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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 167 129 it is the complementary color RGB 174 88 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 167 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 167 129 shade: RGB 86 167 124, RGB 103 185 143, RGB 120 203 162, RGB 137 221 181 and RGB 154 239 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 167 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 167 129 shade: RGB 81 167 129, RGB 64 149 110, RGB 47 131 91, RGB 30 113 72 and RGB 13 95 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 167 129 shade: RGB 81 168 130, RGB 81 168 106, RGB 81 168 82, RGB 103 168 81 and RGB 126 168 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 167 129 shade: RGB 81 168 130, RGB 81 168 153, RGB 81 160 168, RGB 81 136 168 and RGB 81 112 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 167 129 shade matches the following richer shades: RGB 81 168 130, RGB 61 188 132, RGB 40 209 134, RGB 20 229 137 and RGB 0 249 139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 167 129 shade: RGB 81 168 130, RGB 101 148 127, RGB 121 128 125, RGB 141 108 122 and RGB 162 87 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 167 129 shade: RGB 81 168 82, RGB 81 168 105, RGB 81 168 129, RGB 81 168 152 and RGB 81 161 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 167 129 shade: RGB 54 112 87, RGB 67 140 108, RGB 81 168 130, RGB 107 183 150 and RGB 135 197 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 167 129 shade: RGB 81 167 129, RGB 81 103 168 and RGB 168 94 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 167 129 shade: RGB 81 167 129, RGB 129 81 168 and RGB 168 129 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 167 129 shade: RGB 81 167 129, RGB 81 103 168, RGB 168 81 120 and RGB 168 146 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 167 129 shade: RGB 81 167 129, RGB 85 81 168, RGB 168 81 120 and RGB 164 168 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 23 / 35

HEX #51A781

RGB 81 167 129

HSL 153.49, 0.35%, 0.49%

LAB 62.48, -35.19, 11.83

 

Complementary color

CMYK 0 / 49 / 28 / 32

HEX #AE587E

RGB 174 88 126

HSL 333.49, 0.35%, 0.51%

LAB 48.86, 39.53, -5.19

 

CMYK 49 / 0 / 26 / 35

HEX #56A77C

RGB 86 167 124

HSL 148.15, 0.32%, 0.5%

LAB 62.57, -34.98, 14.74

 

CMYK 44 / 0 / 23 / 27

HEX #67B98F

RGB 103 185 143

HSL 149.27, 0.37%, 0.56%

LAB 69.16, -34.76, 13.64

 

CMYK 41 / 0 / 20 / 20

HEX #78CBA2

RGB 120 203 162

HSL 150.36, 0.44%, 0.63%

LAB 75.65, -34.53, 12.63

 

CMYK 38 / 0 / 18 / 13

HEX #89DDB5

RGB 137 221 181

HSL 151.43, 0.55%, 0.7%

LAB 82.04, -34.29, 11.68

 

CMYK 36 / 0 / 16 / 6

HEX #9AEFC8

RGB 154 239 200

HSL 152.47, 0.73%, 0.77%

LAB 88.34, -34.05, 10.8

 

CMYK 51 / 0 / 23 / 35

HEX #51A781

RGB 81 167 129

HSL 153.49, 0.35%, 0.49%

LAB 62.48, -35.19, 11.83

 

CMYK 57 / 0 / 26 / 42

HEX #40956E

RGB 64 149 110

HSL 152.47, 0.4%, 0.42%

LAB 55.8, -35.27, 13.01

 

CMYK 64 / 0 / 31 / 49

HEX #2F835B

RGB 47 131 91

HSL 151.43, 0.47%, 0.35%

LAB 49, -35.2, 14.34

 

CMYK 73 / 0 / 36 / 56

HEX #1E7148

RGB 30 113 72

HSL 150.36, 0.58%, 0.28%

LAB 42.08, -34.86, 15.85

 

CMYK 86 / 0 / 44 / 63

HEX #0D5F35

RGB 13 95 53

HSL 149.27, 0.76%, 0.21%

LAB 35.06, -33.97, 17.6

 

CMYK 52 / 0 / 23 / 34

HEX #51A882

RGB 81 168 130

HSL 153.79, 0.35%, 0.49%

LAB 62.82, -35.42, 11.74

 

CMYK 52 / 0 / 37 / 34

HEX #51A86A

RGB 81 168 106

HSL 137.24, 0.35%, 0.49%

LAB 62.33, -40.27, 24.23

 

CMYK 52 / 0 / 51 / 34

HEX #51A852

RGB 81 168 82

HSL 120.69, 0.35%, 0.49%

LAB 61.97, -44.13, 36.33

 

CMYK 39 / 0 / 52 / 34

HEX #67A851

RGB 103 168 81

HSL 104.83, 0.35%, 0.49%

LAB 62.91, -37.48, 38.21

 

CMYK 25 / 0 / 52 / 34

HEX #7EA851

RGB 126 168 81

HSL 88.97, 0.35%, 0.49%

LAB 64.19, -29.21, 40.05

 

CMYK 52 / 0 / 23 / 34

HEX #51A882

RGB 81 168 130

HSL 153.79, 0.35%, 0.49%

LAB 62.82, -35.42, 11.74

 

CMYK 52 / 0 / 9 / 34

HEX #51A899

RGB 81 168 153

HSL 169.66, 0.35%, 0.49%

LAB 63.39, -29.95, -0.26

 

CMYK 52 / 5 / 0 / 34

HEX #51A0A8

RGB 81 160 168

HSL 185.52, 0.35%, 0.49%

LAB 61.41, -21.94, -11.62

 

CMYK 52 / 19 / 0 / 34

HEX #5188A8

RGB 81 136 168

HSL 202.07, 0.35%, 0.49%

LAB 54.22, -8.97, -22.54

 

CMYK 52 / 33 / 0 / 34

HEX #5170A8

RGB 81 112 168

HSL 218.62, 0.35%, 0.49%

LAB 47.19, 5.17, -33.46

 

CMYK 52 / 0 / 23 / 34

HEX #51A882

RGB 81 168 130

HSL 153.79, 0.35%, 0.49%

LAB 62.82, -35.42, 11.74

 

CMYK 68 / 0 / 30 / 26

HEX #3DBC84

RGB 61 188 132

HSL 153.54, 0.51%, 0.49%

LAB 68.48, -47.78, 18.44

 

CMYK 81 / 0 / 36 / 18

HEX #28D186

RGB 40 209 134

HSL 153.37, 0.68%, 0.49%

LAB 74.68, -58.26, 25.77

 

CMYK 91 / 0 / 40 / 10

HEX #14E589

RGB 20 229 137

HSL 153.59, 0.84%, 0.49%

LAB 80.74, -66.17, 32.26

 

CMYK 100 / 0 / 44 / 2

HEX #00F98B

RGB 0 249 139

HSL 153.49, 1%, 0.49%

LAB 86.81, -73.07, 39.17

 

CMYK 52 / 0 / 23 / 34

HEX #51A882

RGB 81 168 130

HSL 153.79, 0.35%, 0.49%

LAB 62.82, -35.42, 11.74

 

CMYK 32 / 0 / 14 / 42

HEX #65947F

RGB 101 148 127

HSL 153.19, 0.19%, 0.49%

LAB 57.54, -20.64, 6.06

 

CMYK 5 / 0 / 2 / 50

HEX #79807D

RGB 121 128 125

HSL 154.29, 0.03%, 0.49%

LAB 52.93, -3.21, 0.72

 

CMYK 0 / 23 / 13 / 45

HEX #8D6C7A

RGB 141 108 122

HSL 334.55, 0.13%, 0.49%

LAB 49.24, 15.47, -2.7

 

CMYK 0 / 46 / 26 / 36

HEX #A25778

RGB 162 87 120

HSL 333.6, 0.3%, 0.49%

LAB 46.78, 34.97, -4.85

 

CMYK 52 / 0 / 51 / 34

HEX #51A852

RGB 81 168 82

HSL 120.69, 0.35%, 0.49%

LAB 61.97, -44.13, 36.33

 

CMYK 52 / 0 / 38 / 34

HEX #51A869

RGB 81 168 105

HSL 136.55, 0.35%, 0.49%

LAB 62.32, -40.45, 24.75

 

CMYK 52 / 0 / 23 / 34

HEX #51A881

RGB 81 168 129

HSL 153.1, 0.35%, 0.49%

LAB 62.79, -35.64, 12.26

 

CMYK 52 / 0 / 10 / 34

HEX #51A898

RGB 81 168 152

HSL 168.97, 0.35%, 0.49%

LAB 63.36, -30.21, 0.26

 

CMYK 52 / 4 / 0 / 34

HEX #51A1A8

RGB 81 161 168

HSL 184.83, 0.35%, 0.49%

LAB 61.71, -22.46, -11.17

 

CMYK 52 / 0 / 22 / 56

HEX #367057

RGB 54 112 87

HSL 154.14, 0.35%, 0.33%

LAB 42.85, -25.49, 8.15

 

CMYK 52 / 0 / 23 / 45

HEX #438C6C

RGB 67 140 108

HSL 153.7, 0.35%, 0.41%

LAB 52.98, -30.8, 10.22

 

CMYK 52 / 0 / 23 / 34

HEX #51A882

RGB 81 168 130

HSL 153.79, 0.35%, 0.49%

LAB 62.82, -35.42, 11.74

 

CMYK 42 / 0 / 18 / 28

HEX #6BB796

RGB 107 183 150

HSL 153.95, 0.35%, 0.57%

LAB 68.89, -31.25, 9.47

 

CMYK 31 / 0 / 14 / 23

HEX #87C5A9

RGB 135 197 169

HSL 152.9, 0.35%, 0.65%

LAB 74.79, -25.87, 7.75

 

CMYK 51 / 0 / 23 / 35

HEX #51A781

RGB 81 167 129

HSL 153.49, 0.35%, 0.49%

LAB 62.48, -35.19, 11.83

 

CMYK 52 / 39 / 0 / 34

HEX #5167A8

RGB 81 103 168

HSL 224.83, 0.35%, 0.49%

LAB 44.63, 10.73, -37.5

 

CMYK 0 / 44 / 52 / 34

HEX #A85E51

RGB 168 94 81

HSL 8.97, 0.35%, 0.49%

LAB 48.16, 28.72, 20.66

 

CMYK 51 / 0 / 23 / 35

HEX #51A781

RGB 81 167 129

HSL 153.49, 0.35%, 0.49%

LAB 62.48, -35.19, 11.83

 

CMYK 23 / 52 / 0 / 34

HEX #8151A8

RGB 129 81 168

HSL 273.1, 0.35%, 0.49%

LAB 43.33, 36.95, -39.29

 

CMYK 0 / 23 / 52 / 34

HEX #A88151

RGB 168 129 81

HSL 33.1, 0.35%, 0.49%

LAB 56.7, 9.04, 31.66

 

CMYK 51 / 0 / 23 / 35

HEX #51A781

RGB 81 167 129

HSL 153.49, 0.35%, 0.49%

LAB 62.48, -35.19, 11.83

 

CMYK 52 / 39 / 0 / 34

HEX #5167A8

RGB 81 103 168

HSL 224.83, 0.35%, 0.49%

LAB 44.63, 10.73, -37.5

 

CMYK 0 / 52 / 29 / 34

HEX #A85178

RGB 168 81 120

HSL 333.1, 0.35%, 0.49%

LAB 46.4, 40.25, -5.32

 

CMYK 0 / 13 / 52 / 34

HEX #A89251

RGB 168 146 81

HSL 44.83, 0.35%, 0.49%

LAB 61.2, -0.41, 37.21

 

CMYK 51 / 0 / 23 / 35

HEX #51A781

RGB 81 167 129

HSL 153.49, 0.35%, 0.49%

LAB 62.48, -35.19, 11.83

 

CMYK 49 / 52 / 0 / 34

HEX #5551A8

RGB 85 81 168

HSL 242.76, 0.35%, 0.49%

LAB 38.97, 25.57, -46.49

 

CMYK 0 / 52 / 29 / 34

HEX #A85178

RGB 168 81 120

HSL 333.1, 0.35%, 0.49%

LAB 46.4, 40.25, -5.32

 

CMYK 2 / 0 / 52 / 34

HEX #A4A851

RGB 164 168 81

HSL 62.76, 0.35%, 0.49%

LAB 66.89, -13.88, 43.92

 

Description

Color code: RGB 81 167 129 | qconv.com Color code: RGB 81 167 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 167 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 167 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 23 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 23% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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