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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 59 56 it is the complementary color RGB 174 196 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 59 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 59 56 shade: RGB 86 59 51, RGB 103 77 70, RGB 120 95 89, RGB 137 113 108 and RGB 154 131 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 59 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 59 56 shade: RGB 81 59 56, RGB 64 41 37, RGB 47 23 18, RGB 30 5 0 and RGB 13 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 59 56 shade: RGB 81 59 56 and RGB 81 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 59 56 shade: RGB 81 59 56, RGB 81 66 56, RGB 81 72 56, RGB 81 79 56 and RGB 76 81 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 59 56 shade matches the following richer shades: RGB 81 59 56, RGB 92 50 45, RGB 103 42 34, RGB 114 34 23 and RGB 125 25 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 59 56 shade: RGB 81 59 56, RGB 70 67 67, RGB 58 76 78, RGB 47 84 89 and RGB 36 93 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 59 56 shade: RGB 81 56 66, RGB 81 56 60, RGB 81 59 56, RGB 81 65 56 and RGB 81 72 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 59 56 shade: RGB 32 23 22, RGB 56 41 39, RGB 81 59 56, RGB 105 77 73 and RGB 129 95 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 59 56 shade: RGB 81 59 56, RGB 73 81 56 and RGB 56 63 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 59 56 shade: RGB 81 59 56, RGB 56 81 59 and RGB 59 56 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 59 56 shade: RGB 81 59 56, RGB 73 81 56, RGB 56 78 81 and RGB 64 56 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 59 56 shade: RGB 81 59 56, RGB 65 81 56, RGB 56 78 81 and RGB 71 56 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 31 / 68

HEX #513B38

RGB 81 59 56

HSL 7.2, 0.18%, 0.27%

LAB 27.19, 9.2, 5.64

 

Complementary color

CMYK 13 / 2 / 0 / 22

HEX #AEC4C7

RGB 174 196 199

HSL 187.2, 0.18%, 0.73%

LAB 77.64, -6.82, -4.04

 

CMYK 0 / 31 / 41 / 66

HEX #563B33

RGB 86 59 51

HSL 13.71, 0.26%, 0.27%

LAB 27.7, 10.73, 9.71

 

CMYK 0 / 25 / 32 / 60

HEX #674D46

RGB 103 77 70

HSL 12.73, 0.19%, 0.34%

LAB 35.27, 9.85, 8.4

 

CMYK 0 / 21 / 26 / 53

HEX #785F59

RGB 120 95 89

HSL 11.61, 0.15%, 0.41%

LAB 42.61, 9.15, 7.28

 

CMYK 0 / 18 / 21 / 46

HEX #89716C

RGB 137 113 108

HSL 10.34, 0.12%, 0.48%

LAB 49.75, 8.57, 6.3

 

CMYK 0 / 15 / 18 / 40

HEX #9A837F

RGB 154 131 127

HSL 8.89, 0.12%, 0.55%

LAB 56.72, 8.08, 5.4

 

CMYK 0 / 27 / 31 / 68

HEX #513B38

RGB 81 59 56

HSL 7.2, 0.18%, 0.27%

LAB 27.19, 9.2, 5.64

 

CMYK 0 / 36 / 42 / 75

HEX #402925

RGB 64 41 37

HSL 8.89, 0.27%, 0.2%

LAB 19.26, 10.14, 6.98

 

CMYK 0 / 51 / 62 / 82

HEX #2F1712

RGB 47 23 18

HSL 10.34, 0.45%, 0.13%

LAB 11, 11.45, 8.49

 

CMYK 0 / 83 / 100 / 88

HEX #1E0500

RGB 30 5 0

HSL 10, 1%, 0.06%

LAB 3.47, 9.18, 5.37

 

CMYK 0 / 100 / 100 / 95

HEX #0D0000

RGB 13 0 0

HSL 0, 1%, 0.03%

LAB 0.77, 3.47, 1.22

 

CMYK 0 / 27 / 31 / 68

HEX #513B38

RGB 81 59 56

HSL 7.2, 0.18%, 0.27%

LAB 27.19, 9.2, 5.64

 

CMYK 0 / 31 / 31 / 68

HEX #513838

RGB 81 56 56

HSL 0, 0.18%, 0.27%

LAB 26.34, 11.14, 4.43

 

CMYK 0 / 27 / 31 / 68

HEX #513B38

RGB 81 59 56

HSL 7.2, 0.18%, 0.27%

LAB 27.19, 9.2, 5.64

 

CMYK 0 / 19 / 31 / 68

HEX #514238

RGB 81 66 56

HSL 24, 0.18%, 0.27%

LAB 29.24, 4.7, 8.51

 

CMYK 0 / 11 / 31 / 68

HEX #514838

RGB 81 72 56

HSL 38.4, 0.18%, 0.27%

LAB 31.04, 0.91, 11

 

CMYK 0 / 2 / 31 / 68

HEX #514F38

RGB 81 79 56

HSL 55.2, 0.18%, 0.27%

LAB 33.19, -3.43, 13.92

 

CMYK 6 / 0 / 31 / 68

HEX #4C5138

RGB 76 81 56

HSL 72, 0.18%, 0.27%

LAB 33.36, -6.89, 14.07

 

CMYK 0 / 27 / 31 / 68

HEX #513B38

RGB 81 59 56

HSL 7.2, 0.18%, 0.27%

LAB 27.19, 9.2, 5.64

 

CMYK 0 / 46 / 51 / 64

HEX #5C322D

RGB 92 50 45

HSL 6.38, 0.34%, 0.27%

LAB 26, 18.37, 11.47

 

CMYK 0 / 59 / 67 / 60

HEX #672A22

RGB 103 42 34

HSL 6.96, 0.5%, 0.27%

LAB 25.73, 26.79, 18.67

 

CMYK 0 / 70 / 80 / 55

HEX #722217

RGB 114 34 23

HSL 7.25, 0.66%, 0.27%

LAB 26.11, 34.53, 26.54

 

CMYK 0 / 80 / 91 / 51

HEX #7D190B

RGB 125 25 11

HSL 7.37, 0.84%, 0.27%

LAB 26.96, 41.58, 34.61

 

CMYK 0 / 27 / 31 / 68

HEX #513B38

RGB 81 59 56

HSL 7.2, 0.18%, 0.27%

LAB 27.19, 9.2, 5.64

 

CMYK 0 / 4 / 4 / 73

HEX #464343

RGB 70 67 67

HSL 0, 0.02%, 0.27%

LAB 28.7, 1.26, 0.45

 

CMYK 26 / 3 / 0 / 69

HEX #3A4C4E

RGB 58 76 78

HSL 186, 0.15%, 0.27%

LAB 30.92, -6.49, -3.51

 

CMYK 47 / 6 / 0 / 65

HEX #2F5459

RGB 47 84 89

HSL 187.14, 0.31%, 0.27%

LAB 33.28, -11.72, -7.06

 

CMYK 64 / 8 / 0 / 60

HEX #245D65

RGB 36 93 101

HSL 187.38, 0.47%, 0.27%

LAB 36.26, -15.76, -10.14

 

CMYK 0 / 31 / 19 / 68

HEX #513842

RGB 81 56 66

HSL 336, 0.18%, 0.27%

LAB 26.65, 12.9, -1.75

 

CMYK 0 / 31 / 26 / 68

HEX #51383C

RGB 81 56 60

HSL 350.4, 0.18%, 0.27%

LAB 26.46, 11.81, 1.95

 

CMYK 0 / 27 / 31 / 68

HEX #513B38

RGB 81 59 56

HSL 7.2, 0.18%, 0.27%

LAB 27.19, 9.2, 5.64

 

CMYK 0 / 20 / 31 / 68

HEX #514138

RGB 81 65 56

HSL 21.6, 0.18%, 0.27%

LAB 28.94, 5.34, 8.09

 

CMYK 0 / 11 / 31 / 68

HEX #514838

RGB 81 72 56

HSL 38.4, 0.18%, 0.27%

LAB 31.04, 0.91, 11

 

CMYK 0 / 28 / 31 / 87

HEX #201716

RGB 32 23 22

HSL 6, 0.19%, 0.11%

LAB 8.81, 4.33, 2.41

 

CMYK 0 / 27 / 30 / 78

HEX #382927

RGB 56 41 39

HSL 7.06, 0.18%, 0.19%

LAB 18.25, 6.63, 4.01

 

CMYK 0 / 27 / 31 / 68

HEX #513B38

RGB 81 59 56

HSL 7.2, 0.18%, 0.27%

LAB 27.19, 9.2, 5.64

 

CMYK 0 / 27 / 30 / 59

HEX #694D49

RGB 105 77 73

HSL 7.5, 0.18%, 0.35%

LAB 35.58, 11.18, 6.98

 

CMYK 0 / 26 / 30 / 49

HEX #815F5A

RGB 129 95 90

HSL 7.69, 0.18%, 0.43%

LAB 43.64, 13.08, 8.27

 

CMYK 0 / 27 / 31 / 68

HEX #513B38

RGB 81 59 56

HSL 7.2, 0.18%, 0.27%

LAB 27.19, 9.2, 5.64

 

CMYK 10 / 0 / 31 / 68

HEX #495138

RGB 73 81 56

HSL 79.2, 0.18%, 0.27%

LAB 33.11, -8.21, 13.68

 

CMYK 31 / 22 / 0 / 68

HEX #383F51

RGB 56 63 81

HSL 223.2, 0.18%, 0.27%

LAB 26.71, 1.93, -11.81

 

CMYK 0 / 27 / 31 / 68

HEX #513B38

RGB 81 59 56

HSL 7.2, 0.18%, 0.27%

LAB 27.19, 9.2, 5.64

 

CMYK 31 / 0 / 27 / 68

HEX #38513B

RGB 56 81 59

HSL 127.2, 0.18%, 0.27%

LAB 31.9, -14.7, 9.96

 

CMYK 27 / 31 / 0 / 68

HEX #3B3851

RGB 59 56 81

HSL 247.2, 0.18%, 0.27%

LAB 24.8, 7.69, -14.71

 

CMYK 0 / 27 / 31 / 68

HEX #513B38

RGB 81 59 56

HSL 7.2, 0.18%, 0.27%

LAB 27.19, 9.2, 5.64

 

CMYK 10 / 0 / 31 / 68

HEX #495138

RGB 73 81 56

HSL 79.2, 0.18%, 0.27%

LAB 33.11, -8.21, 13.68

 

CMYK 31 / 4 / 0 / 68

HEX #384E51

RGB 56 78 81

HSL 187.2, 0.18%, 0.27%

LAB 31.54, -7.61, -4.52

 

CMYK 21 / 31 / 0 / 68

HEX #403851

RGB 64 56 81

HSL 259.2, 0.18%, 0.27%

LAB 25.3, 9.51, -13.91

 

CMYK 0 / 27 / 31 / 68

HEX #513B38

RGB 81 59 56

HSL 7.2, 0.18%, 0.27%

LAB 27.19, 9.2, 5.64

 

CMYK 20 / 0 / 31 / 68

HEX #415138

RGB 65 81 56

HSL 98.4, 0.18%, 0.27%

LAB 32.47, -11.65, 12.71

 

CMYK 31 / 4 / 0 / 68

HEX #384E51

RGB 56 78 81

HSL 187.2, 0.18%, 0.27%

LAB 31.54, -7.61, -4.52

 

CMYK 12 / 31 / 0 / 68

HEX #473851

RGB 71 56 81

HSL 276, 0.18%, 0.27%

LAB 26.05, 12.14, -12.7

 

Description

Color code: RGB 81 59 56 | qconv.com Color code: RGB 81 59 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 59 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 59 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 31 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 31% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

57% - ReFa(リファ) | 株式会社MTG
Link: http://www.refa.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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