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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 122 183 it is the complementary color RGB 175 133 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 122 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 122 183 shade: RGB 85 122 178, RGB 102 140 197, RGB 119 158 216, RGB 136 176 235 and RGB 153 194 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 122 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 122 183 shade: RGB 80 122 183, RGB 63 104 164, RGB 46 86 145, RGB 29 68 126 and RGB 12 50 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 122 183 shade: RGB 81 123 184, RGB 81 95 184, RGB 94 81 184, RGB 122 81 184 and RGB 150 81 184

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 122 183 shade: RGB 81 123 184, RGB 81 95 184 and RGB 81 81 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 122 183 shade matches the following richer shades: RGB 81 123 184, RGB 61 119 203, RGB 41 115 223 and RGB 21 112 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 122 183 shade: RGB 81 123 184, RGB 100 126 164, RGB 120 130 144, RGB 140 134 124 and RGB 160 137 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 122 183 shade: RGB 81 178 184, RGB 81 151 184, RGB 81 124 184, RGB 81 96 184 and RGB 93 81 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 122 183 shade: RGB 52 84 129, RGB 64 103 158, RGB 81 123 184, RGB 110 145 195 and RGB 139 167 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 122 183 shade: RGB 80 122 183, RGB 161 81 184 and RGB 165 184 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 122 183 shade: RGB 80 122 183, RGB 184 81 124 and RGB 124 184 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 122 183 shade: RGB 80 122 183, RGB 161 81 184, RGB 184 141 81 and RGB 103 184 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 122 183 shade: RGB 80 122 183, RGB 184 81 175, RGB 184 141 81 and RGB 81 184 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 33 / 0 / 28

HEX #507AB7

RGB 80 122 183

HSL 215.53, 0.42%, 0.52%

LAB 50.74, 3.74, -36.6

 

Complementary color

CMYK 0 / 24 / 59 / 31

HEX #AF8548

RGB 175 133 72

HSL 35.53, 0.42%, 0.48%

LAB 58.37, 9.06, 38.65

 

CMYK 52 / 31 / 0 / 30

HEX #557AB2

RGB 85 122 178

HSL 216.13, 0.38%, 0.52%

LAB 50.76, 3.25, -33.66

 

CMYK 48 / 29 / 0 / 23

HEX #668CC5

RGB 102 140 197

HSL 216, 0.45%, 0.59%

LAB 57.67, 2.55, -33.66

 

CMYK 45 / 27 / 0 / 15

HEX #779ED8

RGB 119 158 216

HSL 215.88, 0.55%, 0.66%

LAB 64.43, 1.98, -33.7

 

CMYK 42 / 25 / 0 / 8

HEX #88B0EB

RGB 136 176 235

HSL 215.76, 0.71%, 0.73%

LAB 71.07, 1.5, -33.76

 

CMYK 40 / 24 / 0 / 0

HEX #99C2FE

RGB 153 194 254

HSL 215.64, 0.98%, 0.8%

LAB 77.59, 1.09, -33.86

 

CMYK 56 / 33 / 0 / 28

HEX #507AB7

RGB 80 122 183

HSL 215.53, 0.42%, 0.52%

LAB 50.74, 3.74, -36.6

 

CMYK 62 / 37 / 0 / 36

HEX #3F68A4

RGB 63 104 164

HSL 215.64, 0.44%, 0.45%

LAB 43.71, 4.8, -36.66

 

CMYK 68 / 41 / 0 / 43

HEX #2E5691

RGB 46 86 145

HSL 215.76, 0.52%, 0.37%

LAB 36.52, 6.2, -36.75

 

CMYK 77 / 46 / 0 / 51

HEX #1D447E

RGB 29 68 126

HSL 215.88, 0.63%, 0.3%

LAB 29.16, 8.1, -36.84

 

CMYK 89 / 53 / 0 / 58

HEX #0C326B

RGB 12 50 107

HSL 216, 0.8%, 0.23%

LAB 21.66, 10.82, -36.88

 

CMYK 56 / 33 / 0 / 28

HEX #517BB8

RGB 81 123 184

HSL 215.53, 0.42%, 0.52%

LAB 51.12, 3.68, -36.57

 

CMYK 56 / 48 / 0 / 28

HEX #515FB8

RGB 81 95 184

HSL 231.84, 0.42%, 0.52%

LAB 43.35, 21.04, -48.91

 

CMYK 49 / 56 / 0 / 28

HEX #5E51B8

RGB 94 81 184

HSL 247.57, 0.42%, 0.52%

LAB 40.78, 32.56, -53

 

CMYK 34 / 56 / 0 / 28

HEX #7A51B8

RGB 122 81 184

HSL 263.88, 0.42%, 0.52%

LAB 43.48, 39.11, -48.5

 

CMYK 18 / 56 / 0 / 28

HEX #9651B8

RGB 150 81 184

HSL 280.19, 0.42%, 0.52%

LAB 46.75, 46.31, -43.1

 

CMYK 56 / 33 / 0 / 28

HEX #517BB8

RGB 81 123 184

HSL 215.53, 0.42%, 0.52%

LAB 51.12, 3.68, -36.57

 

CMYK 56 / 48 / 0 / 28

HEX #515FB8

RGB 81 95 184

HSL 231.84, 0.42%, 0.52%

LAB 43.35, 21.04, -48.91

 

CMYK 56 / 56 / 0 / 28

HEX #5151B8

RGB 81 81 184

HSL 240, 0.42%, 0.52%

LAB 39.74, 29.87, -54.72

 

CMYK 56 / 33 / 0 / 28

HEX #517BB8

RGB 81 123 184

HSL 215.53, 0.42%, 0.52%

LAB 51.12, 3.68, -36.57

 

CMYK 70 / 41 / 0 / 20

HEX #3D77CB

RGB 61 119 203

HSL 215.49, 0.58%, 0.52%

LAB 50.09, 9, -49.15

 

CMYK 82 / 48 / 0 / 13

HEX #2973DF

RGB 41 115 223

HSL 215.6, 0.74%, 0.52%

LAB 49.57, 16.56, -61.37

 

CMYK 91 / 54 / 0 / 5

HEX #1570F3

RGB 21 112 243

HSL 215.41, 0.9%, 0.52%

LAB 49.76, 24.85, -72.3

 

CMYK 56 / 33 / 0 / 28

HEX #517BB8

RGB 81 123 184

HSL 215.53, 0.42%, 0.52%

LAB 51.12, 3.68, -36.57

 

CMYK 39 / 23 / 0 / 36

HEX #647EA4

RGB 100 126 164

HSL 215.63, 0.26%, 0.52%

LAB 52.19, 0.57, -23.27

 

CMYK 17 / 10 / 0 / 44

HEX #788290

RGB 120 130 144

HSL 215, 0.1%, 0.52%

LAB 54, -0.59, -8.78

 

CMYK 0 / 4 / 11 / 45

HEX #8C867C

RGB 140 134 124

HSL 37.5, 0.07%, 0.52%

LAB 56.17, 0.41, 6.18

 

CMYK 0 / 14 / 35 / 37

HEX #A08968

RGB 160 137 104

HSL 35.36, 0.23%, 0.52%

LAB 58.38, 3.72, 20.93

 

CMYK 56 / 3 / 0 / 28

HEX #51B2B8

RGB 81 178 184

HSL 183.5, 0.42%, 0.52%

LAB 67.32, -26.56, -11.7

 

CMYK 56 / 18 / 0 / 28

HEX #5197B8

RGB 81 151 184

HSL 199.22, 0.42%, 0.52%

LAB 59.29, -12.45, -23.88

 

CMYK 56 / 33 / 0 / 28

HEX #517CB8

RGB 81 124 184

HSL 214.95, 0.42%, 0.52%

LAB 51.41, 3.08, -36.12

 

CMYK 56 / 48 / 0 / 28

HEX #5160B8

RGB 81 96 184

HSL 231.26, 0.42%, 0.52%

LAB 43.62, 20.41, -48.48

 

CMYK 49 / 56 / 0 / 28

HEX #5D51B8

RGB 93 81 184

HSL 246.99, 0.42%, 0.52%

LAB 40.69, 32.34, -53.14

 

CMYK 60 / 35 / 0 / 49

HEX #345481

RGB 52 84 129

HSL 215.06, 0.43%, 0.35%

LAB 35.31, 2.85, -28.87

 

CMYK 59 / 35 / 0 / 38

HEX #40679E

RGB 64 103 158

HSL 215.11, 0.42%, 0.44%

LAB 43.15, 3.55, -33.99

 

CMYK 56 / 33 / 0 / 28

HEX #517BB8

RGB 81 123 184

HSL 215.53, 0.42%, 0.52%

LAB 51.12, 3.68, -36.57

 

CMYK 44 / 26 / 0 / 24

HEX #6E91C3

RGB 110 145 195

HSL 215.29, 0.41%, 0.6%

LAB 59.44, 1.09, -29.74

 

CMYK 33 / 19 / 0 / 19

HEX #8BA7CF

RGB 139 167 207

HSL 215.29, 0.41%, 0.68%

LAB 67.75, -0.13, -23.5

 

CMYK 56 / 33 / 0 / 28

HEX #507AB7

RGB 80 122 183

HSL 215.53, 0.42%, 0.52%

LAB 50.74, 3.74, -36.6

 

CMYK 13 / 56 / 0 / 28

HEX #A151B8

RGB 161 81 184

HSL 286.6, 0.42%, 0.52%

LAB 48.16, 49.22, -40.77

 

CMYK 10 / 0 / 56 / 28

HEX #A5B851

RGB 165 184 81

HSL 71.07, 0.42%, 0.52%

LAB 71.47, -21.59, 49.24

 

CMYK 56 / 33 / 0 / 28

HEX #507AB7

RGB 80 122 183

HSL 215.53, 0.42%, 0.52%

LAB 50.74, 3.74, -36.6

 

CMYK 0 / 56 / 33 / 28

HEX #B8517C

RGB 184 81 124

HSL 334.95, 0.42%, 0.52%

LAB 48.92, 46.18, -3.74

 

CMYK 33 / 0 / 56 / 28

HEX #7CB851

RGB 124 184 81

HSL 94.95, 0.42%, 0.52%

LAB 68.87, -37.37, 45.56

 

CMYK 56 / 33 / 0 / 28

HEX #507AB7

RGB 80 122 183

HSL 215.53, 0.42%, 0.52%

LAB 50.74, 3.74, -36.6

 

CMYK 13 / 56 / 0 / 28

HEX #A151B8

RGB 161 81 184

HSL 286.6, 0.42%, 0.52%

LAB 48.16, 49.22, -40.77

 

CMYK 0 / 23 / 56 / 28

HEX #B88D51

RGB 184 141 81

HSL 34.95, 0.42%, 0.52%

LAB 61.51, 9.25, 37.96

 

CMYK 44 / 0 / 56 / 28

HEX #67B851

RGB 103 184 81

HSL 107.18, 0.42%, 0.52%

LAB 67.84, -44.4, 44.1

 

CMYK 56 / 33 / 0 / 28

HEX #507AB7

RGB 80 122 183

HSL 215.53, 0.42%, 0.52%

LAB 50.74, 3.74, -36.6

 

CMYK 0 / 56 / 5 / 28

HEX #B851AF

RGB 184 81 175

HSL 305.24, 0.42%, 0.52%

LAB 50.89, 53.82, -31.02

 

CMYK 0 / 23 / 56 / 28

HEX #B88D51

RGB 184 141 81

HSL 34.95, 0.42%, 0.52%

LAB 61.51, 9.25, 37.96

 

CMYK 56 / 0 / 52 / 28

HEX #51B859

RGB 81 184 89

HSL 124.66, 0.42%, 0.52%

LAB 67.09, -49.59, 39.13

 

Description

Color code: RGB 80 122 183 | qconv.com Color code: RGB 80 122 183 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 122 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 122 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 33 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 33% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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