 107 81 249

HSL 249.29, 0.93%, 0.65%

LAB 46.78, 54.42, -80.36

 

CMYK 39 / 67 / 0 / 2

HEX #9851F9

RGB 152 81 249

HSL 265.36, 0.93%, 0.65%

LAB 51.15, 61.94, -73.04

 

CMYK 67 / 23 / 0 / 2

HEX #51C0F9

RGB 81 192 249

HSL 200.36, 0.93%, 0.65%

LAB 73.73, -14.15, -37.39

 

CMYK 67 / 41 / 0 / 2

HEX #5192F9

RGB 81 146 249

HSL 216.79, 0.93%, 0.65%

LAB 60.91, 11.81, -57.58

 

CMYK 67 / 59 / 0 / 2

HEX #5165F9

RGB 81 101 249

HSL 232.86, 0.93%, 0.65%

LAB 49.37, 39.21, -76.2

 

CMYK 67 / 67 / 0 / 2

HEX #5151F9

RGB 81 81 249

HSL 240, 0.93%, 0.65%

LAB 44.9, 51.01, -83.51

 

CMYK 67 / 23 / 0 / 2

HEX #51C0F9

RGB 81 192 249

HSL 200.36, 0.93%, 0.65%

LAB 73.73, -14.15, -37.39

 

CMYK 67 / 23 / 0 / 2

HEX #51C0F9

RGB 81 192 249

HSL 200.36, 0.93%, 0.65%

LAB 73.73, -14.15, -37.39

 

CMYK 59 / 20 / 0 / 8

HEX #60BBEB

RGB 96 187 235

HSL 200.72, 0.78%, 0.65%

LAB 72.25, -13.36, -32.09

 

CMYK 50 / 17 / 0 / 14

HEX #6EB7DC

RGB 110 183 220

HSL 200.18, 0.61%, 0.65%

LAB 71.11, -12.77, -25.63

 

CMYK 39 / 14 / 0 / 19

HEX #7DB2CE

RGB 125 178 206

HSL 200.74, 0.45%, 0.65%

LAB 69.93, -10.27, -19.69

 

CMYK 27 / 9 / 0 / 25

HEX #8BADBF

RGB 139 173 191

HSL 200.77, 0.29%, 0.65%

LAB 68.85, -7.37, -12.99

 

CMYK 67 / 0 / 13 / 2

HEX #51F9D8

RGB 81 249 216

HSL 168.21, 0.93%, 0.65%

LAB 89.14, -50.46, 3.3

 

CMYK 67 / 4 / 0 / 2

HEX #51EEF9

RGB 81 238 249

HSL 183.93, 0.93%, 0.65%

LAB 86.87, -36.92, -17.3

 

CMYK 67 / 22 / 0 / 2

HEX #51C1F9

RGB 81 193 249

HSL 200, 0.93%, 0.65%

LAB 74.02, -14.68, -36.95

 

CMYK 67 / 41 / 0 / 2

HEX #5194F9

RGB 81 148 249

HSL 216.07, 0.93%, 0.65%

LAB 61.45, 10.62, -56.71

 

CMYK 67 / 58 / 0 / 2

HEX #5168F9

RGB 81 104 249

HSL 231.79, 0.93%, 0.65%

LAB 50.08, 37.39, -75.04

 

CMYK 97 / 33 / 0 / 5

HEX #07A1F1

RGB 7 161 241

HSL 200.51, 0.94%, 0.49%

LAB 63.25, -6.11, -49.56

 

CMYK 83 / 29 / 0 / 3

HEX #29B1F8

RGB 41 177 248

HSL 200.58, 0.94%, 0.57%

LAB 68.53, -10.88, -45.04

 

CMYK 67 / 23 / 0 / 2

HEX #51C0F9

RGB 81 192 249

HSL 200.36, 0.93%, 0.65%

LAB 73.73, -14.15, -37.39

 

CMYK 52 / 18 / 0 / 2

HEX #79CEFA

RGB 121 206 250

HSL 200.47, 0.93%, 0.73%

LAB 79.1, -13.95, -29.52

 

CMYK 36 / 12 / 0 / 1

HEX #A1DDFC

RGB 161 221 252

HSL 200.44, 0.94%, 0.81%

LAB 85.16, -11.63, -21.18

 

CMYK 68 / 23 / 0 / 2

HEX #51C0FA

RGB 81 192 250

HSL 200.59, 0.94%, 0.65%

LAB 73.77, -13.83, -37.87

 

CMYK 31 / 67 / 0 / 2

HEX #AB51F9

RGB 171 81 249

HSL 272.14, 0.93%, 0.65%

LAB 53.37, 65.55, -69.35

 

CMYK 0 / 4 / 67 / 2

HEX #F9EE51

RGB 249 238 81

HSL 56.07, 0.93%, 0.65%

LAB 92.52, -13.83, 73.72

 

CMYK 68 / 23 / 0 / 2

HEX #51C0FA

RGB 81 192 250

HSL 200.59, 0.94%, 0.65%

LAB 73.77, -13.83, -37.87

 

CMYK 0 / 67 / 22 / 2

HEX #F951C1

RGB 249 81 193

HSL 320, 0.93%, 0.65%

LAB 61.55, 73.73, -24.12

 

CMYK 22 / 0 / 67 / 2

HEX #C1F951

RGB 193 249 81

HSL 80, 0.93%, 0.65%

LAB 91.54, -41.03, 71.46

 

CMYK 68 / 23 / 0 / 2

HEX #51C0FA

RGB 81 192 250

HSL 200.59, 0.94%, 0.65%

LAB 73.77, -13.83, -37.87

 

CMYK 31 / 67 / 0 / 2

HEX #AB51F9

RGB 171 81 249

HSL 272.14, 0.93%, 0.65%

LAB 53.37, 65.55, -69.35

 

CMYK 0 / 45 / 67 / 2

HEX #F98951

RGB 249 137 81

HSL 20, 0.93%, 0.65%

LAB 68.48, 38.14, 48.11

 

CMYK 36 / 0 / 67 / 2

HEX #A0F951

RGB 160 249 81

HSL 91.79, 0.93%, 0.65%

LAB 89.78, -52.68, 69.08

 

CMYK 68 / 23 / 0 / 2

HEX #51C0FA

RGB 81 192 250

HSL 200.59, 0.94%, 0.65%

LAB 73.77, -13.83, -37.87

 

CMYK 11 / 67 / 0 / 2

HEX #DD51F9

RGB 221 81 249

HSL 290, 0.93%, 0.65%

LAB 59.98, 75.77, -58.37

 

CMYK 0 / 45 / 67 / 2

HEX #F98951

RGB 249 137 81

HSL 20, 0.93%, 0.65%

LAB 68.48, 38.14, 48.11

 

CMYK 56 / 0 / 67 / 2

HEX #6DF951

RGB 109 249 81

HSL 110, 0.93%, 0.65%

LAB 87.77, -67.47, 66.36

 

Description

Color code: RGB 81 192 250 | qconv.com Color code: RGB 81 192 250 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 192 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 192 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 23 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 23% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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