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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 180 133 it is the complementary color RGB 175 75 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 180 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 180 133 shade: RGB 85 180 128, RGB 102 198 147, RGB 119 216 166, RGB 136 234 185 and RGB 153 252 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 180 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 180 133 shade: RGB 80 180 133, RGB 63 162 114, RGB 46 144 95, RGB 29 126 76 and RGB 12 108 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 180 133 shade: RGB 80 180 133, RGB 80 180 106, RGB 81 180 80, RGB 107 180 80 and RGB 134 180 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 180 133 shade: RGB 80 180 133, RGB 80 180 160, RGB 80 173 180, RGB 80 146 180 and RGB 80 119 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 180 133 shade matches the following richer shades: RGB 80 180 133, RGB 59 200 134, RGB 39 220 135 and RGB 19 240 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 180 133 shade: RGB 80 180 133, RGB 100 159 131, RGB 120 139 130, RGB 140 119 129 and RGB 160 99 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 180 133 shade: RGB 81 180 80, RGB 80 180 105, RGB 80 180 131, RGB 80 180 158 and RGB 80 175 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 180 133 shade: RGB 53 124 90, RGB 65 153 112, RGB 80 180 133, RGB 108 192 153 and RGB 137 204 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 180 133 shade: RGB 80 180 133, RGB 80 108 180 and RGB 180 91 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 180 133 shade: RGB 80 180 133, RGB 131 80 180 and RGB 180 131 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 180 133 shade: RGB 80 180 133, RGB 80 108 180, RGB 180 80 128 and RGB 180 151 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 180 133 shade: RGB 80 180 133, RGB 81 80 180, RGB 180 80 128 and RGB 178 180 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 26 / 29

HEX #50B485

RGB 80 180 133

HSL 151.8, 0.4%, 0.51%

LAB 66.55, -40.4, 15.32

 

Complementary color

CMYK 0 / 57 / 30 / 31

HEX #AF4B7A

RGB 175 75 122

HSL 331.8, 0.4%, 0.49%

LAB 46.38, 45.86, -6.45

 

CMYK 53 / 0 / 29 / 29

HEX #55B480

RGB 85 180 128

HSL 147.16, 0.39%, 0.52%

LAB 66.62, -40.25, 18.16

 

CMYK 48 / 0 / 26 / 22

HEX #66C693

RGB 102 198 147

HSL 148.13, 0.46%, 0.59%

LAB 73.1, -40.11, 16.99

 

CMYK 45 / 0 / 23 / 15

HEX #77D8A6

RGB 119 216 166

HSL 149.07, 0.55%, 0.66%

LAB 79.49, -39.91, 15.9

 

CMYK 42 / 0 / 21 / 8

HEX #88EAB9

RGB 136 234 185

HSL 150, 0.7%, 0.73%

LAB 85.8, -39.69, 14.89

 

CMYK 39 / 0 / 19 / 1

HEX #99FCCC

RGB 153 252 204

HSL 150.91, 0.94%, 0.79%

LAB 92.02, -39.46, 13.95

 

CMYK 56 / 0 / 26 / 29

HEX #50B485

RGB 80 180 133

HSL 151.8, 0.4%, 0.51%

LAB 66.55, -40.4, 15.32

 

CMYK 61 / 0 / 30 / 36

HEX #3FA272

RGB 63 162 114

HSL 150.91, 0.44%, 0.44%

LAB 59.99, -40.37, 16.58

 

CMYK 68 / 0 / 34 / 44

HEX #2E905F

RGB 46 144 95

HSL 150, 0.52%, 0.37%

LAB 53.33, -40.15, 17.99

 

CMYK 77 / 0 / 40 / 51

HEX #1D7E4C

RGB 29 126 76

HSL 149.07, 0.63%, 0.3%

LAB 46.58, -39.59, 19.57

 

CMYK 89 / 0 / 47 / 58

HEX #0C6C39

RGB 12 108 57

HSL 148.13, 0.8%, 0.24%

LAB 39.75, -38.44, 21.37

 

CMYK 56 / 0 / 26 / 29

HEX #50B485

RGB 80 180 133

HSL 151.8, 0.4%, 0.51%

LAB 66.55, -40.4, 15.32

 

CMYK 56 / 0 / 41 / 29

HEX #50B46A

RGB 80 180 106

HSL 135.6, 0.4%, 0.51%

LAB 66.05, -45.6, 29.13

 

CMYK 55 / 0 / 56 / 29

HEX #51B450

RGB 81 180 80

HSL 119.4, 0.4%, 0.51%

LAB 65.73, -49.22, 41.86

 

CMYK 41 / 0 / 56 / 29

HEX #6BB450

RGB 107 180 80

HSL 103.8, 0.4%, 0.51%

LAB 66.78, -41.54, 43.38

 

CMYK 26 / 0 / 56 / 29

HEX #86B450

RGB 134 180 80

HSL 87.6, 0.4%, 0.51%

LAB 68.23, -31.97, 45.44

 

CMYK 56 / 0 / 26 / 29

HEX #50B485

RGB 80 180 133

HSL 151.8, 0.4%, 0.51%

LAB 66.55, -40.4, 15.32

 

CMYK 56 / 0 / 11 / 29

HEX #50B4A0

RGB 80 180 160

HSL 168, 0.4%, 0.51%

LAB 67.19, -34.11, 1.39

 

CMYK 56 / 4 / 0 / 29

HEX #50ADB4

RGB 80 173 180

HSL 184.2, 0.4%, 0.51%

LAB 65.66, -25.39, -11.96

 

CMYK 56 / 19 / 0 / 29

HEX #5092B4

RGB 80 146 180

HSL 200.4, 0.4%, 0.51%

LAB 57.62, -11.13, -24.19

 

CMYK 56 / 34 / 0 / 29

HEX #5077B4

RGB 80 119 180

HSL 216.6, 0.4%, 0.51%

LAB 49.73, 4.57, -36.45

 

CMYK 56 / 0 / 26 / 29

HEX #50B485

RGB 80 180 133

HSL 151.8, 0.4%, 0.51%

LAB 66.55, -40.4, 15.32

 

CMYK 71 / 0 / 33 / 22

HEX #3BC886

RGB 59 200 134

HSL 151.91, 0.56%, 0.51%

LAB 72.2, -52.47, 22.47

 

CMYK 82 / 0 / 39 / 14

HEX #27DC87

RGB 39 220 135

HSL 151.82, 0.72%, 0.51%

LAB 78.09, -62.12, 29.81

 

CMYK 92 / 0 / 43 / 6

HEX #13F088

RGB 19 240 136

HSL 151.76, 0.88%, 0.51%

LAB 84.09, -70.08, 37.15

 

CMYK 56 / 0 / 26 / 29

HEX #50B485

RGB 80 180 133

HSL 151.8, 0.4%, 0.51%

LAB 66.55, -40.4, 15.32

 

CMYK 37 / 0 / 18 / 38

HEX #649F83

RGB 100 159 131

HSL 151.53, 0.24%, 0.51%

LAB 60.91, -25.67, 8.6

 

CMYK 14 / 0 / 6 / 45

HEX #788B82

RGB 120 139 130

HSL 151.58, 0.08%, 0.51%

LAB 56.16, -8.72, 2.5

 

CMYK 0 / 15 / 8 / 45

HEX #8C7781

RGB 140 119 129

HSL 331.43, 0.08%, 0.51%

LAB 52.24, 9.94, -2.44

 

CMYK 0 / 38 / 20 / 37

HEX #A06380

RGB 160 99 128

HSL 331.48, 0.24%, 0.51%

LAB 49.44, 28.84, -5.73

 

CMYK 55 / 0 / 56 / 29

HEX #51B450

RGB 81 180 80

HSL 119.4, 0.4%, 0.51%

LAB 65.73, -49.22, 41.86

 

CMYK 56 / 0 / 42 / 29

HEX #50B469

RGB 80 180 105

HSL 135, 0.4%, 0.51%

LAB 66.03, -45.77, 29.63

 

CMYK 56 / 0 / 27 / 29

HEX #50B483

RGB 80 180 131

HSL 150.6, 0.4%, 0.51%

LAB 66.51, -40.82, 16.35

 

CMYK 56 / 0 / 12 / 29

HEX #50B49E

RGB 80 180 158

HSL 166.8, 0.4%, 0.51%

LAB 67.14, -34.61, 2.42

 

CMYK 56 / 3 / 0 / 29

HEX #50AFB4

RGB 80 175 180

HSL 183, 0.4%, 0.51%

LAB 66.26, -26.39, -11.07

 

CMYK 57 / 0 / 27 / 51

HEX #357C5A

RGB 53 124 90

HSL 151.27, 0.4%, 0.35%

LAB 46.86, -30.86, 11.98

 

CMYK 58 / 0 / 27 / 40

HEX #419970

RGB 65 153 112

HSL 152.05, 0.4%, 0.43%

LAB 57.15, -36.4, 13.77

 

CMYK 56 / 0 / 26 / 29

HEX #50B485

RGB 80 180 133

HSL 151.8, 0.4%, 0.51%

LAB 66.55, -40.4, 15.32

 

CMYK 44 / 0 / 20 / 25

HEX #6CC099

RGB 108 192 153

HSL 152.14, 0.4%, 0.59%

LAB 71.68, -34.57, 11.8

 

CMYK 33 / 0 / 15 / 20

HEX #89CCAD

RGB 137 204 173

HSL 152.24, 0.4%, 0.67%

LAB 76.99, -27.86, 8.76

 

CMYK 56 / 0 / 26 / 29

HEX #50B485

RGB 80 180 133

HSL 151.8, 0.4%, 0.51%

LAB 66.55, -40.4, 15.32

 

CMYK 56 / 40 / 0 / 29

HEX #506CB4

RGB 80 108 180

HSL 223.2, 0.4%, 0.51%

LAB 46.61, 11.33, -41.38

 

CMYK 0 / 49 / 56 / 29

HEX #B45B50

RGB 180 91 80

HSL 6.6, 0.4%, 0.51%

LAB 49.21, 35, 22.94

 

CMYK 56 / 0 / 26 / 29

HEX #50B485

RGB 80 180 133

HSL 151.8, 0.4%, 0.51%

LAB 66.55, -40.4, 15.32

 

CMYK 27 / 56 / 0 / 29

HEX #8350B4

RGB 131 80 180

HSL 270.6, 0.4%, 0.51%

LAB 44.03, 40.95, -45.23

 

CMYK 0 / 27 / 56 / 29

HEX #B48350

RGB 180 131 80

HSL 30.6, 0.4%, 0.51%

LAB 58.52, 13, 34.75

 

CMYK 56 / 0 / 26 / 29

HEX #50B485

RGB 80 180 133

HSL 151.8, 0.4%, 0.51%

LAB 66.55, -40.4, 15.32

 

CMYK 56 / 40 / 0 / 29

HEX #506CB4

RGB 80 108 180

HSL 223.2, 0.4%, 0.51%

LAB 46.61, 11.33, -41.38

 

CMYK 0 / 56 / 29 / 29

HEX #B45080

RGB 180 80 128

HSL 331.2, 0.4%, 0.51%

LAB 48.26, 45.87, -7.2

 

CMYK 0 / 16 / 56 / 29

HEX #B49750

RGB 180 151 80

HSL 42.6, 0.4%, 0.51%

LAB 63.68, 1.95, 40.98

 

CMYK 56 / 0 / 26 / 29

HEX #50B485

RGB 80 180 133

HSL 151.8, 0.4%, 0.51%

LAB 66.55, -40.4, 15.32

 

CMYK 55 / 56 / 0 / 29

HEX #5150B4

RGB 81 80 180

HSL 240.6, 0.4%, 0.51%

LAB 39.21, 29.19, -53.23

 

CMYK 0 / 56 / 29 / 29

HEX #B45080

RGB 180 80 128

HSL 331.2, 0.4%, 0.51%

LAB 48.26, 45.87, -7.2

 

CMYK 1 / 0 / 56 / 29

HEX #B2B450

RGB 178 180 80

HSL 61.2, 0.4%, 0.51%

LAB 71.34, -14.28, 49.83

 

Description

Color code: RGB 80 180 133 | qconv.com Color code: RGB 80 180 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 180 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 180 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 26 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 26% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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