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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 185 131 it is the complementary color RGB 175 70 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 185 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 185 131 shade: RGB 85 185 126, RGB 102 203 145, RGB 119 221 164, RGB 136 239 183 and RGB 153 255 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 185 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 185 131 shade: RGB 80 185 131, RGB 63 167 112, RGB 46 149 93, RGB 29 131 74 and RGB 12 113 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 185 131 shade: RGB 79 185 131, RGB 79 185 102, RGB 85 185 79, RGB 114 185 79 and RGB 142 185 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 185 131 shade: RGB 79 185 131, RGB 79 185 159, RGB 79 182 185, RGB 79 154 185 and RGB 79 125 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 185 131 shade matches the following richer shades: RGB 79 185 131, RGB 60 205 130, RGB 40 224 129 and RGB 20 244 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 185 131 shade: RGB 79 185 131, RGB 99 165 131, RGB 119 145 132, RGB 139 125 132 and RGB 159 106 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 185 131 shade: RGB 85 185 79, RGB 79 185 102, RGB 79 185 130, RGB 79 185 158 and RGB 79 183 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 185 131 shade: RGB 52 130 90, RGB 63 160 110, RGB 79 185 131, RGB 109 196 151 and RGB 138 208 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 185 131 shade: RGB 80 185 131, RGB 79 113 185 and RGB 185 88 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 185 131 shade: RGB 80 185 131, RGB 130 79 185 and RGB 185 130 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 185 131 shade: RGB 80 185 131, RGB 79 113 185, RGB 185 79 134 and RGB 185 151 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 185 131 shade: RGB 80 185 131, RGB 79 81 185, RGB 185 79 134 and RGB 185 183 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 29 / 27

HEX #50B983

RGB 80 185 131

HSL 149.14, 0.43%, 0.52%

LAB 68.05, -42.99, 18.48

 

Complementary color

CMYK 0 / 60 / 29 / 31

HEX #AF467C

RGB 175 70 124

HSL 329.14, 0.43%, 0.48%

LAB 45.56, 48.49, -8.88

 

CMYK 54 / 0 / 32 / 27

HEX #55B97E

RGB 85 185 126

HSL 144.6, 0.42%, 0.53%

LAB 68.12, -42.82, 21.29

 

CMYK 50 / 0 / 29 / 20

HEX #66CB91

RGB 102 203 145

HSL 145.54, 0.49%, 0.6%

LAB 74.56, -42.7, 20.07

 

CMYK 46 / 0 / 26 / 13

HEX #77DDA4

RGB 119 221 164

HSL 146.47, 0.6%, 0.67%

LAB 80.91, -42.52, 18.94

 

CMYK 43 / 0 / 23 / 6

HEX #88EFB7

RGB 136 239 183

HSL 147.38, 0.76%, 0.74%

LAB 87.19, -42.31, 17.88

 

CMYK 40 / 0 / 21 / 0

HEX #99FFCA

RGB 153 255 202

HSL 148.82, 1%, 0.8%

LAB 92.82, -41.19, 16.1

 

CMYK 57 / 0 / 29 / 27

HEX #50B983

RGB 80 185 131

HSL 149.14, 0.43%, 0.52%

LAB 68.05, -42.99, 18.48

 

CMYK 62 / 0 / 33 / 35

HEX #3FA770

RGB 63 167 112

HSL 148.27, 0.45%, 0.45%

LAB 61.54, -42.92, 19.8

 

CMYK 69 / 0 / 38 / 42

HEX #2E955D

RGB 46 149 93

HSL 147.38, 0.53%, 0.38%

LAB 54.93, -42.64, 21.26

 

CMYK 78 / 0 / 44 / 49

HEX #1D834A

RGB 29 131 74

HSL 146.47, 0.64%, 0.31%

LAB 48.25, -41.99, 22.89

 

CMYK 89 / 0 / 51 / 56

HEX #0C7137

RGB 12 113 55

HSL 145.54, 0.81%, 0.25%

LAB 41.48, -40.72, 24.69

 

CMYK 57 / 0 / 29 / 27

HEX #4FB983

RGB 79 185 131

HSL 149.43, 0.43%, 0.52%

LAB 68.02, -43.21, 18.43

 

CMYK 57 / 0 / 45 / 27

HEX #4FB966

RGB 79 185 102

HSL 133.02, 0.43%, 0.52%

LAB 67.52, -48.53, 33.09

 

CMYK 54 / 0 / 57 / 27

HEX #55B94F

RGB 85 185 79

HSL 116.6, 0.43%, 0.52%

LAB 67.42, -50.24, 44.37

 

CMYK 38 / 0 / 57 / 27

HEX #72B94F

RGB 114 185 79

HSL 100.19, 0.43%, 0.52%

LAB 68.64, -41.49, 46.1

 

CMYK 23 / 0 / 57 / 27

HEX #8EB94F

RGB 142 185 79

HSL 84.34, 0.43%, 0.52%

LAB 70.19, -31.38, 48.29

 

CMYK 57 / 0 / 29 / 27

HEX #4FB983

RGB 79 185 131

HSL 149.43, 0.43%, 0.52%

LAB 68.02, -43.21, 18.43

 

CMYK 57 / 0 / 14 / 27

HEX #4FB99F

RGB 79 185 159

HSL 165.28, 0.43%, 0.52%

LAB 68.65, -36.88, 4.05

 

CMYK 57 / 2 / 0 / 27

HEX #4FB6B9

RGB 79 182 185

HSL 181.7, 0.43%, 0.52%

LAB 68.48, -28.64, -10.52

 

CMYK 57 / 17 / 0 / 27

HEX #4F9AB9

RGB 79 154 185

HSL 197.55, 0.43%, 0.52%

LAB 60.14, -14.19, -23.15

 

CMYK 57 / 32 / 0 / 27

HEX #4F7DB9

RGB 79 125 185

HSL 213.96, 0.43%, 0.52%

LAB 51.65, 2.38, -36.33

 

CMYK 57 / 0 / 29 / 27

HEX #4FB983

RGB 79 185 131

HSL 149.43, 0.43%, 0.52%

LAB 68.02, -43.21, 18.43

 

CMYK 71 / 0 / 37 / 20

HEX #3CCD82

RGB 60 205 130

HSL 148.97, 0.59%, 0.52%

LAB 73.7, -55.03, 26.59

 

CMYK 82 / 0 / 42 / 12

HEX #28E081

RGB 40 224 129

HSL 149.02, 0.75%, 0.52%

LAB 79.24, -64.53, 34.37

 

CMYK 92 / 0 / 47 / 4

HEX #14F481

RGB 20 244 129

HSL 149.2, 0.91%, 0.52%

LAB 85.22, -72.52, 42.01

 

CMYK 57 / 0 / 29 / 27

HEX #4FB983

RGB 79 185 131

HSL 149.43, 0.43%, 0.52%

LAB 68.02, -43.21, 18.43

 

CMYK 40 / 0 / 21 / 35

HEX #63A583

RGB 99 165 131

HSL 149.09, 0.27%, 0.52%

LAB 62.68, -28.92, 11.1

 

CMYK 18 / 0 / 9 / 43

HEX #779184

RGB 119 145 132

HSL 150, 0.11%, 0.52%

LAB 57.88, -11.94, 3.84

 

CMYK 0 / 10 / 5 / 45

HEX #8B7D84

RGB 139 125 132

HSL 330, 0.06%, 0.52%

LAB 53.84, 6.65, -1.85

 

CMYK 0 / 33 / 16 / 38

HEX #9F6A85

RGB 159 106 133

HSL 329.43, 0.22%, 0.52%

LAB 51.12, 25.33, -6.22

 

CMYK 54 / 0 / 57 / 27

HEX #55B94F

RGB 85 185 79

HSL 116.6, 0.43%, 0.52%

LAB 67.42, -50.24, 44.37

 

CMYK 57 / 0 / 45 / 27

HEX #4FB966

RGB 79 185 102

HSL 133.02, 0.43%, 0.52%

LAB 67.52, -48.53, 33.09

 

CMYK 57 / 0 / 30 / 27

HEX #4FB982

RGB 79 185 130

HSL 148.87, 0.43%, 0.52%

LAB 68, -43.42, 18.94

 

CMYK 57 / 0 / 15 / 27

HEX #4FB99E

RGB 79 185 158

HSL 164.72, 0.43%, 0.52%

LAB 68.63, -37.13, 4.56

 

CMYK 57 / 1 / 0 / 27

HEX #4FB7B9

RGB 79 183 185

HSL 181.13, 0.43%, 0.52%

LAB 68.77, -29.13, -10.08

 

CMYK 60 / 0 / 31 / 49

HEX #34825A

RGB 52 130 90

HSL 149.23, 0.43%, 0.36%

LAB 48.8, -33.87, 14.67

 

CMYK 61 / 0 / 31 / 37

HEX #3FA06E

RGB 63 160 110

HSL 149.07, 0.43%, 0.44%

LAB 59.27, -40.36, 17.81

 

CMYK 57 / 0 / 29 / 27

HEX #4FB983

RGB 79 185 131

HSL 149.43, 0.43%, 0.52%

LAB 68.02, -43.21, 18.43

 

CMYK 44 / 0 / 23 / 23

HEX #6DC497

RGB 109 196 151

HSL 148.97, 0.42%, 0.6%

LAB 72.87, -36.56, 14.56

 

CMYK 34 / 0 / 17 / 18

HEX #8AD0AC

RGB 138 208 172

HSL 149.14, 0.43%, 0.68%

LAB 78.17, -29.69, 10.97

 

CMYK 57 / 0 / 29 / 27

HEX #50B983

RGB 80 185 131

HSL 149.14, 0.43%, 0.52%

LAB 68.05, -42.99, 18.48

 

CMYK 57 / 39 / 0 / 27

HEX #4F71B9

RGB 79 113 185

HSL 220.75, 0.43%, 0.52%

LAB 48.23, 9.68, -41.72

 

CMYK 0 / 52 / 57 / 27

HEX #B9584F

RGB 185 88 79

HSL 5.09, 0.43%, 0.52%

LAB 49.32, 38.4, 23.82

 

CMYK 57 / 0 / 29 / 27

HEX #50B983

RGB 80 185 131

HSL 149.14, 0.43%, 0.52%

LAB 68.05, -42.99, 18.48

 

CMYK 30 / 57 / 0 / 27

HEX #824FB9

RGB 130 79 185

HSL 268.87, 0.43%, 0.52%

LAB 44, 42.47, -48.21

 

CMYK 0 / 30 / 57 / 27

HEX #B9824F

RGB 185 130 79

HSL 28.87, 0.43%, 0.52%

LAB 58.83, 15.61, 35.79

 

CMYK 57 / 0 / 29 / 27

HEX #50B983

RGB 80 185 131

HSL 149.14, 0.43%, 0.52%

LAB 68.05, -42.99, 18.48

 

CMYK 57 / 39 / 0 / 27

HEX #4F71B9

RGB 79 113 185

HSL 220.75, 0.43%, 0.52%

LAB 48.23, 9.68, -41.72

 

CMYK 0 / 57 / 28 / 27

HEX #B94F86

RGB 185 79 134

HSL 328.87, 0.43%, 0.52%

LAB 49.04, 48.77, -9.55

 

CMYK 0 / 18 / 57 / 27

HEX #B9974F

RGB 185 151 79

HSL 40.75, 0.43%, 0.52%

LAB 64.17, 4.02, 42.18

 

CMYK 57 / 0 / 29 / 27

HEX #50B983

RGB 80 185 131

HSL 149.14, 0.43%, 0.52%

LAB 68.05, -42.99, 18.48

 

CMYK 57 / 56 / 0 / 27

HEX #4F51B9

RGB 79 81 185

HSL 238.87, 0.43%, 0.52%

LAB 39.66, 29.81, -55.44

 

CMYK 0 / 57 / 28 / 27

HEX #B94F86

RGB 185 79 134

HSL 328.87, 0.43%, 0.52%

LAB 49.04, 48.77, -9.55

 

CMYK 0 / 1 / 57 / 27

HEX #B9B74F

RGB 185 183 79

HSL 58.87, 0.43%, 0.52%

LAB 72.72, -12.95, 52

 

Description

Color code: RGB 80 185 131 | qconv.com Color code: RGB 80 185 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 185 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 185 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 29 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 29% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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