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Color name
RGB 80 155 56

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 155 56 it is the complementary color RGB 175 100 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 155 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 155 56 shade: RGB 85 155 51, RGB 102 173 70, RGB 119 191 89, RGB 136 209 108 and RGB 153 227 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 155 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 155 56 shade: RGB 80 155 56, RGB 63 137 37, RGB 46 119 18, RGB 29 101 0 and RGB 12 83 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 155 56 shade: RGB 79 153 55, RGB 105 153 55, RGB 132 153 55, RGB 153 148 55 and RGB 153 122 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 155 56 shade: RGB 79 153 55, RGB 55 153 58, RGB 55 153 84, RGB 55 153 111 and RGB 55 153 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 155 56 shade matches the following richer shades: RGB 79 153 55, RGB 70 170 38, RGB 61 187 21 and RGB 53 204 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 155 56 shade: RGB 79 153 55, RGB 87 136 72, RGB 96 119 89, RGB 105 102 106 and RGB 114 86 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 155 56 shade: RGB 132 153 55, RGB 106 153 55, RGB 79 153 55, RGB 55 153 57 and RGB 55 153 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 155 56 shade: RGB 47 93 33, RGB 63 123 44, RGB 79 153 55, RGB 94 184 66 and RGB 119 197 94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 155 56 shade: RGB 80 155 56, RGB 55 153 148 and RGB 153 55 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 155 56 shade: RGB 80 155 56, RGB 55 79 153 and RGB 153 55 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 155 56 shade: RGB 80 155 56, RGB 55 153 148, RGB 129 55 153 and RGB 153 55 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 155 56 shade: RGB 80 155 56, RGB 55 129 153, RGB 129 55 153 and RGB 153 79 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 64 / 39

HEX #509B38

RGB 80 155 56

HSL 105.45, 0.47%, 0.41%

LAB 57.5, -42.2, 43.58

 

Complementary color

CMYK 12 / 50 / 0 / 22

HEX #AF64C7

RGB 175 100 199

HSL 285.45, 0.47%, 0.59%

LAB 54.4, 46.36, -39.46

 

CMYK 45 / 0 / 67 / 39

HEX #559B33

RGB 85 155 51

HSL 100.38, 0.5%, 0.4%

LAB 57.67, -41.08, 46.03

 

CMYK 41 / 0 / 60 / 32

HEX #66AD46

RGB 102 173 70

HSL 101.36, 0.42%, 0.48%

LAB 64.29, -41.27, 45.11

 

CMYK 38 / 0 / 53 / 25

HEX #77BF59

RGB 119 191 89

HSL 102.35, 0.44%, 0.55%

LAB 70.81, -41.3, 43.99

 

CMYK 35 / 0 / 48 / 18

HEX #88D16C

RGB 136 209 108

HSL 103.37, 0.52%, 0.62%

LAB 77.23, -41.24, 42.8

 

CMYK 33 / 0 / 44 / 11

HEX #99E37F

RGB 153 227 127

HSL 104.4, 0.64%, 0.69%

LAB 83.57, -41.12, 41.61

 

CMYK 48 / 0 / 64 / 39

HEX #509B38

RGB 80 155 56

HSL 105.45, 0.47%, 0.41%

LAB 57.5, -42.2, 43.58

 

CMYK 54 / 0 / 73 / 46

HEX #3F8925

RGB 63 137 37

HSL 104.4, 0.57%, 0.34%

LAB 50.78, -41.78, 44.31

 

CMYK 61 / 0 / 85 / 53

HEX #2E7712

RGB 46 119 18

HSL 103.37, 0.74%, 0.27%

LAB 43.97, -40.91, 44.18

 

CMYK 71 / 0 / 100 / 60

HEX #1D6500

RGB 29 101 0

HSL 102.77, 1%, 0.2%

LAB 37.06, -39.36, 42.75

 

CMYK 86 / 0 / 100 / 67

HEX #0C5300

RGB 12 83 0

HSL 111.33, 1%, 0.16%

LAB 30.07, -36.38, 37.02

 

CMYK 48 / 0 / 64 / 40

HEX #4F9937

RGB 79 153 55

HSL 105.31, 0.47%, 0.41%

LAB 56.8, -41.78, 43.25

 

CMYK 31 / 0 / 64 / 40

HEX #699937

RGB 105 153 55

HSL 89.39, 0.47%, 0.41%

LAB 58.1, -32.74, 45.04

 

CMYK 14 / 0 / 64 / 40

HEX #849937

RGB 132 153 55

HSL 72.86, 0.47%, 0.41%

LAB 59.86, -21.86, 47.46

 

CMYK 0 / 3 / 64 / 40

HEX #999437

RGB 153 148 55

HSL 56.94, 0.47%, 0.41%

LAB 60.09, -10.15, 48.22

 

CMYK 0 / 20 / 64 / 40

HEX #997A37

RGB 153 122 55

HSL 41.02, 0.47%, 0.41%

LAB 52.91, 4.2, 40.39

 

CMYK 48 / 0 / 64 / 40

HEX #4F9937

RGB 79 153 55

HSL 105.31, 0.47%, 0.41%

LAB 56.8, -41.78, 43.25

 

CMYK 64 / 0 / 62 / 40

HEX #37993A

RGB 55 153 58

HSL 121.84, 0.47%, 0.41%

LAB 55.99, -47.94, 40.73

 

CMYK 64 / 0 / 45 / 40

HEX #379954

RGB 55 153 84

HSL 137.76, 0.47%, 0.41%

LAB 56.32, -44.16, 28.02

 

CMYK 64 / 0 / 27 / 40

HEX #37996F

RGB 55 153 111

HSL 154.29, 0.47%, 0.41%

LAB 56.82, -38.76, 13.83

 

CMYK 64 / 0 / 10 / 40

HEX #379989

RGB 55 153 137

HSL 170.2, 0.47%, 0.41%

LAB 57.46, -32.3, 0.01

 

CMYK 48 / 0 / 64 / 40

HEX #4F9937

RGB 79 153 55

HSL 105.31, 0.47%, 0.41%

LAB 56.8, -41.78, 43.25

 

CMYK 59 / 0 / 78 / 33

HEX #46AA26

RGB 70 170 38

HSL 105.45, 0.63%, 0.41%

LAB 61.82, -52.34, 55.01

 

CMYK 67 / 0 / 89 / 27

HEX #3DBB15

RGB 61 187 21

HSL 105.54, 0.8%, 0.41%

LAB 66.97, -61.06, 63.98

 

CMYK 74 / 0 / 98 / 20

HEX #35CC04

RGB 53 204 4

HSL 105.3, 0.96%, 0.41%

LAB 72.2, -68.2, 70.51

 

CMYK 48 / 0 / 64 / 40

HEX #4F9937

RGB 79 153 55

HSL 105.31, 0.47%, 0.41%

LAB 56.8, -41.78, 43.25

 

CMYK 36 / 0 / 47 / 47

HEX #578848

RGB 87 136 72

HSL 105.94, 0.31%, 0.41%

LAB 51.95, -29.44, 29.15

 

CMYK 19 / 0 / 25 / 53

HEX #607759

RGB 96 119 89

HSL 106, 0.14%, 0.41%

LAB 47.5, -14.61, 13.8

 

CMYK 1 / 4 / 0 / 58

HEX #69666A

RGB 105 102 106

HSL 285, 0.02%, 0.41%

LAB 43.58, 2, -1.84

 

CMYK 7 / 30 / 0 / 52

HEX #72567B

RGB 114 86 123

HSL 285.41, 0.18%, 0.41%

LAB 40.68, 18.77, -16.46

 

CMYK 14 / 0 / 64 / 40

HEX #849937

RGB 132 153 55

HSL 72.86, 0.47%, 0.41%

LAB 59.86, -21.86, 47.46

 

CMYK 31 / 0 / 64 / 40

HEX #6A9937

RGB 106 153 55

HSL 88.78, 0.47%, 0.41%

LAB 58.15, -32.36, 45.12

 

CMYK 48 / 0 / 64 / 40

HEX #4F9937

RGB 79 153 55

HSL 105.31, 0.47%, 0.41%

LAB 56.8, -41.78, 43.25

 

CMYK 64 / 0 / 63 / 40

HEX #379939

RGB 55 153 57

HSL 121.22, 0.47%, 0.41%

LAB 55.98, -48.06, 41.18

 

CMYK 64 / 0 / 46 / 40

HEX #379953

RGB 55 153 83

HSL 137.14, 0.47%, 0.41%

LAB 56.31, -44.33, 28.53

 

CMYK 49 / 0 / 65 / 64

HEX #2F5D21

RGB 47 93 33

HSL 106, 0.48%, 0.25%

LAB 35.09, -28.46, 29.01

 

CMYK 49 / 0 / 64 / 52

HEX #3F7B2C

RGB 63 123 44

HSL 105.57, 0.47%, 0.33%

LAB 46.18, -35.28, 36.31

 

CMYK 48 / 0 / 64 / 40

HEX #4F9937

RGB 79 153 55

HSL 105.31, 0.47%, 0.41%

LAB 56.8, -41.78, 43.25

 

CMYK 49 / 0 / 64 / 28

HEX #5EB842

RGB 94 184 66

HSL 105.76, 0.47%, 0.49%

LAB 67.32, -48.73, 50.2

 

CMYK 40 / 0 / 52 / 23

HEX #77C55E

RGB 119 197 94

HSL 105.44, 0.47%, 0.57%

LAB 72.67, -43.3, 43.83

 

CMYK 48 / 0 / 64 / 39

HEX #509B38

RGB 80 155 56

HSL 105.45, 0.47%, 0.41%

LAB 57.5, -42.2, 43.58

 

CMYK 64 / 0 / 3 / 40

HEX #379994

RGB 55 153 148

HSL 176.94, 0.47%, 0.41%

LAB 57.78, -29.25, -5.79

 

CMYK 0 / 64 / 22 / 40

HEX #993777

RGB 153 55 119

HSL 320.82, 0.47%, 0.41%

LAB 39.3, 47.86, -15.63

 

CMYK 48 / 0 / 64 / 39

HEX #509B38

RGB 80 155 56

HSL 105.45, 0.47%, 0.41%

LAB 57.5, -42.2, 43.58

 

CMYK 64 / 48 / 0 / 40

HEX #374F99

RGB 55 79 153

HSL 225.31, 0.47%, 0.41%

LAB 35.41, 15.41, -43.34

 

CMYK 0 / 64 / 48 / 40

HEX #99374F

RGB 153 55 79

HSL 345.31, 0.47%, 0.41%

LAB 37.97, 42.97, 7.56

 

CMYK 48 / 0 / 64 / 39

HEX #509B38

RGB 80 155 56

HSL 105.45, 0.47%, 0.41%

LAB 57.5, -42.2, 43.58

 

CMYK 64 / 0 / 3 / 40

HEX #379994

RGB 55 153 148

HSL 176.94, 0.47%, 0.41%

LAB 57.78, -29.25, -5.79

 

CMYK 16 / 64 / 0 / 40

HEX #813799

RGB 129 55 153

HSL 285.31, 0.47%, 0.41%

LAB 37.3, 47.32, -39.9

 

CMYK 0 / 64 / 61 / 40

HEX #99373C

RGB 153 55 60

HSL 356.94, 0.47%, 0.41%

LAB 37.54, 41.34, 18.98

 

CMYK 48 / 0 / 64 / 39

HEX #509B38

RGB 80 155 56

HSL 105.45, 0.47%, 0.41%

LAB 57.5, -42.2, 43.58

 

CMYK 64 / 16 / 0 / 40

HEX #378199

RGB 55 129 153

HSL 194.69, 0.47%, 0.41%

LAB 50.47, -15.25, -19.7

 

CMYK 16 / 64 / 0 / 40

HEX #813799

RGB 129 55 153

HSL 285.31, 0.47%, 0.41%

LAB 37.3, 47.32, -39.9

 

CMYK 0 / 48 / 64 / 40

HEX #994F37

RGB 153 79 55

HSL 14.69, 0.47%, 0.41%

LAB 42.22, 28.68, 27.91

 

Description

Color code: RGB 80 155 56 | qconv.com Color code: RGB 80 155 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 155 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 155 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 64 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 64% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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