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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 143 116 it is the complementary color RGB 174 112 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 143 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 143 116 shade: RGB 86 143 111, RGB 103 161 130, RGB 120 179 149, RGB 137 197 168 and RGB 154 215 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 143 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 143 116 shade: RGB 81 143 116, RGB 64 125 97, RGB 47 107 78, RGB 30 89 59 and RGB 13 71 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 143 116 shade: RGB 80 143 116, RGB 80 143 99, RGB 80 143 82, RGB 96 143 80 and RGB 113 143 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 143 116 shade: RGB 80 143 116, RGB 80 143 133, RGB 80 137 143, RGB 80 120 143 and RGB 80 103 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 143 116 shade matches the following richer shades: RGB 80 143 116, RGB 62 161 118, RGB 44 179 120, RGB 26 198 123 and RGB 8 216 125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 143 116 shade: RGB 80 143 116, RGB 98 125 113, RGB 117 107 111, RGB 135 89 109 and RGB 153 71 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 143 116 shade: RGB 80 143 81, RGB 80 143 98, RGB 80 143 115, RGB 80 143 132 and RGB 80 138 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 143 116 shade: RGB 51 90 73, RGB 65 117 94, RGB 80 143 116, RGB 98 167 137 and RGB 125 181 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 143 116 shade: RGB 81 143 116, RGB 80 96 143 and RGB 143 90 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 143 116 shade: RGB 81 143 116, RGB 115 80 143 and RGB 143 115 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 143 116 shade: RGB 81 143 116, RGB 80 96 143, RGB 143 80 109 and RGB 143 127 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 143 116 shade: RGB 81 143 116, RGB 83 80 143, RGB 143 80 109 and RGB 140 143 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 19 / 44

HEX #518F74

RGB 81 143 116

HSL 153.87, 0.28%, 0.44%

LAB 54.72, -26.63, 8.17

 

Complementary color

CMYK 0 / 36 / 20 / 32

HEX #AE708B

RGB 174 112 139

HSL 333.87, 0.28%, 0.56%

LAB 54.5, 28.45, -4.54

 

CMYK 40 / 0 / 22 / 44

HEX #568F6F

RGB 86 143 111

HSL 146.32, 0.25%, 0.45%

LAB 54.84, -26.24, 11.23

 

CMYK 36 / 0 / 19 / 37

HEX #67A182

RGB 103 161 130

HSL 147.93, 0.24%, 0.52%

LAB 61.64, -25.96, 10.22

 

CMYK 33 / 0 / 17 / 30

HEX #78B395

RGB 120 179 149

HSL 149.49, 0.28%, 0.59%

LAB 68.32, -25.71, 9.29

 

CMYK 30 / 0 / 15 / 23

HEX #89C5A8

RGB 137 197 168

HSL 151, 0.34%, 0.65%

LAB 74.87, -25.47, 8.42

 

CMYK 28 / 0 / 13 / 16

HEX #9AD7BB

RGB 154 215 187

HSL 152.46, 0.43%, 0.72%

LAB 81.32, -25.25, 7.6

 

CMYK 43 / 0 / 19 / 44

HEX #518F74

RGB 81 143 116

HSL 153.87, 0.28%, 0.44%

LAB 54.72, -26.63, 8.17

 

CMYK 49 / 0 / 22 / 51

HEX #407D61

RGB 64 125 97

HSL 152.46, 0.32%, 0.37%

LAB 47.78, -26.85, 9.24

 

CMYK 56 / 0 / 27 / 58

HEX #2F6B4E

RGB 47 107 78

HSL 151, 0.39%, 0.3%

LAB 40.69, -27.01, 10.46

 

CMYK 66 / 0 / 34 / 65

HEX #1E593B

RGB 30 89 59

HSL 149.49, 0.5%, 0.23%

LAB 33.43, -27, 11.86

 

CMYK 82 / 0 / 44 / 72

HEX #0D4728

RGB 13 71 40

HSL 147.93, 0.69%, 0.16%

LAB 26, -26.56, 13.55

 

CMYK 44 / 0 / 19 / 44

HEX #508F74

RGB 80 143 116

HSL 154.29, 0.28%, 0.44%

LAB 54.67, -26.91, 8.1

 

CMYK 44 / 0 / 31 / 44

HEX #508F63

RGB 80 143 99

HSL 138.1, 0.28%, 0.44%

LAB 54.29, -30.5, 17.24

 

CMYK 44 / 0 / 43 / 44

HEX #508F52

RGB 80 143 82

HSL 121.9, 0.28%, 0.44%

LAB 53.98, -33.55, 26.26

 

CMYK 33 / 0 / 44 / 44

HEX #608F50

RGB 96 143 80

HSL 104.76, 0.28%, 0.44%

LAB 54.77, -28.44, 28.52

 

CMYK 21 / 0 / 44 / 44

HEX #718F50

RGB 113 143 80

HSL 88.57, 0.28%, 0.44%

LAB 55.82, -22.02, 30.07

 

CMYK 44 / 0 / 19 / 44

HEX #508F74

RGB 80 143 116

HSL 154.29, 0.28%, 0.44%

LAB 54.67, -26.91, 8.1

 

CMYK 44 / 0 / 7 / 44

HEX #508F85

RGB 80 143 133

HSL 170.48, 0.28%, 0.44%

LAB 55.12, -22.83, -1.02

 

CMYK 44 / 4 / 0 / 44

HEX #50898F

RGB 80 137 143

HSL 185.71, 0.28%, 0.44%

LAB 53.58, -17.03, -9.08

 

CMYK 44 / 16 / 0 / 44

HEX #50788F

RGB 80 120 143

HSL 201.9, 0.28%, 0.44%

LAB 48.41, -7.54, -16.88

 

CMYK 44 / 28 / 0 / 44

HEX #50678F

RGB 80 103 143

HSL 218.1, 0.28%, 0.44%

LAB 43.34, 2.59, -24.68

 

CMYK 44 / 0 / 19 / 44

HEX #508F74

RGB 80 143 116

HSL 154.29, 0.28%, 0.44%

LAB 54.67, -26.91, 8.1

 

CMYK 61 / 0 / 27 / 37

HEX #3EA176

RGB 62 161 118

HSL 153.94, 0.44%, 0.44%

LAB 59.73, -39.27, 13.99

 

CMYK 75 / 0 / 33 / 30

HEX #2CB378

RGB 44 179 120

HSL 153.78, 0.61%, 0.44%

LAB 65.07, -49.34, 20.19

 

CMYK 87 / 0 / 38 / 22

HEX #1AC67B

RGB 26 198 123

HSL 153.84, 0.77%, 0.44%

LAB 70.9, -57.67, 26.42

 

CMYK 96 / 0 / 42 / 15

HEX #08D87D

RGB 8 216 125

HSL 153.75, 0.93%, 0.44%

LAB 76.46, -64.44, 32.72

 

CMYK 44 / 0 / 19 / 44

HEX #508F74

RGB 80 143 116

HSL 154.29, 0.28%, 0.44%

LAB 54.67, -26.91, 8.1

 

CMYK 22 / 0 / 10 / 51

HEX #627D71

RGB 98 125 113

HSL 153.33, 0.12%, 0.44%

LAB 50.04, -12.38, 3.35

 

CMYK 0 / 9 / 5 / 54

HEX #756B6F

RGB 117 107 111

HSL 336, 0.04%, 0.44%

LAB 46.24, 4.69, -0.82

 

CMYK 0 / 34 / 19 / 47

HEX #87596D

RGB 135 89 109

HSL 333.91, 0.21%, 0.44%

LAB 43.36, 22.07, -3.62

 

CMYK 0 / 54 / 31 / 40

HEX #99476A

RGB 153 71 106

HSL 334.39, 0.37%, 0.44%

LAB 41.72, 38.3, -3.93

 

CMYK 44 / 0 / 43 / 44

HEX #508F51

RGB 80 143 81

HSL 120.95, 0.28%, 0.44%

LAB 53.97, -33.71, 26.79

 

CMYK 44 / 0 / 31 / 44

HEX #508F62

RGB 80 143 98

HSL 137.14, 0.28%, 0.44%

LAB 54.27, -30.7, 17.78

 

CMYK 44 / 0 / 20 / 44

HEX #508F73

RGB 80 143 115

HSL 153.33, 0.28%, 0.44%

LAB 54.65, -27.14, 8.64

 

CMYK 44 / 0 / 8 / 44

HEX #508F84

RGB 80 143 132

HSL 169.52, 0.28%, 0.44%

LAB 55.09, -23.08, -0.49

 

CMYK 44 / 3 / 0 / 44

HEX #508A8F

RGB 80 138 143

HSL 184.76, 0.28%, 0.44%

LAB 53.88, -17.57, -8.62

 

CMYK 43 / 0 / 19 / 65

HEX #335A49

RGB 51 90 73

HSL 153.85, 0.28%, 0.28%

LAB 35, -18.28, 5.52

 

CMYK 44 / 0 / 20 / 54

HEX #41755E

RGB 65 117 94

HSL 153.46, 0.29%, 0.36%

LAB 45.16, -23.23, 7.31

 

CMYK 44 / 0 / 19 / 44

HEX #508F74

RGB 80 143 116

HSL 154.29, 0.28%, 0.44%

LAB 54.67, -26.91, 8.1

 

CMYK 41 / 0 / 18 / 35

HEX #62A789

RGB 98 167 137

HSL 153.91, 0.28%, 0.52%

LAB 63.38, -28.89, 8.74

 

CMYK 31 / 0 / 13 / 29

HEX #7DB59D

RGB 125 181 157

HSL 154.29, 0.27%, 0.6%

LAB 69.36, -23.5, 6.42

 

CMYK 43 / 0 / 19 / 44

HEX #518F74

RGB 81 143 116

HSL 153.87, 0.28%, 0.44%

LAB 54.72, -26.63, 8.17

 

CMYK 44 / 33 / 0 / 44

HEX #50608F

RGB 80 96 143

HSL 224.76, 0.28%, 0.44%

LAB 41.3, 6.93, -27.86

 

CMYK 0 / 37 / 44 / 44

HEX #8F5A50

RGB 143 90 80

HSL 9.52, 0.28%, 0.44%

LAB 43.84, 20.59, 14.87

 

CMYK 43 / 0 / 19 / 44

HEX #518F74

RGB 81 143 116

HSL 153.87, 0.28%, 0.44%

LAB 54.72, -26.63, 8.17

 

CMYK 20 / 44 / 0 / 44

HEX #73508F

RGB 115 80 143

HSL 273.33, 0.28%, 0.44%

LAB 40.19, 27.39, -29.38

 

CMYK 0 / 20 / 44 / 44

HEX #8F7350

RGB 143 115 80

HSL 33.33, 0.28%, 0.44%

LAB 50.31, 6.05, 23.5

 

CMYK 43 / 0 / 19 / 44

HEX #518F74

RGB 81 143 116

HSL 153.87, 0.28%, 0.44%

LAB 54.72, -26.63, 8.17

 

CMYK 44 / 33 / 0 / 44

HEX #50608F

RGB 80 96 143

HSL 224.76, 0.28%, 0.44%

LAB 41.3, 6.93, -27.86

 

CMYK 0 / 44 / 24 / 44

HEX #8F506D

RGB 143 80 109

HSL 332.38, 0.28%, 0.44%

LAB 42.28, 30.27, -5.11

 

CMYK 0 / 11 / 44 / 44

HEX #8F7F50

RGB 143 127 80

HSL 44.76, 0.28%, 0.44%

LAB 53.6, -0.8, 27.75

 

CMYK 43 / 0 / 19 / 44

HEX #518F74

RGB 81 143 116

HSL 153.87, 0.28%, 0.44%

LAB 54.72, -26.63, 8.17

 

CMYK 42 / 44 / 0 / 44

HEX #53508F

RGB 83 80 143

HSL 242.86, 0.28%, 0.44%

LAB 37.04, 17.92, -34.56

 

CMYK 0 / 44 / 24 / 44

HEX #8F506D

RGB 143 80 109

HSL 332.38, 0.28%, 0.44%

LAB 42.28, 30.27, -5.11

 

CMYK 2 / 0 / 44 / 44

HEX #8C8F50

RGB 140 143 80

HSL 62.86, 0.28%, 0.44%

LAB 57.85, -10.91, 33.04

 

Description

Color code: RGB 81 143 116 | qconv.com Color code: RGB 81 143 116 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 143 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 143 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 19 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 19% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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