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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 42 85 it is the complementary color RGB 174 213 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 42 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 42 85 shade: RGB 86 42 80, RGB 103 60 99, RGB 120 78 118, RGB 137 96 137 and RGB 154 114 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 42 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 42 85 shade: RGB 81 42 85, RGB 64 24 66, RGB 47 6 47, RGB 30 0 28 and RGB 13 0 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 42 85 shade: RGB 81 42 85, RGB 85 42 77, RGB 85 42 66, RGB 85 42 54 and RGB 85 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 42 85 shade: RGB 81 42 85, RGB 69 42 85, RGB 58 42 85, RGB 46 42 85 and RGB 42 42 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 42 85 shade matches the following richer shades: RGB 81 42 85, RGB 89 31 95, RGB 98 21 106, RGB 106 11 116 and RGB 114 0 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 42 85 shade: RGB 81 42 85, RGB 72 52 75, RGB 64 62 64, RGB 56 73 54 and RGB 47 83 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 42 85 shade: RGB 57 42 85, RGB 69 42 85, RGB 81 42 85, RGB 85 42 78 and RGB 85 42 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 42 85 shade: RGB 28 14 30, RGB 55 28 57, RGB 81 42 85, RGB 107 55 113 and RGB 134 69 140

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 42 85 shade: RGB 81 42 85, RGB 85 46 42 and RGB 42 85 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 42 85 shade: RGB 81 42 85, RGB 85 81 42 and RGB 42 85 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 42 85 shade: RGB 81 42 85, RGB 85 46 42, RGB 46 85 42 and RGB 42 81 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 42 85 shade: RGB 81 42 85, RGB 85 59 42, RGB 46 85 42 and RGB 42 68 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 51 / 0 / 67

HEX #512A55

RGB 81 42 85

HSL 294.42, 0.34%, 0.25%

LAB 23.87, 25.67, -18.6

 

Complementary color

CMYK 18 / 0 / 20 / 16

HEX #AED5AA

RGB 174 213 170

HSL 114.42, 0.34%, 0.75%

LAB 81.56, -20.95, 17.1

 

CMYK 0 / 51 / 7 / 66

HEX #562A50

RGB 86 42 80

HSL 308.18, 0.34%, 0.25%

LAB 24.37, 26.35, -14.45

 

CMYK 0 / 42 / 4 / 60

HEX #673C63

RGB 103 60 99

HSL 305.58, 0.26%, 0.32%

LAB 31.84, 25.5, -15.13

 

CMYK 0 / 35 / 2 / 53

HEX #784E76

RGB 120 78 118

HSL 302.86, 0.21%, 0.39%

LAB 39.16, 24.67, -15.66

 

CMYK 0 / 30 / 0 / 46

HEX #896089

RGB 137 96 137

HSL 300, 0.18%, 0.46%

LAB 46.3, 23.9, -16.12

 

CMYK 1 / 27 / 0 / 39

HEX #9A729C

RGB 154 114 156

HSL 297.14, 0.18%, 0.53%

LAB 53.28, 23.2, -16.54

 

CMYK 5 / 51 / 0 / 67

HEX #512A55

RGB 81 42 85

HSL 294.42, 0.34%, 0.25%

LAB 23.87, 25.67, -18.6

 

CMYK 3 / 64 / 0 / 74

HEX #401842

RGB 64 24 66

HSL 297.14, 0.47%, 0.18%

LAB 16.19, 26.4, -17.92

 

CMYK 0 / 87 / 0 / 82

HEX #2F062F

RGB 47 6 47

HSL 300, 0.77%, 0.1%

LAB 8.48, 26.53, -16.67

 

CMYK 0 / 100 / 7 / 88

HEX #1E001C

RGB 30 0 28

HSL 304, 1%, 0.06%

LAB 3.25, 16.51, -10.42

 

CMYK 0 / 100 / 31 / 95

HEX #0D0009

RGB 13 0 9

HSL 318.46, 1%, 0.03%

LAB 0.95, 4.72, -2.19

 

CMYK 5 / 51 / 0 / 67

HEX #512A55

RGB 81 42 85

HSL 294.42, 0.34%, 0.25%

LAB 23.87, 25.67, -18.6

 

CMYK 0 / 51 / 9 / 67

HEX #552A4D

RGB 85 42 77

HSL 311.16, 0.34%, 0.25%

LAB 24.07, 25.4, -12.91

 

CMYK 0 / 51 / 22 / 67

HEX #552A42

RGB 85 42 66

HSL 326.51, 0.34%, 0.25%

LAB 23.61, 23.35, -6.22

 

CMYK 0 / 51 / 36 / 67

HEX #552A36

RGB 85 42 54

HSL 343.26, 0.34%, 0.25%

LAB 23.18, 21.41, 1.3

 

CMYK 0 / 51 / 51 / 67

HEX #552A2A

RGB 85 42 42

HSL 0, 0.34%, 0.25%

LAB 22.84, 19.83, 8.99

 

CMYK 5 / 51 / 0 / 67

HEX #512A55

RGB 81 42 85

HSL 294.42, 0.34%, 0.25%

LAB 23.87, 25.67, -18.6

 

CMYK 19 / 51 / 0 / 67

HEX #452A55

RGB 69 42 85

HSL 277.67, 0.34%, 0.25%

LAB 22.22, 21.62, -21.31

 

CMYK 32 / 51 / 0 / 67

HEX #3A2A55

RGB 58 42 85

HSL 262.33, 0.34%, 0.25%

LAB 20.87, 18.02, -23.52

 

CMYK 46 / 51 / 0 / 67

HEX #2E2A55

RGB 46 42 85

HSL 245.58, 0.34%, 0.25%

LAB 19.61, 14.34, -25.61

 

CMYK 51 / 51 / 0 / 67

HEX #2A2A55

RGB 42 42 85

HSL 240, 0.34%, 0.25%

LAB 19.24, 13.21, -26.22

 

CMYK 5 / 51 / 0 / 67

HEX #512A55

RGB 81 42 85

HSL 294.42, 0.34%, 0.25%

LAB 23.87, 25.67, -18.6

 

CMYK 6 / 67 / 0 / 63

HEX #591F5F

RGB 89 31 95

HSL 294.38, 0.51%, 0.25%

LAB 23.44, 36.3, -25.8

 

CMYK 8 / 80 / 0 / 58

HEX #62156A

RGB 98 21 106

HSL 294.35, 0.67%, 0.25%

LAB 24.24, 44.83, -31.63

 

CMYK 9 / 91 / 0 / 55

HEX #6A0B74

RGB 106 11 116

HSL 294.29, 0.83%, 0.25%

LAB 25.46, 51.01, -36.05

 

CMYK 10 / 100 / 0 / 51

HEX #72007E

RGB 114 0 126

HSL 294.29, 1%, 0.25%

LAB 26.97, 56.24, -39.89

 

CMYK 5 / 51 / 0 / 67

HEX #512A55

RGB 81 42 85

HSL 294.42, 0.34%, 0.25%

LAB 23.87, 25.67, -18.6

 

CMYK 4 / 31 / 0 / 71

HEX #48344B

RGB 72 52 75

HSL 292.17, 0.18%, 0.25%

LAB 24.77, 13.72, -10.67

 

CMYK 0 / 3 / 0 / 75

HEX #403E40

RGB 64 62 64

HSL 300, 0.02%, 0.25%

LAB 26.46, 1.3, -0.93

 

CMYK 23 / 0 / 26 / 71

HEX #384936

RGB 56 73 54

HSL 113.68, 0.15%, 0.25%

LAB 29.09, -11.09, 9.23

 

CMYK 43 / 0 / 47 / 67

HEX #2F532C

RGB 47 83 44

HSL 115.38, 0.31%, 0.25%

LAB 31.74, -22.01, 18.85

 

CMYK 33 / 51 / 0 / 67

HEX #392A55

RGB 57 42 85

HSL 260.93, 0.34%, 0.25%

LAB 20.76, 17.7, -23.71

 

CMYK 19 / 51 / 0 / 67

HEX #452A55

RGB 69 42 85

HSL 277.67, 0.34%, 0.25%

LAB 22.22, 21.62, -21.31

 

CMYK 5 / 51 / 0 / 67

HEX #512A55

RGB 81 42 85

HSL 294.42, 0.34%, 0.25%

LAB 23.87, 25.67, -18.6

 

CMYK 0 / 51 / 8 / 67

HEX #552A4E

RGB 85 42 78

HSL 309.77, 0.34%, 0.25%

LAB 24.12, 25.59, -13.51

 

CMYK 0 / 51 / 22 / 67

HEX #552A42

RGB 85 42 66

HSL 326.51, 0.34%, 0.25%

LAB 23.61, 23.35, -6.22

 

CMYK 7 / 53 / 0 / 88

HEX #1C0E1E

RGB 28 14 30

HSL 292.5, 0.36%, 0.09%

LAB 5.91, 10.15, -8.03

 

CMYK 4 / 51 / 0 / 78

HEX #371C39

RGB 55 28 57

HSL 295.86, 0.34%, 0.17%

LAB 15.16, 18.8, -13.32

 

CMYK 5 / 51 / 0 / 67

HEX #512A55

RGB 81 42 85

HSL 294.42, 0.34%, 0.25%

LAB 23.87, 25.67, -18.6

 

CMYK 5 / 51 / 0 / 56

HEX #6B3771

RGB 107 55 113

HSL 293.79, 0.35%, 0.33%

LAB 31.92, 32.67, -23.86

 

CMYK 4 / 51 / 0 / 45

HEX #86458C

RGB 134 69 140

HSL 294.93, 0.34%, 0.41%

LAB 39.95, 38.86, -27.78

 

CMYK 5 / 51 / 0 / 67

HEX #512A55

RGB 81 42 85

HSL 294.42, 0.34%, 0.25%

LAB 23.87, 25.67, -18.6

 

CMYK 0 / 46 / 51 / 67

HEX #552E2A

RGB 85 46 42

HSL 5.58, 0.34%, 0.25%

LAB 23.84, 17.35, 10.36

 

CMYK 51 / 0 / 26 / 67

HEX #2A553F

RGB 42 85 63

HSL 149.3, 0.34%, 0.25%

LAB 32.59, -20.83, 8.29

 

CMYK 5 / 51 / 0 / 67

HEX #512A55

RGB 81 42 85

HSL 294.42, 0.34%, 0.25%

LAB 23.87, 25.67, -18.6

 

CMYK 0 / 5 / 51 / 67

HEX #55512A

RGB 85 81 42

HSL 54.42, 0.34%, 0.25%

LAB 33.95, -4.65, 23.4

 

CMYK 51 / 0 / 5 / 67

HEX #2A5551

RGB 42 85 81

HSL 174.42, 0.34%, 0.25%

LAB 33.1, -16.06, -2.3

 

CMYK 5 / 51 / 0 / 67

HEX #512A55

RGB 81 42 85

HSL 294.42, 0.34%, 0.25%

LAB 23.87, 25.67, -18.6

 

CMYK 0 / 46 / 51 / 67

HEX #552E2A

RGB 85 46 42

HSL 5.58, 0.34%, 0.25%

LAB 23.84, 17.35, 10.36

 

CMYK 46 / 0 / 51 / 67

HEX #2E552A

RGB 46 85 42

HSL 114.42, 0.34%, 0.25%

LAB 32.36, -23.71, 20.79

 

CMYK 51 / 5 / 0 / 67

HEX #2A5155

RGB 42 81 85

HSL 185.58, 0.34%, 0.25%

LAB 31.88, -12.56, -6.65

 

CMYK 5 / 51 / 0 / 67

HEX #512A55

RGB 81 42 85

HSL 294.42, 0.34%, 0.25%

LAB 23.87, 25.67, -18.6

 

CMYK 0 / 31 / 51 / 67

HEX #553B2A

RGB 85 59 42

HSL 23.72, 0.34%, 0.25%

LAB 27.37, 9.09, 15.07

 

CMYK 46 / 0 / 51 / 67

HEX #2E552A

RGB 46 85 42

HSL 114.42, 0.34%, 0.25%

LAB 32.36, -23.71, 20.79

 

CMYK 51 / 20 / 0 / 67

HEX #2A4455

RGB 42 68 85

HSL 203.72, 0.34%, 0.25%

LAB 27.52, -4.58, -13.25

 

Description

Color code: RGB 81 42 85 | qconv.com Color code: RGB 81 42 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 42 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 42 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 51 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 51% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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