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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 231 39 it is the complementary color RGB 175 24 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 231 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 231 39 shade: RGB 85 231 34, RGB 102 249 53, RGB 119 255 72, RGB 136 255 91 and RGB 153 255 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 231 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 231 39 shade: RGB 80 231 39, RGB 63 213 20, RGB 46 195 1, RGB 29 177 0 and RGB 12 159 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 231 39 shade: RGB 80 231 39, RGB 131 231 39, RGB 183 231 39, RGB 231 226 39 and RGB 231 175 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 231 39 shade: RGB 80 231 39, RGB 39 231 50, RGB 39 231 101, RGB 39 231 153 and RGB 39 231 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 231 39 shade matches the following richer shades: RGB 80 231 39 and RGB 69 250 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 231 39 shade: RGB 80 231 39, RGB 91 211 58, RGB 102 192 78, RGB 113 172 97 and RGB 124 153 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 231 39 shade: RGB 183 231 39, RGB 131 231 39, RGB 80 231 39, RGB 39 231 48 and RGB 39 231 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 231 39 shade: RGB 50 169 18, RGB 62 206 22, RGB 80 231 39, RGB 110 235 76 and RGB 140 239 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 231 39 shade: RGB 80 231 39, RGB 39 231 227 and RGB 231 39 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 231 39 shade: RGB 80 231 39, RGB 39 80 231 and RGB 231 39 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 231 39 shade: RGB 80 231 39, RGB 39 231 227, RGB 189 39 231 and RGB 231 39 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 231 39 shade: RGB 80 231 39, RGB 39 176 231, RGB 189 39 231 and RGB 231 93 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 83 / 9

HEX #50E727

RGB 80 231 39

HSL 107.19, 0.8%, 0.53%

LAB 81.29, -70.63, 72.91

 

Complementary color

CMYK 19 / 89 / 0 / 15

HEX #AF18D8

RGB 175 24 216

HSL 287.19, 0.8%, 0.47%

LAB 45.26, 77.91, -63.82

 

CMYK 63 / 0 / 85 / 9

HEX #55E722

RGB 85 231 34

HSL 104.47, 0.8%, 0.52%

LAB 81.4, -69.8, 74.16

 

CMYK 59 / 0 / 79 / 2

HEX #66F935

RGB 102 249 53

HSL 105, 0.94%, 0.59%

LAB 87.4, -71.02, 75.14

 

CMYK 53 / 0 / 72 / 0

HEX #77FF48

RGB 119 255 72

HSL 104.59, 1%, 0.64%

LAB 89.82, -67.75, 71.8

 

CMYK 47 / 0 / 64 / 0

HEX #88FF5B

RGB 136 255 91

HSL 103.54, 1%, 0.68%

LAB 90.56, -61.67, 65.76

 

CMYK 40 / 0 / 57 / 0

HEX #99FF6E

RGB 153 255 110

HSL 102.21, 1%, 0.72%

LAB 91.42, -54.85, 59.01

 

CMYK 65 / 0 / 83 / 9

HEX #50E727

RGB 80 231 39

HSL 107.19, 0.8%, 0.53%

LAB 81.29, -70.63, 72.91

 

CMYK 70 / 0 / 91 / 16

HEX #3FD514

RGB 63 213 20

HSL 106.63, 0.83%, 0.46%

LAB 75.26, -68.92, 71.23

 

CMYK 76 / 0 / 99 / 24

HEX #2EC301

RGB 46 195 1

HSL 106.08, 0.99%, 0.38%

LAB 69.19, -66.64, 68.37

 

CMYK 84 / 0 / 100 / 31

HEX #1DB100

RGB 29 177 0

HSL 110.17, 1%, 0.35%

LAB 63.1, -63.56, 63.52

 

CMYK 92 / 0 / 100 / 38

HEX #0C9F00

RGB 12 159 0

HSL 115.47, 1%, 0.31%

LAB 56.95, -59.85, 58.53

 

CMYK 65 / 0 / 83 / 9

HEX #50E727

RGB 80 231 39

HSL 107.19, 0.8%, 0.53%

LAB 81.29, -70.63, 72.91

 

CMYK 43 / 0 / 83 / 9

HEX #83E727

RGB 131 231 39

HSL 91.25, 0.8%, 0.53%

LAB 82.98, -57.32, 75.05

 

CMYK 21 / 0 / 83 / 9

HEX #B7E727

RGB 183 231 39

HSL 75, 0.8%, 0.53%

LAB 85.69, -38.84, 78.47

 

CMYK 0 / 2 / 83 / 9

HEX #E7E227

RGB 231 226 39

HSL 58.44, 0.8%, 0.53%

LAB 87.74, -17.01, 81.57

 

CMYK 0 / 24 / 83 / 9

HEX #E7AF27

RGB 231 175 39

HSL 42.5, 0.8%, 0.53%

LAB 74.7, 9.04, 70.63

 

CMYK 65 / 0 / 83 / 9

HEX #50E727

RGB 80 231 39

HSL 107.19, 0.8%, 0.53%

LAB 81.29, -70.63, 72.91

 

CMYK 83 / 0 / 78 / 9

HEX #27E732

RGB 39 231 50

HSL 123.44, 0.8%, 0.53%

LAB 80.63, -76.14, 69.16

 

CMYK 83 / 0 / 56 / 9

HEX #27E765

RGB 39 231 101

HSL 139.38, 0.8%, 0.53%

LAB 81.03, -71.26, 50.05

 

CMYK 83 / 0 / 34 / 9

HEX #27E799

RGB 39 231 153

HSL 155.63, 0.8%, 0.53%

LAB 81.77, -62.51, 25.53

 

CMYK 83 / 0 / 11 / 9

HEX #27E7CD

RGB 39 231 205

HSL 171.88, 0.8%, 0.53%

LAB 82.91, -50.29, -0.08

 

CMYK 65 / 0 / 83 / 9

HEX #50E727

RGB 80 231 39

HSL 107.19, 0.8%, 0.53%

LAB 81.29, -70.63, 72.91

 

CMYK 72 / 0 / 92 / 2

HEX #45FA13

RGB 69 250 19

HSL 107.01, 0.96%, 0.53%

LAB 86.84, -79, 81.08

 

CMYK 65 / 0 / 83 / 9

HEX #50E727

RGB 80 231 39

HSL 107.19, 0.8%, 0.53%

LAB 81.29, -70.63, 72.91

 

CMYK 57 / 0 / 73 / 17

HEX #5BD33A

RGB 91 211 58

HSL 107.06, 0.63%, 0.53%

LAB 75.52, -60.34, 61.94

 

CMYK 47 / 0 / 59 / 25

HEX #66C04E

RGB 102 192 78

HSL 107.37, 0.48%, 0.53%

LAB 70.23, -48.33, 48.25

 

CMYK 34 / 0 / 44 / 33

HEX #71AC61

RGB 113 172 97

HSL 107.2, 0.31%, 0.53%

LAB 64.87, -33.76, 32.59

 

CMYK 19 / 0 / 24 / 40

HEX #7C9974

RGB 124 153 116

HSL 107.03, 0.15%, 0.53%

LAB 60.18, -17.46, 16.19

 

CMYK 21 / 0 / 83 / 9

HEX #B7E727

RGB 183 231 39

HSL 75, 0.8%, 0.53%

LAB 85.69, -38.84, 78.47

 

CMYK 43 / 0 / 83 / 9

HEX #83E727

RGB 131 231 39

HSL 91.25, 0.8%, 0.53%

LAB 82.98, -57.32, 75.05

 

CMYK 65 / 0 / 83 / 9

HEX #50E727

RGB 80 231 39

HSL 107.19, 0.8%, 0.53%

LAB 81.29, -70.63, 72.91

 

CMYK 83 / 0 / 79 / 9

HEX #27E730

RGB 39 231 48

HSL 122.81, 0.8%, 0.53%

LAB 80.63, -76.26, 69.72

 

CMYK 83 / 0 / 57 / 9

HEX #27E763

RGB 39 231 99

HSL 138.75, 0.8%, 0.53%

LAB 81.01, -71.52, 50.93

 

CMYK 70 / 0 / 89 / 34

HEX #32A912

RGB 50 169 18

HSL 107.28, 0.81%, 0.37%

LAB 60.87, -57.5, 59.21

 

CMYK 70 / 0 / 89 / 19

HEX #3ECE16

RGB 62 206 22

HSL 106.96, 0.81%, 0.45%

LAB 73.04, -66.87, 69.01

 

CMYK 65 / 0 / 83 / 9

HEX #50E727

RGB 80 231 39

HSL 107.19, 0.8%, 0.53%

LAB 81.29, -70.63, 72.91

 

CMYK 53 / 0 / 68 / 8

HEX #6EEB4C

RGB 110 235 76

HSL 107.17, 0.8%, 0.61%

LAB 83.58, -62.67, 63.83

 

CMYK 41 / 0 / 53 / 6

HEX #8CEF71

RGB 140 239 113

HSL 107.14, 0.8%, 0.69%

LAB 86.26, -52.04, 51.45

 

CMYK 65 / 0 / 83 / 9

HEX #50E727

RGB 80 231 39

HSL 107.19, 0.8%, 0.53%

LAB 81.29, -70.63, 72.91

 

CMYK 83 / 0 / 2 / 9

HEX #27E7E3

RGB 39 231 227

HSL 178.75, 0.8%, 0.53%

LAB 83.51, -44.26, -10.82

 

CMYK 0 / 83 / 32 / 9

HEX #E7279D

RGB 231 39 157

HSL 323.13, 0.8%, 0.53%

LAB 52.81, 77.36, -16.82

 

CMYK 65 / 0 / 83 / 9

HEX #50E727

RGB 80 231 39

HSL 107.19, 0.8%, 0.53%

LAB 81.29, -70.63, 72.91

 

CMYK 83 / 65 / 0 / 9

HEX #2750E7

RGB 39 80 231

HSL 227.19, 0.8%, 0.53%

LAB 41.12, 41.62, -79.67

 

CMYK 0 / 83 / 65 / 9

HEX #E72750

RGB 231 39 80

HSL 347.19, 0.8%, 0.53%

LAB 50.71, 71.28, 26.6

 

CMYK 65 / 0 / 83 / 9

HEX #50E727

RGB 80 231 39

HSL 107.19, 0.8%, 0.53%

LAB 81.29, -70.63, 72.91

 

CMYK 83 / 0 / 2 / 9

HEX #27E7E3

RGB 39 231 227

HSL 178.75, 0.8%, 0.53%

LAB 83.51, -44.26, -10.82

 

CMYK 18 / 83 / 0 / 9

HEX #BD27E7

RGB 189 39 231

HSL 286.88, 0.8%, 0.53%

LAB 49.54, 79.7, -65.32

 

CMYK 0 / 83 / 82 / 9

HEX #E7272A

RGB 231 39 42

HSL 359.06, 0.8%, 0.53%

LAB 50.22, 69.83, 47.78

 

CMYK 65 / 0 / 83 / 9

HEX #50E727

RGB 80 231 39

HSL 107.19, 0.8%, 0.53%

LAB 81.29, -70.63, 72.91

 

CMYK 83 / 24 / 0 / 9

HEX #27B0E7

RGB 39 176 231

HSL 197.19, 0.8%, 0.53%

LAB 67.47, -16.38, -37.44

 

CMYK 18 / 83 / 0 / 9

HEX #BD27E7

RGB 189 39 231

HSL 286.88, 0.8%, 0.53%

LAB 49.54, 79.7, -65.32

 

CMYK 0 / 60 / 83 / 9

HEX #E75D27

RGB 231 93 39

HSL 16.88, 0.8%, 0.53%

LAB 57.04, 51.03, 55.4

 

Description

Color code: RGB 80 231 39 | qconv.com Color code: RGB 80 231 39 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 231 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 231 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 83 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 83% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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