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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 225 100 it is the complementary color RGB 175 30 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 225 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 225 100 shade: RGB 85 225 95, RGB 102 243 114, RGB 119 255 133, RGB 136 255 152 and RGB 153 255 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 225 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 225 100 shade: RGB 80 225 100, RGB 63 207 81, RGB 46 189 62, RGB 29 171 43 and RGB 12 153 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 225 100 shade: RGB 80 225 100, RGB 99 225 80, RGB 138 225 80, RGB 177 225 80 and RGB 216 225 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 225 100 shade: RGB 80 225 100, RGB 80 225 139, RGB 80 225 178, RGB 80 225 217 and RGB 80 194 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 225 100 shade matches the following richer shades: RGB 80 225 100 and RGB 64 241 88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 225 100 shade: RGB 80 225 100, RGB 97 208 112, RGB 113 192 124, RGB 130 175 136 and RGB 146 159 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 225 100 shade: RGB 138 225 80, RGB 99 225 80, RGB 80 225 99, RGB 80 225 138 and RGB 80 225 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 225 100 shade: RGB 32 191 54, RGB 45 219 69, RGB 80 225 100, RGB 115 231 131 and RGB 151 237 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 225 100 shade: RGB 80 225 100, RGB 80 177 225 and RGB 225 80 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 225 100 shade: RGB 80 225 100, RGB 99 80 225 and RGB 225 99 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 225 100 shade: RGB 80 225 100, RGB 80 177 225, RGB 225 80 206 and RGB 225 128 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 225 100 shade: RGB 80 225 100, RGB 80 133 225, RGB 225 80 206 and RGB 225 172 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 56 / 12

HEX #50E164

RGB 80 225 100

HSL 128.28, 0.71%, 0.6%

LAB 79.88, -63.53, 49.32

 

Complementary color

CMYK 0 / 83 / 11 / 31

HEX #AF1E9B

RGB 175 30 155

HSL 308.28, 0.71%, 0.4%

LAB 41.86, 66.9, -33.41

 

CMYK 62 / 0 / 58 / 12

HEX #55E15F

RGB 85 225 95

HSL 124.29, 0.7%, 0.61%

LAB 79.96, -63.13, 51.7

 

CMYK 58 / 0 / 53 / 5

HEX #66F372

RGB 102 243 114

HSL 125.11, 0.85%, 0.68%

LAB 86.08, -63.53, 50.45

 

CMYK 53 / 0 / 48 / 0

HEX #77FF85

RGB 119 255 133

HSL 126.18, 1%, 0.73%

LAB 90.38, -61.48, 46.98

 

CMYK 47 / 0 / 40 / 0

HEX #88FF98

RGB 136 255 152

HSL 128.07, 1%, 0.77%

LAB 91.24, -54.42, 39.04

 

CMYK 40 / 0 / 33 / 0

HEX #99FFAB

RGB 153 255 171

HSL 130.59, 1%, 0.8%

LAB 92.24, -46.75, 31.04

 

CMYK 64 / 0 / 56 / 12

HEX #50E164

RGB 80 225 100

HSL 128.28, 0.71%, 0.6%

LAB 79.88, -63.53, 49.32

 

CMYK 70 / 0 / 61 / 19

HEX #3FCF51

RGB 63 207 81

HSL 127.5, 0.6%, 0.53%

LAB 73.72, -62.8, 50.6

 

CMYK 76 / 0 / 67 / 26

HEX #2EBD3E

RGB 46 189 62

HSL 126.71, 0.61%, 0.46%

LAB 67.52, -61.64, 51.71

 

CMYK 83 / 0 / 75 / 33

HEX #1DAB2B

RGB 29 171 43

HSL 125.92, 0.71%, 0.39%

LAB 61.27, -59.87, 52.45

 

CMYK 92 / 0 / 84 / 40

HEX #0C9918

RGB 12 153 24

HSL 125.11, 0.85%, 0.32%

LAB 55, -57.24, 52.39

 

CMYK 64 / 0 / 56 / 12

HEX #50E164

RGB 80 225 100

HSL 128.28, 0.71%, 0.6%

LAB 79.88, -63.53, 49.32

 

CMYK 56 / 0 / 64 / 12

HEX #63E150

RGB 99 225 80

HSL 112.14, 0.71%, 0.6%

LAB 80.23, -61.51, 58.55

 

CMYK 39 / 0 / 64 / 12

HEX #8AE150

RGB 138 225 80

HSL 96, 0.71%, 0.6%

LAB 81.75, -50.24, 60.64

 

CMYK 21 / 0 / 64 / 12

HEX #B1E150

RGB 177 225 80

HSL 79.86, 0.71%, 0.6%

LAB 83.85, -36.39, 63.52

 

CMYK 4 / 0 / 64 / 12

HEX #D8E150

RGB 216 225 80

HSL 63.72, 0.71%, 0.6%

LAB 86.52, -21, 67.14

 

CMYK 64 / 0 / 56 / 12

HEX #50E164

RGB 80 225 100

HSL 128.28, 0.71%, 0.6%

LAB 79.88, -63.53, 49.32

 

CMYK 64 / 0 / 38 / 12

HEX #50E18B

RGB 80 225 139

HSL 144.41, 0.71%, 0.6%

LAB 80.42, -57.56, 30.99

 

CMYK 64 / 0 / 21 / 12

HEX #50E1B2

RGB 80 225 178

HSL 160.55, 0.71%, 0.6%

LAB 81.17, -49.6, 11.75

 

CMYK 64 / 0 / 4 / 12

HEX #50E1D9

RGB 80 225 217

HSL 176.69, 0.71%, 0.6%

LAB 82.14, -39.92, -7.48

 

CMYK 64 / 14 / 0 / 12

HEX #50C2E1

RGB 80 194 225

HSL 192.83, 0.71%, 0.6%

LAB 73.37, -22.8, -24.99

 

CMYK 64 / 0 / 56 / 12

HEX #50E164

RGB 80 225 100

HSL 128.28, 0.71%, 0.6%

LAB 79.88, -63.53, 49.32

 

CMYK 73 / 0 / 63 / 5

HEX #40F158

RGB 64 241 88

HSL 128.14, 0.86%, 0.6%

LAB 84.33, -72.95, 59.56

 

CMYK 64 / 0 / 56 / 12

HEX #50E164

RGB 80 225 100

HSL 128.28, 0.71%, 0.6%

LAB 79.88, -63.53, 49.32

 

CMYK 53 / 0 / 46 / 18

HEX #61D070

RGB 97 208 112

HSL 128.11, 0.54%, 0.6%

LAB 75.34, -51.73, 38.11

 

CMYK 41 / 0 / 35 / 25

HEX #71C07C

RGB 113 192 124

HSL 128.35, 0.39%, 0.6%

LAB 71.33, -38.65, 26.87

 

CMYK 26 / 0 / 22 / 31

HEX #82AF88

RGB 130 175 136

HSL 128, 0.22%, 0.6%

LAB 67.41, -23.02, 15.22

 

CMYK 8 / 0 / 7 / 38

HEX #929F94

RGB 146 159 148

HSL 129.23, 0.06%, 0.6%

LAB 64.2, -6.78, 4.15

 

CMYK 39 / 0 / 64 / 12

HEX #8AE150

RGB 138 225 80

HSL 96, 0.71%, 0.6%

LAB 81.75, -50.24, 60.64

 

CMYK 56 / 0 / 64 / 12

HEX #63E150

RGB 99 225 80

HSL 112.14, 0.71%, 0.6%

LAB 80.23, -61.51, 58.55

 

CMYK 64 / 0 / 56 / 12

HEX #50E163

RGB 80 225 99

HSL 127.86, 0.71%, 0.6%

LAB 79.87, -63.66, 49.76

 

CMYK 64 / 0 / 39 / 12

HEX #50E18A

RGB 80 225 138

HSL 144, 0.71%, 0.6%

LAB 80.4, -57.74, 31.47

 

CMYK 64 / 0 / 21 / 12

HEX #50E1B1

RGB 80 225 177

HSL 160.14, 0.71%, 0.6%

LAB 81.14, -49.83, 12.25

 

CMYK 83 / 0 / 72 / 25

HEX #20BF36

RGB 32 191 54

HSL 128.3, 0.71%, 0.44%

LAB 67.9, -64.77, 55.19

 

CMYK 79 / 0 / 68 / 14

HEX #2DDB45

RGB 45 219 69

HSL 128.28, 0.71%, 0.52%

LAB 77.07, -70.52, 59.16

 

CMYK 64 / 0 / 56 / 12

HEX #50E164

RGB 80 225 100

HSL 128.28, 0.71%, 0.6%

LAB 79.88, -63.53, 49.32

 

CMYK 50 / 0 / 43 / 9

HEX #73E783

RGB 115 231 131

HSL 128.28, 0.71%, 0.68%

LAB 83.14, -53.46, 38.76

 

CMYK 36 / 0 / 31 / 7

HEX #97EDA3

RGB 151 237 163

HSL 128.37, 0.7%, 0.76%

LAB 86.89, -40.81, 27.88

 

CMYK 64 / 0 / 56 / 12

HEX #50E164

RGB 80 225 100

HSL 128.28, 0.71%, 0.6%

LAB 79.88, -63.53, 49.32

 

CMYK 64 / 21 / 0 / 12

HEX #50B1E1

RGB 80 177 225

HSL 199.86, 0.71%, 0.6%

LAB 68.45, -13.94, -32.55

 

CMYK 0 / 64 / 47 / 12

HEX #E15077

RGB 225 80 119

HSL 343.86, 0.71%, 0.6%

LAB 55.15, 59.22, 9.09

 

CMYK 64 / 0 / 56 / 12

HEX #50E164

RGB 80 225 100

HSL 128.28, 0.71%, 0.6%

LAB 79.88, -63.53, 49.32

 

CMYK 56 / 64 / 0 / 12

HEX #6350E1

RGB 99 80 225

HSL 247.86, 0.71%, 0.6%

LAB 43.98, 46.6, -71.44

 

CMYK 0 / 56 / 64 / 12

HEX #E16350

RGB 225 99 80

HSL 7.86, 0.71%, 0.6%

LAB 57.57, 47.85, 34.94

 

CMYK 64 / 0 / 56 / 12

HEX #50E164

RGB 80 225 100

HSL 128.28, 0.71%, 0.6%

LAB 79.88, -63.53, 49.32

 

CMYK 64 / 21 / 0 / 12

HEX #50B1E1

RGB 80 177 225

HSL 199.86, 0.71%, 0.6%

LAB 68.45, -13.94, -32.55

 

CMYK 0 / 64 / 8 / 12

HEX #E150CE

RGB 225 80 206

HSL 307.86, 0.71%, 0.6%

LAB 58.23, 69.93, -36.96

 

CMYK 0 / 43 / 64 / 12

HEX #E18050

RGB 225 128 80

HSL 19.86, 0.71%, 0.6%

LAB 63.36, 33.29, 41.88

 

CMYK 64 / 0 / 56 / 12

HEX #50E164

RGB 80 225 100

HSL 128.28, 0.71%, 0.6%

LAB 79.88, -63.53, 49.32

 

CMYK 64 / 41 / 0 / 12

HEX #5085E1

RGB 80 133 225

HSL 218.07, 0.71%, 0.6%

LAB 56, 11.21, -52.1

 

CMYK 0 / 64 / 8 / 12

HEX #E150CE

RGB 225 80 206

HSL 307.86, 0.71%, 0.6%

LAB 58.23, 69.93, -36.96

 

CMYK 0 / 24 / 64 / 12

HEX #E1AC50

RGB 225 172 80

HSL 38.07, 0.71%, 0.6%

LAB 73.61, 9.86, 53.56

 

Description

Color code: RGB 80 225 100 | qconv.com Color code: RGB 80 225 100 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 225 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 225 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 56 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 56% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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