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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 194 140 it is the complementary color RGB 175 61 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 194 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 194 140 shade: RGB 85 194 135, RGB 102 212 154, RGB 119 230 173, RGB 136 248 192 and RGB 153 255 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 194 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 194 140 shade: RGB 80 194 140, RGB 63 176 121, RGB 46 158 102, RGB 29 140 83 and RGB 12 122 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 194 140 shade: RGB 81 194 140, RGB 81 194 110, RGB 82 194 81, RGB 113 194 81 and RGB 143 194 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 194 140 shade: RGB 81 194 140, RGB 81 194 171, RGB 81 186 194, RGB 81 156 194 and RGB 81 125 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 194 140 shade matches the following richer shades: RGB 81 194 140, RGB 62 212 141, RGB 43 231 142 and RGB 24 250 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 194 140 shade: RGB 81 194 140, RGB 100 175 139, RGB 119 156 138, RGB 138 137 137 and RGB 157 118 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 194 140 shade: RGB 83 194 81, RGB 81 194 109, RGB 81 194 139, RGB 81 194 169 and RGB 81 188 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 194 140 shade: RGB 50 142 98, RGB 60 173 120, RGB 81 194 140, RGB 111 204 160 and RGB 142 215 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 194 140 shade: RGB 80 194 140, RGB 81 113 194 and RGB 194 94 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 194 140 shade: RGB 80 194 140, RGB 139 81 194 and RGB 194 139 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 194 140 shade: RGB 80 194 140, RGB 81 113 194, RGB 194 81 135 and RGB 194 162 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 194 140 shade: RGB 80 194 140, RGB 83 81 194, RGB 194 81 135 and RGB 192 194 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 28 / 24

HEX #50C28C

RGB 80 194 140

HSL 151.58, 0.48%, 0.54%

LAB 71, -44.95, 17.7

 

Complementary color

CMYK 0 / 65 / 34 / 31

HEX #AF3D73

RGB 175 61 115

HSL 331.58, 0.48%, 0.46%

LAB 43.78, 51.35, -6.03

 

CMYK 56 / 0 / 30 / 24

HEX #55C287

RGB 85 194 135

HSL 147.52, 0.47%, 0.55%

LAB 71.05, -44.88, 20.48

 

CMYK 52 / 0 / 27 / 17

HEX #66D49A

RGB 102 212 154

HSL 148.36, 0.56%, 0.62%

LAB 77.43, -44.81, 19.27

 

CMYK 48 / 0 / 25 / 10

HEX #77E6AD

RGB 119 230 173

HSL 149.19, 0.69%, 0.68%

LAB 83.72, -44.67, 18.14

 

CMYK 45 / 0 / 23 / 3

HEX #88F8C0

RGB 136 248 192

HSL 150, 0.89%, 0.75%

LAB 89.94, -44.49, 17.09

 

CMYK 40 / 0 / 17 / 0

HEX #99FFD3

RGB 153 255 211

HSL 154.12, 1%, 0.8%

LAB 93.01, -39.41, 11.75

 

CMYK 59 / 0 / 28 / 24

HEX #50C28C

RGB 80 194 140

HSL 151.58, 0.48%, 0.54%

LAB 71, -44.95, 17.7

 

CMYK 64 / 0 / 31 / 31

HEX #3FB079

RGB 63 176 121

HSL 150.8, 0.47%, 0.47%

LAB 64.55, -44.82, 19.01

 

CMYK 71 / 0 / 35 / 38

HEX #2E9E66

RGB 46 158 102

HSL 150, 0.55%, 0.4%

LAB 58.03, -44.46, 20.46

 

CMYK 79 / 0 / 41 / 45

HEX #1D8C53

RGB 29 140 83

HSL 149.19, 0.66%, 0.33%

LAB 51.43, -43.73, 22.07

 

CMYK 90 / 0 / 48 / 52

HEX #0C7A40

RGB 12 122 64

HSL 148.36, 0.82%, 0.26%

LAB 44.76, -42.42, 23.87

 

CMYK 58 / 0 / 28 / 24

HEX #51C28C

RGB 81 194 140

HSL 151.33, 0.48%, 0.54%

LAB 71.03, -44.74, 17.75

 

CMYK 58 / 0 / 43 / 24

HEX #51C26E

RGB 81 194 110

HSL 135.4, 0.48%, 0.54%

LAB 70.5, -50.35, 32.83

 

CMYK 58 / 0 / 58 / 24

HEX #52C251

RGB 82 194 81

HSL 119.47, 0.48%, 0.54%

LAB 70.16, -54.21, 46.61

 

CMYK 42 / 0 / 58 / 24

HEX #71C251

RGB 113 194 81

HSL 103.01, 0.48%, 0.54%

LAB 71.34, -45.43, 48.29

 

CMYK 26 / 0 / 58 / 24

HEX #8FC251

RGB 143 194 81

HSL 87.08, 0.48%, 0.54%

LAB 72.9, -34.99, 50.49

 

CMYK 58 / 0 / 28 / 24

HEX #51C28C

RGB 81 194 140

HSL 151.33, 0.48%, 0.54%

LAB 71.03, -44.74, 17.75

 

CMYK 58 / 0 / 12 / 24

HEX #51C2AB

RGB 81 194 171

HSL 167.79, 0.48%, 0.54%

LAB 71.74, -37.62, 1.97

 

CMYK 58 / 4 / 0 / 24

HEX #51BAC2

RGB 81 186 194

HSL 184.25, 0.48%, 0.54%

LAB 70.01, -27.71, -13.17

 

CMYK 58 / 20 / 0 / 24

HEX #519CC2

RGB 81 156 194

HSL 200.18, 0.48%, 0.54%

LAB 61.15, -12.11, -26.65

 

CMYK 58 / 36 / 0 / 24

HEX #517DC2

RGB 81 125 194

HSL 216.64, 0.48%, 0.54%

LAB 52.19, 5.77, -40.63

 

CMYK 58 / 0 / 28 / 24

HEX #51C28C

RGB 81 194 140

HSL 151.33, 0.48%, 0.54%

LAB 71.03, -44.74, 17.75

 

CMYK 71 / 0 / 33 / 17

HEX #3ED48D

RGB 62 212 141

HSL 151.6, 0.64%, 0.54%

LAB 76.09, -55.24, 24.08

 

CMYK 81 / 0 / 39 / 9

HEX #2BE78E

RGB 43 231 142

HSL 151.6, 0.8%, 0.54%

LAB 81.63, -64.31, 30.96

 

CMYK 90 / 0 / 43 / 2

HEX #18FA8F

RGB 24 250 143

HSL 151.59, 0.96%, 0.54%

LAB 87.27, -71.92, 37.83

 

CMYK 58 / 0 / 28 / 24

HEX #51C28C

RGB 81 194 140

HSL 151.33, 0.48%, 0.54%

LAB 71.03, -44.74, 17.75

 

CMYK 43 / 0 / 21 / 31

HEX #64AF8B

RGB 100 175 139

HSL 151.2, 0.32%, 0.54%

LAB 65.93, -31.74, 11.27

 

CMYK 24 / 0 / 12 / 39

HEX #779C8A

RGB 119 156 138

HSL 150.81, 0.16%, 0.54%

LAB 61.25, -16.58, 5.29

 

CMYK 0 / 1 / 1 / 46

HEX #8A8989

RGB 138 137 137

HSL 0, 0%, 0.54%

LAB 57.17, 0.37, 0.12

 

CMYK 0 / 25 / 13 / 38

HEX #9D7688

RGB 157 118 136

HSL 332.31, 0.17%, 0.54%

LAB 53.92, 18.22, -3.86

 

CMYK 57 / 0 / 58 / 24

HEX #53C251

RGB 83 194 81

HSL 118.94, 0.48%, 0.54%

LAB 70.19, -53.96, 46.66

 

CMYK 58 / 0 / 44 / 24

HEX #51C26D

RGB 81 194 109

HSL 134.87, 0.48%, 0.54%

LAB 70.48, -50.51, 33.32

 

CMYK 58 / 0 / 28 / 24

HEX #51C28B

RGB 81 194 139

HSL 150.8, 0.48%, 0.54%

LAB 71.01, -44.95, 18.26

 

CMYK 58 / 0 / 13 / 24

HEX #51C2A9

RGB 81 194 169

HSL 166.73, 0.48%, 0.54%

LAB 71.69, -38.12, 2.99

 

CMYK 58 / 3 / 0 / 24

HEX #51BCC2

RGB 81 188 194

HSL 183.19, 0.48%, 0.54%

LAB 70.6, -28.69, -12.28

 

CMYK 65 / 0 / 31 / 44

HEX #328E62

RGB 50 142 98

HSL 151.3, 0.48%, 0.38%

LAB 52.85, -37.87, 15.65

 

CMYK 65 / 0 / 31 / 32

HEX #3CAD78

RGB 60 173 120

HSL 151.86, 0.48%, 0.46%

LAB 63.51, -44.35, 18.11

 

CMYK 58 / 0 / 28 / 24

HEX #51C28C

RGB 81 194 140

HSL 151.33, 0.48%, 0.54%

LAB 71.03, -44.74, 17.75

 

CMYK 46 / 0 / 22 / 20

HEX #6FCCA0

RGB 111 204 160

HSL 151.61, 0.48%, 0.62%

LAB 75.52, -37.82, 13.46

 

CMYK 34 / 0 / 16 / 16

HEX #8ED7B4

RGB 142 215 180

HSL 151.23, 0.48%, 0.7%

LAB 80.54, -30.24, 10.12

 

CMYK 59 / 0 / 28 / 24

HEX #50C28C

RGB 80 194 140

HSL 151.58, 0.48%, 0.54%

LAB 71, -44.95, 17.7

 

CMYK 58 / 42 / 0 / 24

HEX #5171C2

RGB 81 113 194

HSL 223.01, 0.48%, 0.54%

LAB 48.83, 13.11, -45.95

 

CMYK 0 / 52 / 58 / 24

HEX #C25E51

RGB 194 94 81

HSL 6.9, 0.48%, 0.54%

LAB 51.91, 38.91, 26.27

 

CMYK 59 / 0 / 28 / 24

HEX #50C28C

RGB 80 194 140

HSL 151.58, 0.48%, 0.54%

LAB 71, -44.95, 17.7

 

CMYK 28 / 58 / 0 / 24

HEX #8B51C2

RGB 139 81 194

HSL 270.8, 0.48%, 0.54%

LAB 46, 45.81, -50.19

 

CMYK 0 / 28 / 58 / 24

HEX #C28B51

RGB 194 139 81

HSL 30.8, 0.48%, 0.54%

LAB 62.11, 14.63, 38.94

 

CMYK 59 / 0 / 28 / 24

HEX #50C28C

RGB 80 194 140

HSL 151.58, 0.48%, 0.54%

LAB 71, -44.95, 17.7

 

CMYK 58 / 42 / 0 / 24

HEX #5171C2

RGB 81 113 194

HSL 223.01, 0.48%, 0.54%

LAB 48.83, 13.11, -45.95

 

CMYK 0 / 58 / 30 / 24

HEX #C25187

RGB 194 81 135

HSL 331.33, 0.48%, 0.54%

LAB 50.81, 50.81, -7.36

 

CMYK 0 / 16 / 58 / 24

HEX #C2A251

RGB 194 162 81

HSL 43.01, 0.48%, 0.54%

LAB 67.95, 2.09, 45.83

 

CMYK 59 / 0 / 28 / 24

HEX #50C28C

RGB 80 194 140

HSL 151.58, 0.48%, 0.54%

LAB 71, -44.95, 17.7

 

CMYK 57 / 58 / 0 / 24

HEX #5351C2

RGB 83 81 194

HSL 241.06, 0.48%, 0.54%

LAB 40.6, 33.51, -59.16

 

CMYK 0 / 58 / 30 / 24

HEX #C25187

RGB 194 81 135

HSL 331.33, 0.48%, 0.54%

LAB 50.81, 50.81, -7.36

 

CMYK 1 / 0 / 58 / 24

HEX #C0C251

RGB 192 194 81

HSL 61.06, 0.48%, 0.54%

LAB 76.3, -15.47, 55.24

 

Description

Color code: RGB 80 194 140 | qconv.com Color code: RGB 80 194 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 194 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 194 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 28 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 28% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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