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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 215 204 it is the complementary color RGB 175 40 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 215 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 215 204 shade: RGB 85 215 199, RGB 102 233 218, RGB 119 251 237, RGB 136 255 255 and RGB 153 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 215 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 215 204 shade: RGB 80 215 204, RGB 63 197 185, RGB 46 179 166, RGB 29 161 147 and RGB 12 143 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 215 204 shade: RGB 80 215 204, RGB 80 215 167, RGB 80 215 131, RGB 80 215 95 and RGB 102 215 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 215 204 shade: RGB 80 215 204, RGB 80 189 215, RGB 80 153 215, RGB 80 117 215 and RGB 80 80 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 215 204 shade matches the following richer shades: RGB 80 215 204, RGB 63 232 218 and RGB 45 250 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 215 204 shade: RGB 80 215 204, RGB 97 198 189, RGB 115 180 175, RGB 132 163 160 and RGB 149 146 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 215 204 shade: RGB 80 215 132, RGB 80 215 168, RGB 80 215 204, RGB 80 190 215 and RGB 80 154 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 215 204 shade: RGB 39 173 162, RGB 47 207 194, RGB 80 215 204, RGB 114 223 214 and RGB 147 230 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 215 204 shade: RGB 80 215 204, RGB 96 80 215 and RGB 215 150 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 215 204 shade: RGB 80 215 204, RGB 204 80 215 and RGB 215 204 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 215 204 shade: RGB 80 215 204, RGB 96 80 215, RGB 215 80 91 and RGB 199 215 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 215 204 shade: RGB 80 215 204, RGB 136 80 215, RGB 215 80 91 and RGB 159 215 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 5 / 16

HEX #50D7CC

RGB 80 215 204

HSL 175.11, 0.63%, 0.58%

LAB 78.85, -38.85, -5.43

 

Complementary color

CMYK 0 / 77 / 71 / 31

HEX #AF2833

RGB 175 40 51

HSL 355.11, 0.63%, 0.42%

LAB 39.36, 53.91, 27.73

 

CMYK 60 / 0 / 7 / 16

HEX #55D7C7

RGB 85 215 199

HSL 172.62, 0.62%, 0.59%

LAB 78.84, -39.32, -2.75

 

CMYK 56 / 0 / 6 / 9

HEX #66E9DA

RGB 102 233 218

HSL 173.13, 0.75%, 0.66%

LAB 85.08, -39.54, -3.61

 

CMYK 53 / 0 / 6 / 2

HEX #77FBED

RGB 119 251 237

HSL 173.64, 0.94%, 0.73%

LAB 91.25, -39.67, -4.41

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 63 / 0 / 5 / 16

HEX #50D7CC

RGB 80 215 204

HSL 175.11, 0.63%, 0.58%

LAB 78.85, -38.85, -5.43

 

CMYK 68 / 0 / 6 / 23

HEX #3FC5B9

RGB 63 197 185

HSL 174.63, 0.54%, 0.51%

LAB 72.56, -38.38, -4.51

 

CMYK 74 / 0 / 7 / 30

HEX #2EB3A6

RGB 46 179 166

HSL 174.14, 0.59%, 0.44%

LAB 66.19, -37.68, -3.49

 

CMYK 82 / 0 / 9 / 37

HEX #1DA193

RGB 29 161 147

HSL 173.64, 0.69%, 0.37%

LAB 59.76, -36.69, -2.36

 

CMYK 92 / 0 / 10 / 44

HEX #0C8F80

RGB 12 143 128

HSL 173.13, 0.85%, 0.3%

LAB 53.26, -35.28, -1.07

 

CMYK 63 / 0 / 5 / 16

HEX #50D7CC

RGB 80 215 204

HSL 175.11, 0.63%, 0.58%

LAB 78.85, -38.85, -5.43

 

CMYK 63 / 0 / 22 / 16

HEX #50D7A7

RGB 80 215 167

HSL 158.67, 0.63%, 0.58%

LAB 77.93, -47.92, 12.99

 

CMYK 63 / 0 / 39 / 16

HEX #50D783

RGB 80 215 131

HSL 142.67, 0.63%, 0.58%

LAB 77.25, -55.17, 30.88

 

CMYK 63 / 0 / 56 / 16

HEX #50D75F

RGB 80 215 95

HSL 126.67, 0.63%, 0.58%

LAB 76.76, -60.63, 47.91

 

CMYK 53 / 0 / 63 / 16

HEX #66D750

RGB 102 215 80

HSL 110.22, 0.63%, 0.58%

LAB 77.28, -57.07, 55.33

 

CMYK 63 / 0 / 5 / 16

HEX #50D7CC

RGB 80 215 204

HSL 175.11, 0.63%, 0.58%

LAB 78.85, -38.85, -5.43

 

CMYK 63 / 12 / 0 / 16

HEX #50BDD7

RGB 80 189 215

HSL 191.56, 0.63%, 0.58%

LAB 71.56, -23.27, -22.31

 

CMYK 63 / 29 / 0 / 16

HEX #5099D7

RGB 80 153 215

HSL 207.56, 0.63%, 0.58%

LAB 61.13, -3.91, -38.43

 

CMYK 63 / 46 / 0 / 16

HEX #5075D7

RGB 80 117 215

HSL 223.56, 0.63%, 0.58%

LAB 51.08, 17.57, -54.35

 

CMYK 63 / 63 / 0 / 16

HEX #5050D7

RGB 80 80 215

HSL 240, 0.63%, 0.58%

LAB 41.77, 40.48, -69.41

 

CMYK 63 / 0 / 5 / 16

HEX #50D7CC

RGB 80 215 204

HSL 175.11, 0.63%, 0.58%

LAB 78.85, -38.85, -5.43

 

CMYK 73 / 0 / 6 / 9

HEX #3FE8DA

RGB 63 232 218

HSL 175.03, 0.79%, 0.58%

LAB 83.88, -45.01, -5.48

 

CMYK 82 / 0 / 7 / 2

HEX #2DFAE9

RGB 45 250 233

HSL 175.02, 0.95%, 0.58%

LAB 89.3, -50.34, -5.37

 

CMYK 63 / 0 / 5 / 16

HEX #50D7CC

RGB 80 215 204

HSL 175.11, 0.63%, 0.58%

LAB 78.85, -38.85, -5.43

 

CMYK 51 / 0 / 5 / 22

HEX #61C6BD

RGB 97 198 189

HSL 174.65, 0.47%, 0.58%

LAB 73.94, -31.64, -4.54

 

CMYK 36 / 0 / 3 / 29

HEX #73B4AF

RGB 115 180 175

HSL 175.38, 0.3%, 0.58%

LAB 69.03, -21.85, -4.03

 

CMYK 19 / 0 / 2 / 36

HEX #84A3A0

RGB 132 163 160

HSL 174.19, 0.14%, 0.58%

LAB 64.67, -11.29, -1.99

 

CMYK 0 / 2 / 2 / 42

HEX #959292

RGB 149 146 146

HSL 0, 0.01%, 0.58%

LAB 60.8, 1.1, 0.38

 

CMYK 63 / 0 / 39 / 16

HEX #50D784

RGB 80 215 132

HSL 143.11, 0.63%, 0.58%

LAB 77.26, -54.99, 30.39

 

CMYK 63 / 0 / 22 / 16

HEX #50D7A8

RGB 80 215 168

HSL 159.11, 0.63%, 0.58%

LAB 77.95, -47.7, 12.49

 

CMYK 63 / 0 / 5 / 16

HEX #50D7CC

RGB 80 215 204

HSL 175.11, 0.63%, 0.58%

LAB 78.85, -38.85, -5.43

 

CMYK 63 / 12 / 0 / 16

HEX #50BED7

RGB 80 190 215

HSL 191.11, 0.63%, 0.58%

LAB 71.85, -23.78, -21.87

 

CMYK 63 / 28 / 0 / 16

HEX #509AD7

RGB 80 154 215

HSL 207.11, 0.63%, 0.58%

LAB 61.41, -4.47, -37.98

 

CMYK 77 / 0 / 6 / 32

HEX #27ADA2

RGB 39 173 162

HSL 175.07, 0.63%, 0.42%

LAB 64.1, -36.87, -4.37

 

CMYK 77 / 0 / 6 / 19

HEX #2FCFC2

RGB 47 207 194

HSL 175.13, 0.63%, 0.5%

LAB 75.53, -42.31, -5.03

 

CMYK 63 / 0 / 5 / 16

HEX #50D7CC

RGB 80 215 204

HSL 175.11, 0.63%, 0.58%

LAB 78.85, -38.85, -5.43

 

CMYK 49 / 0 / 4 / 13

HEX #72DFD6

RGB 114 223 214

HSL 175.05, 0.63%, 0.66%

LAB 82.49, -33.49, -5.26

 

CMYK 36 / 0 / 3 / 10

HEX #93E6DF

RGB 147 230 223

HSL 174.94, 0.62%, 0.74%

LAB 86.07, -26.74, -4.59

 

CMYK 63 / 0 / 5 / 16

HEX #50D7CC

RGB 80 215 204

HSL 175.11, 0.63%, 0.58%

LAB 78.85, -38.85, -5.43

 

CMYK 55 / 63 / 0 / 16

HEX #6050D7

RGB 96 80 215

HSL 247.11, 0.63%, 0.58%

LAB 42.96, 43.05, -67.41

 

CMYK 0 / 30 / 63 / 16

HEX #D79650

RGB 215 150 80

HSL 31.11, 0.63%, 0.58%

LAB 67.16, 17.44, 45.98

 

CMYK 63 / 0 / 5 / 16

HEX #50D7CC

RGB 80 215 204

HSL 175.11, 0.63%, 0.58%

LAB 78.85, -38.85, -5.43

 

CMYK 5 / 63 / 0 / 16

HEX #CC50D7

RGB 204 80 215

HSL 295.11, 0.63%, 0.58%

LAB 55.56, 66.34, -46.48

 

CMYK 0 / 5 / 63 / 16

HEX #D7CC50

RGB 215 204 80

HSL 55.11, 0.63%, 0.58%

LAB 80.86, -11.01, 61.16

 

CMYK 63 / 0 / 5 / 16

HEX #50D7CC

RGB 80 215 204

HSL 175.11, 0.63%, 0.58%

LAB 78.85, -38.85, -5.43

 

CMYK 55 / 63 / 0 / 16

HEX #6050D7

RGB 96 80 215

HSL 247.11, 0.63%, 0.58%

LAB 42.96, 43.05, -67.41

 

CMYK 0 / 63 / 58 / 16

HEX #D7505B

RGB 215 80 91

HSL 355.11, 0.63%, 0.58%

LAB 52.88, 53.73, 22.32

 

CMYK 7 / 0 / 63 / 16

HEX #C7D750

RGB 199 215 80

HSL 67.11, 0.63%, 0.58%

LAB 82.55, -23.05, 62.59

 

CMYK 63 / 0 / 5 / 16

HEX #50D7CC

RGB 80 215 204

HSL 175.11, 0.63%, 0.58%

LAB 78.85, -38.85, -5.43

 

CMYK 37 / 63 / 0 / 16

HEX #8850D7

RGB 136 80 215

HSL 264.89, 0.63%, 0.58%

LAB 46.81, 50.83, -60.98

 

CMYK 0 / 63 / 58 / 16

HEX #D7505B

RGB 215 80 91

HSL 355.11, 0.63%, 0.58%

LAB 52.88, 53.73, 22.32

 

CMYK 26 / 0 / 63 / 16

HEX #9FD750

RGB 159 215 80

HSL 84.89, 0.63%, 0.58%

LAB 79.93, -38.64, 58.99

 

Description

Color code: RGB 80 215 204 | qconv.com Color code: RGB 80 215 204 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 215 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 215 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 5 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 5% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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