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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 196 220 it is the complementary color RGB 175 59 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 196 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 196 220 shade: RGB 85 196 215, RGB 102 214 234, RGB 119 232 253, RGB 136 250 255 and RGB 153 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 196 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 196 220 shade: RGB 80 196 220, RGB 63 178 201, RGB 46 160 182, RGB 29 142 163 and RGB 12 124 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 196 220 shade: RGB 80 196 220, RGB 80 158 220, RGB 80 120 220, RGB 80 83 220 and RGB 115 80 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 196 220 shade: RGB 80 196 220, RGB 80 158 220, RGB 80 120 220, RGB 80 83 220 and RGB 80 80 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 196 220 shade matches the following richer shades: RGB 80 196 220, RGB 63 207 237 and RGB 46 218 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 196 220 shade: RGB 80 196 220, RGB 97 185 203, RGB 114 174 186, RGB 131 163 169 and RGB 148 152 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 196 220 shade: RGB 80 220 169, RGB 80 220 206, RGB 80 197 220, RGB 80 159 220 and RGB 80 122 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 196 220 shade: RGB 36 157 182, RGB 45 184 213, RGB 80 196 220, RGB 114 208 227 and RGB 149 219 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 196 220 shade: RGB 80 196 220, RGB 131 80 220 and RGB 220 187 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 196 220 shade: RGB 80 196 220, RGB 220 80 197 and RGB 197 220 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 196 220 shade: RGB 80 196 220, RGB 131 80 220, RGB 220 103 80 and RGB 169 220 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 196 220 shade: RGB 80 196 220, RGB 173 80 220, RGB 220 103 80 and RGB 127 220 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 11 / 0 / 14

HEX #50C4DC

RGB 80 196 220

HSL 190.29, 0.67%, 0.59%

LAB 73.77, -25.3, -21.66

 

Complementary color

CMYK 0 / 66 / 80 / 31

HEX #AF3B23

RGB 175 59 35

HSL 10.29, 0.67%, 0.41%

LAB 41.79, 46.05, 39.59

 

CMYK 60 / 9 / 0 / 16

HEX #55C4D7

RGB 85 196 215

HSL 188.77, 0.62%, 0.59%

LAB 73.75, -25.93, -18.97

 

CMYK 56 / 9 / 0 / 8

HEX #66D6EA

RGB 102 214 234

HSL 189.09, 0.76%, 0.66%

LAB 80.1, -26.33, -19.53

 

CMYK 53 / 8 / 0 / 1

HEX #77E8FD

RGB 119 232 253

HSL 189.4, 0.97%, 0.73%

LAB 86.37, -26.63, -20.05

 

CMYK 47 / 2 / 0 / 0

HEX #88FAFF

RGB 136 250 255

HSL 182.52, 1%, 0.77%

LAB 92.05, -31.21, -12.49

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 64 / 11 / 0 / 14

HEX #50C4DC

RGB 80 196 220

HSL 190.29, 0.67%, 0.59%

LAB 73.77, -25.3, -21.66

 

CMYK 69 / 11 / 0 / 21

HEX #3FB2C9

RGB 63 178 201

HSL 190, 0.56%, 0.52%

LAB 67.36, -24.61, -21.07

 

CMYK 75 / 12 / 0 / 29

HEX #2EA0B6

RGB 46 160 182

HSL 189.71, 0.6%, 0.45%

LAB 60.87, -23.69, -20.42

 

CMYK 82 / 13 / 0 / 36

HEX #1D8EA3

RGB 29 142 163

HSL 189.4, 0.7%, 0.38%

LAB 54.29, -22.44, -19.69

 

CMYK 92 / 14 / 0 / 44

HEX #0C7C90

RGB 12 124 144

HSL 189.09, 0.85%, 0.31%

LAB 47.63, -20.74, -18.85

 

CMYK 64 / 11 / 0 / 14

HEX #50C4DC

RGB 80 196 220

HSL 190.29, 0.67%, 0.59%

LAB 73.77, -25.3, -21.66

 

CMYK 64 / 28 / 0 / 14

HEX #509EDC

RGB 80 158 220

HSL 206.57, 0.67%, 0.59%

LAB 62.78, -5.1, -38.62

 

CMYK 64 / 45 / 0 / 14

HEX #5078DC

RGB 80 120 220

HSL 222.86, 0.67%, 0.59%

LAB 52.18, 17.44, -55.41

 

CMYK 64 / 62 / 0 / 14

HEX #5053DC

RGB 80 83 220

HSL 238.71, 0.67%, 0.59%

LAB 42.85, 40.31, -70.49

 

CMYK 48 / 64 / 0 / 14

HEX #7350DC

RGB 115 80 220

HSL 255, 0.67%, 0.59%

LAB 45.01, 47.95, -66.86

 

CMYK 64 / 11 / 0 / 14

HEX #50C4DC

RGB 80 196 220

HSL 190.29, 0.67%, 0.59%

LAB 73.77, -25.3, -21.66

 

CMYK 64 / 28 / 0 / 14

HEX #509EDC

RGB 80 158 220

HSL 206.57, 0.67%, 0.59%

LAB 62.78, -5.1, -38.62

 

CMYK 64 / 45 / 0 / 14

HEX #5078DC

RGB 80 120 220

HSL 222.86, 0.67%, 0.59%

LAB 52.18, 17.44, -55.41

 

CMYK 64 / 62 / 0 / 14

HEX #5053DC

RGB 80 83 220

HSL 238.71, 0.67%, 0.59%

LAB 42.85, 40.31, -70.49

 

CMYK 64 / 64 / 0 / 14

HEX #5050DC

RGB 80 80 220

HSL 240, 0.67%, 0.59%

LAB 42.17, 42.11, -71.61

 

CMYK 64 / 11 / 0 / 14

HEX #50C4DC

RGB 80 196 220

HSL 190.29, 0.67%, 0.59%

LAB 73.77, -25.3, -21.66

 

CMYK 73 / 13 / 0 / 7

HEX #3FCFED

RGB 63 207 237

HSL 190.34, 0.83%, 0.59%

LAB 77.16, -27.95, -25.7

 

CMYK 82 / 14 / 0 / 0

HEX #2EDAFE

RGB 46 218 254

HSL 190.38, 0.99%, 0.59%

LAB 80.67, -29.64, -29.41

 

CMYK 64 / 11 / 0 / 14

HEX #50C4DC

RGB 80 196 220

HSL 190.29, 0.67%, 0.59%

LAB 73.77, -25.3, -21.66

 

CMYK 52 / 9 / 0 / 20

HEX #61B9CB

RGB 97 185 203

HSL 190.19, 0.5%, 0.59%

LAB 70.56, -21.48, -17.22

 

CMYK 39 / 6 / 0 / 27

HEX #72AEBA

RGB 114 174 186

HSL 190, 0.34%, 0.59%

LAB 67.57, -16.28, -12.28

 

CMYK 22 / 4 / 0 / 34

HEX #83A3A9

RGB 131 163 169

HSL 189.47, 0.18%, 0.59%

LAB 64.87, -9.6, -6.75

 

CMYK 3 / 0 / 0 / 40

HEX #949898

RGB 148 152 152

HSL 180, 0.02%, 0.59%

LAB 62.52, -1.44, -0.51

 

CMYK 64 / 0 / 23 / 14

HEX #50DCA9

RGB 80 220 169

HSL 158.14, 0.67%, 0.59%

LAB 79.48, -49.56, 14.11

 

CMYK 64 / 0 / 6 / 14

HEX #50DCCE

RGB 80 220 206

HSL 174, 0.67%, 0.59%

LAB 80.37, -40.58, -4.25

 

CMYK 64 / 10 / 0 / 14

HEX #50C5DC

RGB 80 197 220

HSL 189.86, 0.67%, 0.59%

LAB 74.07, -25.8, -21.22

 

CMYK 64 / 28 / 0 / 14

HEX #509FDC

RGB 80 159 220

HSL 206.14, 0.67%, 0.59%

LAB 63.07, -5.66, -38.17

 

CMYK 64 / 45 / 0 / 14

HEX #507ADC

RGB 80 122 220

HSL 222, 0.67%, 0.59%

LAB 52.72, 16.2, -54.54

 

CMYK 80 / 14 / 0 / 29

HEX #249DB6

RGB 36 157 182

HSL 190.27, 0.67%, 0.43%

LAB 59.77, -23.22, -22.12

 

CMYK 79 / 14 / 0 / 16

HEX #2DB8D5

RGB 45 184 213

HSL 190.36, 0.67%, 0.51%

LAB 69.21, -25.99, -24.87

 

CMYK 64 / 11 / 0 / 14

HEX #50C4DC

RGB 80 196 220

HSL 190.29, 0.67%, 0.59%

LAB 73.77, -25.3, -21.66

 

CMYK 50 / 8 / 0 / 11

HEX #72D0E3

RGB 114 208 227

HSL 190.09, 0.67%, 0.67%

LAB 78.6, -22.85, -18.01

 

CMYK 36 / 6 / 0 / 8

HEX #95DBEA

RGB 149 219 234

HSL 190.59, 0.67%, 0.75%

LAB 83.44, -18.17, -14.3

 

CMYK 64 / 11 / 0 / 14

HEX #50C4DC

RGB 80 196 220

HSL 190.29, 0.67%, 0.59%

LAB 73.77, -25.3, -21.66

 

CMYK 40 / 64 / 0 / 14

HEX #8350DC

RGB 131 80 220

HSL 261.86, 0.67%, 0.59%

LAB 46.62, 51.08, -64.17

 

CMYK 0 / 15 / 64 / 14

HEX #DCBB50

RGB 220 187 80

HSL 45.86, 0.67%, 0.59%

LAB 76.88, -0.16, 57.01

 

CMYK 64 / 11 / 0 / 14

HEX #50C4DC

RGB 80 196 220

HSL 190.29, 0.67%, 0.59%

LAB 73.77, -25.3, -21.66

 

CMYK 0 / 64 / 10 / 14

HEX #DC50C5

RGB 220 80 197

HSL 309.86, 0.67%, 0.59%

LAB 57.06, 67.32, -33.71

 

CMYK 10 / 0 / 64 / 14

HEX #C5DC50

RGB 197 220 80

HSL 69.86, 0.67%, 0.59%

LAB 83.78, -26.26, 63.84

 

CMYK 64 / 11 / 0 / 14

HEX #50C4DC

RGB 80 196 220

HSL 190.29, 0.67%, 0.59%

LAB 73.77, -25.3, -21.66

 

CMYK 40 / 64 / 0 / 14

HEX #8350DC

RGB 131 80 220

HSL 261.86, 0.67%, 0.59%

LAB 46.62, 51.08, -64.17

 

CMYK 0 / 53 / 64 / 14

HEX #DC6750

RGB 220 103 80

HSL 9.86, 0.67%, 0.59%

LAB 57.55, 44.09, 34.75

 

CMYK 23 / 0 / 64 / 14

HEX #A9DC50

RGB 169 220 80

HSL 81.86, 0.67%, 0.59%

LAB 81.95, -37.15, 61.35

 

CMYK 64 / 11 / 0 / 14

HEX #50C4DC

RGB 80 196 220

HSL 190.29, 0.67%, 0.59%

LAB 73.77, -25.3, -21.66

 

CMYK 21 / 64 / 0 / 14

HEX #AD50DC

RGB 173 80 220

HSL 279.86, 0.67%, 0.59%

LAB 51.6, 60.13, -55.89

 

CMYK 0 / 53 / 64 / 14

HEX #DC6750

RGB 220 103 80

HSL 9.86, 0.67%, 0.59%

LAB 57.55, 44.09, 34.75

 

CMYK 42 / 0 / 64 / 14

HEX #7FDC50

RGB 127 220 80

HSL 99.86, 0.67%, 0.59%

LAB 79.77, -51.74, 58.35

 

Description

Color code: RGB 80 196 220 | qconv.com Color code: RGB 80 196 220 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 196 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 196 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 11 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 11% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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