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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 84 19 it is the complementary color RGB 175 171 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 84 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 84 19 shade: RGB 85 84 14, RGB 102 102 33, RGB 119 120 52, RGB 136 138 71 and RGB 153 156 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 84 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 84 19 shade: RGB 80 84 19, RGB 63 66 0, RGB 46 48 0, RGB 29 30 0 and RGB 12 12 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 84 19 shade: RGB 79 83 18, RGB 83 69 18, RGB 83 52 18, RGB 83 35 18 and RGB 83 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 84 19 shade: RGB 79 83 18, RGB 61 83 18, RGB 44 83 18, RGB 27 83 18 and RGB 18 83 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 84 19 shade matches the following richer shades: RGB 79 83 18, RGB 86 91 10 and RGB 93 99 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 84 19 shade: RGB 79 83 18, RGB 71 74 27, RGB 64 66 35, RGB 57 58 43 and RGB 50 50 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 84 19 shade: RGB 83 52 18, RGB 83 69 18, RGB 79 83 18, RGB 62 83 18 and RGB 45 83 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 84 19 shade: RGB 15 15 3, RGB 47 49 11, RGB 79 83 18, RGB 111 116 26 and RGB 143 150 34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 84 19 shade: RGB 80 84 19, RGB 18 83 34 and RGB 60 18 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 84 19 shade: RGB 80 84 19, RGB 18 79 83 and RGB 83 18 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 84 19 shade: RGB 80 84 19, RGB 18 83 34, RGB 22 18 83 and RGB 83 18 67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 84 19 shade: RGB 80 84 19, RGB 18 83 54, RGB 22 18 83 and RGB 83 18 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 77 / 67

HEX #505413

RGB 80 84 19

HSL 63.69, 0.63%, 0.2%

LAB 34.18, -10.8, 35.27

 

Complementary color

CMYK 26 / 28 / 0 / 7

HEX #AFABEC

RGB 175 171 236

HSL 243.69, 0.63%, 0.8%

LAB 72.43, 15.31, -31.99

 

CMYK 0 / 1 / 84 / 67

HEX #55540E

RGB 85 84 14

HSL 59.15, 0.72%, 0.19%

LAB 34.61, -8.59, 37.77

 

CMYK 0 / 0 / 68 / 60

HEX #666621

RGB 102 102 33

HSL 60, 0.51%, 0.26%

LAB 41.9, -9.63, 37.57

 

CMYK 1 / 0 / 57 / 53

HEX #777834

RGB 119 120 52

HSL 60.88, 0.4%, 0.34%

LAB 49.01, -10.35, 36.58

 

CMYK 1 / 0 / 49 / 46

HEX #888A47

RGB 136 138 71

HSL 61.79, 0.32%, 0.41%

LAB 55.95, -10.88, 35.37

 

CMYK 2 / 0 / 42 / 39

HEX #999C5A

RGB 153 156 90

HSL 62.73, 0.27%, 0.48%

LAB 62.75, -11.28, 34.12

 

CMYK 5 / 0 / 77 / 67

HEX #505413

RGB 80 84 19

HSL 63.69, 0.63%, 0.2%

LAB 34.18, -10.8, 35.27

 

CMYK 5 / 0 / 100 / 74

HEX #3F4200

RGB 63 66 0

HSL 62.73, 1%, 0.13%

LAB 26.6, -9.73, 35.2

 

CMYK 4 / 0 / 100 / 81

HEX #2E3000

RGB 46 48 0

HSL 62.5, 1%, 0.09%

LAB 18.78, -7.76, 26.58

 

CMYK 3 / 0 / 100 / 88

HEX #1D1E00

RGB 29 30 0

HSL 62, 1%, 0.06%

LAB 10.48, -5.65, 15.52

 

CMYK 0 / 0 / 100 / 95

HEX #0C0C00

RGB 12 12 0

HSL 60, 1%, 0.02%

LAB 3.08, -1.68, 4.58

 

CMYK 5 / 0 / 78 / 67

HEX #4F5312

RGB 79 83 18

HSL 63.69, 0.64%, 0.2%

LAB 33.76, -10.77, 35.25

 

CMYK 0 / 17 / 78 / 67

HEX #534512

RGB 83 69 18

HSL 47.08, 0.64%, 0.2%

LAB 29.76, -0.34, 31.48

 

CMYK 0 / 37 / 78 / 67

HEX #533412

RGB 83 52 18

HSL 31.38, 0.64%, 0.2%

LAB 24.76, 10.45, 26.38

 

CMYK 0 / 58 / 78 / 67

HEX #532312

RGB 83 35 18

HSL 15.69, 0.64%, 0.2%

LAB 20.38, 21.04, 21.66

 

CMYK 0 / 78 / 78 / 67

HEX #531212

RGB 83 18 18

HSL 0, 0.64%, 0.2%

LAB 17.06, 29.84, 17.77

 

CMYK 5 / 0 / 78 / 67

HEX #4F5312

RGB 79 83 18

HSL 63.69, 0.64%, 0.2%

LAB 33.76, -10.77, 35.25

 

CMYK 27 / 0 / 78 / 67

HEX #3D5312

RGB 61 83 18

HSL 80.31, 0.64%, 0.2%

LAB 32.31, -19.3, 33.34

 

CMYK 47 / 0 / 78 / 67

HEX #2C5312

RGB 44 83 18

HSL 96, 0.64%, 0.2%

LAB 31.27, -26.39, 31.96

 

CMYK 67 / 0 / 78 / 67

HEX #1B5312

RGB 27 83 18

HSL 111.69, 0.64%, 0.2%

LAB 30.55, -31.9, 31

 

CMYK 78 / 0 / 67 / 67

HEX #12531B

RGB 18 83 27

HSL 128.31, 0.64%, 0.2%

LAB 30.39, -32.95, 26.47

 

CMYK 5 / 0 / 78 / 67

HEX #4F5312

RGB 79 83 18

HSL 63.69, 0.64%, 0.2%

LAB 33.76, -10.77, 35.25

 

CMYK 5 / 0 / 89 / 64

HEX #565B0A

RGB 86 91 10

HSL 63.7, 0.8%, 0.2%

LAB 36.9, -12.28, 41.07

 

CMYK 6 / 0 / 98 / 61

HEX #5D6302

RGB 93 99 2

HSL 63.71, 0.96%, 0.2%

LAB 40.01, -13.62, 46.03

 

CMYK 5 / 0 / 78 / 67

HEX #4F5312

RGB 79 83 18

HSL 63.69, 0.64%, 0.2%

LAB 33.76, -10.77, 35.25

 

CMYK 4 / 0 / 64 / 71

HEX #474A1B

RGB 71 74 27

HSL 63.83, 0.47%, 0.2%

LAB 30.2, -8.76, 27.06

 

CMYK 3 / 0 / 47 / 74

HEX #404223

RGB 64 66 35

HSL 63.87, 0.31%, 0.2%

LAB 27.04, -6.45, 18.55

 

CMYK 2 / 0 / 26 / 77

HEX #393A2B

RGB 57 58 43

HSL 64, 0.15%, 0.2%

LAB 23.9, -3.51, 9.21

 

CMYK 2 / 2 / 0 / 80

HEX #323233

RGB 50 50 51

HSL 240, 0.01%, 0.2%

LAB 20.82, 0.24, -0.64

 

CMYK 0 / 37 / 78 / 67

HEX #533412

RGB 83 52 18

HSL 31.38, 0.64%, 0.2%

LAB 24.76, 10.45, 26.38

 

CMYK 0 / 17 / 78 / 67

HEX #534512

RGB 83 69 18

HSL 47.08, 0.64%, 0.2%

LAB 29.76, -0.34, 31.48

 

CMYK 5 / 0 / 78 / 67

HEX #4F5312

RGB 79 83 18

HSL 63.69, 0.64%, 0.2%

LAB 33.76, -10.77, 35.25

 

CMYK 25 / 0 / 78 / 67

HEX #3E5312

RGB 62 83 18

HSL 79.38, 0.64%, 0.2%

LAB 32.38, -18.85, 33.43

 

CMYK 46 / 0 / 78 / 67

HEX #2D5312

RGB 45 83 18

HSL 95.08, 0.64%, 0.2%

LAB 31.32, -26.01, 32.03

 

CMYK 0 / 0 / 80 / 94

HEX #0F0F03

RGB 15 15 3

HSL 60, 0.67%, 0.04%

LAB 4.06, -1.77, 4.82

 

CMYK 4 / 0 / 78 / 81

HEX #2F310B

RGB 47 49 11

HSL 63.16, 0.63%, 0.12%

LAB 19.33, -7.01, 22.76

 

CMYK 5 / 0 / 78 / 67

HEX #4F5312

RGB 79 83 18

HSL 63.69, 0.64%, 0.2%

LAB 33.76, -10.77, 35.25

 

CMYK 4 / 0 / 78 / 55

HEX #6F741A

RGB 111 116 26

HSL 63.33, 0.63%, 0.28%

LAB 46.9, -13.6, 45.65

 

CMYK 5 / 0 / 77 / 41

HEX #8F9622

RGB 143 150 34

HSL 63.62, 0.63%, 0.36%

LAB 59.68, -16.79, 55.72

 

CMYK 5 / 0 / 77 / 67

HEX #505413

RGB 80 84 19

HSL 63.69, 0.63%, 0.2%

LAB 34.18, -10.8, 35.27

 

CMYK 78 / 0 / 59 / 67

HEX #125322

RGB 18 83 34

HSL 134.77, 0.64%, 0.2%

LAB 30.47, -31.92, 22.81

 

CMYK 28 / 78 / 0 / 67

HEX #3C1253

RGB 60 18 83

HSL 278.77, 0.64%, 0.2%

LAB 15.58, 32.43, -30.63

 

CMYK 5 / 0 / 77 / 67

HEX #505413

RGB 80 84 19

HSL 63.69, 0.63%, 0.2%

LAB 34.18, -10.8, 35.27

 

CMYK 78 / 5 / 0 / 67

HEX #124F53

RGB 18 79 83

HSL 183.69, 0.64%, 0.2%

LAB 30.27, -17.13, -7.88

 

CMYK 0 / 78 / 5 / 67

HEX #53124F

RGB 83 18 79

HSL 303.69, 0.64%, 0.2%

LAB 19.38, 37.27, -21.61

 

CMYK 5 / 0 / 77 / 67

HEX #505413

RGB 80 84 19

HSL 63.69, 0.63%, 0.2%

LAB 34.18, -10.8, 35.27

 

CMYK 78 / 0 / 59 / 67

HEX #125322

RGB 18 83 34

HSL 134.77, 0.64%, 0.2%

LAB 30.47, -31.92, 22.81

 

CMYK 73 / 78 / 0 / 67

HEX #161253

RGB 22 18 83

HSL 243.69, 0.64%, 0.2%

LAB 10.76, 25.15, -38.7

 

CMYK 0 / 78 / 19 / 67

HEX #531243

RGB 83 18 67

HSL 314.77, 0.64%, 0.2%

LAB 18.7, 35.2, -14.43

 

CMYK 5 / 0 / 77 / 67

HEX #505413

RGB 80 84 19

HSL 63.69, 0.63%, 0.2%

LAB 34.18, -10.8, 35.27

 

CMYK 78 / 0 / 35 / 67

HEX #125336

RGB 18 83 54

HSL 153.23, 0.64%, 0.2%

LAB 30.83, -27.83, 11.35

 

CMYK 73 / 78 / 0 / 67

HEX #161253

RGB 22 18 83

HSL 243.69, 0.64%, 0.2%

LAB 10.76, 25.15, -38.7

 

CMYK 0 / 78 / 43 / 67

HEX #53122F

RGB 83 18 47

HSL 333.23, 0.64%, 0.2%

LAB 17.81, 32.37, -1.71

 

Description

Color code: RGB 80 84 19 | qconv.com Color code: RGB 80 84 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 84 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 84 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 77 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 77% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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