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Color name
RGB 80 200 60

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 200 60 it is the complementary color RGB 175 55 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 200 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 200 60 shade: RGB 85 200 55, RGB 102 218 74, RGB 119 236 93, RGB 136 254 112 and RGB 153 255 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 200 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 200 60 shade: RGB 80 200 60, RGB 63 182 41, RGB 46 164 22, RGB 29 146 3 and RGB 12 128 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 200 60 shade: RGB 80 200 60, RGB 117 200 60, RGB 155 200 60, RGB 193 200 60 and RGB 200 169 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 200 60 shade: RGB 80 200 60, RGB 60 200 77, RGB 60 200 115, RGB 60 200 153 and RGB 60 200 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 200 60 shade matches the following richer shades: RGB 80 200 60, RGB 65 220 39 and RGB 51 240 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 200 60 shade: RGB 80 200 60, RGB 94 179 80, RGB 108 159 100, RGB 123 139 120 and RGB 137 119 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 200 60 shade: RGB 155 200 60, RGB 118 200 60, RGB 81 200 60, RGB 60 200 76 and RGB 60 200 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 200 60 shade: RGB 53 138 39, RGB 65 170 48, RGB 80 200 60, RGB 108 209 92 and RGB 137 218 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 200 60 shade: RGB 80 200 60, RGB 60 193 200 and RGB 200 60 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 200 60 shade: RGB 80 200 60, RGB 60 81 200 and RGB 200 60 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 200 60 shade: RGB 80 200 60, RGB 60 193 200, RGB 179 60 200 and RGB 200 67 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 200 60 shade: RGB 80 200 60, RGB 60 151 200, RGB 179 60 200 and RGB 200 109 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 70 / 22

HEX #50C83C

RGB 80 200 60

HSL 111.43, 0.56%, 0.51%

LAB 71.79, -58.98, 57.27

 

Complementary color

CMYK 10 / 72 / 0 / 24

HEX #AF37C3

RGB 175 55 195

HSL 291.43, 0.56%, 0.49%

LAB 46.69, 65.97, -49.39

 

CMYK 58 / 0 / 73 / 22

HEX #55C837

RGB 85 200 55

HSL 107.59, 0.57%, 0.5%

LAB 71.9, -58.15, 59.29

 

CMYK 53 / 0 / 66 / 15

HEX #66DA4A

RGB 102 218 74

HSL 108.33, 0.66%, 0.57%

LAB 78.15, -58.74, 58.75

 

CMYK 50 / 0 / 61 / 7

HEX #77EC5D

RGB 119 236 93

HSL 109.09, 0.79%, 0.65%

LAB 84.33, -59.08, 57.87

 

CMYK 46 / 0 / 56 / 0

HEX #88FE70

RGB 136 254 112

HSL 109.86, 0.99%, 0.72%

LAB 90.45, -59.25, 56.83

 

CMYK 40 / 0 / 49 / 0

HEX #99FF83

RGB 153 255 131

HSL 109.35, 1%, 0.76%

LAB 91.65, -52.5, 49.78

 

CMYK 60 / 0 / 70 / 22

HEX #50C83C

RGB 80 200 60

HSL 111.43, 0.56%, 0.51%

LAB 71.79, -58.98, 57.27

 

CMYK 65 / 0 / 77 / 29

HEX #3FB629

RGB 63 182 41

HSL 110.64, 0.63%, 0.44%

LAB 65.49, -58, 57.51

 

CMYK 72 / 0 / 87 / 36

HEX #2EA416

RGB 46 164 22

HSL 109.86, 0.76%, 0.36%

LAB 59.15, -56.47, 56.82

 

CMYK 80 / 0 / 98 / 43

HEX #1D9203

RGB 29 146 3

HSL 109.09, 0.96%, 0.29%

LAB 52.76, -54.18, 54.74

 

CMYK 91 / 0 / 100 / 50

HEX #0C8000

RGB 12 128 0

HSL 114.38, 1%, 0.25%

LAB 46.33, -50.74, 50.03

 

CMYK 60 / 0 / 70 / 22

HEX #50C83C

RGB 80 200 60

HSL 111.43, 0.56%, 0.51%

LAB 71.79, -58.98, 57.27

 

CMYK 42 / 0 / 70 / 22

HEX #75C83C

RGB 117 200 60

HSL 95.57, 0.56%, 0.51%

LAB 73.17, -48.48, 59.13

 

CMYK 23 / 0 / 70 / 22

HEX #9BC83C

RGB 155 200 60

HSL 79.29, 0.56%, 0.51%

LAB 75.2, -34.78, 61.86

 

CMYK 4 / 0 / 70 / 22

HEX #C1C83C

RGB 193 200 60

HSL 63, 0.56%, 0.51%

LAB 77.86, -19.36, 65.38

 

CMYK 0 / 16 / 70 / 22

HEX #C8A93C

RGB 200 169 60

HSL 46.71, 0.56%, 0.51%

LAB 70.16, -0.41, 57.91

 

CMYK 60 / 0 / 70 / 22

HEX #50C83C

RGB 80 200 60

HSL 111.43, 0.56%, 0.51%

LAB 71.79, -58.98, 57.27

 

CMYK 70 / 0 / 62 / 22

HEX #3CC84D

RGB 60 200 77

HSL 127.29, 0.56%, 0.51%

LAB 71.42, -61.42, 49.72

 

CMYK 70 / 0 / 43 / 22

HEX #3CC873

RGB 60 200 115

HSL 143.57, 0.56%, 0.51%

LAB 71.9, -55.92, 31.98

 

CMYK 70 / 0 / 24 / 22

HEX #3CC899

RGB 60 200 153

HSL 159.86, 0.56%, 0.51%

LAB 72.61, -48.18, 12.89

 

CMYK 70 / 0 / 5 / 22

HEX #3CC8BF

RGB 60 200 191

HSL 176.14, 0.56%, 0.51%

LAB 73.57, -38.51, -6.29

 

CMYK 60 / 0 / 70 / 22

HEX #50C83C

RGB 80 200 60

HSL 111.43, 0.56%, 0.51%

LAB 71.79, -58.98, 57.27

 

CMYK 70 / 0 / 82 / 14

HEX #41DC27

RGB 65 220 39

HSL 111.38, 0.72%, 0.51%

LAB 77.55, -70, 69.4

 

CMYK 79 / 0 / 92 / 6

HEX #33F013

RGB 51 240 19

HSL 111.31, 0.88%, 0.51%

LAB 83.48, -78.64, 78.17

 

CMYK 60 / 0 / 70 / 22

HEX #50C83C

RGB 80 200 60

HSL 111.43, 0.56%, 0.51%

LAB 71.79, -58.98, 57.27

 

CMYK 47 / 0 / 55 / 30

HEX #5EB350

RGB 94 179 80

HSL 111.52, 0.39%, 0.51%

LAB 65.9, -45.18, 42.19

 

CMYK 32 / 0 / 37 / 38

HEX #6C9F64

RGB 108 159 100

HSL 111.86, 0.24%, 0.51%

LAB 60.7, -28.88, 25.53

 

CMYK 12 / 0 / 14 / 45

HEX #7B8B78

RGB 123 139 120

HSL 110.53, 0.08%, 0.51%

LAB 56.12, -9.6, 8.22

 

CMYK 2 / 15 / 0 / 45

HEX #89778C

RGB 137 119 140

HSL 291.43, 0.08%, 0.51%

LAB 52.29, 10.98, -8.84

 

CMYK 23 / 0 / 70 / 22

HEX #9BC83C

RGB 155 200 60

HSL 79.29, 0.56%, 0.51%

LAB 75.2, -34.78, 61.86

 

CMYK 41 / 0 / 70 / 22

HEX #76C83C

RGB 118 200 60

HSL 95.14, 0.56%, 0.51%

LAB 73.21, -48.15, 59.19

 

CMYK 60 / 0 / 70 / 22

HEX #51C83C

RGB 81 200 60

HSL 111, 0.56%, 0.51%

LAB 71.81, -58.74, 57.31

 

CMYK 70 / 0 / 62 / 22

HEX #3CC84C

RGB 60 200 76

HSL 126.86, 0.56%, 0.51%

LAB 71.41, -61.53, 50.15

 

CMYK 70 / 0 / 44 / 22

HEX #3CC871

RGB 60 200 113

HSL 142.71, 0.56%, 0.51%

LAB 71.87, -56.26, 32.96

 

CMYK 62 / 0 / 72 / 46

HEX #358A27

RGB 53 138 39

HSL 111.52, 0.56%, 0.35%

LAB 50.78, -44.76, 43.39

 

CMYK 62 / 0 / 72 / 33

HEX #41AA30

RGB 65 170 48

HSL 111.64, 0.56%, 0.43%

LAB 61.73, -52.84, 51.3

 

CMYK 60 / 0 / 70 / 22

HEX #50C83C

RGB 80 200 60

HSL 111.43, 0.56%, 0.51%

LAB 71.79, -58.98, 57.27

 

CMYK 48 / 0 / 56 / 18

HEX #6CD15C

RGB 108 209 92

HSL 111.79, 0.56%, 0.59%

LAB 75.8, -51.82, 48.38

 

CMYK 37 / 0 / 43 / 15

HEX #89DA7C

RGB 137 218 124

HSL 111.7, 0.56%, 0.67%

LAB 80.13, -42.74, 38.57

 

CMYK 60 / 0 / 70 / 22

HEX #50C83C

RGB 80 200 60

HSL 111.43, 0.56%, 0.51%

LAB 71.79, -58.98, 57.27

 

CMYK 70 / 4 / 0 / 22

HEX #3CC1C8

RGB 60 193 200

HSL 183, 0.56%, 0.51%

LAB 71.74, -32.69, -13.91

 

CMYK 0 / 70 / 32 / 22

HEX #C83C89

RGB 200 60 137

HSL 327, 0.56%, 0.51%

LAB 48.66, 61.55, -11.69

 

CMYK 60 / 0 / 70 / 22

HEX #50C83C

RGB 80 200 60

HSL 111.43, 0.56%, 0.51%

LAB 71.79, -58.98, 57.27

 

CMYK 70 / 60 / 0 / 22

HEX #3C51C8

RGB 60 81 200

HSL 231, 0.56%, 0.51%

LAB 39.61, 31.9, -64.34

 

CMYK 0 / 70 / 60 / 22

HEX #C83C51

RGB 200 60 81

HSL 351, 0.56%, 0.51%

LAB 47.11, 56.33, 20.19

 

CMYK 60 / 0 / 70 / 22

HEX #50C83C

RGB 80 200 60

HSL 111.43, 0.56%, 0.51%

LAB 71.79, -58.98, 57.27

 

CMYK 70 / 4 / 0 / 22

HEX #3CC1C8

RGB 60 193 200

HSL 183, 0.56%, 0.51%

LAB 71.74, -32.69, -13.91

 

CMYK 11 / 70 / 0 / 22

HEX #B33CC8

RGB 179 60 200

HSL 291, 0.56%, 0.51%

LAB 48.24, 65.9, -49.77

 

CMYK 0 / 67 / 70 / 22

HEX #C8433C

RGB 200 67 60

HSL 3, 0.56%, 0.51%

LAB 47.78, 52.32, 33.52

 

CMYK 60 / 0 / 70 / 22

HEX #50C83C

RGB 80 200 60

HSL 111.43, 0.56%, 0.51%

LAB 71.79, -58.98, 57.27

 

CMYK 70 / 25 / 0 / 22

HEX #3C97C8

RGB 60 151 200

HSL 201, 0.56%, 0.51%

LAB 59.22, -11.04, -33.07

 

CMYK 11 / 70 / 0 / 22

HEX #B33CC8

RGB 179 60 200

HSL 291, 0.56%, 0.51%

LAB 48.24, 65.9, -49.77

 

CMYK 0 / 46 / 70 / 22

HEX #C86D3C

RGB 200 109 60

HSL 21, 0.56%, 0.51%

LAB 55.63, 32.09, 42.5

 

Description

Color code: RGB 80 200 60 | qconv.com Color code: RGB 80 200 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 200 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 200 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 70% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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