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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 149 74 it is the complementary color RGB 175 106 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 149 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 149 74 shade: RGB 85 149 69, RGB 102 167 88, RGB 119 185 107, RGB 136 203 126 and RGB 153 221 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 149 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 149 74 shade: RGB 80 149 74, RGB 63 131 55, RGB 46 113 36, RGB 29 95 17 and RGB 12 77 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 149 74 shade: RGB 80 150 74, RGB 100 150 74, RGB 121 150 74, RGB 141 150 74 and RGB 150 138 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 149 74 shade: RGB 80 150 74, RGB 74 150 88, RGB 74 150 109, RGB 74 150 129 and RGB 74 150 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 149 74 shade matches the following richer shades: RGB 80 150 74, RGB 64 168 55, RGB 49 186 37, RGB 34 204 19 and RGB 19 222 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 149 74 shade: RGB 80 150 74, RGB 95 132 92, RGB 110 114 110, RGB 125 95 128 and RGB 141 77 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 149 74 shade: RGB 121 150 74, RGB 100 150 74, RGB 80 150 74, RGB 74 150 88 and RGB 74 150 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 149 74 shade: RGB 50 95 46, RGB 65 122 60, RGB 80 150 74, RGB 97 174 91 and RGB 124 187 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 149 74 shade: RGB 80 149 74, RGB 74 141 150 and RGB 150 74 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 149 74 shade: RGB 80 149 74, RGB 74 80 150 and RGB 150 74 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 149 74 shade: RGB 80 149 74, RGB 74 141 150, RGB 143 74 150 and RGB 150 82 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 149 74 shade: RGB 80 149 74, RGB 74 118 150, RGB 143 74 150 and RGB 150 105 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 50 / 42

HEX #50954A

RGB 80 149 74

HSL 115.2, 0.34%, 0.44%

LAB 55.78, -37.46, 32.79

 

Complementary color

CMYK 3 / 41 / 0 / 29

HEX #AF6AB5

RGB 175 106 181

HSL 295.2, 0.34%, 0.56%

LAB 54.82, 39.55, -28.47

 

CMYK 43 / 0 / 54 / 42

HEX #559545

RGB 85 149 69

HSL 108, 0.37%, 0.43%

LAB 55.94, -36.53, 35.6

 

CMYK 39 / 0 / 47 / 35

HEX #66A758

RGB 102 167 88

HSL 109.37, 0.31%, 0.5%

LAB 62.65, -36.44, 34.32

 

CMYK 36 / 0 / 42 / 27

HEX #77B96B

RGB 119 185 107

HSL 110.77, 0.36%, 0.57%

LAB 69.24, -36.28, 33.06

 

CMYK 33 / 0 / 38 / 20

HEX #88CB7E

RGB 136 203 126

HSL 112.21, 0.43%, 0.65%

LAB 75.73, -36.08, 31.85

 

CMYK 31 / 0 / 34 / 13

HEX #99DD91

RGB 153 221 145

HSL 113.68, 0.53%, 0.72%

LAB 82.13, -35.86, 30.7

 

CMYK 46 / 0 / 50 / 42

HEX #50954A

RGB 80 149 74

HSL 115.2, 0.34%, 0.44%

LAB 55.78, -37.46, 32.79

 

CMYK 52 / 0 / 58 / 49

HEX #3F8337

RGB 63 131 55

HSL 113.68, 0.41%, 0.36%

LAB 48.96, -37.43, 34.11

 

CMYK 59 / 0 / 68 / 56

HEX #2E7124

RGB 46 113 36

HSL 112.21, 0.52%, 0.29%

LAB 42.03, -37.1, 35.28

 

CMYK 69 / 0 / 82 / 63

HEX #1D5F11

RGB 29 95 17

HSL 110.77, 0.7%, 0.22%

LAB 34.98, -36.2, 35.83

 

CMYK 84 / 0 / 100 / 70

HEX #0C4D00

RGB 12 77 0

HSL 110.65, 1%, 0.15%

LAB 27.81, -34.3, 35.19

 

CMYK 47 / 0 / 51 / 41

HEX #50964A

RGB 80 150 74

HSL 115.26, 0.34%, 0.44%

LAB 56.1, -37.9, 33.18

 

CMYK 33 / 0 / 51 / 41

HEX #64964A

RGB 100 150 74

HSL 99.47, 0.34%, 0.44%

LAB 57.09, -31.16, 34.63

 

CMYK 19 / 0 / 51 / 41

HEX #79964A

RGB 121 150 74

HSL 82.89, 0.34%, 0.44%

LAB 58.39, -23.11, 36.5

 

CMYK 6 / 0 / 51 / 41

HEX #8D964A

RGB 141 150 74

HSL 67.11, 0.34%, 0.44%

LAB 59.86, -14.84, 38.62

 

CMYK 0 / 8 / 51 / 41

HEX #968A4A

RGB 150 138 74

HSL 50.53, 0.34%, 0.44%

LAB 57.23, -4.5, 35.64

 

CMYK 47 / 0 / 51 / 41

HEX #50964A

RGB 80 150 74

HSL 115.26, 0.34%, 0.44%

LAB 56.1, -37.9, 33.18

 

CMYK 51 / 0 / 41 / 41

HEX #4A9658

RGB 74 150 88

HSL 131.05, 0.34%, 0.44%

LAB 56.06, -37.48, 25.65

 

CMYK 51 / 0 / 27 / 41

HEX #4A966D

RGB 74 150 109

HSL 147.63, 0.34%, 0.44%

LAB 56.46, -33.45, 14.55

 

CMYK 51 / 0 / 14 / 41

HEX #4A9681

RGB 74 150 129

HSL 163.42, 0.34%, 0.44%

LAB 56.93, -28.87, 3.88

 

CMYK 51 / 0 / 0 / 41

HEX #4A9696

RGB 74 150 150

HSL 180, 0.34%, 0.44%

LAB 57.53, -23.39, -7.23

 

CMYK 47 / 0 / 51 / 41

HEX #50964A

RGB 80 150 74

HSL 115.26, 0.34%, 0.44%

LAB 56.1, -37.9, 33.18

 

CMYK 62 / 0 / 67 / 34

HEX #40A837

RGB 64 168 55

HSL 115.22, 0.51%, 0.44%

LAB 61.11, -51.72, 47.81

 

CMYK 74 / 0 / 80 / 27

HEX #31BA25

RGB 49 186 37

HSL 115.17, 0.67%, 0.44%

LAB 66.45, -62.2, 59.55

 

CMYK 83 / 0 / 91 / 20

HEX #22CC13

RGB 34 204 19

HSL 115.14, 0.83%, 0.44%

LAB 71.94, -70.35, 68.39

 

CMYK 91 / 0 / 100 / 13

HEX #13DE01

RGB 19 222 1

HSL 115.11, 0.99%, 0.44%

LAB 77.51, -76.85, 74.92

 

CMYK 47 / 0 / 51 / 41

HEX #50964A

RGB 80 150 74

HSL 115.26, 0.34%, 0.44%

LAB 56.1, -37.9, 33.18

 

CMYK 28 / 0 / 30 / 48

HEX #5F845C

RGB 95 132 92

HSL 115.5, 0.18%, 0.44%

LAB 51.51, -21.36, 17.54

 

CMYK 4 / 0 / 4 / 55

HEX #6E726E

RGB 110 114 110

HSL 120, 0.02%, 0.44%

LAB 47.59, -2.34, 1.68

 

CMYK 2 / 26 / 0 / 50

HEX #7D5F80

RGB 125 95 128

HSL 294.55, 0.15%, 0.44%

LAB 44.38, 18.36, -13.75

 

CMYK 3 / 47 / 0 / 43

HEX #8D4D92

RGB 141 77 146

HSL 295.65, 0.31%, 0.44%

LAB 42.83, 37.88, -26.83

 

CMYK 19 / 0 / 51 / 41

HEX #79964A

RGB 121 150 74

HSL 82.89, 0.34%, 0.44%

LAB 58.39, -23.11, 36.5

 

CMYK 33 / 0 / 51 / 41

HEX #64964A

RGB 100 150 74

HSL 99.47, 0.34%, 0.44%

LAB 57.09, -31.16, 34.63

 

CMYK 47 / 0 / 51 / 41

HEX #50964A

RGB 80 150 74

HSL 115.26, 0.34%, 0.44%

LAB 56.1, -37.9, 33.18

 

CMYK 51 / 0 / 41 / 41

HEX #4A9658

RGB 74 150 88

HSL 131.05, 0.34%, 0.44%

LAB 56.06, -37.48, 25.65

 

CMYK 51 / 0 / 28 / 41

HEX #4A966C

RGB 74 150 108

HSL 146.84, 0.34%, 0.44%

LAB 56.44, -33.66, 15.08

 

CMYK 47 / 0 / 52 / 63

HEX #325F2E

RGB 50 95 46

HSL 115.1, 0.35%, 0.28%

LAB 36.1, -26.58, 23.22

 

CMYK 47 / 0 / 51 / 52

HEX #417A3C

RGB 65 122 60

HSL 115.16, 0.34%, 0.36%

LAB 46.14, -32.14, 28.11

 

CMYK 47 / 0 / 51 / 41

HEX #50964A

RGB 80 150 74

HSL 115.26, 0.34%, 0.44%

LAB 56.1, -37.9, 33.18

 

CMYK 44 / 0 / 48 / 32

HEX #61AE5B

RGB 97 174 91

HSL 115.66, 0.34%, 0.52%

LAB 64.62, -40.71, 35.2

 

CMYK 34 / 0 / 37 / 27

HEX #7CBB76

RGB 124 187 118

HSL 114.78, 0.34%, 0.6%

LAB 70.27, -33.89, 28.72

 

CMYK 46 / 0 / 50 / 42

HEX #50954A

RGB 80 149 74

HSL 115.2, 0.34%, 0.44%

LAB 55.78, -37.46, 32.79

 

CMYK 51 / 6 / 0 / 41

HEX #4A8D96

RGB 74 141 150

HSL 187.11, 0.34%, 0.44%

LAB 54.77, -18.69, -11.36

 

CMYK 0 / 51 / 27 / 41

HEX #964A6E

RGB 150 74 110

HSL 331.58, 0.34%, 0.44%

LAB 42.01, 36.23, -6.01

 

CMYK 46 / 0 / 50 / 42

HEX #50954A

RGB 80 149 74

HSL 115.2, 0.34%, 0.44%

LAB 55.78, -37.46, 32.79

 

CMYK 51 / 47 / 0 / 41

HEX #4A5096

RGB 74 80 150

HSL 235.26, 0.34%, 0.44%

LAB 36.73, 17.81, -39.33

 

CMYK 0 / 51 / 47 / 41

HEX #964A50

RGB 150 74 80

HSL 355.26, 0.34%, 0.44%

LAB 41.15, 32.43, 11.32

 

CMYK 46 / 0 / 50 / 42

HEX #50954A

RGB 80 149 74

HSL 115.2, 0.34%, 0.44%

LAB 55.78, -37.46, 32.79

 

CMYK 51 / 6 / 0 / 41

HEX #4A8D96

RGB 74 141 150

HSL 187.11, 0.34%, 0.44%

LAB 54.77, -18.69, -11.36

 

CMYK 5 / 51 / 0 / 41

HEX #8F4A96

RGB 143 74 150

HSL 294.47, 0.34%, 0.44%

LAB 42.67, 40.9, -29.47

 

CMYK 0 / 45 / 51 / 41

HEX #96524A

RGB 150 82 74

HSL 6.32, 0.34%, 0.44%

LAB 42.78, 27.4, 17.22

 

CMYK 46 / 0 / 50 / 42

HEX #50954A

RGB 80 149 74

HSL 115.2, 0.34%, 0.44%

LAB 55.78, -37.46, 32.79

 

CMYK 51 / 21 / 0 / 41

HEX #4A7696

RGB 74 118 150

HSL 205.26, 0.34%, 0.44%

LAB 47.77, -5.83, -22.02

 

CMYK 5 / 51 / 0 / 41

HEX #8F4A96

RGB 143 74 150

HSL 294.47, 0.34%, 0.44%

LAB 42.67, 40.9, -29.47

 

CMYK 0 / 30 / 51 / 41

HEX #96694A

RGB 150 105 74

HSL 24.47, 0.34%, 0.44%

LAB 48.36, 14.24, 24.56

 

Description

Color code: RGB 80 149 74 | qconv.com Color code: RGB 80 149 74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 149 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 149 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 50 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 50% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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