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Color name
RGB 80 153 42

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 153 42 it is the complementary color RGB 175 102 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 153 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 153 42 shade: RGB 85 153 37, RGB 102 171 56, RGB 119 189 75, RGB 136 207 94 and RGB 153 225 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 153 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 153 42 shade: RGB 80 153 42, RGB 63 135 23, RGB 46 117 4, RGB 29 99 0 and RGB 12 81 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 153 42 shade: RGB 79 152 41, RGB 109 152 41, RGB 139 152 41, RGB 152 135 41 and RGB 152 105 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 153 42 shade: RGB 79 152 41, RGB 49 152 41, RGB 41 152 63, RGB 41 152 93 and RGB 41 152 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 153 42 shade matches the following richer shades: RGB 79 152 41, RGB 74 167 25 and RGB 69 183 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 153 42 shade: RGB 79 152 41, RGB 84 136 57, RGB 89 120 73, RGB 94 105 88 and RGB 99 89 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 153 42 shade: RGB 139 152 41, RGB 109 152 41, RGB 80 152 41, RGB 50 152 41 and RGB 41 152 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 153 42 shade: RGB 45 87 23, RGB 62 119 32, RGB 79 152 41, RGB 96 184 50 and RGB 117 204 71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 153 42 shade: RGB 80 153 42, RGB 41 152 135 and RGB 152 41 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 153 42 shade: RGB 80 153 42, RGB 41 80 152 and RGB 152 41 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 153 42 shade: RGB 80 153 42, RGB 41 152 135, RGB 113 41 152 and RGB 152 41 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 153 42 shade: RGB 80 153 42, RGB 41 135 152, RGB 113 41 152 and RGB 152 58 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 73 / 40

HEX #50992A

RGB 80 153 42

HSL 99.46, 0.57%, 0.38%

LAB 56.74, -42.62, 48.66

 

Complementary color

CMYK 18 / 52 / 0 / 16

HEX #AF66D5

RGB 175 102 213

HSL 279.46, 0.57%, 0.62%

LAB 55.5, 48.26, -45.69

 

CMYK 44 / 0 / 76 / 40

HEX #559925

RGB 85 153 37

HSL 95.17, 0.61%, 0.37%

LAB 56.93, -41.33, 50.78

 

CMYK 40 / 0 / 67 / 33

HEX #66AB38

RGB 102 171 56

HSL 96, 0.51%, 0.45%

LAB 63.54, -41.74, 50.44

 

CMYK 37 / 0 / 60 / 26

HEX #77BD4B

RGB 119 189 75

HSL 96.84, 0.46%, 0.52%

LAB 70.05, -41.93, 49.61

 

CMYK 34 / 0 / 55 / 19

HEX #88CF5E

RGB 136 207 94

HSL 97.7, 0.54%, 0.59%

LAB 76.48, -41.99, 48.57

 

CMYK 32 / 0 / 50 / 12

HEX #99E171

RGB 153 225 113

HSL 98.57, 0.65%, 0.66%

LAB 82.81, -41.96, 47.44

 

CMYK 48 / 0 / 73 / 40

HEX #50992A

RGB 80 153 42

HSL 99.46, 0.57%, 0.38%

LAB 56.74, -42.62, 48.66

 

CMYK 53 / 0 / 83 / 47

HEX #3F8717

RGB 63 135 23

HSL 98.57, 0.71%, 0.31%

LAB 50.03, -41.94, 48.5

 

CMYK 61 / 0 / 97 / 54

HEX #2E7504

RGB 46 117 4

HSL 97.7, 0.93%, 0.24%

LAB 43.23, -40.75, 46.93

 

CMYK 71 / 0 / 100 / 61

HEX #1D6300

RGB 29 99 0

HSL 102.42, 1%, 0.19%

LAB 36.34, -38.64, 42.18

 

CMYK 85 / 0 / 100 / 68

HEX #0C5100

RGB 12 81 0

HSL 111.11, 1%, 0.16%

LAB 29.32, -35.69, 36.42

 

CMYK 48 / 0 / 73 / 40

HEX #4F9829

RGB 79 152 41

HSL 99.46, 0.58%, 0.38%

LAB 56.37, -42.61, 48.66

 

CMYK 28 / 0 / 73 / 40

HEX #6D9829

RGB 109 152 41

HSL 83.24, 0.58%, 0.38%

LAB 57.91, -31.8, 50.72

 

CMYK 9 / 0 / 73 / 40

HEX #8B9829

RGB 139 152 41

HSL 67.03, 0.58%, 0.38%

LAB 59.98, -19.24, 53.45

 

CMYK 0 / 11 / 73 / 40

HEX #988729

RGB 152 135 41

HSL 50.81, 0.58%, 0.38%

LAB 56.25, -4.37, 50.19

 

CMYK 0 / 31 / 73 / 40

HEX #986929

RGB 152 105 41

HSL 34.59, 0.58%, 0.38%

LAB 48.18, 12.6, 42.04

 

CMYK 48 / 0 / 73 / 40

HEX #4F9829

RGB 79 152 41

HSL 99.46, 0.58%, 0.38%

LAB 56.37, -42.61, 48.66

 

CMYK 68 / 0 / 73 / 40

HEX #319829

RGB 49 152 41

HSL 115.68, 0.58%, 0.38%

LAB 55.35, -50.62, 47.29

 

CMYK 73 / 0 / 59 / 40

HEX #29983F

RGB 41 152 63

HSL 131.89, 0.58%, 0.38%

LAB 55.37, -49.74, 37.53

 

CMYK 73 / 0 / 39 / 40

HEX #29985D

RGB 41 152 93

HSL 148.11, 0.58%, 0.38%

LAB 55.8, -44.7, 22.4

 

CMYK 73 / 0 / 19 / 40

HEX #29987B

RGB 41 152 123

HSL 164.32, 0.58%, 0.38%

LAB 56.44, -37.82, 6.47

 

CMYK 48 / 0 / 73 / 40

HEX #4F9829

RGB 79 152 41

HSL 99.46, 0.58%, 0.38%

LAB 56.37, -42.61, 48.66

 

CMYK 56 / 0 / 85 / 35

HEX #4AA719

RGB 74 167 25

HSL 99.3, 0.74%, 0.38%

LAB 60.93, -50.87, 57.98

 

CMYK 62 / 0 / 95 / 28

HEX #45B70A

RGB 69 183 10

HSL 99.54, 0.9%, 0.38%

LAB 65.87, -58.28, 64.84

 

CMYK 48 / 0 / 73 / 40

HEX #4F9829

RGB 79 152 41

HSL 99.46, 0.58%, 0.38%

LAB 56.37, -42.61, 48.66

 

CMYK 38 / 0 / 58 / 47

HEX #548839

RGB 84 136 57

HSL 99.49, 0.41%, 0.38%

LAB 51.6, -32.45, 36.45

 

CMYK 26 / 0 / 39 / 53

HEX #597849

RGB 89 120 73

HSL 99.57, 0.24%, 0.38%

LAB 47.02, -20.55, 22.31

 

CMYK 10 / 0 / 16 / 59

HEX #5E6958

RGB 94 105 88

HSL 98.82, 0.09%, 0.38%

LAB 43.04, -7.71, 8.16

 

CMYK 5 / 14 / 0 / 59

HEX #635968

RGB 99 89 104

HSL 280, 0.08%, 0.38%

LAB 39.24, 7.16, -7.11

 

CMYK 9 / 0 / 73 / 40

HEX #8B9829

RGB 139 152 41

HSL 67.03, 0.58%, 0.38%

LAB 59.98, -19.24, 53.45

 

CMYK 28 / 0 / 73 / 40

HEX #6D9829

RGB 109 152 41

HSL 83.24, 0.58%, 0.38%

LAB 57.91, -31.8, 50.72

 

CMYK 47 / 0 / 73 / 40

HEX #509829

RGB 80 152 41

HSL 98.92, 0.58%, 0.38%

LAB 56.41, -42.29, 48.71

 

CMYK 67 / 0 / 73 / 40

HEX #329829

RGB 50 152 41

HSL 115.14, 0.58%, 0.38%

LAB 55.37, -50.41, 47.33

 

CMYK 73 / 0 / 60 / 40

HEX #29983D

RGB 41 152 61

HSL 130.81, 0.58%, 0.38%

LAB 55.34, -50, 38.48

 

CMYK 48 / 0 / 74 / 66

HEX #2D5717

RGB 45 87 23

HSL 99.38, 0.58%, 0.22%

LAB 32.78, -27.45, 31.32

 

CMYK 48 / 0 / 73 / 53

HEX #3E7720

RGB 62 119 32

HSL 99.31, 0.58%, 0.3%

LAB 44.69, -35.03, 40.07

 

CMYK 48 / 0 / 73 / 40

HEX #4F9829

RGB 79 152 41

HSL 99.46, 0.58%, 0.38%

LAB 56.37, -42.61, 48.66

 

CMYK 48 / 0 / 73 / 28

HEX #60B832

RGB 96 184 50

HSL 99.4, 0.57%, 0.46%

LAB 67.28, -49.46, 56.55

 

CMYK 43 / 0 / 65 / 20

HEX #75CC47

RGB 117 204 71

HSL 99.25, 0.57%, 0.54%

LAB 74.46, -49.23, 56.16

 

CMYK 48 / 0 / 73 / 40

HEX #50992A

RGB 80 153 42

HSL 99.46, 0.57%, 0.38%

LAB 56.74, -42.62, 48.66

 

CMYK 73 / 0 / 11 / 40

HEX #299887

RGB 41 152 135

HSL 170.81, 0.58%, 0.38%

LAB 56.76, -34.61, 0.09

 

CMYK 0 / 73 / 18 / 40

HEX #98297C

RGB 152 41 124

HSL 315.14, 0.58%, 0.38%

LAB 37.33, 53.93, -21.8

 

CMYK 48 / 0 / 73 / 40

HEX #50992A

RGB 80 153 42

HSL 99.46, 0.57%, 0.38%

LAB 56.74, -42.62, 48.66

 

CMYK 73 / 47 / 0 / 40

HEX #295098

RGB 41 80 152

HSL 218.92, 0.58%, 0.38%

LAB 34.95, 12.01, -43.5

 

CMYK 0 / 73 / 47 / 40

HEX #982950

RGB 152 41 80

HSL 338.92, 0.58%, 0.38%

LAB 35.68, 48.6, 3.63

 

CMYK 48 / 0 / 73 / 40

HEX #50992A

RGB 80 153 42

HSL 99.46, 0.57%, 0.38%

LAB 56.74, -42.62, 48.66

 

CMYK 73 / 0 / 11 / 40

HEX #299887

RGB 41 152 135

HSL 170.81, 0.58%, 0.38%

LAB 56.76, -34.61, 0.09

 

CMYK 26 / 73 / 0 / 40

HEX #712998

RGB 113 41 152

HSL 278.92, 0.58%, 0.38%

LAB 32.62, 49.82, -46.93

 

CMYK 0 / 73 / 62 / 40

HEX #98293A

RGB 152 41 58

HSL 350.81, 0.58%, 0.38%

LAB 35.14, 46.78, 17.07

 

CMYK 48 / 0 / 73 / 40

HEX #50992A

RGB 80 153 42

HSL 99.46, 0.57%, 0.38%

LAB 56.74, -42.62, 48.66

 

CMYK 73 / 11 / 0 / 40

HEX #298798

RGB 41 135 152

HSL 189.19, 0.58%, 0.38%

LAB 51.91, -21.05, -16.95

 

CMYK 26 / 73 / 0 / 40

HEX #712998

RGB 113 41 152

HSL 278.92, 0.58%, 0.38%

LAB 32.62, 49.82, -46.93

 

CMYK 0 / 62 / 73 / 40

HEX #983A29

RGB 152 58 41

HSL 9.19, 0.58%, 0.38%

LAB 37.59, 38.37, 30.57

 

Description

Color code: RGB 80 153 42 | qconv.com Color code: RGB 80 153 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 153 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 153 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 73 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 73% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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