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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 124 178 it is the complementary color RGB 174 131 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 124 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 124 178 shade: RGB 86 124 173, RGB 103 142 192, RGB 120 160 211, RGB 137 178 230 and RGB 154 196 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 124 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 124 178 shade: RGB 81 124 178, RGB 64 106 159, RGB 47 88 140, RGB 30 70 121 and RGB 13 52 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 124 178 shade: RGB 81 124 178, RGB 81 98 178, RGB 90 81 178, RGB 116 81 178 and RGB 143 81 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 124 178 shade: RGB 81 124 178, RGB 81 98 178 and RGB 81 81 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 124 178 shade matches the following richer shades: RGB 81 124 178, RGB 61 122 198, RGB 40 119 219 and RGB 20 117 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 124 178 shade: RGB 81 124 178, RGB 101 126 158, RGB 121 129 138, RGB 141 131 118 and RGB 162 133 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 124 178 shade: RGB 81 177 178, RGB 81 151 178, RGB 81 125 178, RGB 81 99 178 and RGB 89 81 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 124 178 shade: RGB 54 84 123, RGB 66 104 152, RGB 81 124 178, RGB 109 146 191 and RGB 138 167 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 124 178 shade: RGB 81 124 178, RGB 154 81 178 and RGB 164 178 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 124 178 shade: RGB 81 124 178, RGB 178 81 125 and RGB 125 178 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 124 178 shade: RGB 81 124 178, RGB 154 81 178, RGB 178 134 81 and RGB 105 178 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 124 178 shade: RGB 81 124 178, RGB 178 81 173, RGB 178 134 81 and RGB 81 178 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 30 / 0 / 30

HEX #517CB2

RGB 81 124 178

HSL 213.4, 0.39%, 0.51%

LAB 51.13, 1.14, -33.1

 

Complementary color

CMYK 0 / 25 / 56 / 32

HEX #AE834D

RGB 174 131 77

HSL 33.4, 0.39%, 0.49%

LAB 57.82, 10.15, 35.33

 

CMYK 50 / 28 / 0 / 32

HEX #567CAD

RGB 86 124 173

HSL 213.79, 0.35%, 0.51%

LAB 51.16, 0.72, -30.14

 

CMYK 46 / 26 / 0 / 25

HEX #678EC0

RGB 103 142 192

HSL 213.71, 0.41%, 0.58%

LAB 58.07, 0.15, -30.2

 

CMYK 43 / 24 / 0 / 17

HEX #78A0D3

RGB 120 160 211

HSL 213.63, 0.51%, 0.65%

LAB 64.83, -0.32, -30.29

 

CMYK 40 / 23 / 0 / 10

HEX #89B2E6

RGB 137 178 230

HSL 213.55, 0.65%, 0.72%

LAB 71.47, -0.71, -30.41

 

CMYK 38 / 21 / 0 / 2

HEX #9AC4F9

RGB 154 196 249

HSL 213.47, 0.89%, 0.79%

LAB 77.99, -1.04, -30.56

 

CMYK 54 / 30 / 0 / 30

HEX #517CB2

RGB 81 124 178

HSL 213.4, 0.39%, 0.51%

LAB 51.13, 1.14, -33.1

 

CMYK 60 / 33 / 0 / 38

HEX #406A9F

RGB 64 106 159

HSL 213.47, 0.43%, 0.44%

LAB 44.09, 2.03, -33.1

 

CMYK 66 / 37 / 0 / 45

HEX #2F588C

RGB 47 88 140

HSL 213.55, 0.5%, 0.37%

LAB 36.89, 3.23, -33.12

 

CMYK 75 / 42 / 0 / 53

HEX #1E4679

RGB 30 70 121

HSL 213.63, 0.6%, 0.3%

LAB 29.51, 4.88, -33.17

 

CMYK 87 / 49 / 0 / 60

HEX #0D3466

RGB 13 52 102

HSL 213.71, 0.77%, 0.23%

LAB 21.95, 7.29, -33.17

 

CMYK 54 / 30 / 0 / 30

HEX #517CB2

RGB 81 124 178

HSL 213.4, 0.39%, 0.51%

LAB 51.13, 1.14, -33.1

 

CMYK 54 / 45 / 0 / 30

HEX #5162B2

RGB 81 98 178

HSL 229.48, 0.39%, 0.51%

LAB 43.8, 17.15, -44.69

 

CMYK 49 / 54 / 0 / 30

HEX #5A51B2

RGB 90 81 178

HSL 245.57, 0.39%, 0.51%

LAB 40.04, 29.83, -50.68

 

CMYK 35 / 54 / 0 / 30

HEX #7451B2

RGB 116 81 178

HSL 261.65, 0.39%, 0.51%

LAB 42.48, 36.03, -46.63

 

CMYK 20 / 54 / 0 / 30

HEX #8F51B2

RGB 143 81 178

HSL 278.35, 0.39%, 0.51%

LAB 45.55, 43.11, -41.55

 

CMYK 54 / 30 / 0 / 30

HEX #517CB2

RGB 81 124 178

HSL 213.4, 0.39%, 0.51%

LAB 51.13, 1.14, -33.1

 

CMYK 54 / 45 / 0 / 30

HEX #5162B2

RGB 81 98 178

HSL 229.48, 0.39%, 0.51%

LAB 43.8, 17.15, -44.69

 

CMYK 54 / 54 / 0 / 30

HEX #5151B2

RGB 81 81 178

HSL 240, 0.39%, 0.51%

LAB 39.32, 27.91, -51.86

 

CMYK 54 / 30 / 0 / 30

HEX #517CB2

RGB 81 124 178

HSL 213.4, 0.39%, 0.51%

LAB 51.13, 1.14, -33.1

 

CMYK 69 / 38 / 0 / 22

HEX #3D7AC6

RGB 61 122 198

HSL 213.28, 0.55%, 0.51%

LAB 50.67, 5.36, -45.37

 

CMYK 82 / 46 / 0 / 14

HEX #2877DB

RGB 40 119 219

HSL 213.52, 0.71%, 0.51%

LAB 50.4, 12.44, -57.77

 

CMYK 92 / 51 / 0 / 6

HEX #1475EF

RGB 20 117 239

HSL 213.42, 0.87%, 0.51%

LAB 50.81, 20.1, -68.37

 

CMYK 54 / 30 / 0 / 30

HEX #517CB2

RGB 81 124 178

HSL 213.4, 0.39%, 0.51%

LAB 51.13, 1.14, -33.1

 

CMYK 36 / 20 / 0 / 38

HEX #657E9E

RGB 101 126 158

HSL 213.68, 0.23%, 0.51%

LAB 52.01, -0.82, -20.05

 

CMYK 12 / 7 / 0 / 46

HEX #79818A

RGB 121 129 138

HSL 211.76, 0.07%, 0.51%

LAB 53.6, -1.02, -5.87

 

CMYK 0 / 7 / 16 / 45

HEX #8D8376

RGB 141 131 118

HSL 33.91, 0.09%, 0.51%

LAB 55.28, 1.46, 8.38

 

CMYK 0 / 18 / 40 / 36

HEX #A28561

RGB 162 133 97

HSL 33.23, 0.26%, 0.51%

LAB 57.39, 5.93, 23.57

 

CMYK 54 / 1 / 0 / 30

HEX #51B1B2

RGB 81 177 178

HSL 180.62, 0.39%, 0.51%

LAB 66.83, -27.73, -9.1

 

CMYK 54 / 15 / 0 / 30

HEX #5197B2

RGB 81 151 178

HSL 196.7, 0.39%, 0.51%

LAB 59.06, -14.27, -20.83

 

CMYK 54 / 30 / 0 / 30

HEX #517DB2

RGB 81 125 178

HSL 212.78, 0.39%, 0.51%

LAB 51.42, 0.54, -32.65

 

CMYK 54 / 44 / 0 / 30

HEX #5163B2

RGB 81 99 178

HSL 228.87, 0.39%, 0.51%

LAB 44.07, 16.52, -44.25

 

CMYK 50 / 54 / 0 / 30

HEX #5951B2

RGB 89 81 178

HSL 244.95, 0.39%, 0.51%

LAB 39.95, 29.61, -50.82

 

CMYK 56 / 32 / 0 / 52

HEX #36547B

RGB 54 84 123

HSL 213.91, 0.39%, 0.35%

LAB 35.11, 1.22, -25.48

 

CMYK 57 / 32 / 0 / 40

HEX #426898

RGB 66 104 152

HSL 213.49, 0.39%, 0.43%

LAB 43.25, 1.33, -30.26

 

CMYK 54 / 30 / 0 / 30

HEX #517CB2

RGB 81 124 178

HSL 213.4, 0.39%, 0.51%

LAB 51.13, 1.14, -33.1

 

CMYK 43 / 24 / 0 / 25

HEX #6D92BF

RGB 109 146 191

HSL 212.93, 0.39%, 0.59%

LAB 59.5, -0.89, -27.4

 

CMYK 32 / 18 / 0 / 20

HEX #8AA7CB

RGB 138 167 203

HSL 213.23, 0.38%, 0.67%

LAB 67.54, -1.44, -21.61

 

CMYK 54 / 30 / 0 / 30

HEX #517CB2

RGB 81 124 178

HSL 213.4, 0.39%, 0.51%

LAB 51.13, 1.14, -33.1

 

CMYK 13 / 54 / 0 / 30

HEX #9A51B2

RGB 154 81 178

HSL 285.15, 0.39%, 0.51%

LAB 46.93, 46.09, -39.27

 

CMYK 8 / 0 / 54 / 30

HEX #A4B251

RGB 164 178 81

HSL 68.66, 0.39%, 0.51%

LAB 69.7, -19, 47.19

 

CMYK 54 / 30 / 0 / 30

HEX #517CB2

RGB 81 124 178

HSL 213.4, 0.39%, 0.51%

LAB 51.13, 1.14, -33.1

 

CMYK 0 / 54 / 30 / 30

HEX #B2517D

RGB 178 81 125

HSL 332.78, 0.39%, 0.51%

LAB 48.05, 44.32, -5.74

 

CMYK 30 / 0 / 54 / 30

HEX #7DB251

RGB 125 178 81

HSL 92.78, 0.39%, 0.51%

LAB 67.12, -34.28, 43.53

 

CMYK 54 / 30 / 0 / 30

HEX #517CB2

RGB 81 124 178

HSL 213.4, 0.39%, 0.51%

LAB 51.13, 1.14, -33.1

 

CMYK 13 / 54 / 0 / 30

HEX #9A51B2

RGB 154 81 178

HSL 285.15, 0.39%, 0.51%

LAB 46.93, 46.09, -39.27

 

CMYK 0 / 25 / 54 / 30

HEX #B28651

RGB 178 134 81

HSL 32.78, 0.39%, 0.51%

LAB 59.08, 10.55, 34.84

 

CMYK 41 / 0 / 54 / 30

HEX #69B251

RGB 105 178 81

HSL 105.15, 0.39%, 0.51%

LAB 66.09, -41.21, 42.05

 

CMYK 54 / 30 / 0 / 30

HEX #517CB2

RGB 81 124 178

HSL 213.4, 0.39%, 0.51%

LAB 51.13, 1.14, -33.1

 

CMYK 0 / 54 / 3 / 30

HEX #B251AD

RGB 178 81 173

HSL 303.09, 0.39%, 0.51%

LAB 49.94, 51.79, -31.39

 

CMYK 0 / 25 / 54 / 30

HEX #B28651

RGB 178 134 81

HSL 32.78, 0.39%, 0.51%

LAB 59.08, 10.55, 34.84

 

CMYK 54 / 0 / 52 / 30

HEX #51B256

RGB 81 178 86

HSL 123.09, 0.39%, 0.51%

LAB 65.17, -47.63, 38.26

 

Description

Color code: RGB 81 124 178 | qconv.com Color code: RGB 81 124 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 124 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 124 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 30 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 30% 0% 30% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - ::HUBOFF::
Link: http://www.huboff.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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