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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 150 116 it is the complementary color RGB 175 105 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 150 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 150 116 shade: RGB 85 150 111, RGB 102 168 130, RGB 119 186 149, RGB 136 204 168 and RGB 153 222 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 150 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 150 116 shade: RGB 80 150 116, RGB 63 132 97, RGB 46 114 78, RGB 29 96 59 and RGB 12 78 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 150 116 shade: RGB 80 149 115, RGB 80 149 97, RGB 82 149 80, RGB 100 149 80 and RGB 119 149 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 150 116 shade: RGB 80 149 115, RGB 80 149 134, RGB 80 145 149, RGB 80 126 149 and RGB 80 108 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 150 116 shade matches the following richer shades: RGB 80 149 115, RGB 61 167 116, RGB 43 186 116, RGB 24 204 117 and RGB 6 223 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 150 116 shade: RGB 80 149 115, RGB 98 130 115, RGB 117 112 114, RGB 136 93 114 and RGB 154 74 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 150 116 shade: RGB 82 149 80, RGB 80 149 96, RGB 80 149 114, RGB 80 149 133 and RGB 80 146 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 150 116 shade: RGB 51 95 74, RGB 65 122 94, RGB 80 149 115, RGB 99 171 136 and RGB 126 185 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 150 116 shade: RGB 80 150 116, RGB 80 100 149 and RGB 149 87 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 150 116 shade: RGB 80 150 116, RGB 114 80 149 and RGB 149 114 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 150 116 shade: RGB 80 150 116, RGB 80 100 149, RGB 149 80 114 and RGB 149 128 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 150 116 shade: RGB 80 150 116, RGB 80 80 149, RGB 149 80 114 and RGB 149 149 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 23 / 41

HEX #509674

RGB 80 150 116

HSL 150.86, 0.3%, 0.45%

LAB 56.86, -30.32, 11.2

 

Complementary color

CMYK 0 / 40 / 21 / 31

HEX #AF698B

RGB 175 105 139

HSL 330.86, 0.3%, 0.55%

LAB 53.04, 32.68, -6.7

 

CMYK 43 / 0 / 26 / 41

HEX #55966F

RGB 85 150 111

HSL 144, 0.28%, 0.46%

LAB 56.97, -29.96, 14.2

 

CMYK 39 / 0 / 23 / 34

HEX #66A882

RGB 102 168 130

HSL 145.45, 0.28%, 0.53%

LAB 63.71, -29.69, 13.12

 

CMYK 36 / 0 / 20 / 27

HEX #77BA95

RGB 119 186 149

HSL 146.87, 0.33%, 0.6%

LAB 70.32, -29.42, 12.12

 

CMYK 33 / 0 / 18 / 20

HEX #88CCA8

RGB 136 204 168

HSL 148.24, 0.4%, 0.67%

LAB 76.83, -29.17, 11.19

 

CMYK 31 / 0 / 16 / 13

HEX #99DEBB

RGB 153 222 187

HSL 149.57, 0.51%, 0.74%

LAB 83.23, -28.93, 10.32

 

CMYK 47 / 0 / 23 / 41

HEX #509674

RGB 80 150 116

HSL 150.86, 0.3%, 0.45%

LAB 56.86, -30.32, 11.2

 

CMYK 52 / 0 / 27 / 48

HEX #3F8461

RGB 63 132 97

HSL 149.57, 0.35%, 0.38%

LAB 50, -30.51, 12.36

 

CMYK 60 / 0 / 32 / 55

HEX #2E724E

RGB 46 114 78

HSL 148.24, 0.43%, 0.31%

LAB 43.01, -30.6, 13.67

 

CMYK 70 / 0 / 39 / 62

HEX #1D603B

RGB 29 96 59

HSL 146.87, 0.54%, 0.25%

LAB 35.87, -30.45, 15.17

 

CMYK 85 / 0 / 49 / 69

HEX #0C4E28

RGB 12 78 40

HSL 145.45, 0.73%, 0.18%

LAB 28.59, -29.76, 16.93

 

CMYK 46 / 0 / 23 / 42

HEX #509573

RGB 80 149 115

HSL 150.43, 0.3%, 0.45%

LAB 56.52, -30.06, 11.29

 

CMYK 46 / 0 / 35 / 42

HEX #509561

RGB 80 149 97

HSL 134.78, 0.3%, 0.45%

LAB 56.15, -33.7, 20.88

 

CMYK 45 / 0 / 46 / 42

HEX #529550

RGB 82 149 80

HSL 118.26, 0.3%, 0.45%

LAB 55.96, -35.96, 29.88

 

CMYK 33 / 0 / 46 / 42

HEX #649550

RGB 100 149 80

HSL 102.61, 0.3%, 0.45%

LAB 56.86, -29.89, 31.22

 

CMYK 20 / 0 / 46 / 42

HEX #779550

RGB 119 149 80

HSL 86.09, 0.3%, 0.45%

LAB 58.03, -22.69, 32.93

 

CMYK 46 / 0 / 23 / 42

HEX #509573

RGB 80 149 115

HSL 150.43, 0.3%, 0.45%

LAB 56.52, -30.06, 11.29

 

CMYK 46 / 0 / 10 / 42

HEX #509586

RGB 80 149 134

HSL 166.96, 0.3%, 0.45%

LAB 57, -25.62, 1.15

 

CMYK 46 / 3 / 0 / 42

HEX #509195

RGB 80 145 149

HSL 183.48, 0.3%, 0.45%

LAB 56.21, -19.64, -8.6

 

CMYK 46 / 15 / 0 / 42

HEX #507E95

RGB 80 126 149

HSL 200, 0.3%, 0.45%

LAB 50.45, -9.23, -17.3

 

CMYK 46 / 28 / 0 / 42

HEX #506C95

RGB 80 108 149

HSL 215.65, 0.3%, 0.45%

LAB 45.08, 1.37, -25.56

 

CMYK 46 / 0 / 23 / 42

HEX #509573

RGB 80 149 115

HSL 150.43, 0.3%, 0.45%

LAB 56.52, -30.06, 11.29

 

CMYK 63 / 0 / 31 / 35

HEX #3DA774

RGB 61 167 116

HSL 151.13, 0.46%, 0.45%

LAB 61.56, -42.49, 17.63

 

CMYK 77 / 0 / 38 / 27

HEX #2BBA74

RGB 43 186 116

HSL 150.63, 0.62%, 0.45%

LAB 67.2, -52.98, 25.2

 

CMYK 88 / 0 / 43 / 20

HEX #18CC75

RGB 24 204 117

HSL 151, 0.79%, 0.45%

LAB 72.67, -61.07, 31.86

 

CMYK 97 / 0 / 48 / 13

HEX #06DF75

RGB 6 223 117

HSL 150.69, 0.95%, 0.45%

LAB 78.52, -68.22, 39.35

 

CMYK 46 / 0 / 23 / 42

HEX #509573

RGB 80 149 115

HSL 150.43, 0.3%, 0.45%

LAB 56.52, -30.06, 11.29

 

CMYK 25 / 0 / 12 / 49

HEX #628273

RGB 98 130 115

HSL 151.88, 0.14%, 0.45%

LAB 51.61, -14.69, 4.43

 

CMYK 0 / 4 / 3 / 54

HEX #757072

RGB 117 112 114

HSL 336, 0.02%, 0.45%

LAB 47.73, 2.33, -0.42

 

CMYK 0 / 32 / 16 / 47

HEX #885D72

RGB 136 93 114

HSL 330.7, 0.19%, 0.45%

LAB 44.63, 20.96, -4.77

 

CMYK 0 / 52 / 27 / 40

HEX #9A4A71

RGB 154 74 113

HSL 330.75, 0.35%, 0.45%

LAB 42.7, 38.07, -6.77

 

CMYK 45 / 0 / 46 / 42

HEX #529550

RGB 82 149 80

HSL 118.26, 0.3%, 0.45%

LAB 55.96, -35.96, 29.88

 

CMYK 46 / 0 / 36 / 42

HEX #509560

RGB 80 149 96

HSL 133.91, 0.3%, 0.45%

LAB 56.13, -33.88, 21.41

 

CMYK 46 / 0 / 23 / 42

HEX #509572

RGB 80 149 114

HSL 149.57, 0.3%, 0.45%

LAB 56.5, -30.28, 11.82

 

CMYK 46 / 0 / 11 / 42

HEX #509585

RGB 80 149 133

HSL 166.09, 0.3%, 0.45%

LAB 56.97, -25.87, 1.68

 

CMYK 46 / 2 / 0 / 42

HEX #509295

RGB 80 146 149

HSL 182.61, 0.3%, 0.45%

LAB 56.52, -20.17, -8.14

 

CMYK 46 / 0 / 22 / 63

HEX #335F4A

RGB 51 95 74

HSL 151.36, 0.3%, 0.29%

LAB 36.71, -20.72, 7.33

 

CMYK 47 / 0 / 23 / 52

HEX #417A5E

RGB 65 122 94

HSL 150.53, 0.3%, 0.37%

LAB 46.78, -25.76, 9.6

 

CMYK 46 / 0 / 23 / 42

HEX #509573

RGB 80 149 115

HSL 150.43, 0.3%, 0.45%

LAB 56.52, -30.06, 11.29

 

CMYK 42 / 0 / 20 / 33

HEX #63AB88

RGB 99 171 136

HSL 150.83, 0.3%, 0.53%

LAB 64.61, -30.75, 11.05

 

CMYK 32 / 0 / 16 / 27

HEX #7EB99C

RGB 126 185 156

HSL 150.51, 0.3%, 0.61%

LAB 70.55, -25.38, 8.68

 

CMYK 47 / 0 / 23 / 41

HEX #509674

RGB 80 150 116

HSL 150.86, 0.3%, 0.45%

LAB 56.86, -30.32, 11.2

 

CMYK 46 / 33 / 0 / 42

HEX #506495

RGB 80 100 149

HSL 222.61, 0.3%, 0.45%

LAB 42.75, 6.3, -29.2

 

CMYK 0 / 42 / 46 / 42

HEX #955750

RGB 149 87 80

HSL 6.09, 0.3%, 0.45%

LAB 43.92, 24.8, 15.11

 

CMYK 47 / 0 / 23 / 41

HEX #509674

RGB 80 150 116

HSL 150.86, 0.3%, 0.45%

LAB 56.86, -30.32, 11.2

 

CMYK 23 / 46 / 0 / 42

HEX #725095

RGB 114 80 149

HSL 269.57, 0.3%, 0.45%

LAB 40.39, 28.55, -32.71

 

CMYK 0 / 23 / 46 / 42

HEX #957250

RGB 149 114 80

HSL 29.57, 0.3%, 0.45%

LAB 50.69, 9.24, 24.12

 

CMYK 47 / 0 / 23 / 41

HEX #509674

RGB 80 150 116

HSL 150.86, 0.3%, 0.45%

LAB 56.86, -30.32, 11.2

 

CMYK 46 / 33 / 0 / 42

HEX #506495

RGB 80 100 149

HSL 222.61, 0.3%, 0.45%

LAB 42.75, 6.3, -29.2

 

CMYK 0 / 46 / 23 / 42

HEX #955072

RGB 149 80 114

HSL 330.43, 0.3%, 0.45%

LAB 43.27, 33.23, -6.61

 

CMYK 0 / 14 / 46 / 42

HEX #958050

RGB 149 128 80

HSL 41.74, 0.3%, 0.45%

LAB 54.46, 1.25, 28.96

 

CMYK 47 / 0 / 23 / 41

HEX #509674

RGB 80 150 116

HSL 150.86, 0.3%, 0.45%

LAB 56.86, -30.32, 11.2

 

CMYK 46 / 46 / 0 / 42

HEX #505095

RGB 80 80 149

HSL 240, 0.3%, 0.45%

LAB 37.14, 18.98, -38.06

 

CMYK 0 / 46 / 23 / 42

HEX #955072

RGB 149 80 114

HSL 330.43, 0.3%, 0.45%

LAB 43.27, 33.23, -6.61

 

CMYK 0 / 0 / 46 / 42

HEX #959550

RGB 149 149 80

HSL 60, 0.3%, 0.45%

LAB 60.31, -10.3, 36.24

 

Description

Color code: RGB 80 150 116 | qconv.com Color code: RGB 80 150 116 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 150 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 150 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 23 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 23% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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