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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 39 173 it is the complementary color RGB 175 216 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 39 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 39 173 shade: RGB 85 39 168, RGB 102 57 187, RGB 119 75 206, RGB 136 93 225 and RGB 153 111 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 39 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 39 173 shade: RGB 80 39 173, RGB 63 21 154, RGB 46 3 135, RGB 29 0 116 and RGB 12 0 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 39 173 shade: RGB 80 39 174, RGB 117 39 174, RGB 153 39 174, RGB 174 39 159 and RGB 174 39 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 39 173 shade: RGB 80 39 174, RGB 44 39 174 and RGB 39 39 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 39 173 shade matches the following richer shades: RGB 80 39 174, RGB 74 22 191 and RGB 67 4 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 39 173 shade: RGB 80 39 174, RGB 87 56 157, RGB 94 74 139, RGB 101 91 122 and RGB 107 108 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 39 173 shade: RGB 39 71 174, RGB 44 39 174, RGB 80 39 174, RGB 116 39 174 and RGB 152 39 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 39 173 shade: RGB 49 24 107, RGB 65 31 140, RGB 80 39 174, RGB 96 47 207 and RGB 122 81 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 39 173 shade: RGB 80 39 173, RGB 174 39 107 and RGB 53 174 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 39 173 shade: RGB 80 39 173, RGB 174 80 39 and RGB 39 174 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 39 173 shade: RGB 80 39 173, RGB 174 39 107, RGB 134 174 39 and RGB 39 174 107

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 39 173 shade: RGB 80 39 173, RGB 174 39 66, RGB 134 174 39 and RGB 39 174 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 77 / 0 / 32

HEX #5027AD

RGB 80 39 173

HSL 258.36, 0.63%, 0.42%

LAB 29.85, 50.23, -64.33

 

Complementary color

CMYK 19 / 0 / 62 / 15

HEX #AFD852

RGB 175 216 82

HSL 78.36, 0.63%, 0.58%

LAB 81.2, -32.89, 59.82

 

CMYK 49 / 77 / 0 / 34

HEX #5527A8

RGB 85 39 168

HSL 261.4, 0.62%, 0.41%

LAB 29.93, 49.59, -61.16

 

CMYK 45 / 70 / 0 / 27

HEX #6639BB

RGB 102 57 187

HSL 260.77, 0.53%, 0.48%

LAB 36.63, 48.72, -61.45

 

CMYK 42 / 64 / 0 / 19

HEX #774BCE

RGB 119 75 206

HSL 260.15, 0.57%, 0.55%

LAB 43.38, 47.61, -61.47

 

CMYK 40 / 59 / 0 / 12

HEX #885DE1

RGB 136 93 225

HSL 259.55, 0.69%, 0.62%

LAB 50.1, 46.44, -61.36

 

CMYK 37 / 55 / 0 / 4

HEX #996FF4

RGB 153 111 244

HSL 258.95, 0.86%, 0.7%

LAB 56.76, 45.29, -61.21

 

CMYK 54 / 77 / 0 / 32

HEX #5027AD

RGB 80 39 173

HSL 258.36, 0.63%, 0.42%

LAB 29.85, 50.23, -64.33

 

CMYK 59 / 86 / 0 / 40

HEX #3F159A

RGB 63 21 154

HSL 258.95, 0.76%, 0.34%

LAB 23.43, 50.55, -63.45

 

CMYK 66 / 98 / 0 / 47

HEX #2E0387

RGB 46 3 135

HSL 259.55, 0.96%, 0.27%

LAB 17.44, 49.64, -61.62

 

CMYK 75 / 100 / 0 / 55

HEX #1D0074

RGB 29 0 116

HSL 255, 1%, 0.23%

LAB 12.75, 44.91, -57.33

 

CMYK 88 / 100 / 0 / 62

HEX #0C0061

RGB 12 0 97

HSL 247.42, 1%, 0.19%

LAB 8.49, 39.25, -51.95

 

CMYK 54 / 78 / 0 / 32

HEX #5027AE

RGB 80 39 174

HSL 258.22, 0.63%, 0.42%

LAB 29.94, 50.51, -64.77

 

CMYK 33 / 78 / 0 / 32

HEX #7527AE

RGB 117 39 174

HSL 274.67, 0.63%, 0.42%

LAB 34.58, 56.34, -57.01

 

CMYK 12 / 78 / 0 / 32

HEX #9927AE

RGB 153 39 174

HSL 290.67, 0.63%, 0.42%

LAB 40.05, 63.08, -47.89

 

CMYK 0 / 78 / 9 / 32

HEX #AE279F

RGB 174 39 159

HSL 306.67, 0.63%, 0.42%

LAB 42.69, 64.96, -34.51

 

CMYK 0 / 78 / 30 / 32

HEX #AE277A

RGB 174 39 122

HSL 323.11, 0.63%, 0.42%

LAB 40.98, 59.94, -14.59

 

CMYK 54 / 78 / 0 / 32

HEX #5027AE

RGB 80 39 174

HSL 258.22, 0.63%, 0.42%

LAB 29.94, 50.51, -64.77

 

CMYK 75 / 78 / 0 / 32

HEX #2C27AE

RGB 44 39 174

HSL 242.22, 0.63%, 0.42%

LAB 26.86, 46.54, -69.97

 

CMYK 78 / 78 / 0 / 32

HEX #2727AE

RGB 39 39 174

HSL 240, 0.63%, 0.42%

LAB 26.56, 46.15, -70.47

 

CMYK 54 / 78 / 0 / 32

HEX #5027AE

RGB 80 39 174

HSL 258.22, 0.63%, 0.42%

LAB 29.94, 50.51, -64.77

 

CMYK 61 / 88 / 0 / 25

HEX #4A16BF

RGB 74 22 191

HSL 258.46, 0.79%, 0.42%

LAB 28.88, 60.92, -76.66

 

CMYK 68 / 98 / 0 / 18

HEX #4304D1

RGB 67 4 209

HSL 258.44, 0.96%, 0.42%

LAB 29.12, 68.75, -86.84

 

CMYK 54 / 78 / 0 / 32

HEX #5027AE

RGB 80 39 174

HSL 258.22, 0.63%, 0.42%

LAB 29.94, 50.51, -64.77

 

CMYK 45 / 64 / 0 / 38

HEX #57389D

RGB 87 56 157

HSL 258.42, 0.47%, 0.42%

LAB 32.46, 37.94, -50.39

 

CMYK 32 / 47 / 0 / 45

HEX #5E4A8B

RGB 94 74 139

HSL 258.46, 0.31%, 0.42%

LAB 36.25, 23.67, -33.3

 

CMYK 17 / 25 / 0 / 52

HEX #655B7A

RGB 101 91 122

HSL 259.35, 0.15%, 0.42%

LAB 40.66, 10.86, -15.99

 

CMYK 1 / 0 / 3 / 58

HEX #6B6C69

RGB 107 108 105

HSL 80, 0.01%, 0.42%

LAB 45.46, -0.99, 1.53

 

CMYK 78 / 59 / 0 / 32

HEX #2747AE

RGB 39 71 174

HSL 225.78, 0.63%, 0.42%

LAB 33.97, 26.26, -58.29

 

CMYK 75 / 78 / 0 / 32

HEX #2C27AE

RGB 44 39 174

HSL 242.22, 0.63%, 0.42%

LAB 26.86, 46.54, -69.97

 

CMYK 54 / 78 / 0 / 32

HEX #5027AE

RGB 80 39 174

HSL 258.22, 0.63%, 0.42%

LAB 29.94, 50.51, -64.77

 

CMYK 33 / 78 / 0 / 32

HEX #7427AE

RGB 116 39 174

HSL 274.22, 0.63%, 0.42%

LAB 34.44, 56.17, -57.24

 

CMYK 13 / 78 / 0 / 32

HEX #9827AE

RGB 152 39 174

HSL 290.22, 0.63%, 0.42%

LAB 39.89, 62.88, -48.16

 

CMYK 54 / 78 / 0 / 58

HEX #31186B

RGB 49 24 107

HSL 258.07, 0.63%, 0.26%

LAB 17.31, 33.85, -43.86

 

CMYK 54 / 78 / 0 / 45

HEX #411F8C

RGB 65 31 140

HSL 258.72, 0.64%, 0.34%

LAB 23.66, 42.58, -54.4

 

CMYK 54 / 78 / 0 / 32

HEX #5027AE

RGB 80 39 174

HSL 258.22, 0.63%, 0.42%

LAB 29.94, 50.51, -64.77

 

CMYK 54 / 77 / 0 / 19

HEX #602FCF

RGB 96 47 207

HSL 258.38, 0.63%, 0.5%

LAB 36.03, 58, -74.14

 

CMYK 43 / 62 / 0 / 16

HEX #7A51D7

RGB 122 81 215

HSL 258.36, 0.63%, 0.58%

LAB 45.54, 47.39, -63.12

 

CMYK 54 / 77 / 0 / 32

HEX #5027AD

RGB 80 39 173

HSL 258.36, 0.63%, 0.42%

LAB 29.85, 50.23, -64.33

 

CMYK 0 / 78 / 39 / 32

HEX #AE276B

RGB 174 39 107

HSL 329.78, 0.63%, 0.42%

LAB 40.43, 58.25, -6.08

 

CMYK 70 / 0 / 78 / 32

HEX #35AE27

RGB 53 174 39

HSL 113.78, 0.63%, 0.42%

LAB 62.66, -57.48, 55.33

 

CMYK 54 / 77 / 0 / 32

HEX #5027AD

RGB 80 39 173

HSL 258.36, 0.63%, 0.42%

LAB 29.85, 50.23, -64.33

 

CMYK 0 / 54 / 78 / 32

HEX #AE5027

RGB 174 80 39

HSL 18.22, 0.63%, 0.42%

LAB 45.47, 35.81, 41.2

 

CMYK 78 / 0 / 54 / 32

HEX #27AE50

RGB 39 174 80

HSL 138.22, 0.63%, 0.42%

LAB 62.75, -55.4, 38.03

 

CMYK 54 / 77 / 0 / 32

HEX #5027AD

RGB 80 39 173

HSL 258.36, 0.63%, 0.42%

LAB 29.85, 50.23, -64.33

 

CMYK 0 / 78 / 39 / 32

HEX #AE276B

RGB 174 39 107

HSL 329.78, 0.63%, 0.42%

LAB 40.43, 58.25, -6.08

 

CMYK 23 / 0 / 78 / 32

HEX #86AE27

RGB 134 174 39

HSL 77.78, 0.63%, 0.42%

LAB 66.13, -32.21, 59.85

 

CMYK 78 / 0 / 39 / 32

HEX #27AE6B

RGB 39 174 107

HSL 150.22, 0.63%, 0.42%

LAB 63.15, -50.73, 24.58

 

CMYK 54 / 77 / 0 / 32

HEX #5027AD

RGB 80 39 173

HSL 258.36, 0.63%, 0.42%

LAB 29.85, 50.23, -64.33

 

CMYK 0 / 78 / 62 / 32

HEX #AE2742

RGB 174 39 66

HSL 348, 0.63%, 0.42%

LAB 39.31, 54.77, 18.27

 

CMYK 23 / 0 / 78 / 32

HEX #86AE27

RGB 134 174 39

HSL 77.78, 0.63%, 0.42%

LAB 66.13, -32.21, 59.85

 

CMYK 78 / 0 / 16 / 32

HEX #27AE93

RGB 39 174 147

HSL 168, 0.63%, 0.42%

LAB 64.01, -41.44, 3.85

 

Description

Color code: RGB 80 39 173 | qconv.com Color code: RGB 80 39 173 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 39 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 39 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 77 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 77% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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