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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 153 198 it is the complementary color RGB 174 102 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 153 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 153 198 shade: RGB 86 153 193, RGB 103 171 212, RGB 120 189 231, RGB 137 207 250 and RGB 154 225 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 153 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 153 198 shade: RGB 81 153 198, RGB 64 135 179, RGB 47 117 160, RGB 30 99 141 and RGB 13 81 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 153 198 shade: RGB 81 153 198, RGB 81 122 198, RGB 81 90 198, RGB 104 81 198 and RGB 135 81 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 153 198 shade: RGB 81 153 198, RGB 81 122 198, RGB 81 90 198 and RGB 81 81 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 153 198 shade matches the following richer shades: RGB 81 153 198, RGB 63 158 217, RGB 44 162 235 and RGB 26 166 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 153 198 shade: RGB 81 153 198, RGB 100 149 180, RGB 118 145 161, RGB 137 140 143 and RGB 155 136 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 153 198 shade: RGB 81 198 181, RGB 81 185 198, RGB 81 153 198, RGB 81 122 198 and RGB 81 91 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 153 198 shade: RGB 48 110 149, RGB 58 133 180, RGB 81 153 198, RGB 112 171 208 and RGB 144 190 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 153 198 shade: RGB 81 153 198, RGB 150 81 198 and RGB 198 196 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 153 198 shade: RGB 81 153 198, RGB 198 81 153 and RGB 153 198 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 153 198 shade: RGB 81 153 198, RGB 150 81 198, RGB 198 126 81 and RGB 130 198 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 153 198 shade: RGB 81 153 198, RGB 185 81 198, RGB 198 126 81 and RGB 95 198 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 23 / 0 / 22

HEX #5199C6

RGB 81 153 198

HSL 203.08, 0.51%, 0.55%

LAB 60.44, -9.2, -30

 

Complementary color

CMYK 0 / 41 / 67 / 32

HEX #AE6639

RGB 174 102 57

HSL 23.08, 0.51%, 0.45%

LAB 50.45, 24.91, 37.25

 

CMYK 55 / 21 / 0 / 24

HEX #5699C1

RGB 86 153 193

HSL 202.43, 0.46%, 0.55%

LAB 60.44, -9.73, -27.17

 

CMYK 51 / 19 / 0 / 17

HEX #67ABD4

RGB 103 171 212

HSL 202.57, 0.56%, 0.62%

LAB 67.1, -10.2, -27.42

 

CMYK 48 / 18 / 0 / 9

HEX #78BDE7

RGB 120 189 231

HSL 202.7, 0.7%, 0.69%

LAB 73.65, -10.58, -27.68

 

CMYK 45 / 17 / 0 / 2

HEX #89CFFA

RGB 137 207 250

HSL 202.83, 0.92%, 0.76%

LAB 80.09, -10.88, -27.94

 

CMYK 40 / 12 / 0 / 0

HEX #9AE1FF

RGB 154 225 255

HSL 197.82, 1%, 0.8%

LAB 85.98, -14.72, -21.55

 

CMYK 59 / 23 / 0 / 22

HEX #5199C6

RGB 81 153 198

HSL 203.08, 0.51%, 0.55%

LAB 60.44, -9.2, -30

 

CMYK 64 / 25 / 0 / 30

HEX #4087B3

RGB 64 135 179

HSL 202.96, 0.47%, 0.48%

LAB 53.68, -8.42, -29.76

 

CMYK 71 / 27 / 0 / 37

HEX #2F75A0

RGB 47 117 160

HSL 202.83, 0.55%, 0.41%

LAB 46.8, -7.38, -29.5

 

CMYK 79 / 30 / 0 / 45

HEX #1E638D

RGB 30 99 141

HSL 202.7, 0.65%, 0.34%

LAB 39.79, -5.96, -29.2

 

CMYK 89 / 34 / 0 / 52

HEX #0D517A

RGB 13 81 122

HSL 202.57, 0.81%, 0.26%

LAB 32.65, -3.95, -28.83

 

CMYK 59 / 23 / 0 / 22

HEX #5199C6

RGB 81 153 198

HSL 203.08, 0.51%, 0.55%

LAB 60.44, -9.2, -30

 

CMYK 59 / 38 / 0 / 22

HEX #517AC6

RGB 81 122 198

HSL 218.97, 0.51%, 0.55%

LAB 51.55, 8.92, -43.93

 

CMYK 59 / 55 / 0 / 22

HEX #515AC6

RGB 81 90 198

HSL 235.38, 0.51%, 0.55%

LAB 42.97, 28.86, -57.66

 

CMYK 47 / 59 / 0 / 22

HEX #6851C6

RGB 104 81 198

HSL 251.79, 0.51%, 0.55%

LAB 42.62, 38.88, -58.14

 

CMYK 32 / 59 / 0 / 22

HEX #8751C6

RGB 135 81 198

HSL 267.69, 0.51%, 0.55%

LAB 45.79, 45.82, -52.87

 

CMYK 59 / 23 / 0 / 22

HEX #5199C6

RGB 81 153 198

HSL 203.08, 0.51%, 0.55%

LAB 60.44, -9.2, -30

 

CMYK 59 / 38 / 0 / 22

HEX #517AC6

RGB 81 122 198

HSL 218.97, 0.51%, 0.55%

LAB 51.55, 8.92, -43.93

 

CMYK 59 / 55 / 0 / 22

HEX #515AC6

RGB 81 90 198

HSL 235.38, 0.51%, 0.55%

LAB 42.97, 28.86, -57.66

 

CMYK 59 / 59 / 0 / 22

HEX #5151C6

RGB 81 81 198

HSL 240, 0.51%, 0.55%

LAB 40.75, 34.46, -61.25

 

CMYK 59 / 23 / 0 / 22

HEX #5199C6

RGB 81 153 198

HSL 203.08, 0.51%, 0.55%

LAB 60.44, -9.2, -30

 

CMYK 71 / 27 / 0 / 15

HEX #3F9ED9

RGB 63 158 217

HSL 202.99, 0.67%, 0.55%

LAB 62.1, -8.77, -38.06

 

CMYK 81 / 31 / 0 / 8

HEX #2CA2EB

RGB 44 162 235

HSL 202.93, 0.83%, 0.55%

LAB 63.65, -6.89, -45.6

 

CMYK 90 / 35 / 0 / 0

HEX #1AA6FE

RGB 26 166 254

HSL 203.16, 0.99%, 0.55%

LAB 65.47, -3.52, -53.13

 

CMYK 59 / 23 / 0 / 22

HEX #5199C6

RGB 81 153 198

HSL 203.08, 0.51%, 0.55%

LAB 60.44, -9.2, -30

 

CMYK 44 / 17 / 0 / 29

HEX #6495B4

RGB 100 149 180

HSL 203.25, 0.35%, 0.55%

LAB 59.43, -8.06, -21.32

 

CMYK 27 / 10 / 0 / 37

HEX #7691A1

RGB 118 145 161

HSL 202.33, 0.19%, 0.55%

LAB 58.67, -5.71, -11.57

 

CMYK 4 / 2 / 0 / 44

HEX #898C8F

RGB 137 140 143

HSL 210, 0.03%, 0.55%

LAB 58.09, -0.49, -1.99

 

CMYK 0 / 12 / 20 / 39

HEX #9B887C

RGB 155 136 124

HSL 23.23, 0.13%, 0.55%

LAB 58.07, 5.15, 9.07

 

CMYK 59 / 0 / 9 / 22

HEX #51C6B5

RGB 81 198 181

HSL 171.28, 0.51%, 0.55%

LAB 73.2, -36.92, -1.33

 

CMYK 59 / 7 / 0 / 22

HEX #51B9C6

RGB 81 185 198

HSL 186.67, 0.51%, 0.55%

LAB 69.84, -26.07, -15.62

 

CMYK 59 / 23 / 0 / 22

HEX #5199C6

RGB 81 153 198

HSL 203.08, 0.51%, 0.55%

LAB 60.44, -9.2, -30

 

CMYK 59 / 38 / 0 / 22

HEX #517AC6

RGB 81 122 198

HSL 218.97, 0.51%, 0.55%

LAB 51.55, 8.92, -43.93

 

CMYK 59 / 54 / 0 / 22

HEX #515BC6

RGB 81 91 198

HSL 234.87, 0.51%, 0.55%

LAB 43.22, 28.23, -57.25

 

CMYK 68 / 26 / 0 / 42

HEX #306E95

RGB 48 110 149

HSL 203.17, 0.51%, 0.39%

LAB 44.16, -6.96, -27.11

 

CMYK 68 / 26 / 0 / 29

HEX #3A85B4

RGB 58 133 180

HSL 203.11, 0.51%, 0.47%

LAB 52.92, -7.96, -31.53

 

CMYK 59 / 23 / 0 / 22

HEX #5199C6

RGB 81 153 198

HSL 203.08, 0.51%, 0.55%

LAB 60.44, -9.2, -30

 

CMYK 46 / 18 / 0 / 18

HEX #70ABD0

RGB 112 171 208

HSL 203.13, 0.51%, 0.63%

LAB 67.37, -9.25, -24.76

 

CMYK 34 / 13 / 0 / 15

HEX #90BEDA

RGB 144 190 218

HSL 202.7, 0.5%, 0.71%

LAB 74.71, -8.44, -18.9

 

CMYK 59 / 23 / 0 / 22

HEX #5199C6

RGB 81 153 198

HSL 203.08, 0.51%, 0.55%

LAB 60.44, -9.2, -30

 

CMYK 24 / 59 / 0 / 22

HEX #9651C6

RGB 150 81 198

HSL 275.38, 0.51%, 0.55%

LAB 47.55, 49.44, -49.94

 

CMYK 0 / 1 / 59 / 22

HEX #C6C451

RGB 198 196 81

HSL 58.97, 0.51%, 0.55%

LAB 77.33, -13.99, 56.5

 

CMYK 59 / 23 / 0 / 22

HEX #5199C6

RGB 81 153 198

HSL 203.08, 0.51%, 0.55%

LAB 60.44, -9.2, -30

 

CMYK 0 / 59 / 23 / 22

HEX #C65199

RGB 198 81 153

HSL 323.08, 0.51%, 0.55%

LAB 52.05, 54.44, -16.12

 

CMYK 23 / 0 / 59 / 22

HEX #99C651

RGB 153 198 81

HSL 83.08, 0.51%, 0.55%

LAB 74.67, -33.06, 52.65

 

CMYK 59 / 23 / 0 / 22

HEX #5199C6

RGB 81 153 198

HSL 203.08, 0.51%, 0.55%

LAB 60.44, -9.2, -30

 

CMYK 24 / 59 / 0 / 22

HEX #9651C6

RGB 150 81 198

HSL 275.38, 0.51%, 0.55%

LAB 47.55, 49.44, -49.94

 

CMYK 0 / 36 / 59 / 22

HEX #C67E51

RGB 198 126 81

HSL 23.08, 0.51%, 0.55%

LAB 59.45, 23.45, 35.84

 

CMYK 34 / 0 / 59 / 22

HEX #82C651

RGB 130 198 81

HSL 94.87, 0.51%, 0.55%

LAB 73.37, -41.46, 50.83

 

CMYK 59 / 23 / 0 / 22

HEX #5199C6

RGB 81 153 198

HSL 203.08, 0.51%, 0.55%

LAB 60.44, -9.2, -30

 

CMYK 7 / 59 / 0 / 22

HEX #B951C6

RGB 185 81 198

HSL 293.33, 0.51%, 0.55%

LAB 52.15, 58.19, -42.35

 

CMYK 0 / 36 / 59 / 22

HEX #C67E51

RGB 198 126 81

HSL 23.08, 0.51%, 0.55%

LAB 59.45, 23.45, 35.84

 

CMYK 52 / 0 / 59 / 22

HEX #5FC651

RGB 95 198 81

HSL 112.82, 0.51%, 0.55%

LAB 71.84, -52.38, 48.67

 

Description

Color code: RGB 81 153 198 | qconv.com Color code: RGB 81 153 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 153 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 153 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 23 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 23% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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