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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 91 38 it is the complementary color RGB 175 164 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 91 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 91 38 shade: RGB 85 91 33, RGB 102 109 52, RGB 119 127 71, RGB 136 145 90 and RGB 153 163 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 91 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 91 38 shade: RGB 80 91 38, RGB 63 73 19, RGB 46 55 0, RGB 29 37 0 and RGB 12 19 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 91 38 shade: RGB 79 89 37, RGB 89 86 37, RGB 89 72 37, RGB 89 58 37 and RGB 89 44 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 91 38 shade: RGB 79 89 37, RGB 64 89 37, RGB 50 89 37, RGB 37 89 38 and RGB 37 89 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 91 38 shade matches the following richer shades: RGB 79 89 37, RGB 85 100 27, RGB 91 110 16 and RGB 97 120 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 91 38 shade: RGB 79 89 37, RGB 73 79 47, RGB 66 69 58, RGB 60 58 68 and RGB 54 48 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 91 38 shade: RGB 89 72 37, RGB 89 86 37, RGB 79 89 37, RGB 65 89 37 and RGB 51 89 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 91 38 shade: RGB 27 31 13, RGB 53 60 25, RGB 79 89 37, RGB 104 118 49 and RGB 130 148 61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 91 38 shade: RGB 80 91 38, RGB 37 89 58 and RGB 79 37 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 91 38 shade: RGB 80 91 38, RGB 37 79 89 and RGB 89 37 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 91 38 shade: RGB 80 91 38, RGB 37 89 58, RGB 48 37 89 and RGB 89 37 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 91 38 shade: RGB 80 91 38, RGB 37 89 74, RGB 48 37 89 and RGB 89 37 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 58 / 64

HEX #505B26

RGB 80 91 38

HSL 72.45, 0.41%, 0.25%

LAB 36.61, -13.26, 28.7

 

Complementary color

CMYK 19 / 24 / 0 / 15

HEX #AFA4D9

RGB 175 164 217

HSL 252.45, 0.41%, 0.75%

LAB 69.95, 14.79, -25.41

 

CMYK 7 / 0 / 64 / 64

HEX #555B21

RGB 85 91 33

HSL 66.21, 0.47%, 0.24%

LAB 36.97, -11.4, 31.83

 

CMYK 6 / 0 / 52 / 57

HEX #666D34

RGB 102 109 52

HSL 67.37, 0.35%, 0.32%

LAB 44.25, -11.9, 30.65

 

CMYK 6 / 0 / 44 / 50

HEX #777F47

RGB 119 127 71

HSL 68.57, 0.28%, 0.39%

LAB 51.33, -12.23, 29.37

 

CMYK 6 / 0 / 38 / 43

HEX #88915A

RGB 136 145 90

HSL 69.82, 0.23%, 0.46%

LAB 58.25, -12.46, 28.12

 

CMYK 6 / 0 / 33 / 36

HEX #99A36D

RGB 153 163 109

HSL 71.11, 0.23%, 0.53%

LAB 65.02, -12.63, 26.92

 

CMYK 12 / 0 / 58 / 64

HEX #505B26

RGB 80 91 38

HSL 72.45, 0.41%, 0.25%

LAB 36.61, -13.26, 28.7

 

CMYK 14 / 0 / 74 / 71

HEX #3F4913

RGB 63 73 19

HSL 71.11, 0.59%, 0.18%

LAB 29.08, -12.76, 29.68

 

CMYK 16 / 0 / 100 / 78

HEX #2E3700

RGB 46 55 0

HSL 69.82, 1%, 0.11%

LAB 21.26, -12.03, 29.38

 

CMYK 22 / 0 / 100 / 85

HEX #1D2500

RGB 29 37 0

HSL 72.97, 1%, 0.07%

LAB 13.13, -10.19, 19.15

 

CMYK 37 / 0 / 100 / 93

HEX #0C1300

RGB 12 19 0

HSL 82.11, 1%, 0.04%

LAB 4.91, -5.43, 7.26

 

CMYK 11 / 0 / 58 / 65

HEX #4F5925

RGB 79 89 37

HSL 71.54, 0.41%, 0.25%

LAB 35.87, -12.7, 28.36

 

CMYK 0 / 3 / 58 / 65

HEX #595625

RGB 89 86 37

HSL 56.54, 0.41%, 0.25%

LAB 35.82, -6.24, 28.53

 

CMYK 0 / 19 / 58 / 65

HEX #594825

RGB 89 72 37

HSL 40.38, 0.41%, 0.25%

LAB 31.56, 2.27, 23.51

 

CMYK 0 / 35 / 58 / 65

HEX #593A25

RGB 89 58 37

HSL 24.23, 0.41%, 0.25%

LAB 27.53, 11.1, 18.54

 

CMYK 0 / 51 / 58 / 65

HEX #592C25

RGB 89 44 37

HSL 8.08, 0.41%, 0.25%

LAB 23.86, 19.84, 13.84

 

CMYK 11 / 0 / 58 / 65

HEX #4F5925

RGB 79 89 37

HSL 71.54, 0.41%, 0.25%

LAB 35.87, -12.7, 28.36

 

CMYK 28 / 0 / 58 / 65

HEX #405925

RGB 64 89 37

HSL 88.85, 0.41%, 0.25%

LAB 34.74, -19.39, 26.75

 

CMYK 44 / 0 / 58 / 65

HEX #325925

RGB 50 89 37

HSL 105, 0.41%, 0.25%

LAB 33.89, -24.98, 25.54

 

CMYK 58 / 0 / 57 / 65

HEX #255926

RGB 37 89 38

HSL 121.15, 0.41%, 0.25%

LAB 33.3, -29.18, 24.14

 

CMYK 58 / 0 / 42 / 65

HEX #255934

RGB 37 89 52

HSL 137.31, 0.41%, 0.25%

LAB 33.53, -26.72, 16.3

 

CMYK 11 / 0 / 58 / 65

HEX #4F5925

RGB 79 89 37

HSL 71.54, 0.41%, 0.25%

LAB 35.87, -12.7, 28.36

 

CMYK 15 / 0 / 73 / 61

HEX #55641B

RGB 85 100 27

HSL 72.33, 0.57%, 0.25%

LAB 39.79, -16.87, 37.61

 

CMYK 17 / 0 / 85 / 57

HEX #5B6E10

RGB 91 110 16

HSL 72.13, 0.75%, 0.25%

LAB 43.38, -20.03, 45.13

 

CMYK 19 / 0 / 95 / 53

HEX #617806

RGB 97 120 6

HSL 72.11, 0.9%, 0.25%

LAB 46.96, -22.79, 50.64

 

CMYK 11 / 0 / 58 / 65

HEX #4F5925

RGB 79 89 37

HSL 71.54, 0.41%, 0.25%

LAB 35.87, -12.7, 28.36

 

CMYK 8 / 0 / 41 / 69

HEX #494F2F

RGB 73 79 47

HSL 71.25, 0.25%, 0.25%

LAB 32.29, -8.43, 18.11

 

CMYK 4 / 0 / 16 / 73

HEX #42453A

RGB 66 69 58

HSL 76.36, 0.09%, 0.25%

LAB 28.69, -3.59, 6.23

 

CMYK 12 / 15 / 0 / 73

HEX #3C3A44

RGB 60 58 68

HSL 252, 0.08%, 0.25%

LAB 24.96, 3.23, -5.84

 

CMYK 31 / 38 / 0 / 69

HEX #36304E

RGB 54 48 78

HSL 252, 0.24%, 0.25%

LAB 21.76, 10.5, -17.48

 

CMYK 0 / 19 / 58 / 65

HEX #594825

RGB 89 72 37

HSL 40.38, 0.41%, 0.25%

LAB 31.56, 2.27, 23.51

 

CMYK 0 / 3 / 58 / 65

HEX #595625

RGB 89 86 37

HSL 56.54, 0.41%, 0.25%

LAB 35.82, -6.24, 28.53

 

CMYK 11 / 0 / 58 / 65

HEX #4F5925

RGB 79 89 37

HSL 71.54, 0.41%, 0.25%

LAB 35.87, -12.7, 28.36

 

CMYK 27 / 0 / 58 / 65

HEX #415925

RGB 65 89 37

HSL 87.69, 0.41%, 0.25%

LAB 34.81, -18.96, 26.85

 

CMYK 43 / 0 / 58 / 65

HEX #335925

RGB 51 89 37

HSL 103.85, 0.41%, 0.25%

LAB 33.95, -24.6, 25.62

 

CMYK 13 / 0 / 58 / 88

HEX #1B1F0D

RGB 27 31 13

HSL 73.33, 0.41%, 0.09%

LAB 10.86, -5.7, 10.62

 

CMYK 12 / 0 / 58 / 76

HEX #353C19

RGB 53 60 25

HSL 72, 0.41%, 0.17%

LAB 23.86, -9.39, 20.46

 

CMYK 11 / 0 / 58 / 65

HEX #4F5925

RGB 79 89 37

HSL 71.54, 0.41%, 0.25%

LAB 35.87, -12.7, 28.36

 

CMYK 12 / 0 / 58 / 54

HEX #687631

RGB 104 118 49

HSL 72.17, 0.41%, 0.33%

LAB 47.13, -16.23, 35.62

 

CMYK 12 / 0 / 59 / 42

HEX #82943D

RGB 130 148 61

HSL 72.41, 0.42%, 0.41%

LAB 58.29, -19.67, 42.95

 

CMYK 12 / 0 / 58 / 64

HEX #505B26

RGB 80 91 38

HSL 72.45, 0.41%, 0.25%

LAB 36.61, -13.26, 28.7

 

CMYK 58 / 0 / 35 / 65

HEX #25593A

RGB 37 89 58

HSL 144.23, 0.41%, 0.25%

LAB 33.65, -25.45, 12.83

 

CMYK 11 / 58 / 0 / 65

HEX #4F2559

RGB 79 37 89

HSL 288.46, 0.41%, 0.25%

LAB 22.68, 28.88, -23.15

 

CMYK 12 / 0 / 58 / 64

HEX #505B26

RGB 80 91 38

HSL 72.45, 0.41%, 0.25%

LAB 36.61, -13.26, 28.7

 

CMYK 58 / 11 / 0 / 65

HEX #254F59

RGB 37 79 89

HSL 191.54, 0.41%, 0.25%

LAB 31.13, -11.38, -10.35

 

CMYK 0 / 58 / 11 / 65

HEX #59254F

RGB 89 37 79

HSL 311.54, 0.41%, 0.25%

LAB 23.71, 30.03, -14.76

 

CMYK 12 / 0 / 58 / 64

HEX #505B26

RGB 80 91 38

HSL 72.45, 0.41%, 0.25%

LAB 36.61, -13.26, 28.7

 

CMYK 58 / 0 / 35 / 65

HEX #25593A

RGB 37 89 58

HSL 144.23, 0.41%, 0.25%

LAB 33.65, -25.45, 12.83

 

CMYK 46 / 58 / 0 / 65

HEX #302559

RGB 48 37 89

HSL 252.69, 0.41%, 0.25%

LAB 18.68, 19.71, -29.75

 

CMYK 0 / 58 / 24 / 65

HEX #592544

RGB 89 37 68

HSL 324.23, 0.41%, 0.25%

LAB 23.22, 28.09, -8.1

 

CMYK 12 / 0 / 58 / 64

HEX #505B26

RGB 80 91 38

HSL 72.45, 0.41%, 0.25%

LAB 36.61, -13.26, 28.7

 

CMYK 58 / 0 / 17 / 65

HEX #25594A

RGB 37 89 74

HSL 162.69, 0.41%, 0.25%

LAB 34.05, -21.51, 3.46

 

CMYK 46 / 58 / 0 / 65

HEX #302559

RGB 48 37 89

HSL 252.69, 0.41%, 0.25%

LAB 18.68, 19.71, -29.75

 

CMYK 0 / 58 / 40 / 65

HEX #592535

RGB 89 37 53

HSL 341.54, 0.41%, 0.25%

LAB 22.67, 25.83, 1.33

 

Description

Color code: RGB 80 91 38 | qconv.com Color code: RGB 80 91 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 91 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 91 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 58 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 58% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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