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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 89 147 it is the complementary color RGB 175 166 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 89 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 89 147 shade: RGB 85 89 142, RGB 102 107 161, RGB 119 125 180, RGB 136 143 199 and RGB 153 161 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 89 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 89 147 shade: RGB 80 89 147, RGB 63 71 128, RGB 46 53 109, RGB 29 35 90 and RGB 12 17 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 89 147 shade: RGB 80 89 149, RGB 89 80 149, RGB 108 80 149, RGB 126 80 149 and RGB 145 80 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 89 147 shade: RGB 80 89 149 and RGB 80 80 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 89 147 shade matches the following richer shades: RGB 80 89 149, RGB 61 75 167, RGB 43 62 186, RGB 24 48 204 and RGB 6 35 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 89 147 shade: RGB 80 89 149, RGB 98 103 130, RGB 117 116 112, RGB 136 130 93 and RGB 154 143 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 89 147 shade: RGB 80 127 149, RGB 80 109 149, RGB 80 90 149, RGB 88 80 149 and RGB 106 80 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 89 147 shade: RGB 51 57 95, RGB 65 73 122, RGB 80 89 149, RGB 99 109 171 and RGB 126 134 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 89 147 shade: RGB 80 89 147, RGB 149 80 145 and RGB 118 149 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 89 147 shade: RGB 80 89 147, RGB 149 80 90 and RGB 90 149 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 89 147 shade: RGB 80 89 147, RGB 149 80 145, RGB 149 138 80 and RGB 80 149 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 89 147 shade: RGB 80 89 147, RGB 149 80 125, RGB 149 138 80 and RGB 80 149 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 39 / 0 / 42

HEX #505993

RGB 80 89 147

HSL 231.94, 0.3%, 0.45%

LAB 39.51, 12.6, -33.09

 

Complementary color

CMYK 0 / 5 / 38 / 31

HEX #AFA66C

RGB 175 166 108

HSL 51.94, 0.3%, 0.55%

LAB 67.63, -5.45, 31.21

 

CMYK 40 / 37 / 0 / 44

HEX #55598E

RGB 85 89 142

HSL 235.79, 0.25%, 0.45%

LAB 39.63, 12.45, -29.86

 

CMYK 37 / 34 / 0 / 37

HEX #666BA1

RGB 102 107 161

HSL 234.92, 0.24%, 0.52%

LAB 46.86, 11.7, -29.77

 

CMYK 34 / 31 / 0 / 29

HEX #777DB4

RGB 119 125 180

HSL 234.1, 0.29%, 0.59%

LAB 53.9, 11.08, -29.74

 

CMYK 32 / 28 / 0 / 22

HEX #888FC7

RGB 136 143 199

HSL 233.33, 0.36%, 0.66%

LAB 60.78, 10.54, -29.77

 

CMYK 30 / 26 / 0 / 15

HEX #99A1DA

RGB 153 161 218

HSL 232.62, 0.47%, 0.73%

LAB 67.52, 10.07, -29.84

 

CMYK 46 / 39 / 0 / 42

HEX #505993

RGB 80 89 147

HSL 231.94, 0.3%, 0.45%

LAB 39.51, 12.6, -33.09

 

CMYK 51 / 45 / 0 / 50

HEX #3F4780

RGB 63 71 128

HSL 232.62, 0.34%, 0.37%

LAB 32.08, 13.68, -33.32

 

CMYK 58 / 51 / 0 / 57

HEX #2E356D

RGB 46 53 109

HSL 233.33, 0.41%, 0.3%

LAB 24.42, 15.1, -33.63

 

CMYK 68 / 61 / 0 / 65

HEX #1D235A

RGB 29 35 90

HSL 234.1, 0.51%, 0.23%

LAB 16.51, 17.06, -34.01

 

CMYK 83 / 76 / 0 / 72

HEX #0C1147

RGB 12 17 71

HSL 234.92, 0.71%, 0.16%

LAB 8.43, 19.82, -34.25

 

CMYK 46 / 40 / 0 / 42

HEX #505995

RGB 80 89 149

HSL 232.17, 0.3%, 0.45%

LAB 39.61, 13.23, -34.13

 

CMYK 40 / 46 / 0 / 42

HEX #595095

RGB 89 80 149

HSL 247.83, 0.3%, 0.45%

LAB 37.9, 21.36, -36.8

 

CMYK 28 / 46 / 0 / 42

HEX #6C5095

RGB 108 80 149

HSL 264.35, 0.3%, 0.45%

LAB 39.74, 26.77, -33.77

 

CMYK 15 / 46 / 0 / 42

HEX #7E5095

RGB 126 80 149

HSL 280, 0.3%, 0.45%

LAB 41.76, 32.2, -30.45

 

CMYK 3 / 46 / 0 / 42

HEX #915095

RGB 145 80 149

HSL 296.52, 0.3%, 0.45%

LAB 44.13, 38.08, -26.57

 

CMYK 46 / 40 / 0 / 42

HEX #505995

RGB 80 89 149

HSL 232.17, 0.3%, 0.45%

LAB 39.61, 13.23, -34.13

 

CMYK 46 / 46 / 0 / 42

HEX #505095

RGB 80 80 149

HSL 240, 0.3%, 0.45%

LAB 37.14, 18.98, -38.06

 

CMYK 46 / 40 / 0 / 42

HEX #505995

RGB 80 89 149

HSL 232.17, 0.3%, 0.45%

LAB 39.61, 13.23, -34.13

 

CMYK 63 / 55 / 0 / 35

HEX #3D4BA7

RGB 61 75 167

HSL 232.08, 0.46%, 0.45%

LAB 35.62, 24.17, -51.38

 

CMYK 77 / 67 / 0 / 27

HEX #2B3EBA

RGB 43 62 186

HSL 232.03, 0.62%, 0.45%

LAB 32.93, 36.99, -67.1

 

CMYK 88 / 76 / 0 / 20

HEX #1830CC

RGB 24 48 204

HSL 232, 0.79%, 0.45%

LAB 31.04, 50.38, -80.81

 

CMYK 97 / 84 / 0 / 13

HEX #0623DF

RGB 6 35 223

HSL 231.98, 0.95%, 0.45%

LAB 30.8, 62.29, -92.2

 

CMYK 46 / 40 / 0 / 42

HEX #505995

RGB 80 89 149

HSL 232.17, 0.3%, 0.45%

LAB 39.61, 13.23, -34.13

 

CMYK 25 / 21 / 0 / 49

HEX #626782

RGB 98 103 130

HSL 230.63, 0.14%, 0.45%

LAB 44.1, 4.47, -15.61

 

CMYK 0 / 1 / 4 / 54

HEX #757470

RGB 117 116 112

HSL 48, 0.02%, 0.45%

LAB 48.81, -0.41, 2.34

 

CMYK 0 / 4 / 32 / 47

HEX #88825D

RGB 136 130 93

HSL 51.63, 0.19%, 0.45%

LAB 54.02, -3.85, 20.89

 

CMYK 0 / 7 / 52 / 40

HEX #9A8F4A

RGB 154 143 74

HSL 51.75, 0.35%, 0.45%

LAB 58.98, -5.49, 37.84

 

CMYK 46 / 15 / 0 / 42

HEX #507F95

RGB 80 127 149

HSL 199.13, 0.3%, 0.45%

LAB 50.75, -9.8, -16.84

 

CMYK 46 / 27 / 0 / 42

HEX #506D95

RGB 80 109 149

HSL 214.78, 0.3%, 0.45%

LAB 45.38, 0.77, -25.1

 

CMYK 46 / 40 / 0 / 42

HEX #505A95

RGB 80 90 149

HSL 231.3, 0.3%, 0.45%

LAB 39.89, 12.59, -33.68

 

CMYK 41 / 46 / 0 / 42

HEX #585095

RGB 88 80 149

HSL 246.96, 0.3%, 0.45%

LAB 37.81, 21.09, -36.95

 

CMYK 29 / 46 / 0 / 42

HEX #6A5095

RGB 106 80 149

HSL 262.61, 0.3%, 0.45%

LAB 39.53, 26.18, -34.11

 

CMYK 46 / 40 / 0 / 63

HEX #33395F

RGB 51 57 95

HSL 231.82, 0.3%, 0.29%

LAB 25.13, 8.75, -23.44

 

CMYK 47 / 40 / 0 / 52

HEX #41497A

RGB 65 73 122

HSL 231.58, 0.3%, 0.37%

LAB 32.47, 10.9, -28.97

 

CMYK 46 / 40 / 0 / 42

HEX #505995

RGB 80 89 149

HSL 232.17, 0.3%, 0.45%

LAB 39.61, 13.23, -34.13

 

CMYK 42 / 36 / 0 / 33

HEX #636DAB

RGB 99 109 171

HSL 231.67, 0.3%, 0.53%

LAB 47.66, 12.54, -34.39

 

CMYK 32 / 28 / 0 / 27

HEX #7E86B9

RGB 126 134 185

HSL 231.86, 0.3%, 0.61%

LAB 57.06, 9.17, -27.66

 

CMYK 46 / 39 / 0 / 42

HEX #505993

RGB 80 89 147

HSL 231.94, 0.3%, 0.45%

LAB 39.51, 12.6, -33.09

 

CMYK 0 / 46 / 3 / 42

HEX #955091

RGB 149 80 145

HSL 303.48, 0.3%, 0.45%

LAB 44.48, 38.56, -23.59

 

CMYK 21 / 0 / 46 / 42

HEX #769550

RGB 118 149 80

HSL 86.96, 0.3%, 0.45%

LAB 57.97, -23.09, 32.83

 

CMYK 46 / 39 / 0 / 42

HEX #505993

RGB 80 89 147

HSL 231.94, 0.3%, 0.45%

LAB 39.51, 12.6, -33.09

 

CMYK 0 / 46 / 40 / 42

HEX #95505A

RGB 149 80 90

HSL 351.3, 0.3%, 0.45%

LAB 42.56, 29.9, 7.1

 

CMYK 40 / 0 / 46 / 42

HEX #5A9550

RGB 90 149 80

HSL 111.3, 0.3%, 0.45%

LAB 56.33, -33.36, 30.44

 

CMYK 46 / 39 / 0 / 42

HEX #505993

RGB 80 89 147

HSL 231.94, 0.3%, 0.45%

LAB 39.51, 12.6, -33.09

 

CMYK 0 / 46 / 3 / 42

HEX #955091

RGB 149 80 145

HSL 303.48, 0.3%, 0.45%

LAB 44.48, 38.56, -23.59

 

CMYK 0 / 7 / 46 / 42

HEX #958A50

RGB 149 138 80

HSL 50.43, 0.3%, 0.45%

LAB 57.22, -4.33, 32.43

 

CMYK 46 / 0 / 44 / 42

HEX #509553

RGB 80 149 83

HSL 122.61, 0.3%, 0.45%

LAB 55.91, -36.11, 28.21

 

CMYK 46 / 39 / 0 / 42

HEX #505993

RGB 80 89 147

HSL 231.94, 0.3%, 0.45%

LAB 39.51, 12.6, -33.09

 

CMYK 0 / 46 / 16 / 42

HEX #95507D

RGB 149 80 125

HSL 320.87, 0.3%, 0.45%

LAB 43.66, 35, -12.74

 

CMYK 0 / 7 / 46 / 42

HEX #958A50

RGB 149 138 80

HSL 50.43, 0.3%, 0.45%

LAB 57.22, -4.33, 32.43

 

CMYK 46 / 0 / 30 / 42

HEX #509568

RGB 80 149 104

HSL 140.87, 0.3%, 0.45%

LAB 56.29, -32.35, 17.16

 

Description

Color code: RGB 80 89 147 | qconv.com Color code: RGB 80 89 147 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 89 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 89 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 39 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 39% 0% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

76% - nandoguissa - Alvani...
Link: http://alvanista.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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