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Color name
RGB 80 207 12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 207 12 it is the complementary color RGB 175 48 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 207 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 207 12 shade: RGB 85 207 7, RGB 102 225 26, RGB 119 243 45, RGB 136 255 64 and RGB 153 255 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 207 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 207 12 shade: RGB 80 207 12, RGB 63 189 0, RGB 46 171 0, RGB 29 153 0 and RGB 12 135 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 207 12 shade: RGB 80 207 12, RGB 132 207 12, RGB 185 207 12, RGB 207 176 12 and RGB 207 123 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 207 12 shade: RGB 80 207 12, RGB 27 207 12, RGB 12 207 49, RGB 12 207 101 and RGB 12 207 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 207 12 shade matches the following richer shades: RGB 80 207 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 207 12 shade: RGB 80 207 12, RGB 85 189 29, RGB 90 171 47, RGB 96 154 65 and RGB 101 136 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 207 12 shade: RGB 184 207 12, RGB 132 207 12, RGB 80 207 12, RGB 28 207 12 and RGB 12 207 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 207 12 shade: RGB 49 129 7, RGB 65 168 9, RGB 80 207 12, RGB 96 241 19 and RGB 122 243 58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 207 12 shade: RGB 80 207 12, RGB 12 207 177 and RGB 207 12 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 207 12 shade: RGB 80 207 12, RGB 12 80 207 and RGB 207 12 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 207 12 shade: RGB 80 207 12, RGB 12 207 177, RGB 138 12 207 and RGB 207 12 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 207 12 shade: RGB 80 207 12, RGB 12 177 207, RGB 138 12 207 and RGB 207 41 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 94 / 19

HEX #50CF0C

RGB 80 207 12

HSL 99.08, 0.89%, 0.43%

LAB 73.78, -63.7, 71.22

 

Complementary color

CMYK 28 / 80 / 0 / 5

HEX #AF30F3

RGB 175 48 243

HSL 279.08, 0.89%, 0.57%

LAB 49.13, 77.36, -72.85

 

CMYK 59 / 0 / 97 / 19

HEX #55CF07

RGB 85 207 7

HSL 96.6, 0.93%, 0.42%

LAB 73.92, -62.59, 71.91

 

CMYK 55 / 0 / 88 / 12

HEX #66E11A

RGB 102 225 26

HSL 97.09, 0.79%, 0.49%

LAB 80.04, -64, 74.71

 

CMYK 51 / 0 / 81 / 5

HEX #77F32D

RGB 119 243 45

HSL 97.58, 0.89%, 0.56%

LAB 86.11, -65.03, 76.24

 

CMYK 47 / 0 / 75 / 0

HEX #88FF40

RGB 136 255 64

HSL 97.38, 1%, 0.63%

LAB 90.38, -63.59, 75.15

 

CMYK 40 / 0 / 67 / 0

HEX #99FF53

RGB 153 255 83

HSL 95.58, 1%, 0.66%

LAB 91.2, -57.2, 69.72

 

CMYK 61 / 0 / 94 / 19

HEX #50CF0C

RGB 80 207 12

HSL 99.08, 0.89%, 0.43%

LAB 73.78, -63.7, 71.22

 

CMYK 67 / 0 / 100 / 26

HEX #3FBD00

RGB 63 189 0

HSL 100, 1%, 0.37%

LAB 67.61, -61.79, 67.38

 

CMYK 73 / 0 / 100 / 33

HEX #2EAB00

RGB 46 171 0

HSL 103.86, 1%, 0.34%

LAB 61.4, -59.34, 62.28

 

CMYK 81 / 0 / 100 / 40

HEX #1D9900

RGB 29 153 0

HSL 108.63, 1%, 0.3%

LAB 55.12, -56.42, 57.14

 

CMYK 91 / 0 / 100 / 47

HEX #0C8700

RGB 12 135 0

HSL 114.67, 1%, 0.26%

LAB 48.77, -52.84, 51.97

 

CMYK 61 / 0 / 94 / 19

HEX #50CF0C

RGB 80 207 12

HSL 99.08, 0.89%, 0.43%

LAB 73.78, -63.7, 71.22

 

CMYK 36 / 0 / 94 / 19

HEX #84CF0C

RGB 132 207 12

HSL 83.08, 0.89%, 0.43%

LAB 75.8, -48.22, 73.7

 

CMYK 11 / 0 / 94 / 19

HEX #B9CF0C

RGB 185 207 12

HSL 66.77, 0.89%, 0.43%

LAB 79.02, -27.57, 77.61

 

CMYK 0 / 15 / 94 / 19

HEX #CFB00C

RGB 207 176 12

HSL 50.46, 0.89%, 0.43%

LAB 72.46, -2.5, 73.44

 

CMYK 0 / 41 / 94 / 19

HEX #CF7B0C

RGB 207 123 12

HSL 34.15, 0.89%, 0.43%

LAB 59.4, 26.02, 63.98

 

CMYK 61 / 0 / 94 / 19

HEX #50CF0C

RGB 80 207 12

HSL 99.08, 0.89%, 0.43%

LAB 73.78, -63.7, 71.22

 

CMYK 87 / 0 / 94 / 19

HEX #1BCF0C

RGB 27 207 12

HSL 115.38, 0.89%, 0.43%

LAB 72.82, -72.02, 70.04

 

CMYK 94 / 0 / 76 / 19

HEX #0CCF31

RGB 12 207 49

HSL 131.38, 0.89%, 0.43%

LAB 72.84, -71.28, 61.86

 

CMYK 94 / 0 / 51 / 19

HEX #0CCF65

RGB 12 207 101

HSL 147.38, 0.89%, 0.43%

LAB 73.31, -65.41, 40.65

 

CMYK 94 / 0 / 26 / 19

HEX #0CCF9A

RGB 12 207 154

HSL 163.69, 0.89%, 0.43%

LAB 74.21, -54.99, 14.53

 

CMYK 61 / 0 / 94 / 19

HEX #50CF0C

RGB 80 207 12

HSL 99.08, 0.89%, 0.43%

LAB 73.78, -63.7, 71.22

 

CMYK 61 / 0 / 94 / 19

HEX #50CF0C

RGB 80 207 12

HSL 99.08, 0.89%, 0.43%

LAB 73.78, -63.7, 71.22

 

CMYK 55 / 0 / 85 / 26

HEX #55BD1D

RGB 85 189 29

HSL 99, 0.73%, 0.43%

LAB 68.33, -55.71, 63.74

 

CMYK 47 / 0 / 73 / 33

HEX #5AAB2F

RGB 90 171 47

HSL 99.19, 0.57%, 0.43%

LAB 62.93, -46.38, 53.19

 

CMYK 38 / 0 / 58 / 40

HEX #609A41

RGB 96 154 65

HSL 99.1, 0.41%, 0.43%

LAB 58.02, -35.5, 40.17

 

CMYK 26 / 0 / 39 / 47

HEX #658853

RGB 101 136 83

HSL 99.62, 0.24%, 0.43%

LAB 52.95, -22.67, 24.59

 

CMYK 11 / 0 / 94 / 19

HEX #B8CF0C

RGB 184 207 12

HSL 67.08, 0.89%, 0.43%

LAB 78.95, -27.99, 77.53

 

CMYK 36 / 0 / 94 / 19

HEX #84CF0C

RGB 132 207 12

HSL 83.08, 0.89%, 0.43%

LAB 75.8, -48.22, 73.7

 

CMYK 61 / 0 / 94 / 19

HEX #50CF0C

RGB 80 207 12

HSL 99.08, 0.89%, 0.43%

LAB 73.78, -63.7, 71.22

 

CMYK 86 / 0 / 94 / 19

HEX #1CCF0C

RGB 28 207 12

HSL 115.08, 0.89%, 0.43%

LAB 72.83, -71.93, 70.05

 

CMYK 94 / 0 / 77 / 19

HEX #0CCF2F

RGB 12 207 47

HSL 130.77, 0.89%, 0.43%

LAB 72.83, -71.42, 62.48

 

CMYK 62 / 0 / 95 / 49

HEX #318107

RGB 49 129 7

HSL 99.34, 0.9%, 0.27%

LAB 47.45, -44.31, 49.83

 

CMYK 61 / 0 / 95 / 34

HEX #41A809

RGB 65 168 9

HSL 98.87, 0.9%, 0.35%

LAB 60.91, -54.12, 60.85

 

CMYK 61 / 0 / 94 / 19

HEX #50CF0C

RGB 80 207 12

HSL 99.08, 0.89%, 0.43%

LAB 73.78, -63.7, 71.22

 

CMYK 60 / 0 / 92 / 5

HEX #60F113

RGB 96 241 19

HSL 99.19, 0.89%, 0.51%

LAB 84.71, -71.02, 79.57

 

CMYK 50 / 0 / 76 / 5

HEX #7AF33A

RGB 122 243 58

HSL 99.24, 0.89%, 0.59%

LAB 86.28, -63.55, 72.86

 

CMYK 61 / 0 / 94 / 19

HEX #50CF0C

RGB 80 207 12

HSL 99.08, 0.89%, 0.43%

LAB 73.78, -63.7, 71.22

 

CMYK 94 / 0 / 14 / 19

HEX #0CCFB1

RGB 12 207 177

HSL 170.77, 0.89%, 0.43%

LAB 74.75, -49.22, 2.95

 

CMYK 0 / 94 / 24 / 19

HEX #CF0C9E

RGB 207 12 158

HSL 315.08, 0.89%, 0.43%

LAB 46.97, 76.54, -26.78

 

CMYK 61 / 0 / 94 / 19

HEX #50CF0C

RGB 80 207 12

HSL 99.08, 0.89%, 0.43%

LAB 73.78, -63.7, 71.22

 

CMYK 94 / 61 / 0 / 19

HEX #0C50CF

RGB 12 80 207

HSL 219.08, 0.89%, 0.43%

LAB 38.41, 31.29, -70.4

 

CMYK 0 / 94 / 61 / 19

HEX #CF0C50

RGB 207 12 80

HSL 339.08, 0.89%, 0.43%

LAB 44.39, 69.66, 17.41

 

CMYK 61 / 0 / 94 / 19

HEX #50CF0C

RGB 80 207 12

HSL 99.08, 0.89%, 0.43%

LAB 73.78, -63.7, 71.22

 

CMYK 94 / 0 / 14 / 19

HEX #0CCFB1

RGB 12 207 177

HSL 170.77, 0.89%, 0.43%

LAB 74.75, -49.22, 2.95

 

CMYK 33 / 94 / 0 / 19

HEX #8A0CCF

RGB 138 12 207

HSL 278.77, 0.89%, 0.43%

LAB 38.15, 73.02, -70.47

 

CMYK 0 / 94 / 80 / 19

HEX #CF0C29

RGB 207 12 41

HSL 351.08, 0.89%, 0.43%

LAB 43.78, 67.98, 40.37

 

CMYK 61 / 0 / 94 / 19

HEX #50CF0C

RGB 80 207 12

HSL 99.08, 0.89%, 0.43%

LAB 73.78, -63.7, 71.22

 

CMYK 94 / 14 / 0 / 19

HEX #0CB1CF

RGB 12 177 207

HSL 189.23, 0.89%, 0.43%

LAB 66.54, -26.54, -25.71

 

CMYK 33 / 94 / 0 / 19

HEX #8A0CCF

RGB 138 12 207

HSL 278.77, 0.89%, 0.43%

LAB 38.15, 73.02, -70.47

 

CMYK 0 / 80 / 94 / 19

HEX #CF290C

RGB 207 41 12

HSL 8.92, 0.89%, 0.43%

LAB 45.47, 62.08, 54.86

 

Description

Color code: RGB 80 207 12 | qconv.com Color code: RGB 80 207 12 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 207 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 207 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 94 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 94% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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