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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 189 26 it is the complementary color RGB 175 66 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 189 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 189 26 shade: RGB 85 189 21, RGB 102 207 40, RGB 119 225 59, RGB 136 243 78 and RGB 153 255 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 189 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 189 26 shade: RGB 80 189 26, RGB 63 171 7, RGB 46 153 0, RGB 29 135 0 and RGB 12 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 189 26 shade: RGB 79 188 25, RGB 123 188 25, RGB 167 188 25, RGB 188 165 25 and RGB 188 121 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 189 26 shade: RGB 79 188 25, RGB 35 188 25, RGB 25 188 59, RGB 25 188 103 and RGB 25 188 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 189 26 shade matches the following richer shades: RGB 79 188 25 and RGB 73 205 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 189 26 shade: RGB 79 188 25, RGB 85 171 43, RGB 91 153 60, RGB 97 136 77 and RGB 103 119 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 189 26 shade: RGB 166 188 25, RGB 123 188 25, RGB 79 188 25, RGB 36 188 25 and RGB 25 188 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 189 26 shade: RGB 48 115 15, RGB 64 152 20, RGB 79 188 25, RGB 95 224 31 and RGB 121 229 67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 189 26 shade: RGB 80 189 26, RGB 25 188 166 and RGB 188 25 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 189 26 shade: RGB 80 189 26, RGB 25 79 188 and RGB 188 25 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 189 26 shade: RGB 80 189 26, RGB 25 188 166, RGB 134 25 188 and RGB 188 25 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 189 26 shade: RGB 80 189 26, RGB 25 161 188, RGB 134 25 188 and RGB 188 52 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 86 / 26

HEX #50BD1A

RGB 80 189 26

HSL 100.12, 0.76%, 0.42%

LAB 68.15, -57.16, 64.2

 

Complementary color

CMYK 24 / 71 / 0 / 10

HEX #AF42E5

RGB 175 66 229

HSL 280.12, 0.76%, 0.58%

LAB 50.3, 68.38, -63.07

 

CMYK 55 / 0 / 89 / 26

HEX #55BD15

RGB 85 189 21

HSL 97.14, 0.8%, 0.41%

LAB 68.3, -56, 65.4

 

CMYK 51 / 0 / 81 / 19

HEX #66CF28

RGB 102 207 40

HSL 97.72, 0.68%, 0.48%

LAB 74.57, -57.02, 66.81

 

CMYK 47 / 0 / 74 / 12

HEX #77E13B

RGB 119 225 59

HSL 98.31, 0.73%, 0.56%

LAB 80.79, -57.71, 67.18

 

CMYK 44 / 0 / 68 / 5

HEX #88F34E

RGB 136 243 78

HSL 98.91, 0.87%, 0.63%

LAB 86.94, -58.16, 66.91

 

CMYK 40 / 0 / 62 / 0

HEX #99FF61

RGB 153 255 97

HSL 98.73, 1%, 0.69%

LAB 91.3, -56.07, 64.37

 

CMYK 58 / 0 / 86 / 26

HEX #50BD1A

RGB 80 189 26

HSL 100.12, 0.76%, 0.42%

LAB 68.15, -57.16, 64.2

 

CMYK 63 / 0 / 96 / 33

HEX #3FAB07

RGB 63 171 7

HSL 99.51, 0.92%, 0.35%

LAB 61.82, -55.68, 61.84

 

CMYK 70 / 0 / 100 / 40

HEX #2E9900

RGB 46 153 0

HSL 101.96, 1%, 0.3%

LAB 55.44, -53.56, 57.54

 

CMYK 79 / 0 / 100 / 47

HEX #1D8700

RGB 29 135 0

HSL 107.11, 1%, 0.26%

LAB 48.99, -50.82, 52.25

 

CMYK 90 / 0 / 100 / 54

HEX #0C7500

RGB 12 117 0

HSL 113.85, 1%, 0.23%

LAB 42.46, -47.38, 46.93

 

CMYK 58 / 0 / 87 / 26

HEX #4FBC19

RGB 79 188 25

HSL 100.12, 0.77%, 0.42%

LAB 67.8, -57.1, 64.1

 

CMYK 35 / 0 / 87 / 26

HEX #7BBC19

RGB 123 188 25

HSL 83.93, 0.77%, 0.42%

LAB 69.65, -43.23, 66.41

 

CMYK 11 / 0 / 87 / 26

HEX #A7BC19

RGB 167 188 25

HSL 67.73, 0.77%, 0.42%

LAB 72.4, -25.75, 69.83

 

CMYK 0 / 12 / 87 / 26

HEX #BCA519

RGB 188 165 25

HSL 51.53, 0.77%, 0.42%

LAB 67.78, -4.89, 66.77

 

CMYK 0 / 36 / 87 / 26

HEX #BC7919

RGB 188 121 25

HSL 35.34, 0.77%, 0.42%

LAB 56.52, 19.11, 57.6

 

CMYK 58 / 0 / 87 / 26

HEX #4FBC19

RGB 79 188 25

HSL 100.12, 0.77%, 0.42%

LAB 67.8, -57.1, 64.1

 

CMYK 81 / 0 / 87 / 26

HEX #23BC19

RGB 35 188 25

HSL 116.32, 0.77%, 0.42%

LAB 66.82, -65.39, 62.86

 

CMYK 87 / 0 / 69 / 26

HEX #19BC3B

RGB 25 188 59

HSL 132.52, 0.77%, 0.42%

LAB 66.89, -64.05, 52.17

 

CMYK 87 / 0 / 45 / 26

HEX #19BC67

RGB 25 188 103

HSL 148.71, 0.77%, 0.42%

LAB 67.39, -57.98, 32.2

 

CMYK 87 / 0 / 22 / 26

HEX #19BC93

RGB 25 188 147

HSL 164.91, 0.77%, 0.42%

LAB 68.23, -48.56, 9.87

 

CMYK 58 / 0 / 87 / 26

HEX #4FBC19

RGB 79 188 25

HSL 100.12, 0.77%, 0.42%

LAB 67.8, -57.1, 64.1

 

CMYK 64 / 0 / 96 / 20

HEX #49CD08

RGB 73 205 8

HSL 100.2, 0.92%, 0.42%

LAB 72.96, -64.69, 70.89

 

CMYK 58 / 0 / 87 / 26

HEX #4FBC19

RGB 79 188 25

HSL 100.12, 0.77%, 0.42%

LAB 67.8, -57.1, 64.1

 

CMYK 50 / 0 / 75 / 33

HEX #55AB2B

RGB 85 171 43

HSL 100.31, 0.6%, 0.42%

LAB 62.7, -48.19, 54.35

 

CMYK 41 / 0 / 61 / 40

HEX #5B993C

RGB 91 153 60

HSL 100, 0.44%, 0.42%

LAB 57.4, -37.33, 41.77

 

CMYK 29 / 0 / 43 / 47

HEX #61884D

RGB 97 136 77

HSL 99.66, 0.28%, 0.42%

LAB 52.6, -25.06, 27.39

 

CMYK 13 / 0 / 20 / 53

HEX #67775F

RGB 103 119 95

HSL 100, 0.11%, 0.42%

LAB 48.14, -10.8, 11.26

 

CMYK 12 / 0 / 87 / 26

HEX #A6BC19

RGB 166 188 25

HSL 68.1, 0.77%, 0.42%

LAB 72.32, -26.17, 69.74

 

CMYK 35 / 0 / 87 / 26

HEX #7BBC19

RGB 123 188 25

HSL 83.93, 0.77%, 0.42%

LAB 69.65, -43.23, 66.41

 

CMYK 58 / 0 / 87 / 26

HEX #4FBC19

RGB 79 188 25

HSL 100.12, 0.77%, 0.42%

LAB 67.8, -57.1, 64.1

 

CMYK 81 / 0 / 87 / 26

HEX #24BC19

RGB 36 188 25

HSL 115.95, 0.77%, 0.42%

LAB 66.83, -65.27, 62.88

 

CMYK 87 / 0 / 69 / 26

HEX #19BC3A

RGB 25 188 58

HSL 132.15, 0.77%, 0.42%

LAB 66.88, -64.15, 52.56

 

CMYK 58 / 0 / 87 / 55

HEX #30730F

RGB 48 115 15

HSL 100.2, 0.77%, 0.25%

LAB 42.65, -38.95, 43.86

 

CMYK 58 / 0 / 87 / 40

HEX #409814

RGB 64 152 20

HSL 100, 0.77%, 0.34%

LAB 55.68, -48.3, 54.41

 

CMYK 58 / 0 / 87 / 26

HEX #4FBC19

RGB 79 188 25

HSL 100.12, 0.77%, 0.42%

LAB 67.8, -57.1, 64.1

 

CMYK 58 / 0 / 86 / 12

HEX #5FE01F

RGB 95 224 31

HSL 100.1, 0.76%, 0.5%

LAB 79.52, -65.28, 73.25

 

CMYK 47 / 0 / 71 / 10

HEX #79E543

RGB 121 229 67

HSL 100, 0.76%, 0.58%

LAB 82.11, -58.09, 65.77

 

CMYK 58 / 0 / 86 / 26

HEX #50BD1A

RGB 80 189 26

HSL 100.12, 0.76%, 0.42%

LAB 68.15, -57.16, 64.2

 

CMYK 87 / 0 / 12 / 26

HEX #19BCA6

RGB 25 188 166

HSL 171.9, 0.77%, 0.42%

LAB 68.7, -43.58, 0.14

 

CMYK 0 / 87 / 23 / 26

HEX #BC1991

RGB 188 25 145

HSL 315.83, 0.77%, 0.42%

LAB 43.41, 69.34, -24.76

 

CMYK 58 / 0 / 86 / 26

HEX #50BD1A

RGB 80 189 26

HSL 100.12, 0.76%, 0.42%

LAB 68.15, -57.16, 64.2

 

CMYK 87 / 58 / 0 / 26

HEX #194FBC

RGB 25 79 188

HSL 220.12, 0.77%, 0.42%

LAB 36.8, 25.15, -61.97

 

CMYK 0 / 87 / 58 / 26

HEX #BC194F

RGB 188 25 79

HSL 340.12, 0.77%, 0.42%

LAB 41.14, 63.01, 12.98

 

CMYK 58 / 0 / 86 / 26

HEX #50BD1A

RGB 80 189 26

HSL 100.12, 0.76%, 0.42%

LAB 68.15, -57.16, 64.2

 

CMYK 87 / 0 / 12 / 26

HEX #19BCA6

RGB 25 188 166

HSL 171.9, 0.77%, 0.42%

LAB 68.7, -43.58, 0.14

 

CMYK 29 / 87 / 0 / 26

HEX #8619BC

RGB 134 25 188

HSL 280.12, 0.77%, 0.42%

LAB 36.73, 66.37, -61.69

 

CMYK 0 / 87 / 75 / 26

HEX #BC192F

RGB 188 25 47

HSL 351.9, 0.77%, 0.42%

LAB 40.56, 61.33, 32.23

 

CMYK 58 / 0 / 86 / 26

HEX #50BD1A

RGB 80 189 26

HSL 100.12, 0.76%, 0.42%

LAB 68.15, -57.16, 64.2

 

CMYK 87 / 14 / 0 / 26

HEX #19A1BC

RGB 25 161 188

HSL 189.94, 0.77%, 0.42%

LAB 61.07, -24.17, -23.52

 

CMYK 29 / 87 / 0 / 26

HEX #8619BC

RGB 134 25 188

HSL 280.12, 0.77%, 0.42%

LAB 36.73, 66.37, -61.69

 

CMYK 0 / 72 / 87 / 26

HEX #BC3419

RGB 188 52 25

HSL 9.94, 0.77%, 0.42%

LAB 43.09, 52.96, 46.56

 

Description

Color code: RGB 80 189 26 | qconv.com Color code: RGB 80 189 26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 189 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 189 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 86 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 86% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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